Monday, November 17, 2008

New Springsteen Album


Release Date & Track List:


The new album from Bruce Springsteen and the E-Street Band, Working on a Dream, will hit stores on January 27 via Columbia.

The title track was premiered last night on NBC's Sunday Night Football during the half-time show and the band will play the Super Bowl on February 1, a prime spot to promote the new music.

There are twelve new tracks on the album plus The Wrestler from the new Mickey Rourke film and Springsteen's Halloween premier, Night With the Jersey Devil.

The album is produced by Brendan O'Brien, who also did Magic.

The track list:

Outlaw Pete
My Lucky Day
Working on a Dream
Queen of the Supermarket
What Love Can Do
This Life
Good Eye
Tomorrow Never Knows
Life Itself
Kingdom of Days
Surprise, Surprise
The Last Carnival
The Wrestler
A Night With the Jersey Devil

This week's interesting Vinyl Releases:

31 Knots: It Was High Time to Escape (vinyl reissue)
All the Saints: Fire on Corridor X (vinyl)
Asobi Seksu: Me & Mary b/w Breathe Into Glass (vinyl single)
Belle and Sebastian: The BBC Sessions (vinyl)
Bloc Party: Intimacy (vinyl)
The Dead C: Secret Earth EP (vinyl)
Dead Can Dance: Dead Can Dance EP
Dead Can Dance: Garden of the Arcane Delights (limited edition 2-disc vinyl)
Dead to Me: Little Brother EP (vinyl)
Drew Andrews: Only Mirrors (vinyl)
Free Blood: Parangatang (vinyl single)
Ida: I Know About You (vinyl reissue)
Ida: Tales of Brave Ida (vinyl reissue)
Ida: Ten Small Paces (vinyl reissue)
Joan of Arc: My Summer-Long High Wipeout (vinyl single)
Kieran Hebden & Steve Reid: NYC (vinyl)
The Killers: Day & Age (2-LP vinyl edition)
The Killers: Human/A Crippling Blow (Picture Disc vinyl)
Lemonheads: It's a Shame About Ray (vinyl reissue)
Max Tundra: Parallax Error Beheads You (vinyl)
Mudvayne: The New Game (vinyl)
Nimrod Workman: I Want to Go Where Things Are Beautiful (vinyl)
Scott Walker: Tilt (vinyl reissue)

Upcoming Vinyl Releases

11/25/08 RELEASE DATE

Afrika Bambaataa - Planet Rock: The Album (180 Gram Vinyl)
Anne Briggs - Anne Briggs (180 Gram Vinyl)
Anne Briggs - The Time Has Come (180 Gram Vinyl)
Bauhaus - Burning From The Inside (180 Gram Vinyl)
Beck - Odelay (10th Anniversary) [4 LP] (VERY LIMITED - 180 Gram Vinyl in quad-gatefold numbered jacket with 12-page booklet)
Blue Mountain - Midnight In Mississippi & Omnibus [2 LP]
Chrome - Red Exposure [LP]
Chrome - Retro Transmission [LP]
Coffins - The Other Side Of Blasphemy [2 LP]
Coldplay - Prospekt's March [EP]
Congos - Heart Of The Congos [Deluxe Edition] [2 LP]
Dir En Grey - Uroboros
Duff McKagan's Loaded - Wasted Heart EP [LP]
Flaming Lips - Christmas On Mars [1LP] (180g Green-Colored w/insert plus a White-Colored 7'' & DVD)
Heartbreak - Lies [2LP]
Iggy & The Stooges - Raw Power [LP]
JD Souther - If The World Was You
Joe Gibbs - Scorchers From The Mighty [2LP]
Judas Priest - Hero Hero [2 LP]
Judas Priest - Rocka Rolla [LP]
Judas Priest - Sad Wings Of Destiny [LP]
Large Pro - Main Source [2LP]
Lee Scratch Perry - Repentance [2 LP] (170 Gram Vinyl)
Matthew Dear - Body Language Vol. 7 [2LP]
Mr. Bungle - Disco Volante (180 Gram Vinyl)
Negura Bunget - OM [2 LP]
Neil Young - Live At Massey Hall [2 LP] (180 Gram Vinyl)
Neil Young & Crazy Horse - Live At The Fillmore East [LP] [180 Gram Vinyl)
PJ Harvey - Rid Of Me (180 Gram Vinyl)
Running Man - Running Man [LP] (180 Gram Vinyl)
Santana - Abraxas [LP]
Santana - Santana [LP]
Star Fucking Hipsters - Until We're Dead [LP] (includes digital download card) Swingin' Utters - Hatest Grits: B-Sides And Bullshit
Underoath - Lost in the Sound of Separation - [LP] (Deluxe Edition includes CD / DVD / Vinyl)
Various Artists - Blood Is Red: Dario Argento Limited Edition Vinyl Boxset [5LP] (180 Gram Vinyl)
Wendy & Bonnie - Genesis [3LP]
Bomb the Bass - Butterfingers [12'']
Jazmine Sullivan - Bust Your Windows [12'']
Terry Lynn - Kingstonlogic [12'']
Yelle - Ce Jeu E.P. [12'']
Constantines - Our Age [7''] (Full Color Jacket w/ white dust sleeve 48 gram)
Less Than Jake - GNV FLA - Deluxe Edition [3x7'' Box with exclusive tracks plus CD / DVD / poster]


FRIDAY 11/28/08 RELEASE DATE

Doors - The Doors Vinyl Box [7 LP] (180-Gram in faux leather skin box) [LIMITED]
Metallica - Metallica [2 LP]
Metallica - Metallica [4 LP] (180 Gram 45 RPM Vinyl)(Limited Edition)

Your Vinyl Destination

Here is another artist that they are featuring over at www.rockitradio.net Stop by for a visit and to listen to the great old music of the past! (look for this featured in their newsletter!)




