Saturday, May 23, 2009

Bird & Animal Names In Rock And Roll History- part fifteen

Let's continue our article series about "bird" and "animal" names and groups in rock and roll history, this time heading back to the water; exploring a couple Lollapalooza veterans.


Formed in 1979, while most of the band members were in junior high, the L.A.-based band Fishbone has effectively mixed humor, ska-metal and sheer funk rock to create their own distinctive sound all the while building up a legion of hardcore fans. Albums such as “In Your Face” (1986) and “Truth And Soul” (1988) and the LP “The Reality Of My Surroundings” (1991- the band added second guitarist John Bigham for this release) captured the band at it’s best, skillfully blending social commentary, high energy punk with frantic ska and electric funk; even adding an acoustic number and a cover of Curtis Mayfield's "Freddie's Dead" on “Truth and Soul.”

However “The Reality Of My Surroundings” didn’t establish the group as a mainstream success and the follow up 1993’s “Give a Monkey a Brain and He'll Swear He's the Center of the Universe” and their appearance at the third Lollapalooza failed to garner much attention for the band either. Their 1996 record “Chim Chim's Bad Ass Revenge” which was their first album for Arista Records, was largely ignored, as was their double-disc compilation “Fishbone 101 Nuttasaurusmeg Fossil Fuelin.”

But despite the group’s poor sales, they remained a very popular concert attraction and in 2000, the band was signed to a major record deal and given the chance to record a new album with several special guests, such as Gwen Stefani, George Clinton, Rick James, H.R. of Bad Brains, Donny Osmond, and Los Fabulosos Cadillacs. The result, Fishbone and the "Familyhood Nextperience Present: The Psychotic Friends Nuttwerx," was a critical success, but again saw poor sales.

In 2002, on their own independent record label, they released "Live at the Temple Bar and More" which contained all brand new original material recorded throughout 2001 and 2002. Throughout many personnel changes, the band retained their cult status and the new Fishbone continued to widen their musical horizons, releasing their first studio recording in 6 years titled "Still Stuck In Your Throat" in April of 2007.

In 2008 and 2009, the prospect of a reunion of the original members grew closer, when on different occasions, Walter Kibby, Christopher Dowd and Kendall Jones joining Fishbone on stage, most notably for the shoot of the Pepsi "Pass" commercial which aired in January 2009 and with the original members all on friendly speaking terms with each other.


The Eels, were named because band leader E (Mark Oliver Everett) wanted the group’s records to be next to his solo efforts in alphabetical order-they later realized that the Eagles would fall in between. After achieving minor success as a solo artist (as A Man Called E, Mr. E or simply E), Everett teamed up with Jonathan “Butch” Norton and Tommy Walter to form the Eels and they became one of the first groups to sign a record deal with Dreamworks.

The Eels debut album, “Beautiful Freak” featured an unsettling album cover (a bug-eyed prepubescent girl), melancholy pop, eccentric musical composition and quirky production and yielded the Top 40 hit “Novocaine For The Soul” (which also was the number one Modern Rock hit for two weeks). The group toured extensively to support the release and built up their name in both the U.S. and Europe. The song “My Beloved Monster” was featured on the soundtrack for the blockbuster movie “Shrek” and two other cuts could be heard in the fifth season of the television show “Homicide: Life On The Street”- “Not Ready Yet” and “Guest List.” Additionally, the song “Lucky Day In Hell” can be heard on the soundtrack for the movie “Scream.”

After some very difficult personal experiences (friends dying, his sister’s suicide and his mother being diagnosed with cancer), E wrote a collection of dark, somber songs for the next album called “Electro-Shock Blues.” Not nearly as commercially successful as their debut, the Eels had some success with the single “Last Stop This Town” and a second single called “Cancer For The Cure,” which was used on the soundtrack for the film “American Beauty.”

