Your Vinyl Destination

I have a great announcement- I have joined up with the team at http://www.rockitradio.net/ as a writer and have already been published. I am very fortunate to be part of their team and just hope that I can write up some good material for them! Here is what they have to say on their "DJ" page:

"To spice up the Rock-it Radio Listener's Club Newsletter - Rock-it Radio in the 24 October, 2008 issue was able to get one of the top authorities on Collecting Vinyl Records to start writing articles on rare vinyl - Collecting and Preserving Old Records. We are lucky to have him! And we look forward to reading many new exciting articles of Robert's in the future."

Their format is right up my alley, as I have a true love for the 'oldies' and especially the doo wop sounds of yesteryear.

So come on over and listen to Your Online Station since 1995 with 1950's and Early 1960's Rock and Roll, Doo Wop, Rockabilly and Rhythm and Blues!
http://www.rockitradio.net/

My feature is called "Your Vinyl Destination" and here is something I wrote up about a classic rock/soul group (after the passing of Levi Stubbs):

The Four Tops

With the late Levi Stubbs leading their musical parade, the Four Tops are one of Motown’s fabulous success stories. This American vocal quartet has a compelling musical repertoire including recordings in many genres including doo wop, jazz, soul, R&B, disco, adult contemporary and show tunes.

Originally called The Aims, the quartet of Levi Stubbs, Abdul “Duke” Fakir, Renaldo “Obie” Benson and Lawrence Payton started singing in high school at a local birthday party. They were signed to Chess Records in 1956, where they changed their name to the Four Tops (to avoid confusion with the then-popular Ames Brothers). After unsuccessful stops with Chess, Red Top, Riverside Records and Columbia Records, Berry Gordy Jr. convinced the group to join his growing Motown record label.

The result is pop music history, with the group amassing a catalog of soul standards that continue to inspire and bring pleasure to millions to this day. The group was elected to the Rock and Roll Hall of Fame in 1990 and it is estimated that the Four Tops have sold over 50 million records.

Their storied career started taking shape when the group signed on with Motown in 1963, where they recorded jazz standards and sang background on other Motown singles. In1964, Motown’s songwriting team of Holland-Dozier-Holland created an instrumental track and crafted the song for the Four Tops. The result? The Four Tops’ breakthrough single and now a soul standard “Baby I Need Your Loving” (#11 in 1964).


After a couple of follow up singles did not have the same success (although “Ask The Lonely” was a Top 30 pop hit and a Top Ten R&B hit), the Four Tops success improved dramatically and the group contributed such pop/soul hits as the #1 hit “I Can’t Help Myself (Sugar Pie, Honey Bunch)” (#1 in 1965), “It’s The Same Old Song” (#5 in 1965), “Something About You” (#19 in 1965), “Shake Me, Wake Me (When It’s Over),” which charted at #18 in 1966.

But their signature song, “Reach Out I’ll Be There” (#1 in 1966) put the Four Tops on the top of the Soul/Motown world and the group followed this remarkable record with two other Top Ten hits- “Standing In the Shadows Of Love” (#6 in 1966) and the classic tale of lust and jealousy in the 1967 #4 hit “Bernadette.”

Other Top 20 hits followed and the group was one of the most successful male Motown acts in the US and UK (second only to the Temptations). The Tops began experimenting with mainstream pop hits and scored with their versions of “If I Were A Carpenter” (#20 in 1968) and a song originally a hit for the Left Banke “Walk Away Renee” (#14 in 1968). But when the Holland-Dozier-Holland team left Motown in 1967, the quartet, along with most of Motown began to suffer.

The group worked with a wide variety of Motown producers during the late 60’s without any significant chart success. But their career was rejuvenated when they started working with producer Frank Wilson and their 1970 album called “Still Waters Run Deep” became an early ancestor to the concept album, and served as inspiration for the 1971 album by Marvin Gaye called “What’s Going On” (the title track was co-written by Obie Benson). They also scored Top 40 hits with “It’s All In The Game” (#24 in 1970), “Still Water” (#11 in 1970) and were paired with the Supremes in a remake of the classic Ike & Tina Turner hit “River Deep-Mountain High” (#14 in 1970).

However this was a transitional phase for Motown as the music giant began to change. In the early 70’s older acts such as Martha Reeves & the Vandellas and the Marvelettes were slowly being pushed aside so the label could focus on the newer acts like the Jackson 5, Rare Earth and Diana Ross (who had launched a solo career). Additionally, the company was in the process of moving its operations from Detroit to Los Angles (where Gordy had hoped to break into the motion picture and television industries). By 1972, Motown announced that the entire company would move to LA hoping all of its recording artists would follow. Some did, but many opted to stay in Detroit, including the Four Tops.