Your Vinyl Destination

Warren Smith

Written by Robert Benson

Warren Smith had the ability to be a superstar. Certainly the Rockabilly star was one of the most talented singers to stand in front of a microphone at Sun Records. But commercial success eluded him, even though he was capable of singing the most heartfelt vocals and gut-wrenching country ballads. Let’s explore this pioneer of Rockabilly and Country Music singer’s legendary career.

Born in Humphreys County, Mississippi in 1931, he was raised by his grandparents after his parents divorced. Always interested in music, he took up the guitar while serving in the US Air Force while stationed in San Antonio. By the time he was discharged, he decided to try and make a career in the music industry. After moving to West Memphis, Arkansas, he successfully auditioned to play at a local hot spot called the Cotton Club. When steel guitarist Stan Kessler spotted this young, up and coming musician, he took him to Memphis’s famed Sun Records to audition for Sam Phillips.

Sam Phillips loved what he heard and decided to release Smith’s first record, “Rock & Roll Ruby,” a song credited to Johnny Cash (although Smith would later claim that the song was actually written by George Jones and was sold to Cash for $40). He recorded the record in February of 1956 with a country crooner song on the B side. By May 26th of that year, “Rock & Roll Ruby” would hit #1 on the local charts and went on to outsell the first Sun Records releases by Elvis Presley, Johnny Cash and Carl Perkins.

But Smith’s second release with Sun Records, “Ubangi Stomp,” did not fare as well nor sell as well as his debut record. Interestingly, the B side of this record was a classic ballad called “Black Jack David,” which originated in the early eighteenth century Britain and may be the oldest song ever recorded by a rock and roll performer.

In 1957, Smith recorded a Roy Orbison tune called “So Long, I’m Gone” and it became Smith’s biggest seller at Sun Records; peaking at #74 on the Billboard Charts. But Sun Records did not financially back Smith; all of Sun’s money went into marketing another Sun recording artist, Jerry Lee Lewis. Smith continued to provide fantastic Rockabilly Music for Sun Records, including a rocking cover of Slim Harpo’s “I Got Love If You Want It” (recorded in October of 1957). However with no marketing and publicity behind it, his records did not do well commercially. Smith also cut a cover version of Don Gibson’s “Sweet Sweet Girl” (his last record with Sun Records) and in 1958, seeing that his future might be in Country Music; he decided to leave Sun Records.

In 1959, Smith moved his family from Mississippi to Sherman Oaks, California, not far from Johnny and Vivian Cash. Cash even offered Smith a spot on his show, but seeing himself as a headliner, not a backing musician, Smith turned down the invitation. In 1960, he signed on with Liberty Records and immediately scored a hit with “I Don’t Believe I’ll Fall In Love Today” (#5 on Billboard Country & Western Chart). He had another hit with Liberty Records called “Odds And Ends, Bits And Pieces” and Smith recorded several more tunes (mostly cover versions of the popular country hits at the time) and released an album called “The First Country Collection of Warren Smith.”

Smith continued to record with success for Liberty Records from 1960-1965, but in August of 1965 a serious automobile accident immobilized him for nearly a year. By the time he recovered from his injuries, his recording contract with Liberty Records had run out and Smith made several unsuccessful attempts to restart his career. Sadly, Smith’s own personal demons caught up with him as difficulties with addictions to alcohol and pills would hold him back. Smith’s drug problems led to an 18-month term in an Alabama prison, when he was convicted of robbing a pharmacy.

Smith continued to try and restart his music career after his release from prison. In the late 70’s he got a boost from the Rockabilly revival that was occurring at the time. In 1977, he was invited to appear at London’s Rainbow Theatre (also on the bill were Charlie Feathers, Buddy Knox and Jack Scott) and was very well received. This reception boosted his spirits and he returned to the US to perform with a new confidence. In November of 1978, he teamed up for another successful tour of Europe, this time with Ray Smith.

Sadly in 1980, Warren Smith died of a heart attack (age 47) while preparing for yet another European tour.

What would have happened to this legendary Rockabilly star had he had the proper marketing early in his career at Sun Records? We can only guess, but his contribution to Rockabilly Music has been recognized and adored by millions and he is enshrined in the Rockabilly Hall of Fame. A true legend, he is missed, but his spirit of his music lives on.