The next releases “Daisies Of The Galaxy” (2000) and “Souljacker” (2001), saw the band return to prominence with more of an upbeat and accessible sound. They included the songs “It’s A Motherxxxxxx” and “Selective Memory” and the single “Mr. E’s Beautiful Blues” (co-written by Michael Simpson of the Dust Brothers)-from “Daisies Of The Galaxy” and the single “That’s Not Really Funny,” which was used as the theme for the BBC comedy series “Monkey Dust,” the song “Souljacker Part I,” is included in the movie “Hot Fuzz,” while the cut “Fresh Feeling” appears in the American sitcom “Scrubs.”

In 2003, the Eels released “Shootenanny!,” an album that was recorded “live” in the studio over a ten-day period and the song ““Saturday Morning” was released as a single. But, band member “Butch” Norton left the group over 'monetary concerns' and would go on to work with Rufus Wainwright. In 2005, the thirty-three track album “Blinking Lights and Other Revelations” was released and was the band’s first album for their new record label Vagrant Records. Contributions to the LP were made by Tom Waits, Peter Buck and John Sebastian (The Lovin' Spoonful). A tour followed and as a result a live album called “Eels With Strings: Live at Town Hall” was released.

In early 2008, Eels released their first greatest hits package as well as a compilation of b-sides, rarities, soundtrack singles and unreleased tracks. "Meet the Eels: Essential Eels Vol. I" spans the first decade of the Eels with singles from all their albums. Useless Trinkets contains 50 B-sides and rarities as well as a DVD of their 2006 Lollapalooza performances.

The Eels may not have a huge following here in the States, but you have probably heard some of the songs and not know exactly who the band is. The Eels are probably more well-known in the UK and other parts of Europe, but since signing on with Vagrant Records, they will tour the United States with more frequency and hopefully capture more fans to add to their already budding fan base.

Look for part sixteen next week!


Fishbone Tidbits:

The band made headlines in April of 1993 when band member John “Norwood” Fisher was arrested (along with four others) for trying to kidnap former band-mate Kendall Jones in California. Jones had left the group the previous month and reportedly was obsessed with the apocalypse and denouncing the band as “demonic.” Fisher claimed he was just trying to take Jones to see psychiatric experts, while Jones said he had left the band over philosophical difference. Fisher ultimately was acquitted of the kidnapping charges and the band continued on.

Fishbone was led by vocalist/saxophonist Angelo Moore, and the band formed in 1979 while the members were still in junior high; the original lineup comprised Moore, Chris Dowd, Kendall Jones, Walter Kibby II, and John Norwood Fisher. They honed their skills performing in local clubs during the early '80s and then the group signed with Columbia Records in the mid-'80s, releasing a self-titled EP in 1985.

In 1987, in support of their first full-length album, “In Your Face,” the band performed "Jamaica Ska" (the classic Jamaican ska single specifically written as a breakthrough U.S. pop charts hit) in the Annette Funicello/Frankie Avalon reunion movie Back to the Beach.

Buy Fishbone Music


Eels Tidbits:

"Hombre Lobo," is the title of the seventh Eels studio album and is scheduled to be released on June 2, 2009. "Hombre Lobo" is Spanish for "wolf man" or "werewolf" and may be a reference to E's unusually long beard which he originally grew when writing the song "Dog Faced Boy.”

There have been several collaborations between the band and their fans. For example, in 2001, Eels held a contest that encouraged fans to submit song titles by e-mail, reporting that one would be picked, written around the title, and published as a b-side. Instead, they recorded a song called Hidden Track that used the submitted song titles pieced together as lyrics, as sung by Butch.

The soundtrack of the 2008 Jim Carrey comedy film “Yes Man” featured nine songs by the Eels, including "Man Up," a brand new song.

Buy Eels Music

Classic Rock Vidoes

Rush - Tom Sawyer

Music News & Notes

Lynyrd Skynyrd "God & Guns"

The new Lynyrd Skynyrd album is scheduled to be released on September 29 and has been named "God & Guns." The 13-track album was recorded in Nashville with Bob Marlette, who has worked with Alice Cooper and Ozzy Osbourne, producing. The single "Still Unbroken" will be out in July.

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Jamie Foxx Releases In UK Hot New Single 'Blame It' On June 29, 2009

2009 Academy Award winning actor and musician Jamie Foxx releases hot new single 'Blame It', taken from his new album 'Intuition', through RCA Label Group on June 29th.