The group then singed with ABC-Dunhill and was assigned to the songwriting/producing team of Dennis Lambert and Brian Potter. With this team and their own Lawrence Payton serving as producer/arranger, the Four Tops were revitalized and scored their first Top Ten hit since 1967 with the song “Keeper Of The Castle” (#10 in 1972) and followed that with the now classic soul tune, “Ain’t No Woman (Like The One I Got),” which went to #4 on the Billboard charts in 1973. The group also had top ten R&B hits with “Are You Man Enough” (which also went to #15 on the Billboard charts), “Sweet Understanding Love” (#33 Billboard Top 40), “Midnight Flower” and “One Chain Don’t Make No Prison.” But after these hits in the early 70’s the group disappeared into obscurity in the late 70’s.

But after signing on with Casablanca Records in 1980, the Four Tops made a short comeback in 1981, scoring a #1 R&B hit with the cut “When She Was My Girl” (#11 Billboard Top 40).

In 1983, the Four Tops rejoined Motown and were featured on the company’s television special “Motown 25: Yesterday, Today, Forever.” There they hooked up with the Temptations and decided that the Temptations/Four Tops pairing would be a great touring draw and the two groups (as of 2007) continued to play together.

Back with Motown, the group released the LP “Back Where I Belong” (with one side produced by the Holland-Dozier-Holland team) and the album included the Top 40 R&B single “I Just Can’t Walk Away” (#71 on Billboard Top 100). Two more albums followed including 1985’s “Magic” and 1986’s “Hot Nights.” But the group and label began to quarrel about marketing and musical direction. The Tops left Motown again and signed on with Arista records, this time buying back the masters they had recorded (for an album in progress). The result was the album called “Indestructible” and the title track would prove to be their last Top 40 hit (#33 in 1988).

However, since the late 80’s, the Four Tops have focused on touring, live performances and television and motion pictures. Their last LP was 1995’s “Christmas Here With You” and when 59 year-old Lawrence Payton died in 1997, the forty year career of this legendary Motown group tried to carry on as a trio (the group has never had a line up change until then). In 1988, former Temptation Theo Peoples joined on to restore the group to a quartet once again. In 2000, Stubbs had become ill with cancer and Peoples took over as lead singer. Singer Obie Benson died in 2005 and ex-lead singer Levi Stubbs passed away in October of 2008 (still residing in Detroit).

The Four Tops were one of Motown’s most successful male soul acts. Their legendary career has inspired many soul artists and their music will be forever remembered.



Four Tops discography

Early releases:

Year/Song title:
1956: "If Only I Had Known" (Grady Records, credited as "The Four Aims")
1956: "Could It Be You?" (Chess)
1960: "Ain't That Love" (Columbia Records, reissued in 1965)
1962: "Pennies From Heaven" (Riverside Records)

Motown releases (All the following songs were released on the Motown subsidiary):

Year/Song title:
1964 "Baby I Need Your Loving"
1964 "Without the One You Love (Life's Not Worth While)"
1965 "Ask the Lonely"
1965 "I Can't Help Myself (Sugar Pie, Honey Bunch)"
1965 "It's the Same Old Song"
1965 "Something About You"
1966 "Shake Me, Wake Me (When It's Over)"
1966 "Loving You Is Sweeter Than Ever"
1966 "Reach Out I'll Be There"
1966 "Standing in the Shadows of Love"
1967 "Bernadette"
1967 "7-Rooms of Gloom"
1967 "I'll Turn to Stone"
1967 "You Keep Running Away"
1967 "If I Were a Carpenter"
1968 "Walk Away Renée
1968 "Yesterday's Dreams"
1969 "Don't Let Him Take Your Love From Me"
1969 "What Is A Man"
1969 "Do What You Gotta Do"
1970 "It's All In The Game"
1970 "Still Water (Love)"
1971 "MacArthur Park (Part II)
1971 "River Deep - Mountain High" (The Supremes and the Four Tops)
1971 "In These Changing Times"
1971 "Just Seven Numbers (Can Straighten Out My Life)"
1971 "You Gotta Have Love In Your Heart" (The Supremes and the Four Tops)
1972 "(It's the Way) Nature Planned It"
1972 "Simple Game"
1983 "I Just Can't Walk Away"
1985 "Sexy Ways"

ABC-Dunhill releases:

Year/Song title
1972 "Keeper of the Castle"
1973 "Ain't No Woman (Like the One I've Got)"
1973 "Are You Man Enough"
1973 "Sweet Understanding Love"
1974 "I Just Can't Get You Out Of My Mind"
1974 "Midnight Flower"
1974 "One Chain Don't Make No Prison"
1975 "Seven Lonely Nights"
1975 "We All Gotta Stick Together"
1976 "Catfish"
1976 "I'm Glad You Walked Into My Life"

Casablanca releases:

Year/Song title
1981 "When She Was My Girl"
1981 "Don't Walk Away"
1982 "Let Me Set You Free"
1982 "Back to School Again" (from Grease 2)
1982 "Sad Hearts"
1982 "Tonight I'm Gonna Love You All Over"
1983 "I Believe in You and Me"

Arista releases:

Year/Song title
1988 "If Ever a Love There Was" (with Aretha Franklin)
1988 "Indestructible"
1989 "Loco In Acapulco"

Four Tops Albums:

Motown releases:
1964: The Four Tops
1965: Four Tops' Second Album
1966: On Top
1966: Four Tops Live!
1967: On Broadway
1967: Reach Out
1968: Yesterday's Dreams
1969: The Four Tops Now!
1969: Soul Spin
1970: Still Waters Run Deep
1970: Changing Times
1970: The Magnificent Seven (The Supremes & Four Tops)
1971: The Return of the Magnificent Seven (The Supremes & Four Tops)
1971: Dynamite! (The Supremes & Four Tops)
1972: Nature Planned It
1983: Back Where I Belong
1985: Magic
1986: Hot Nights
1995: Christmas Here With You

ABC-Dunhill releases:
1972: Keeper of the Castle
1973: Main Street People
1974: Live & In Concert
1974: Meeting of the Minds
1975: Night Lights Harmony
1976: Catfish
1977: The Show Must Go On
1978: At the Top

Casablanca releases:
1981: Tonight!
1982: One More Mountain

Arista release:
1988: Indestructible

Levi Stubbs- 1936-2008

Levi Stubbs of the legendary Motown Pop/Soul group the Four Tops, passed away on October 17, 2008. Let’s explore this legendary voice:

Levi Stubbs began his singing career in 1954 with his friends, Abdul “Duke” Fakir, Renaldo “Obie” Benson and Lawrence Payton who called themselves the Four Aims. After signing with Chess Records the group changed their name to the Four Tops to avoid confusion with the popular singing group the Ames Brothers.

Over the years the Four Tops endured a series of unsuccessful tenures with Chess, Red Top, Riverside Records and Columbia Records. Undeterred, the group toured constantly and developed a polished stage presence before signing on with Motown Records in 1963. By the end of the decade the four friends from Detroit were among a number of R&B groups that helped define the “Motown Sound.”

Some of the most popular Four Tops hits were with Levi Stubbs as the featured vocalist including “Baby I Need Your Loving ,”(their first Billboard Top 40 hit in 1964), “I Can’t Help Myself (Sugar Pie, Honey Bunch)” which was a number one hit in 1965, “It’s The Same Old Song” (#5 in 1965), “Reach Out I’ll Be There” (#1 in 1966), “Standing in the Shadow of Love” (#6 in 1966), “Bernadette” (#4 in 1967), “Still Water (Love),” which peaked at number eleven in 1970 and the classic Soul number “Ain’t No Woman (Like The One I Got),” which reached number four in 1973.

Interestingly, Stubbs was a natural baritone and most of the group’s hits were written in the tenor range lending to a sense of urgency in his vocal style and making their definitive Four Tops’ sound. His powerful, expressive voice was an inspiration to many other vocal groups and his good nature and soulful voice will be missed by millions.


Your Vinyl Destination

The Four Tops

The Four Tops have some rare and valuable 45’s including:

Chess (1623) “Could it be You” (1956) $150-200
Riverside (4534) “Where Are You” (1962) $75-100
Chateau (2002) “I Just Can’t Keep My Tears from Tumblin’ Down” (1956) $75-100
Grady (012) “If I had Only Known” (1956) (as the Four Aims) $500-600

While most of the Four Tops LPs in the 1960’s have a price of between $10- 25 there are a couple of LPs that have significant value:

Workshop (217) “Breaking Through” (1962) $1000-1500
Workshop (217) “Jazz Impressions by the Four Tops) re-titled reissue (1962) $500-1000

The Beatles “White Album” On Sale at Ebay

One of the rarest records ever made was the Beatles’ White Album. Although officially released as “The Beatles,” this record is considered one of the rarest albums in history. Copy number 0000005 is now on sale on the UK version of Ebay. Apparently, the first four editions of the album went directly to the Beatles themselves.

According to the seller, there is an interesting history behind the album.

"Some years ago, this album was taken into the collectors shop named ‘Vinyl Revival Records’ in Newbury, Berkshire, England by a musician (they did not disclose who) who had visited John in the flat that he shared with Yoko in late 1968 (that was owned by Ringo) at 34 Montague Square, Marylebone, London W.1. The musician saw a pile of White Albums on a table and asked for one. John readily agreed, but said ‘Don’t take No.1 - I want that’. Instead he took No. 5′.The album then passed into the hands of Beatles specialist dealer ‘Good Humour’ who then sold it to its current owner who has now commissioned me to sell it on his behalf.”

I will be interested to see what the final price will be, although I have my doubts that the reserve may not even be met.

The Vinyl Revival

I love these stories about local record shops and here is another for your enjoyment


The local vinyl revival: Don't throw those records away just yet!

By Daniel Lazarus


It makes no sense. They're heavy to move, and tough to store. They're finicky and delicate. They warp in the heat, scratch easily, and are never the same afterward. But, if you, like many other baby boomers, have been reluctant, unwilling, or unable to part with a dusty, old, milk crate full of your beloved Led Zeppelin, Cream, and Grateful Dead albums, despite the fact that you haven't listened to them in decades, and, probably haven't even owned a working turntable since Reagan Administration, take heart. The wait may be over. Your impractical but tenacious hoarding of those 12-inch black polycarbonate vinyl love letters to your past may have been surprisingly farsighted, after all. Simply put, vinyl records are back. What goes around, comes around, and with increasing frequency is being spun around again (at 33 1/3 and 45 revolutions per minute) on turntables all around the area.