Discography and vinyl prices:

Singles
Sun 239 - Rock 'n' Roll Ruby / I'd Rather Be Safe Than Sorry (April 1956)

A misprint on the label adds value to this 45rpm. If listed as “Rock ‘M’ Roll Ruby” it is listed at $100-125. If the label reads the correct title the record lists at $50-75

Sun 250 - Ubangi Stomp / Black Jack David (September 1956) listed at $50-75

Sun 268 - So Long I'm Gone / Miss Froggie (April 1957) lists at $50-75

Sun 286 - Got Love If You Want It / I Fell In Love (1957) listed at $60-80

Sun 314 - Goodbye Mr Love / Sweet Sweet Girl (1959) listed at $15-25

Warner Brothers 5125 - Dear Santa / The Meaning Of Xmas (1960) $10-20

Liberty 55248 - Cave In / I Don't Believe I'll Fall In Love Today (1960)
Liberty 55302 - Odds And Ends (Bits And Pieces) / A Whole Lot Of Nothin' (1961)
Liberty 55336 - Call Of The Wild / Old Lonesome Feeling (1961)
Liberty 55361 - Why Baby Why (with Shirley Collie) / Why I'm Walkin' (1961)
Liberty 55409 - Five Minutes Of The Latest Blues / Bad News Gets Around (1961)
Liberty 55475 - Book Of Broken Hearts / A Hundred And Sixty Lbs. Of Hurt (19614)
Liberty 55615 - That's Why I Sing In A Honky Tonk / Big City Ways (1963)
Liberty 55699 - Blue Smoke / Judge And Jury (1964)
All Liberty Records 45prm records listed at $8-12

Skill 007 - Future X / She Likes Attention (1966)

Mercury 78225 - When The Heartaches Get To Me / Lie To Me (1968) ($4-8)

Jubal 172 - Make It On Your Own / Between The Devil And The Deep Blue Sea (1972)
Jubal 272 - I Don't Believe / Did You Tell Him (1972)
Jubal 473 - A Woman's Never As Gone / One More Time (1973)

Original albums:
The First Country Collection Of Warren Smith (1961) Liberty Records (3199)

monaural $35-40/stereo version (Liberty 7199)is worth $40-60

The Legendary Warren Smith (1977)

Memorial Album (10" LP, 1980, partial re-release of The Legendary Warren Smith)
Last Detail (recorded live in London, 1977, released 1981)

WARREN SMITH - ROCK 'N' ROLL RUBY SUN #239 78 RPM




WARREN SMITH / UBANGI STOMP

McCartney Wants To Release 40-year old Beatles Song

by Paul Cashmere

Paul McCartney says he wants the currently unreleased Beatles song `Carnival Of Light` to be heard by all.

The 14-minute jam was recorded in one take around the time The Beatles were working on ‘Penny Lane’. In fact, specifically, it was recorded on January 5, 1967.

Speaking with John Wilson on the BBC, McCartney said that he feels the time is right to release the avant-guard track. 'I like it because it's the Beatles free, going off piste,' he said. ‘We were set up in the studio and would just go in every day and record,' McCartney tells Wilson. 'I said to the guys, this is a bit indulgent but would you mind giving me 10 minutes? I've been asked to do this thing. All I want you to do is just wander round all of the stuff and bang it, shout, play it. It doesn't need to make any sense. Hit a drum, wander to the piano, hit a few notes ... and then we put a bit of echo on it. It's very free".

McCartney said in the interview that the track was almost released in 1996 on Anthology. We were listening to everything we'd every recorded,' McCartney says. 'I said it would be great to put this on because it would show we were working with really avant-garde stuff ... But it was vetoed. The guys didn't like the idea, like "this is rubbish".'

McCartney was at the BBC to talk about his new album as The Fireman with Wilson for his Front Row radio show in Radio 4. The interview will be heard this Thursday on BBC 4.

SOURCE: http://undercover.com.au

Classic Rock Videos

Rolling Stones - paint it black

Album Cover Art

As we continue our look at Gigwise.com 50 sexiest and dirtiest album covers, let's look at #36:


36. Buckcherry: ‘Buckcherry’ - A painted lady adorns the cover of Buckcherry’s self titled album which was released in 1999, but has more a feel of 1967 with the psychedelic patterns which swirl around the models naked torso. To appreciate the image fully, you’d have to buy the gatefold vinyl where it shows her bottom half.

Buckcherry is a Grammy-nominated Los Angeles, California hard rock band formed in 1995. The band released two albums, their self-titled debut in 1999 and 2001's Time Bomb, before dissolving in the summer of 2002. In 2005, lead vocalist Josh Todd and lead guitarist Keith Nelson formed a new band using the Buckcherry moniker and released a new album on April 16, 2006 entitled 15. The album contained Buckcherry's biggest crossover hits to date, "Crazy Bitch" and the band's first Hot 100 top ten hit, "Sorry".

This Date In Music History-November 17

Birthdays:

Gordon Lightfoot was born in 1938.

Bob Gaudio, who wrote many of the Four Seasons' hits with producer Bob Crewe, turns 66.

Jethro Tull lead guitarist Martin Barre was born in Lancashire, England in 1946.

Guitarist Isaac Hanson of the popular teen trio was born in 1980.