'Intuition' entered at No 3 on Billboard's album chart and follows Jamie's critically acclaimed album 'Unpredictable'; which was a UK top ten and US No 1 album, also winning Jamie an American Music Award for favourite R&B/soul male artist.

Since being released 'Intuition' has spent an amazing 13 weeks in the Billboard top 10 and has already amassed 1 million digital units to date; fuelled by the first US hit single 'Just Like Me' featuring T.I. Second single 'Blame It' is currently No 2 in the Billboard Hot 100 singles chart, No 1 Hot R&B/Hip Hop chart & No 1 on Billboard's Hot R&B/Hip Hop airplay chart.

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Sean Paul Releases New Album Cover For 'IMPERIAL BLAZE'!


The newest Sean Paul album entitled Imperial Blaze is going to be released on August 18, 2009.

The lead single, 'So Fine', which was produced by Stephen 'Di Genius' McGregor, premiered on Sean Paul's official website on April 25, 2009.

Up until now there have been seven music videos: "Always On My Mind (with Da'Ville)", "Give It To You (with Eve)", "Watch Them Roll", "Back It Up" (with Left Side/Mr. Evil), "(I Wanna See You) Push It Baby" (with Pretty Ricky), "Hit 'Em" (with Fahrenheit and his brother Jason "Jigzagula" Henriques) and "Come Over" with Estelle. However, it is unknown which of these songs, if any, will be featured on the album with the exception of the first single.

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Third Man releases three new singles, including Dead Weather

Third Man Records — the label owned by Nashville resident rock star Jack White — will release three new vinyl 45s on Memorial Day, including a new single from his latest musical endeavor, The Dead Weather.

The band’s “Treat Me Like Your Mother” is backed by a cover of Them’s “You Just Can’t Win,” and will be released alongside new singles from Mildred and the Mice and Rachelle Garniez.

All of them were produced in White’s Third Man Records compound in Nashville (623 7th Avenue South) which includes a studio, performance stage and record store. A set of all three 45s can be purchased at www.thirdmanrecords.com/store.html

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Death Threat set to release new EP

Connecticut hardcore band Death Threat will release a new EP next month. The effort is titled "Lost At Sea" and will feature three new songs in addition to an Outburst cover. The limited edition 7" vinyl will be available on June 30th via Reaper Records.

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Idol News

I am not a really big fan of American Idol, but admit to watching this season and rooting for the underdog (as many who voted did as well) and I think the right singer (Kris Allen) won the competition.

This from Rolling Stone:

After Adam Lambert’s killer performance with Queen on Wednesday night’s season finale of American Idol, rumors flew that he had already been offered a job singing with the band. That’s slightly premature, according to the band’s guitarist, Brian May.

“Amongst all that furor, there wasn’t really a quiet moment to talk,” May tells Rolling Stone in an e-mail interview. “But [drummer Roger Taylor] and I are definitely hoping to have a meaningful conversation with him at some point. It’s not like we, as Queen, would rush into coalescing with another singer just like that. It isn’t that easy. But I’d certainly like to work with Adam. That is one amazing instrument he has there.”

This from Gene Simmons (who always seems to have an opinion about everything related to music):

“Respectfully, I don’t think Adam is a rock singer,” Simmons writes. “He sounds much more convincing singing ballads and Broadway shows. His voice doesn’t seem to have a ‘rock quality.’ But, I’m sure he’s going to do just fine.”

When asked, based on Lambert and Allen’s performances with the band during the season finale, which of the two he’d throw his own money behind as they build their careers, Simmons was succinct.

“Adam.”

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The Doors "From The Outside" Documentary To Be Released


MVD Visual and Sexy Intellectual have announced the home viewing release of The Doors "From The Outside" for North American distribution on DVD. This brand new documentary film tells the story of The Doors, not from the perspective of the surviving members - as has been told so many time before - but from the recollections, memories, stories and anecdotes of those who knew the group and its members best.