Technically speaking, vinyl records never went away completely. Even after the introduction and wide acceptance of CDs in the early '80s, there were always a few independent record stores (mostly in larger cities) that stocked records for a fringe group of devoted listeners. Some vinyl fans didn't want to, or couldn't afford, to invest in new technology which seemed to change with the season. Others simply wanted to hear to their music as it was originally issued. Ukiah record collector and audiophile Matt Eifert, 37, remembers that as late as "1986-1987-1988, all three formats (cassettes, CDs, and records) were pretty healthy." Then, he says, music companies, bowing to clear consumer preference for the lighter, tougher, compact disks, all but stopped issuing any new vinyl at all. Eifert calls this period, from the late '80s until about 1993, "the dark days." Then, in the early '90s, "grunge rock" happened and defiantly retro bands like Nirvana and Pearl Jam began issuing their music in record form again, and almost like "Rocky" the beleaguered format, regarded as all but dead, began punching it's way off the ropes.

Now, vinyl is vibrant again. Michael Roumbanis, owner of Dig Music at 362 N. State St. estimates that 10 to 20 percent of his sales come from records, and the trend is up. Used albums sell better than new, but, he points out that more and more artists are putting out new product on vinyl and the average price point - now about $20 per record - is coming down. Among recently issued LPs displayed on his wall are new records from AC/DC, Iron Maiden, Amy Winehouse, and Bruce Springsteen, among others. Dig Music, has also been a long time supporter of AFI (A Fire Inside), a major punk/alternative band with Ukiah roots, a worldwide fan base, a rich catalogue of vinyl recordings to their credit. On one of his walls, Roubanis displays a framed, early (now collectable) AFI single, worth he says around $1,000.

What sort of vinyl is most popular? Classic rock sells consistently at Dig Music, but "reggae, punk, and blues go so fast, and they're hard to get - nobody gives them up, basically," says Roumbanis. For a good selection of hip hop records, though, and knowing his store can't cater to all tastes, he refers his customers to DJ Pinoy at 591 S. State St.

Dig Music also sells turntables, both basic and some with USB ports, which allow the owner to plug into a computer, and burn CDs or create digital files from records. This feature is attractive for some because much of what was put on record has never made the journey into the digital world. Others simply want to transfer their old records onto an iPod, so they so they can enjoy the music they've already collected in a more convenient form.

The store has also played host to some vinyl-supportive special events. Matt Eifert has come in and taught a gathering how to properly set up their turntables for maximum performance, and during Ukiah's monthly downtown Art Walk, Roumbanis set up a gallery-like exhibition and discussion of classic and distinctive LP cover art.

Down State Street, co-owners of Jitter Box Music, Jim Tuhtan and Mike Zarkowski, have each been toting around their personal collections of hundreds (or thousands) of records for years.

"I measure mine by the pound," says Zarkowski. The two musicians echo each other in their affection for the old vinyl. Both talk of the fidelity lost with "a chopped up" digital signal, and the fact that so much material on record simply can't be found in newer formats.

"Plus," says Tuhtan, "I've always liked vinyl records because I like the jackets. They're big enough to see."

Around Ukiah, the vinyl revival has taken many forms. Since January 2005, radio station KMEC at105.1 FM has been home of the "Vintage Vinyl" show hosted by Barry Kirkpatrick. Three nights a week, Mondays, Tuesdays, and Wednesdays from 9 p.m. to midnight, Kirkpatrick sits in the studio at 106 W. Standley St., spinning records, taking calls, and telling yarns. His personal record collection has formed the core of his playlist, but he sometimes borrows from other collectors or has friends come into the studio, sit down, and play their discs on the air with him.

Not every record he plays is in mint condition, Kirkpatrick admits "My first consideration was that for them (the listeners) the scratchiness of a record would be a distraction, and I would ask someone if that was a bother, and they would say no, that's what makes it real."

"One day," Kirkpatrick recalls with amusement, "some young people were standing right outside the door of the studio. A girl saw me set the needle down on a record, and she asked, How does he know where to set that down?' There are no lines on a CD, and she'd never seen that before. That was a totally legitimate question."

Meanwhile, at the Ukiah Brewing Company, out on their patio, there is a turntable and stereo system set up, a new canvas canopy overhead, and a stack of mostly well-worn albums inside for anyone who wants to play DJ for awhile. Or, people can bring their own collections and spin them for the generally appreciative crowd gathered outside at any given time. The idea for the do-it-yourself human jukebox came from Redwood Valley resident Titus Sanborn, who, in the fall of 2007,was working his way through the death of his wife, and eating at the Brewing Company every day. He spotted an old single speaker wooden hi-fi unit at the Goodwill store, bought it, set it up on the patio, brought in some records and soon found himself presiding over a nightly "scene."

"It was an immediate sensation," says Titus. "This music is a delight to people."