Jim Babjak, guitarist for the Smithereens, has a birthday (1957).

They Will Be Missed:

The late Gene Clark of the Byrds was born in 1941.

The late Dean Martin, Jr. of Dino, Desi and Billy was born in 1952.

Arthur Conley ("Sweet Soul Music") died of intestinal cancer in 2003.

Ruth Brown ("This Little Girl's Gone Rockin'") died of a stroke and heart attack in 2006.

Jethro Tull bassist John Glasscock died of a heart attack in London in 1979. He had a history of heart aliments.

In 2003, Country singer/songwriter Don Gibson died (age 75) in Nashville. His song "I Can't Stop Loving You" was recorded by over 700 artists, including Ray Charles.

History:

In 2003, The Beatles released “Let It Be… Naked.” It is a remastering of the original 1969 album with Phil Spector’s production removed. Spector, hired to salvage the project, added strings to several tracks – much to Paul McCartney’s displeasure.

The Four Seasons' "Big Girls Don't Cry" reached the top spot on the Billboard singles chart in 1962, just as their first hit, "Sherry" did earlier in the year. Songwriters Bob Crewe and Bob Gaudio were inspired to write the song after they heard Clark Gable use the phase "big girls don't cry" in a movie. In the UK, the song reached #13.

'Double Fantasy,' by John Lennon and Yoko Ono, was released in 1980.

"The Beatles Revolution" documentary airs on ABC-TV in 2000.

Sign of the times: In Guildford, England in 1963, a headmaster says that students turning up to Clark's Grammar School with Beatles haircuts will be sent home. "This ridiculous style brings out the worst in boys physically," says John Weightman. "It makes them look like morons."

Also in 1963, Mick Jagger and Keith Richards meet singer Gene Pitney at a taping of the British pop program Thank Your Lucky Stars. They give him their song "That Girl Belongs to Yesterday." Improbably, the song is a hit in both America and the U.K. But it's a year before Jagger and Richards begin writing songs for their own group.

Abba topped the British albums chart in 1979 with their collection "Greatest Hits, Vol. 2." Shortly afterward, the Guinness Book of Records named Abba the biggest-selling group in recording history.

Jewel released her second album Spirit in 1998, featuring the hits "Hands" and "Down So Long." The album peaks on the Billboard charts at No. 3.

Oops- In 2003, Britney Spears becomes the youngest singer to ever get a star on the Hollywood Walk of Fame.

Metallica released the album "ReLoad" in 1997.

The Kingston Trio led the US hit parade in 1958 with a century-old folk song called "Tom Dooley". Although this popular group would place nine more songs in the US Top 40, this would be their only number one.

In 1958- DJ Alan Freed learns today that his trial for inciting a riot has been postponed until January of next year. The riot occurred during a Boston rock show he was promoting in May 1958. Prosecutors explain that the delay is because they are investigating allegations that Freed broke Massachusetts' anti-anarchy laws.

Sunday, November 16, 2008

Classic Rock Videos

The Beach Boys - Sloop John B (Original Video)

For The Love Of Vinyl

I love these stories about local record shops and here is another for your enjoyment

The local vinyl revival: Don't throw those records away just yet!

By Daniel Lazarus

It makes no sense. They're heavy to move, and tough to store. They're finicky and delicate. They warp in the heat, scratch easily, and are never the same afterward. But, if you, like many other baby boomers, have been reluctant, unwilling, or unable to part with a dusty, old, milk crate full of your beloved Led Zeppelin, Cream, and Grateful Dead albums, despite the fact that you haven't listened to them in decades, and, probably haven't even owned a working turntable since Reagan Administration, take heart. The wait may be over. Your impractical but tenacious hoarding of those 12-inch black polycarbonate vinyl love letters to your past may have been surprisingly farsighted, after all. Simply put, vinyl records are back. What goes around, comes around, and with increasing frequency is being spun around again (at 33 1/3 and 45 revolutions per minute) on turntables all around the area.

Technically speaking, vinyl records never went away completely. Even after the introduction and wide acceptance of CDs in the early '80s, there were always a few independent record stores (mostly in larger cities) that stocked records for a fringe group of devoted listeners. Some vinyl fans didn't want to, or couldn't afford, to invest in new technology which seemed to change with the season. Others simply wanted to hear to their music as it was originally issued. Ukiah record collector and audiophile Matt Eifert, 37, remembers that as late as "1986-1987-1988, all three formats (cassettes, CDs, and records) were pretty healthy." Then, he says, music companies, bowing to clear consumer preference for the lighter, tougher, compact disks, all but stopped issuing any new vinyl at all. Eifert calls this period, from the late '80s until about 1993, "the dark days." Then, in the early '90s, "grunge rock" happened and defiantly retro bands like Nirvana and Pearl Jam began issuing their music in record form again, and almost like "Rocky" the beleaguered format, regarded as all but dead, began punching it's way off the ropes.