The panel is headed by a woman who was as close to Jim Morrison as anyone ever was; his widow Patricia Kennealy-Morrison. Kennealy-Morrison has rarely spoken on film about her relationship with Morrison, or about her own memories of The Doors. This is a once in a lifetime contribution from someone who knew just about everything that went on.



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Job For A Cowboy unveils new album cover


California deathcore band Job For A Cowboy is reving up to unleash their new release "Ruination."

In anticipation of Ruination, their sophomore release due out July 7, these metal cowboys have just unveiled the cover art for the release. Designed by artist Brent Elliott White, White has also worked with the band Trivium in addition to the rest of his very intense craftwork.

Friday, May 22, 2009

Classic Rock Videos

Bad Company- Shooting Star (live 1999)

Michael Fremer Review

I am very proud to continue our new feature (look for this every Friday), music reviews that are written by the senior contributing editor of Stereophile magazine- Michael Fremer. It has been a pleasure to speak with Michael and learn more about audio sound and equipment. In fact, his new DVD, "It's A Vinyl World, After All" has hit the shelves and is selling out very quickly. This is a must have for anybody who loves vinyl, it is a true masterpiece.

Additionally, make sure to stop by his site, www.musicangle.com and bookmark it for further exploration. I certainly want to thank Michael for the exclusive rights to reprint his fantastic material.







ALBUM REVIEW:
Jenny Lewis (recent release)
Acid Tongue

Warner Brothers 508668-1 1.5 LPs+CD

Produced by: Jenny Lewis, Johnathan Rice, Farmer Dave Scher and Jason Lader
Engineered by: N/A
Mixed by: n/a
Mastered by: Kevin Gray at AcousTech












Review by: Michael Fremer
2009-05-01


Jenny Lewis can be coquettish, seductive, aggressive, sweet, warm, nostalgic, empathetic and, yes, acid tongued— though it’s a literal reference on the title tune.

Lewis displays all of those qualities and more on this smart set of hard-edged, tuneful pop-folk-rock-blues originals that indicates an encyclopedic musical knowledge and a large record collection. Lewis leans on it, but never manages to get trapped in derivative quotes.

Whatever the homages, they’re tucked pleasingly under the skins of the tunes— glints of the difficult-to-place familiar chord changes, blues riffs and melodic devices she craftily utilizes.

For instance “Godspeed” sounds like a Bach-inspired Procol Harum song (except for the squeaky-voiced refrain!) and the lyrics even refer to a “lighthouse,” so the piano driven song sounds like it was inspired by A Salty Dog. There’s a false ending punctuated by a drum fill that just about quotes B.J. Wilson. Was that purposeful or a listener’s personal musical association?

The autobiographical title tune (side two track 2 on the LP set), reminiscent of “The Weight” is a great track to listen to first. It’s got a live vibe, a familiar yet unique melodic structure, transparent, “old school” arranging and production and a deceptively relaxed atmosphere. It epitomizes what Lewis aims for and more often than not achieves on every track.

“Pretty Bird” has a McCartneyesque mid-eastern melodic vibe, “The Next Messiah” segues a grab-bag of ideas from a one note John Lee Hooker vamp to Johnny Kidd’s “Shakin’ All Over” (covered by The Who).

The infectious “Carpetbagger,” with guest vocalist Elvis Costello, is out of Buddy Holly, Tom Petty and John Mellencamp among others but it too maintains its originality as it shifts through changing but familiar terrain.

She slinks and suggests through ballads and rockers backed by a talented, revolving group of musicians including former Beachwood Sparks guitarist Dave Scher, her boyfriend Johnathan Rice (he played Roy Orbison in Walk the Line the Johnny Cash bio) and many others with whom you might not be familiar, though some are well-known names like Chris Robinson, M. Ward and Zooey Deschenel, who’s better known as an actress but she’s also a musician.

The production is superb—if you think ‘60’s production was and we do! Most of this sounds and feels as if it was recorded live in the studio and all analog. I’ll put it to you this way: if this was a digital production, someone involved knows something few if any other engineers working with digital know.

There’s a warm, comfortable soundstage, absolutely natural sounding instrumentsm layered three dimensionally and plenty of studio air that infuses the entire production with a “you are there” quality that’s so rare today.