The set-up on the patio has evolved since then. The original vintage, wooden, plug-and-play unit has given way to a more contemporary component system, and Titus now adds a professional light show on some nights, but the "patio scene" is still cathartic for him and others. Some nights he likens it a "beach party," and at other times it's more like a gentle bonding among friends. Records, he says, are aptly named.

"They're records of a place, a time, and a circumstance, and without those records, the memories are lost."

On the other end of the spectrum, technologically speaking, is Ukiah schoolteacher Matt Eifert. Music has always been a big part of his life, and like most in their late 30s, his musical journey started with cassette tapes. From there, he got into CDs in a big way. In fact, he owned what he describes as "the best CD player in the world at that time" and possessed only one record album, when he bought his first turntable for $70. On playing a vinyl for the first time, Eifert said, he became "slack jawed" at the difference. Records, to his ear, sounded richer, fuller, warmer, and more true to life, leaving his CDs sounding, "flat, two dimensional, and small." Soon, he was hooked, and 20,000 records accumulated later, Eifert says, "I like everything about the format - it's more compelling to me."

But, even that may understate Eifert's love affair with vinyl records. Because in order to maximize his listening pleasure, the Ukiah resident undertook the building of a special acoustically designed room-within-a-store, filled it with top notch audio equipment - just the turntable, cartridge and tone arm, alone are worth $20,000 - and now invites friends over for some of what surely must be some of the most sublime vinyl listening sessions in anywhere.

So don't throw those old vinyl records away, quite yet. If you've held on to them this long, retrieve them, dust them off, and enjoy them again. They may not sound as good as new, but maybe that's a good thing.


SOURCE: http://www.ukiahdailyjournal.com

Classic Rock Videos

The Beach Boys - Little Deuce Coupe

Limited Edition Vinyl Pressing Of "All Aboard: A Tribute To Johnny Cash" Released

My friend Virgil is in the news again!


The 2nd pressing of the All Aboard: A Tribute To Johnny Cash vinyl is now available at VinylCollective.com. This new pressing is on brown vinyl and only 1,000 copies are available. Anchorless Records is donating all the profits of All Aboard: A Tribute To Johnny Cash to the Syrentha Savio Endowment (SSE), a non-profit organization that provides financial assistance to underprivileged women who cannot afford the expense of fighting breast cancer.

The vinyl version of All Aboard features an alternate version of "Delia's Gone" by Ben Nichols of Lucero.

All Aboard: A Tribute To Johnny Cash Track Listing:

Man In Black: The Bouncing Souls
Country Boy: Fallen From The Sky
Wreck Of The Old '97: Chuck Ragan (Hot Water Music)
Let The Train Whistle Blow: Joe McMahon (Smoke or Fire)
Delia's Gone: Ben Nichols (Lucero)
God's Gonna Cut You Down: The Gaslight Anthem
Cocaine Blues: The Loved Ones
Give My Love To Rose: OnGuard (feat. Jason Shevchuk of Kid Dynamite and None More Black)
I Still Miss Someone: Casey James Prestwood (Hot Rod Circuit)
Hey Porter: MxPx
Cry,Cry,Cry: The Flatliners
Ballad of a Teenage Queen: The Dresden Dolls feat. Franz Nicolay of The Hold Steady
Folsom Prison Blues: Chon Travis (Love = Death)
There You Go: The Sainte Catherines
I Walk The Line: Russ Rankin (Good Riddance, Only Crime)
Bonus Track/Vinyl Only: Delia's Gone (Alternate Version) Ben Nichols (Lucero)


SOURCE: http://www.pluginmusic.com

Album Cover Art

Let's look at #39 on the Gigwise.com list of the sexiest and dirtiest album covers:


39. REO Speedwagon: ‘Hi Infidelity’ REO Speedwagon is an American rock band that grew in popularity in the Midwestern United States during the 1970s and peaked in the early 1980s. REO Speedwagon hits include "Keep On Loving You" and "Can't Fight This Feeling". Both songs are power ballads, the former being prototypical of the genre and appearing on the group's most commercially successful album, Hi Infidelity, which also included the hit "Take It on the Run," a song that peaked at number five on the U.S. charts. It went on to become the biggest selling rock LP of 1981, eventually selling over nine million. Six songs from this album hit Billboard charts, including "Keep On Loving You" which was the band's first Number 1 hit.

Since the band released its first record in 1971, Reo Speedwagon has sold 17 critically acclaimed albums, as well as scoring 13 Top 40 singles (which included two Billboard #1 hits). All together Reo Speedwagon has sold over 40 million records.

Motley Crue Vinyl Box Set

new coming soon

Motley Crue
Journals of the Damned [6 LP Box]

THE ESSENTIAL VINYL COLLECTION
180 gram vinyl - cut from the original analog masters






Featuring:

Too Fast for Love
Shout at the Devil
Theatre of Pain
Girls, Girls, Girls
Dr. Feelgood
Saints Of Los Angeles

Release Date: 16-Dec-2009
Label: Eleven Seven Music

Available for preorder at $129.98: http://vinyluniverse.com/a=CollectingVinyl

Nirvana's Nevermind baby recreates famous image

The baby who graced the cover of Nirvana's Nevermind album has recreated the famous image 17 years on. Spencer Elden was the four-month-old baby photographed in a swimming pool reaching towards a dollar bill on the end of a fish hook.