Now, vinyl is vibrant again. Michael Roumbanis, owner of Dig Music at 362 N. State St. estimates that 10 to 20 percent of his sales come from records, and the trend is up. Used albums sell better than new, but, he points out that more and more artists are putting out new product on vinyl and the average price point - now about $20 per record - is coming down. Among recently issued LPs displayed on his wall are new records from AC/DC, Iron Maiden, Amy Winehouse, and Bruce Springsteen, among others. Dig Music, has also been a long time supporter of AFI (A Fire Inside), a major punk/alternative band with Ukiah roots, a worldwide fan base, a rich catalogue of vinyl recordings to their credit. On one of his walls, Roubanis displays a framed, early (now collectable) AFI single, worth he says around $1,000.

What sort of vinyl is most popular? Classic rock sells consistently at Dig Music, but "reggae, punk, and blues go so fast, and they're hard to get - nobody gives them up, basically," says Roumbanis. For a good selection of hip hop records, though, and knowing his store can't cater to all tastes, he refers his customers to DJ Pinoy at 591 S. State St.

Dig Music also sells turntables, both basic and some with USB ports, which allow the owner to plug into a computer, and burn CDs or create digital files from records. This feature is attractive for some because much of what was put on record has never made the journey into the digital world. Others simply want to transfer their old records onto an iPod, so they so they can enjoy the music they've already collected in a more convenient form.

The store has also played host to some vinyl-supportive special events. Matt Eifert has come in and taught a gathering how to properly set up their turntables for maximum performance, and during Ukiah's monthly downtown Art Walk, Roumbanis set up a gallery-like exhibition and discussion of classic and distinctive LP cover art.

Down State Street, co-owners of Jitter Box Music, Jim Tuhtan and Mike Zarkowski, have each been toting around their personal collections of hundreds (or thousands) of records for years.

"I measure mine by the pound," says Zarkowski. The two musicians echo each other in their affection for the old vinyl. Both talk of the fidelity lost with "a chopped up" digital signal, and the fact that so much material on record simply can't be found in newer formats.

"Plus," says Tuhtan, "I've always liked vinyl records because I like the jackets. They're big enough to see."

Around Ukiah, the vinyl revival has taken many forms. Since January 2005, radio station KMEC at105.1 FM has been home of the "Vintage Vinyl" show hosted by Barry Kirkpatrick. Three nights a week, Mondays, Tuesdays, and Wednesdays from 9 p.m. to midnight, Kirkpatrick sits in the studio at 106 W. Standley St., spinning records, taking calls, and telling yarns. His personal record collection has formed the core of his playlist, but he sometimes borrows from other collectors or has friends come into the studio, sit down, and play their discs on the air with him.

Not every record he plays is in mint condition, Kirkpatrick admits "My first consideration was that for them (the listeners) the scratchiness of a record would be a distraction, and I would ask someone if that was a bother, and they would say no, that's what makes it real."

"One day," Kirkpatrick recalls with amusement, "some young people were standing right outside the door of the studio. A girl saw me set the needle down on a record, and she asked, How does he know where to set that down?' There are no lines on a CD, and she'd never seen that before. That was a totally legitimate question."

Meanwhile, at the Ukiah Brewing Company, out on their patio, there is a turntable and stereo system set up, a new canvas canopy overhead, and a stack of mostly well-worn albums inside for anyone who wants to play DJ for awhile. Or, people can bring their own collections and spin them for the generally appreciative crowd gathered outside at any given time. The idea for the do-it-yourself human jukebox came from Redwood Valley resident Titus Sanborn, who, in the fall of 2007,was working his way through the death of his wife, and eating at the Brewing Company every day. He spotted an old single speaker wooden hi-fi unit at the Goodwill store, bought it, set it up on the patio, brought in some records and soon found himself presiding over a nightly "scene."

"It was an immediate sensation," says Titus. "This music is a delight to people."
The set-up on the patio has evolved since then. The original vintage, wooden, plug-and-play unit has given way to a more contemporary component system, and Titus now adds a professional light show on some nights, but the "patio scene" is still cathartic for him and others. Some nights he likens it a "beach party," and at other times it's more like a gentle bonding among friends. Records, he says, are aptly named.

"They're records of a place, a time, and a circumstance, and without those records, the memories are lost."

On the other end of the spectrum, technologically speaking, is Ukiah schoolteacher Matt Eifert. Music has always been a big part of his life, and like most in their late 30s, his musical journey started with cassette tapes. From there, he got into CDs in a big way. In fact, he owned what he describes as "the best CD player in the world at that time" and possessed only one record album, when he bought his first turntable for $70. On playing a vinyl for the first time, Eifert said, he became "slack jawed" at the difference. Records, to his ear, sounded richer, fuller, warmer, and more true to life, leaving his CDs sounding, "flat, two dimensional, and small." Soon, he was hooked, and 20,000 records accumulated later, Eifert says, "I like everything about the format - it's more compelling to me."

But, even that may understate Eifert's love affair with vinyl records. Because in order to maximize his listening pleasure, the Ukiah resident undertook the building of a special acoustically designed room-within-a-store, filled it with top notch audio equipment - just the turntable, cartridge and tone arm, alone are worth $20,000 - and now invites friends over for some of what surely must be some of the most sublime vinyl listening sessions in anywhere.

