By theimmovableforce Capitol/EMI part of major record companies reissuing classics on vinyl and to major retailers
Nostalgia and discovery. That’s the simple answer for Capitol/EMI Record’s “From the Capitol Vaults” series that began just a few months ago.
A&R and Creative Vice President Jane Ventom says it’s an answer to a resurgence brought on by two separate generations.
“There are the Baby Boomers who are revisiting for nostalgia purposes,” she says, “And it’s the iPod generation discovering it.”
“From the Capitol Vault” is a series of repressed vinyl records. There are older re-issues by bands like The Beach Boys and Jimi Hendrix, and contemporary pressings by bands like Radiohead and Coldplay.
In a market that is fleeting in CD sales, and consistently rising in digital sales, vinyl would seem like the least likely medium for a a major label to invest in.
Ventom says it’s not just the consumers’ demand, but the major distributors that are wanting to stock the units, not to mention an increase in record player sales.
When walking into Barnes and Noble and Best Buy locations, there’s a greater possibility now of a consumer finding a twelve-inch piece of wax along side a silver disc, less than half its older brother’s size.
NUMBERS AND PRICINGIn the past ten years, one would think the old medium of twelve-inch grooved wax would become obsolete to an electronic box that holds up to a 100,000 songs, and can be taken anywhere - but the numbers don’t lie.
In 2006, the Year to Date (YTD) sales of vinyl, according to Neilsen Soundscan, was 640,000 and in 2007, as of November, peaked to 782,000.
According to the Recording Industry Association of America’s 2007 Year End Shipment Statistics, vinyl sales increased by 36.6 percent from the previous year, as opposed to a 11.7 percent drop in CD sales.
Virgil Dickerson is also seeing a good year with his company Vinyl Collective, an online store that distributes vinyl and presses original prints through Dickerson’s label Suburban Home Records.
Vinyl Collective is also carrying older reissues with their contemporary pressings.
“With the resurgence of vinyl, there is going to be a demand for other classic records that have been out of print for awhile,” he says.
He says carrying some of the reissues have been great, and many of the Web site’s customers have been pleased with the new pressings.
Dickerson cites price and the number of reissues a significant crack in nostalgia’s road though. While some records are harder to find then others, some reissues are cheaper out of a used bin.
“Take for example a Dire Straights album,” he says. “The reissue may be priced around $20 to $25 dollars. You have fans saying, ‘I saw that in the used bin for $2, why would I pay $25 for it?’”
Dickerson says he doesn’t think it’s collectors looking for used copies, but the retail price being much higher than a record’s worth.
He also says some reissues are getting extreme in number to collect. He cites the many different colored repressings of Alkaline Trio’s back catalog his site has carried this year. “It’s harder for collectors to keep up with it based on the price [of collecting all of them.]“
THE WAY THINGS USED TO BEFlea markets are a copious, outside shopping center containing novelty items for low prices and plenty of bargains. Some flea markets attract consumers looking for deals on collectable items such as comic books, baseball cards and general vintage items.
John Hill has been selling used movies and CDs for five years from a flea market in Prairieville, Louisiana. But in the past five years, a younger generation has been stopping at his table to sift through the six milk crates of old vinyl as well.
Though most of the records Hill has are original pressings, there is one hidden in one of the crates, new, wrapped in cellophane. It is a repressing of Jimi Hendrix’s live record Band of Gypsys, put out by the “From the Capitol Vault” series.
Six crates sit in a flea market in Prairieville, La. every weekend. Hill says his customers have been younger over the past five years.Hill says he used to be a part of vinyl record conventions, much like baseball card conventions, but those slowly fizzled in the 90’s. For the past five years, he’s been doing fine with selling and trading from the flea market every weekend.
Finding the original copy, opposed to the newer pressings is something, Hill says, is adamant to many of his shoppers who ask for mostly the same bands: Led Zeppelin, Jimi Hendrix, The Doors, Pink Floyd, and of course, The Beatles.
Ventom says this is just a small niche market compared to the newer pressing sales.
“These repressings are appealing to those buying for the first time,” Ventom says. “There’s also those consumers buying because their originals aren’t in great condition anymore.”
A COMBINATION OF MEDIUMSReasoning for the medium’s new demand may be both a backlash and brotherly bond with the rise of music’s new contender - digital.
“I think a lot of people who have gravitated back to the vinyl format, have gravitated to the aspects that vinyl have to offer,” Dickerson says. “If you get an iPod and fill it up with 1,000 song, it makes music almost feel valueless.”
Dickerson also says vinyl has brought back the intention of an album as a whole, as opposed to picking and choosing songs through digital singles. “When you buy a record, you sit through it the way the artist intended you to listen to it.”
While there’s an embrace of the old medium being more tangible than the contemporary compact disc (bigger artwork and more liner notes), Dickerson says the record companies that are packaging vinyl with digital download cards are satisfying two wants: the physical, intimate enjoyment of music when listening to a record, and the ability to take the music and listen to it anywhere.
“If you see a CD for $15 and a vinyl with a digital coupon for the same price, to me, it’s no contest,” he says.
While Vinyl Collective has seen great business in the past year, Ventom says Capitol/EMI has gotten a very positive response from both consumers and distributors. “All around people are happy with the quality of the record and the quality of the artwork.”
SOURCE: http://theimmovableforce.wordpress.com