Now a teenager, Spencer Eldon strikes a familiar pose

The picture became the cover of Nirvana's second album, released in September 1991, which went on to sell 26 million records worldwide. Seventeen years later, he has recreated the classic underwater shot, this time wearing shorts. Now the 17-year-old high school student, who lives in Eagle Rock, near Glendale, California and his ambitions are to go to art school next year.

In 1991, his parents were paid $200 for allowing their friend, underwater photographer Kirk Weddle, to photograph their baby. The original photograph and the recent recreation by the British photographer John Chapple were shot from the bottom of the pool at the Rose Bowl Aquatic Centre in Pasedena, 17 ft (five metres) underwater.

Spencer said: "It's kind of cool, knowing that I've been on an album cover"


Spencer Eldon stars on Nirvana's Nevermind album

"But I feel pretty normal about it because growing up, I've always known I was the Nirvana baby. It never really struck me like, 'Oh, ****, that's me on the cover'."

"Quite a few people in the world have seen my penis. It's kind of cool, I guess," he told the Independent. "I feel like I'm the world's biggest porn star. But I'm just a normal kid living it up and doing the best I can while I'm here."

For Nirvana, it was the band's breakthrough record, bringing the Seattle grunge scene to a worldwide audience. The first single, Smells Like Teen Spirit has been described as one of the greatest rock songs of all time.

The album replaced Michael Jackson's album Dangerous at number one. Three years after its release, Kurt Cobain, the band's lead singer, shot himself in a suicide believed to be linked to his drug addiction.

SOURCE: http://www.telegraph.co.uk

Classic Rock Videos

The Beach Boys - Wouldn't it be nice

Aretha Franklin Named Greatest Singer of Rock Era

Rolling Stone's new issue names their picks for the 100 greatest singers of the Rock Era based on a poll of 179 industry professionals.

Aretha Franklin tops the list with Mary J. Blige saying "Aretha has everything — the power, the technique. When it comes to expressing yourself through song, there is no one who can touch her. She is the reason why women want to sing." Franklin is followed by Ray Charles and Elvis Presley.

For the poll, each individual was asked to name their 20 "best" vocalists from the Rock era in order of importance. All of the lists were then combined, using a weighting factor based on how high they were on each individual list, producing the final 100.

Among those voting were Eric Burdon, Solomon Burke, Dave Clark, Alice Cooper, David Crosby, Clive Davis, Dion, Mick Fleetwood, Art Garfunkel, Merle Haggard, Daryl Hall, Etta James, Billy Joel, B.B. King, Mike Love, Loretta Lynn, John Mellencamp, George Michael, Bette Midler, Iggy Pop, Keith Richards, Carlos Santana, Bruce Springsteen, Ringo Starr, Roger Waters and many more.

What is striking about this particular list is the abbundance of what we call Veteran Artists (those whose recording career started at least 25 years ago). Only eight singers whose career started before the mid-80's even made the list.

Rolling Stone has been guilty in the past of loading many of their "Best-Ofs" with modern artists may not have belonged on the lists and leaving off much more deserving artists. This time, the breadth of the people asked to vote has been able to keep a better perspective of older artists withing the framework of the times.

Veteran artists who made the list:

1. Aretha Franklin
2. Ray Charles
3. Elvis Presley
4. Sam Cooke
5. John Lennon
6. Marvin Gaye
7. Bob Dylan
8. Otis Redding
9. Stevie Wonder
10. James Brown
11. Paul McCartney
12. Little Richard
13. Roy Orbison
14. Al Green
15. Robert Plant
16. Mick Jagger
17. Tina Turner
18. Freddie Mercury
19. Bob Marley
20. Smokey Robinson
21. Johnny Cash
22. Etta James
23. David Bowie
24. Van Morrison
25. Michael Jackson
26. Jackie Wilson
27. Hank Williams
28. Janis Joplin
29. Nina Simone
30. Prince
31. Howlin' Wolf
32. Bono
33. Steve Winwood
34. Whitney Houston
35. Dusty Springfield
36. Bruce Springsteen
37. Neil Young
38. Elton John
40. Curtis Mayfield
41. Chuck Berry
42. Joni Mitchell
43. George Jones
44. Bobby "Blue" Bland
46. Patsy Cline
47. Jim Morrison
48. Buddy Holly
49. Donny Hathaway
50. Bonnie Raitt
51. Gladys Knight
52. Brian Wilson
53. Muddy Waters
54. Luther Vandross
55. Paul Rodgers
56. Mavis Staples
57. Eric Burdon
59. Rod Stewart
61. Roger Daltrey
62. Lou Reed
63. Dion
65. David Ruffin
67. Jerry Lee Lewis
68. Wilson Pickett
69. Ronnie Spector
70. Gregg Allman
71. Toots Hibbert
72. John Fogerty
73. Dolly Parton
74. James Taylor
75. Iggy Pop
76. Steve Perry
77. Merle Haggard
78. Sly Stone
80. Frankie Valli
81. John Lee Hooker
82. Tom Waits
83. Patti Smith
84. Darlene Love
85. Sam Moore
86. Art Garfunkel
87. Don Henley
88. Willie Nelson
89. Solomon Burke
90. Everly Brothers
91. Levon Helm
92. Morrissey
93. Annie Lennox
94. Karen Carpenter
95. Patti LaBelle
96. B.B. King
97. Joe Cocker
98. Stevie Nicks
99. Steven Tyler