I was going to write that there’s not a bad tune on this 3 sided, 47 minute long LP that includes a free CD copy to load onto your iPod, but that’s way too negative: every tune on this record is great for one reason or other or many including smart arranging and production. Lewis’s performances strike just the right emotional notes throughout in a subtly understated, thoughtful style. She’s got an intimate, communicative style that’s sweet but not cloying.

This record will make you feel good for so many reasons, not the least of which is that this is a smart, brilliantly crafted, perfectly under-produced record that makes sound easy what must have been very difficult to pull off.

Highly recommended for every reason.

SOURCE: http://www.musicangle.com Reprinted By Permission


Pick up Michael's DVD's Here:

Bird & Animal Names In Rock And Roll History- part fourteen

Well, here we are at number fourteen in our continuing series about “Bird” and “animal” band names in rock and roll history. We leave the water (from our last article) and get back into some more land animals. Have any ideas for the series? Any suggestions will be appreciated!

When Eddie Rabbitt died of cancer in May of 1998, he left a pop/country legacy that included writing a Top 40 hit for Elvis Presley (Kentucky Rain) as well as scoring a number one Billboard single for himself, 1980's “I Love A Rainy Night.”

Listening to basement tapes filled with scraps of lyrics and melodies, Rabbitt heard six seconds of a song fragment he had recorded twelve years earlier. It brought back memories and he sang into his tape recorded “I love a rainy night, I love a rainy night”...and then completed his song, appropriately of the same name. The song went to number one on both the country charts and the Billboard Top 40 (two weeks) and remained on the charts for twenty-eight weeks.

Rabbitt also scored five other number one country/pop hits with crossover songs such as “Every Which Way But Loose,” (from the Clint Eastwood Movie), “Suspicious” (1979), “Drivin’ My Life Away” (1980- from the movie “Roadie”), 1981's “Step By Step” and “Someone Could Lose A Heart Tonight.” During the course of his career, he scored 20 number-ones on Billboard's country singles chart. In 1982, he teamed up with Crystal Gale for the #7 crossover hit “You And I.” Country music and music in general are in a better place because Eddie Rabbitt chose to lend his song writing expertise to the masses.

Edward Bear was a successful Canadian folk-rock group that was formed by Larry Evoy and Craig Hemming. The Toronto-based band achieved greater success in Canada, and the tune called “Last Song” reached number one in the country and peaked at number three on the Billboard Top 40 in 1972. Formed, originally as the Edward Bear Trio, the quintet took their name from a character in A.A. Milne’s book, Winnie-the-Pooh.

The band collected a Juno Award in 1973 (Canada’s version of our Grammy Award) for the Outstanding Group Performance category and had other hits including the international hit “You, Me And Mexico” (1970), “Close Your Eyes” (1973) and Canadian hits like “You Can’t Deny It,” Fly Across The Sea,” “Masquerade” and “Freedom For The Stallion.” The group disbanded in the mid 70's, with Evoy pursuing a solo career. Band member Danny Marks remained very popular in Toronto through the 80's doing parodies and impressions in nightclubs.


The group Buffalo Springfield (they “borrowed” the name from a steam roller that was resurfacing a road in Los Angles, California) was formed in 1966 and as the story goes future band members Stephen Stills and Richie Furay were driving down Sunset Boulevard in Los Angles and they spotted a hearse that Stills was sure belonged to Neil Young. As fate would have it, it was in fact Neil Young and with him was Canadian Bruce Palmer. The trio added Dewey Martin on the drums and one of rock’s most talented “super groups” was born.

Taking advantage of the bustling folk scene and with brilliantly executed folk-rock, the group secured a Billboard Top Ten hit with the Stephen Stills poignant and topical song, “For What It’s Worth (Stop, Hey What’s That Sound)” which peaked at #7 in 1967, remaining on the charts for eleven weeks.

Although the groups were together for only nineteen months, they managed to release three very engaging albums. Their self-named debut LP featured the previous mentioned single as well as Neil Young’s “Nowadays Clancy Can’t Even Sing” and the country-tinged, “Sit Down I Think I Love You.”