So don't throw those old vinyl records away, quite yet. If you've held on to them this long, retrieve them, dust them off, and enjoy them again. They may not sound as good as new, but maybe that's a good thing.


SOURCE:
http://www.ukiahdailyjournal.com

Album Cover Art

Let's look at #37 on the Gigwise.com top 50 most sexy and dirtiest album covers (as put together by their staff):


37. Deftones: ‘Around The Fur’ Around the Fur is Deftones' second major label album, released in 1997. The songs "My Own Summer (Shove It)" and "Be Quiet and Drive (Far Away)" were both released as singles with accompanying videos.

Around the Fur is the album that put Deftones at the forefront of the 1990s alternative metal scene, after the underground, fan-base building success of their major label debut, Adrenaline.

The song "Headup" features Max Cavalera of Soulfly. The song was written by Max and Chino as a way of venting some of their pain over the loss of Max's step son, and Chino's friend, Dana Wells. Soulfly is taken from a portmanteau invented for the song.

Around the Fur, is the first album to feature Frank Delgado as additional personnel, who would eventually join the band officially in 1999.

Saturday, November 15, 2008

Vinyl Cooperative/Suburban Home featured at Hypebot

From my friend Virgil over at www.vinylcollective.com Congratulations!

Published by Virgil November 14th, 2008

Check this shit out!, Press and blog.

Hypebot, a very well respected Music Industry blog, just posted a short interview with me regarding the Vinyl Cooperative and Suburban Home Records. It is really exciting and really cool that other people are taking notice of what we are doing. I highly recommend you read the interview (it is short). Thanks Bruce at Hypebot for taking the time to notice what we are doing and for featuring us on your site.



An interview with indie label entrepreneur Virgil Dickerson.


Virgil Dickerson runs thriving (yes, you read it correctly... thriving) indie label Suburban Home Records. One of his most interesting side-projects is a music tribe called the Vinyl Collective Cooperative. This all vinyl reissue label is financed and run by it's 210 members and a 10 member board of directors. Slots to join sold out in 8 minutes.

Q: What is the Vinyl Collective Cooperative?

Dickerson: The Vinyl Collective Cooperative is a collective of 220 folks around the globe who nominate and vote on releases that they want to see pressed on vinyl. Only releases that have never been put out on vinyl can be nominated. The 220 unit holders of the cooperative receive a free copy of the most limited variant of the pressing, copies are given to the band and to the label that licensed us the album, and the remaining copies are sold. That revenue goes back into the Cooperative for future releases. The hope is that there will continue to be funds to manufacture future releases and if that happens, the unit holders will continue to get a free copy of the most limited version of those records.

Q: How has is it working?

Dickerson: So far, only 2 releases have been manufactured and both are amazing. The Falcon's "God Don't Make No Trash" 10" was the Coop's first release. The Coop's second release is the Jealous Sound's Kill Them with Kindness double LP.

Q: Would you run a "normal" label this way?

Dickerson: I think that if a "normal" label was organized the right way, this model could work.It is definitely a lot of work to coordinate and communicate with 220 people. There have been some headaches, but as the cooperative continues, we hope to smooth it all out. I could see it as a model for other labels who just want to release great records, but it would be difficult if the participants expected to receive dividends. The Vinyl Cooperative works well because everyone involved are avid collectors.

Q: How is Suburban Home fairing in these tough times?

Dickerson: Honestly, we are doing better now than in our 13 year history. I feel very fortunate to be able to say that. In March of 2007, we downsized our entire operation and moved things into my house and cut staff. April of 2008, things turned around to the point where we are now in a new office/warehouse and have a staff again and are having our best year to date. I think that the big guys are feeling the downside of these tough times, but having always been a really small label, we are just hitting our stride in a different way.

We just had 3 of our last 4 Suburban Home releases on the Billboard Top New Artist charts and that has never happened in our entire history.

SOURCE: http://www.hypebot.com

Hail Vinyl!

A Day In The Life Of Ranch Records

Regular readers know that I enjoy articles about the small, independent record stores, to me; they are the backbone of the vinyl revival. This story reflects a day in a local record store and in it, gives the reasons that so many people love these intimate retail establishments.

Vinyl
A day in the life of Ranch Records


By K. Williams Brown • Statesman Journal

November 15, 2008

There is a fierce, burning, endearing dedication to the record at Ranch Records. Not to the album per se, although that too, kind of, but to the vinyl disc most often seen nowadays at the Salvation Army or in your parents’ boxes of memorabilia.

Records are something to be collected, arranged, re-arranged, hoarded if there’s something unique or good about them (i.e., if they’re printed on patterned or colored vinyl) and, of course, listened to.

In Ranch Records, the records themselves are surrounded by CDs (an economic necessity), cassettes (there’s still demand), relics that complement the records, like $400 Beatles purses and original The Who posters for Berlin concerts, and then the people.

There’s customers and employees, although the divisions blur when employees come in on their off days or regulars are hired. I spent a few hours at the store in late October, trying to record the essence of Ranch.

10:58 a.m.

David Ballantyne, a clerk at Ranch Records, instructs intern Kyle Castronovo, a McNary student, to turn on the "OPEN" sign.