SOURCE: http://winkscollectibles.blogspot.com

Album Cover Art

Here we are at #40 of the dirtiest and sexiest album covers as put together by the crack staff at Gigwise.com:


40. Goldfrapp: ‘Supernature’ - Supernature is the third album by British electronic duo Goldfrapp. It was released by Mute Records on 22 August 2005 in the United Kingdom, and was the duo's first album to receive mixed reviews. Most critics complimented its blend of pop and electronic music, while others called it uninspiring. Supernature was a top five album in Goldfrapp's native United Kingdom, and its lead single "Ooh La La" was a top five single. In North America, where "Number 1" was promoted as the first single, the album was released on 7 March 2006, peaking low on the Billboard charts.

The album represented a change in Goldfrapp's musical style, and featured pop and electronic-dance music; inspirations were disco music artist Donna Summer and New Wave band New Order. Supernature received a Grammy Award nomination in 2007 for "Best Electronic/Dance Album". In January 2006, the album was certified platinum in the UK, and has sold one million copies worldwide as of early 2007.

Supernature debuted on the UK albums chart at number two (blocked from the top position by James Blunt's Back to Bedlam), and sold 52,976 copies. The album remained on the chart for thirty-one weeks, and was certified platinum on 13 January 2006. In Australia, the album reached number twenty-three, although it received limited promotion. The album reached the top forty in Austria, Germany, Italy, New Zealand and Switzerland and sold one million copies worldwide.

Supernature became Goldfrapp's first release to chart on the Billboard 200 albums chart in the United States, where it peaked at number one-hundred thirty-eight. It reached number three on the Top Heatseekers chart and number five on the Top Electronic Albums chart. The album has sold 49,000 copies in the US since its release in March 2006.

This Date In Music History-November 13

Birthdays:

John Hammond Jr., son of the famous Columbia A&R man and a creditable white bluesman, was born in New York in 1942.

Guitarist Roger Steen of performance art-rockers the Tubes ("She's a Beauty") was born in 1949.

Birthday wishes to Nikolai Fraiture of the The Strokes.

History:

The Jackson 5, ranging in age from six to thirteen, first performed publicly at Mr. Lucky's, a nightclub in their hometown of Gary, Indiana in 1964.

In 1965, The Byrds reached #1 with "Turn! Turn! Turn!" and "Tambourine Man".

Atlantic Records announced in 1968 its signing of a "hot new English group" named Led Zeppelin.

Bonnie Raitt released her debut self-titled album in 1971.

Slow news day apparently- In 1963, Paul McCartney catches the flu. Hour-by-hour progress reports on his condition appeared in the British press.

Having bought the island of Dorinch off Ireland in 1969, John Lennon declared any hippie who wished was free to live there.

Bill Doggett ("Honky Tonk") died of lung cancer in 1996.

Paul McCartney wakes up the space shuttle astronauts in 2005 by singing "Good Day Sunshine" to them live from his concert in Anaheim, California.

Led Zeppelin's fifth tour of the U.K. in 1972 sold out in four hours. Jimmy Page says, "When I heard the news about the tickets, I felt very humble." The tickets cost a princely $1.50 each.

The Tokens' "The Lion Sleeps Tonight" was released in 1961.

As a follow-up to their number one hit "Hang On Sloopy", The McCoys' released "Fever", which will climb to number 7 on the US charts in 1965.

The Beatles' animated movie "Yellow Submarine" premiered in the U.S. in 1968.

Madonna's "The Immaculate Collection" was released in 1990.

In 1992, Elton John performed in Mexico for the first time before 90,000 people in Mexico City.

In 1965, James Brown's "I Got You" entered both the Billboard Pop and R&B charts, where it will reach #3 and #1 respectively. The record would become one of the Godfather of Soul's most enduring and readily identifiable songs. It reached #29 in the UK.

Three Dog Night's "Old Fashioned Love Song" was released in the US in 1971, where it will climb to #4 on the Billboard Pop chart. It was a tune that songwriter Paul Williams would later say that he wrote in 20 minutes.

Rod Stewart's "Tonight's the Night" was the top tune on the Billboard Hot 100 in 1976, despite being banned from the play lists of many radio stations because of its sexually suggestive lyrics. It made #5 in the UK.

After 42 weeks on the Billboard Hot 100, Soft Cell's "Tainted Love" finally falls off of the chart in 1982, passing the old longevity record held by Paul Davis' "I Go Crazy" by three weeks.