The band’s second release was a sheer masterpiece and included several extraordinary tracks by Young, such as the raw, but powerful “Mr. Soul,”“Broken Arrow” and the ballad-like “Expecting To Fly.” Theses early Neil Young tunes were a precursor for what was yet to come from this brilliant song writer. Stills chipped in with the spellbinding “Bluebird” and the creative “Rock & Roll Woman,” mixing dynamic vocals with clear acoustic guitars and Stills’ trademark electric guitar work. Furay contributed a song called “Good Time Boy” which was written for drummer Dewey Martin to sing lead on.

But with their egos and creative energy as strong as their song writing skills, tensions were high within the group, especially between Young and Stills. The third album from the band, ironically called “Last Time Around” was the last LP these creative geniuses would release and showcased a couple of critically acclaimed song’s, Young’s “On The Way Home” and Richie Furay’s melodic ballad “Kind Woman.”

In May of 1968, Stills left Buffalo Springfield to join up with David Crosby and Graham Nash to form the group Crosby, Stills & Nash. Young joined the group in 1970 to form the super group, CSN & Y and the band released the legendary album called “Déjà Vu.” Young left the band after a double-live album called “Four Way Street” for an incomparable solo career and has reached iconic status in rock and roll. Furay teamed up with fellow musician Jim Messina and formed the country-rock group Poco. Later on, Furay joined J.D. Souther and Chris Hillman to form the Souther-Hillman-Furay Band, and Messina teamed with Kenny Loggins in Loggins & Messina. In 1997 the group was inducted into the Rock and Roll Hall of Fame.

In a weird twist (well for our series on “birds” and “animals” in rock and roll anyway), Neil Young’s back up band was named Crazy Horse and Young released many albums in their on and off professional relationship including the first album to feature the backing band, “Everybody Knows This Is Nowhere” and they still play together to this day.

Look for part fifteen of our ongoing series next week!


Eddie Rabbit Tidbits:

Eddie Rabbitt always felt it was his responsibility as an entertainer "to be [a] good role model" and was an advocate for many charitable organizations including the Special Olympics, Easter Seals, and the American Council on Transplantation, of which he served as the honorary chairman. He also worked as a spokesman for the Muscular Dystrophy Association and United Cerebral Palsy.

Rabbitt was a jack-of-all-trades and was employed as a mental hospital attendant in the late 1950s, but like his father, he would fulfill his desire for music by performing at the Six Steps Down club in his home town. He was also temporarily employed as a truck driver, soda jerk and fruit picker while stationed in Nashville. He was ultimately hired as a staff writer for the Hill & Range Publishing Company and received a salary of $37.50 a week.

Rabbitt used innovative techniques to tie Country themes with light rhythm and blues influenced tempos. His songs would often make use of echo, as Rabbitt routinely sang his own background vocals.

Selected Cuts: Buy Eddie Rabbitt Music


Edward Bear Tidbits

"Last Song" was awarded a gold disc in March 1973 for selling over one million copies by the Recording Industry Association of America.

The band is a favorite of Quentin Tarantino, who feels the band should be regarded as "The Beatles of Canada."

Evoy, who briefly embraced scientology in 1973, went on to a solo career but is currently retired from live performance and running a small recording studio.

Selected Cuts: Buy Edward Bear Music


Buffalo Springfield Tidbits

"For What It's Worth" - Stills said in an interview that the name of the song came about when he presented it to the band he said, "I have this song here, for what it's worth, if you want it." Later they decided that should be its name.

The original version of the song has appeared in several movies, such as Coming Home, Purple Haze, Forrest Gump, Girl, Interrupted, Lord of War, and Tropic Thunder, and the TV shows The West Wing (in the episode "Isaac and Ishmael"), The Wonder Years (in the second episode "Swingers").

Buffalo Springfield was the band's first album, and this song was not originally included on it. After "For What It's Worth" became a hit single, it replaced "Baby Don't Scold Me" on re-issues of the album.

Selected Cuts: Buy Buffalo Springfield Music

Island Records To Release Retrospective




Legendary record label Island Records, which is celebrating it's 50th anniversary this year, will release the 3-CD set Island Life: 50 Years of Island Records on June 9.