"You wanna turn on the open sign? Just pull the string, nice long pull," he says, and Castronovo interrupts his extensive Windex-ing duties to comply. Bo Diddley is put on the stereo.

11:06 a.m.

Owners Kit and Lori Close arrive, flowers from the Wednesday Market in-hand. Kit has been at the helm of the store since its 1982 opening and through five location changes to its present spot at 237 High St. NE. Lori normally oversees the McMinnville store, one of three they own together.

"I was a record nut, a record collector, the nerdy kid who all my money went to records, and (the records) started to overtake my life, so I started a small shop," Kit explains when asked why he opened a store.

11:25 a.m.

Ballantyne is involved in lots of CD movings: into sleeves, out of sleeves, on the shelf where all the sleeved CDs are kept. This reflects the fact that each day, Ranch Records buys all sorts of CDs and records on consignment, each of which is sleeved and catalogued. This is part of the draw for the many regulars who come weekly or even more frequently.

"There could be 5,000 records out there, but if there's 10 by the counter, they want to see those," Kit said.

11:45 a.m.

Perry Manns is one of those regulars.

"I've been coming here — geez, last week I came in here five times," he said. "They have what I want. They have a lot of selections I like — blues, jazz."

Today, he has James Brown, Etta James and Charlie Parker CDs.

12:15 p.m.

Mark Wade is another regular, one singled out by Kit as an especially good customer, who comes in two or three times per week on his lunch break from Willamette University.

There are, he said, a lot of reasons for his loyalty.

"The people working here, they're knowledgeable, they share the same interests," he said. "If you're passionate about music — which I am, I have been since I was 12, 13 years old — they're the same. So I consider them friends. It's one of the few places left that's like an old record store, like the kind I grew up with."

12:20 p.m.

Sam Schick has come in, even though it's his day off. He's been on the job about two years.

"I think Kit just took pity on me since I spent so much time here."

The story behind his hiring is telling.

"I saw a vinyl picture disc — a Paris Hilton picture disc — and I didn't like that," he said. "So I bought it and then I broke it over the counter, and I told (Ballantyne) not to stock that anymore."

Ballantyne, who had been responsible for the purchase of Hilton's album, was pleased.

"That was the candle on the cake," he said. "That was a major story that we passed around. Like, 'Kit, you won't believe what this kid did.' It was a year and a half, two years before we hired him."

12:35 p.m.

Castronovo admires Ballantyne's tiger shirt.

"That shirt is brutal," he says. "I just got a flower on mine."

"That's cool. That's manly," Ballantyne replies.

I ask about record collections.

"Last count was 1,300 good albums, 800 odds and ends and about 300 CDs," Ballantyne said.

"A couple hundred," Kit deadpans, then laughs. "I've got three stores full. It's not about counting, but my records are better than anyone else's."

There is agreement.

1:12 p.m.

Mickey Bare, of The Falcons and Hundred Dollar Jayhawks fame, stops in. Kit offers him a beer, "for lunch," and he takes one. So does Schick.

Ballantyne re-enters and sees the beers. "What is this?"

Bare: "Lunch."

Schick: "My day off."

There is a fierce, burning, endearing dedication to the record at Ranch Records. Not to the album per se, although that too, kind of, but to the vinyl disc most often seen nowadays at the Salvation Army or in your parents' boxes of memorabilia.

Records are something to be collected, arranged, re-arranged, hoarded if there's something unique or good about them (i.e., if they're printed on patterned or colored vinyl) and, of course, listened to.

In Ranch Records, the records themselves are surrounded by CDs (an economic necessity), cassettes (there's still demand), relics that complement the records, like $400 Beatles purses and original The Who posters for Berlin concerts, and then the people.

There's customers and employees, although the divisions blur when employees come in on their off days or regulars are hired. I spent a few hours at the store in late October, trying to record the essence of Ranch.

SOURCE: http://www.statesmanjournal.com

Album Cover Art

All the way to #38- here is what made the Gigwise.com Top 50 list of the sexiest and dirtiest album covers (as voted on by their staff):


38. Tom Waits: ‘Small Change’ Interestingly,this glamorous model posing as the stripper was one Cassandra Peterson who went on to play Elvira, Mistress of the Dark. Now, that is cool!

Thomas Alan Waits (born December 7, 1949) is an American singer-songwriter, composer, and actor. Waits has a distinctive voice, described by critic Daniel Durchholz as sounding "like it was soaked in a vat of bourbon, left hanging in the smokehouse for a few months, and then taken outside and run over with a car." With this trademark growl, his incorporation of pre-rock music styles such as blues, jazz, and vaudeville, and experimental tendencies verging on industrial music, Waits has built up a distinctive musical persona. He has worked as a composer for movies and musical plays and as a supporting actor in films, including The Fisher King, Coffee & Cigarettes, Bram Stoker's Dracula, and Short Cuts. He was nominated for an Academy Award for his soundtrack work on One from the Heart.