In 1987, Sonny and Cher reunited for a rare performance on TV show Late Night with David Letterman.

In 2007, Led Zeppelin continued their march to have more repackages than The Beatles with the release of "Mothership," a 2 CD compilation with 24 remastered tracks. In addition, a 165-song Zeppelin "digital box set" is available at iTunes. Also, individual songs in the band's catalog go on sale via the online music retailer. And finally, "The Complete Led Zeppelin" contains 13 studio albums plus "Mothership." It comes in for under $100.

Mosaic Records Plots a Return to Vinyl

The great jazz and blues reissue label Mosaic is re-entering the vinyl business after releasing only one LP title since 2000 - the 1957 Carnegie Hall concert by the Thelonious Monk Quartet with John Coltrane that was issued in 2005.
And they're already talking "Lucky Thompson Meets Oscar Pettiford," one of my absolute favorite jazz albums ever.

Label head Michael Cuscuna explains the HQ Vinyl Series that will be launched early next year.

"Vinyl has become a media story with large chains selling reasonably-priced turntables to 20-somethings and major labels judiciously releasing old and new titles. And of course, the audiophile labels are still plugging away with 'I-told-you-so' Cheshire cat smiles on their faces.

While preparing the Ahmad Jamal CD box set due next spring, it occurred to us that an eight-CD set doesn't have to give birth to a back-busting box of 12 180-gram LPs; it can also give birth to a double-album reissue of both LPs of Ahmad Jamal at the Pershing, the groundbreaking albums that generated such influential hits as 'Poinciana.'

Freed from thinking that Mosaic LPs have to mirror out large CD sets, we've engaged in a treasure hunt coming up with new title ideas like reissuing those two magnificent Lucky Thompson-Oscar Pettiford albums on ABC-Paramount or Duke Ellington's 1963 masterpiece 'Afro Bossa.' How about the complete Thelonious Monk 'Live At The It Club' on LP for the first time, beautifully remixed from the original three-track masters? We've only just begun."

Jimi Hendrix drummer Mitch Mitchell dies at 62

By Theresa Carson


PORTLAND, Oregon (Reuters) – Mitch Mitchell, a pioneering drummer best known for his work with 1960s rock icon Jimi Hendrix, died on Wednesday, at age 62.

Mitchell was found dead in his Portland, Oregon, hotel room. A Multnomah County coroner's spokesman said it appeared he died of natural causes, although a formal finding had not yet been issued.

The drummer had been in Portland for the last stop on an 18-city U.S. tour with Experience Hendrix, a concert series celebrating the legacy of the late rock star.

"We're all devastated to hear of Mitch's passing. He was a wonderful man, a brilliant musician and a true friend," Hendrix's sister, Janie Hendrix, said in a statement on behalf of the estate.

"His role in shaping the sound of the Jimi Hendrix Experience cannot be underestimated," she said. "Over the course of the recent tour, he seemed delighted with the interchange with the other musicians and the audiences. There is no question that he was doing what he loved."

The British-born Mitchell started in show business as a child actor but abandoned that for his true love, jazz and rock music.

He was a top session drummer who joined the Jimi Hendrix Experience in 1966 and backed the rocker for his legendary performance at Woodstock three years later. He drummed on Hendrix classics such as "Fire," "Manic Depression" and "Third Stone from the Sun."

Mitchell also is credited with helping to develop a "fusion" drumming style that combined rock with jazz and was influenced by such jazz giants as Elvin Jones and Max Roach.

The style made the drums essentially a lead instrument, an innovative concept in rock and roll.

Hendrix - a songwriter, guitarist and showman - was a pioneer of the 1960's psychedelic rock scene who died in September, 1970, at the age of 27.

(Additional reporting by Dan Whitcomb in Los Angeles, editing by Vicki Allen)

Vinyl Releases

Vinyl Release:

Kudos to my vinyl friend Virgil over at www.vinylcollective.com for this great news!

Vinyl Collective has announced its second release, The Jealous Sound's much loved full length Kill Them With Kindness. The record will be issued as a double LP gatefold, colored vinyl. The pressing will contain the entire album, "Kill Them With Kindness" as well as the Self-Titled EP. The album and EP which were originally released on CD by Better Looking Records has been licensed by the cooperative for release on vinyl.

The Jealous Sound's "Kill Them With Kindness" double LP will be pressed on 2 colors (333 on baby blue vinyl, 667 on White). The record will be housed in a Gatefold jacket. Since the 210 unit holders and 10 board members will all receive copies of the most limited color in addition to band and label copies, only 40 will be available for sale in our pre-order. There will be 500 copies of the White vinyl available but there is a very high likelihood that these will sell out before entering the retail marketplace.

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In other vinyl news:

Fat has issued a double-vinyl LP of the Good Riddance posthumous live album, Remain in Memory: The Final Show. According to the label, only 1100 copies were pressed and each record is colored vinyl with hand-numbered gatefold jackets, including an full color, 56 page Good Riddance photo history book.

The album is a live recording of Good Riddance's final show in their hometown of Santa Cruz, California on May 27th, 2007.