The first two discs of the set are the retrospective of some of the label's greatest artists and songs from their first major hit, Millie Small's "My Boy Lollipop," to tracks by the Sugababes and the Fratellis. Unfortunately, the tracks are not sequenced in historical order so you can't get a good feel for the different genres as they developed over the years.

The third disc is the curiosity of the set as is presents covers of songs made famous on the label. You get everything from Grace Jones doing Roxy Music's "Love is the Drug" to I Blame Coco's take on Pete Wingfield's "Eighteen With a Bullet."

This Date In Music History-May 22

Birthdays:

Morrissey -The Smiths (1959)

Dana Williams - Diamond Rio (1961)

Jesse Valenzuela - Gin Blossoms (1962)

Johnny Gill - New Edition (1966)

Dan Roberts - Crash Test Dummies (1967)

Iva Davies – Icehouse (1955)

Jerry Dammers - The Specials (1954)

Lyricist Bernie Taupin was born in 1950.


They Are Missed:

Jazz visionary Sun Ra was born in Birmingham, Alabama in 1914. The visionary part is that he said he came from Saturn. The reality is his name was Herman Sonny Blount. He died May 30, 1993


History:

In 1955, Bridgeport, Connecticut police canceled a dance featuring Fats Domino, fearing a rock n’ roll riot.

In New York in 1980, five gold records that belonged to Jimi Hendrix were stolen from the Electric Ladyland studios.

In 1999, New Jersey's Continental Airlines Arena sold out of tickets for 15 Bruce Springsteen & the E Street Band shows. The concerts set a record for number of shows during a single arena stay.

The final manuscript of Beethoven's Ninth Symphony, which was annotated by the composer, sold at an auction in 2003 for $3.47 million. And I only bid 3.2 million…

Herman's Hermits were unthroned from the #1 spot in 1965, where they reigned with "Mrs. Brown, You've Got a Lovely Daughter," by the Beatles' "Ticket to Ride."

Cream’s “Disraeli Gears” went gold in 1968. Containing the war-horse “Sunshine of Your Love” it was the group’s second album.

The Rolling Stones’ “Sticky Fingers,” containing “Brown Sugar,” began a four week run at #1 on the US chart in 1971. It’s guitarist Mick Taylor’s first full album with the group since replacing Brian Jones.

The J. Geils Band's entire original lineup performed together in their hometown of Boston in 2006 at a private party celebrating bassist Dick Klein's 60th birthday. It reportedly is the first time the six members play together onstage in more than 20 years.

Ozzy Osbourne's "Black Rain" was released in 2007. "It's a well-put-together album," says Ozzy. "I took my time on (it) and (guitarist) Zakk (Wylde) plays some amazing stuff as always." "I Don't Wanna Stop" is the lead single. "People keep saying to me, 'You'll be quitting soon, retiring.' I don't wanna stop!" adds Ozzy. "I'd miss the fans. I'd miss the buzz, seeing the crowd going crazy." The album was recorded at Osbourne's home studio in L.A. Hmmm, maybe he can make some TV commercials as “The Prince of Darkness.”

In 1958, Jerry Lee Lewis arrived at London's Heathrow Airport to begin his first British tour, along with his new bride, 14 year old third cousin, Myra. Although advised not to mention it, Lewis answered all questions about his private life. The public's shock (Lewis was booed offstage) over Lewis' marriage marks the start of a controversy leading to his British tour being cancelled after just 3 of the scheduled 37 performances.

"Mother-in-Law," written and produced by Allen Toussaint and recorded in 1961 by Ernie K-Doe, hit #1 on the national chart.

While Ricky Nelson’s “Travelin’ Man” topped the charts in 1961, its Gene Pitney-penned flip side, “Hello Mary Lou,” that also became a Top Ten hit in its own right – and is one of Nelson’s best-loved recordings.

Dave Matthews Band was at #1 on the US album chart in 2005 with “Stand Up.” The album entered the chart at #1 with sales of 465,000. The LP featured the singles “American Baby,” “Dreamgirl,” and “Everybody Wake Up.”