Lyrically, Waits' songs contain atmospheric portrayals of bizarre, seedy characters and places, although he has also shown a penchant for more conventional ballads. He has a cult following and has influenced subsequent songwriters despite having little radio or music video support. His songs are best-known to the general public in the form of cover versions by more visible artists—for example, "Jersey Girl," performed by Bruce Springsteen; "Downtown Train" performed by Rod Stewart; and "Ol' '55," performed by the Eagles. Although Waits' albums have met with mixed commercial success in his native United States, they have occasionally achieved gold album sales status in other countries. He has been nominated for a number of major music awards and has won Grammy Awards for two albums, Bone Machine and Mule Variations.

Waits currently lives in Sonoma County, California with his wife and their three children.

The Album Cover Art That Isn't Album Cover Art


A rep for Whitney Houston’s label Arista Records is denying reports that a photo of the singer that recently appeared online is the cover art for her new comeback album.

“The allegedly ‘new’ Whitney Houston album cover circulating throughout the Internet is not a legitimate album cover for Ms. Houston’s forthcoming Arista disc,” read a statement from the label.

“Ms. Houston is still recording and we look forward to unveiling new music along with the official album cover in due time.”

Entertainment Weekly reported that the phony album cover – featuring Houston in a black bathing suit with a plunging neckline and sporting a long wavy weave – was actually created by a fan.

Cowsills Reform for 40th Anniversary of Hair

The Cowsills, the family-based band who had numerous hits in the late-60's including "The Rain, The Park and Other Things" and "Indian Lake," are set to reform for a 2009 tour in celebrations of the 40th anniversary of their number one smash "Hair."

The reformed group will include original members Bob, Susan and Paul Cowsill along with Susan's husband Russ Broussard, Bob's son Ryan, Paul's son Brendon and bassist Ted Armstrong. Three members of the original group have since passed away, mother Barbara, and brothers Barry and Billy.

Bob Cowsill said how excited he was about the new enterprise. “We absolutely love performing and getting back in the saddle of touring after all these years. Meeting people we had crossed paths with in a different way back in the hey-day, personally meeting and greeting everyone and enjoying the memories shared by all. That two sons would now replace two brothers was unexpected but afforded us a light in the darkness after we lost Billy and Barry.”

Brother Paul added, “I'm looking forward to meeting more people who took the ride with us in the 60's. In my opinion the shows and singing are better now and our appreciation for the fans is better due to our maturity as performers. We are having fun and it’s infectious. I’m looking forward to working with Steve [Peck] and BLA [Buddy Lee Attractions, promoters for the group]. I believe that they really get what we’re about as a family and a band and they are a first class organization.”

The group will also be the subject of a feature-length documentary that is near completion.

The Rain,The Park And Other Things



Hair



Singles
"Most Of All"/"Siamese Cat" (Phillips 40382, 1966) US #118
"The Rain, The Park, And Other Things"/"River Blue" (MGM 13810, 1967) US #2
"We Can Fly"/"A Time for Remembrance" (MGM 13886, 1968) US #21
"In Need Of A Friend"/"Mister Flynn" (MGM 13909, 1968) US #54
"Indian Lake"/"Newspaper Blanket" (MGM 13944, 1968) US #10
"Poor Baby"/"Meet Me At The Wishing Well" (MGM 13981, 1968) US #44
"Path Of Love"/"Captain Sad And His Ship Of Fools" (MGM 14003, 1968) US #132
"The Impossible Years"/"The Candy Kid" (MGM 14011, 1969) US #118
"Hair"/"What Is Happy?" (MGM 14026, 1969) US #2
"The Prophecy of Daniel and John the Divine"/"Gotta Get Away from It All" (MGM 14063, 1970) US #75
"Silver Threads And Golden Needles"/"Love American Style" (MGM 14084, 1970) US #74
"On My Side"/"There is a Child" (London 149, 1971) US #108 [5]
"Covered Wagon"/"Blue Road" (London 170, 1972) Did not chart
"Christmastime" (Song for Marissa)"/"Some Good Years" (Rockville, 1993) - 1990s incarnation

Albums
"The Cowsills" (MGM E/SE-4498, 1967) US #31 (released on CD in 1994 with two bonus tracks: "The Impossible Years" and "Love American Style")
"The Cowsills plus The Lincoln Park Zoo" (Wing/Mercury, 1968)
"We Can Fly" (MGM E/SE-4534, 1968) US #89
"Captain Sad and His Ship of Fools" (MGM E/SE-4554, 1968) US #105
"The Best of The Cowsills" (MGM E/SE-4597, 1969) US #127
"The Cowsills in Concert" (MGM SE-4619, 1969) US #16
"IIxII" (MGM SE-4639, 1969) [6]
"The Cowsills Greatest Hits" (MGM, 1970)
"On My Side" (London, 1970) US #200 [7]
"The Best of the Cowsills" (Polydor, 1988 - re-released on Rebound in 1994 with a new cover)
"Global" (Robin, 1998 — first all-new album since 1970)
"The Best of the Cowsills: The Millennium Collection" (Universal/Polydor, 2001) [8]
"Painting the Day: The Angelic Psychedelia of the Cowsills" (EI, 2006) [9]
"Cocaine Drain" (Robin, 2008)