Wings started a five week run at #1 on the US singles chart in 1976 with “Silly Love Songs,” McCartney's fifth US #1 since leaving The Beatles. It made #2 in the UK.

Thursday, May 21, 2009

Classic Rock Videos

Bad Company- Rock & Roll Fantasy (live 1999)

'Rain' Songs- part two

written by Robert Benson

Let’s continue with our short four-part series about ‘rain’ songs in popular music history.

“Fire and Rain,” a #3 Billboard hit in 1970 for James Taylor, helped to define his creative songwriting skills and became, not only part of his signature sound, but was a profound influence for many other songwriters and performers.

The sparse arrangement, including Taylor on the acoustic guitar, was written into three parts. The first part refers to a friend Suzanne, who had died while Taylor was in London working on his first album (he never got to say goodbye- friends thought that it would be a distraction and kept the tragic news from him). The second part of the song details Taylor’s struggles to overcome his own drug addictions and depression. Finally, the third part of the song deals with facing the perils of fame and fortune, and in retrospect, exploring the road he traveled to get there.

The song includes a reference to James Taylor and the Flying Machine, a band he had worked with before he signed on with Apple Records. In fact, the lyric, “sweet dream and flying machines in pieces on the ground,” is a direct reference to the dissolved group and not a fatal airplane crash which the phrase was long rumored to be about.

As we all know, James Taylor has gone on to a stellar music career, his genre-defining sounds have long been recognized and admired. The song, “Fire and Rain” is in the Grammy Hall of Fame, the Rock and Roll Hall of Fame and is named as Rolling Stones’ 227th greatest songs of all time (out of 500). The song has also been covered by numerous musicians including Willie Nelson (1975- #30 on the Billboard chart), Richie Havens, Herb Alpert, the Isley Brothers and many more.

Another ‘rain’ song that has a unique story is the cut “It’s Raining Men,” by the aptly named duo the Weather Girls (who were originally the back up singers for Sylvester in the late 1970s). The disco duo (Martha Wash and Izora Redman) took the song to #46 on the Billboard charts in 1983.

What’s interesting is that this one-hit-wonder had been offered to a virtual who’s who of female singing stars including the queen of disco, Donna Summer, diva Diana Ross, Cher, Grace Jones, Chaka Khan, Aretha Franklin, among many others. Why even Barbra Streisand turned the song down. However, the Weather Girls made the song an international hit, selling over six million copies worldwide. The cut went to #1 on the US Disco chart, #34 on the US R&B charts, #2 in the UK and Australia and #1 on the Euro Hot 100.

The song was redone in April of 2001 by Geri Halliwell as a single on her second solo effort and was also on the soundtrack for the film “Bridget Jones Diary.” “It’s Raining Men” also became the second best selling single of 2001 (with over 3 million copies sold), not bad for a song nobody wanted to record in the early 1980s!

John Cougar Mellencamp’s ode to the plight of Midwestern farmers, “Rain On The Scarecrow,” hit #21 on the Billboard charts in 1986 (from the LP "Scarecrow" released in 1985 on Mercury Records). Although Mellencamp is widely accepted as the writer of the song, it was actually co-written by George M. Green. Mellencamp has a unique touch and passion in his songwriting that appeals to everyman.

But, this was more than just a song; it laments the sad financial difficulties that American farmers have endured and it shows that Mellencamp can be a serious social commentator. However, Mellencamp does more than just sing about the struggle, in fact, shortly after Scarecrow was finished, Mellencamp helped organize the first Farm Aid benefit concert with Willie Nelson and Neil Young in Champaign, Illinois on September 22, 1985. The Farm Aid concerts remain an annual event and have raised over $33 million for struggling family farmers through 2009. Interestingly, this album was also the first that Mellencamp recorded at his own recording studio, located in Belmont, Indiana (which was built in 1984). All of his subsequent albums after Scarecrow have also been recorded there.

“The Rain Song,” is a love ballad of over 7 minutes in length by Led Zeppelin (from the band’s fifth album Houses of the Holy, released in 1973). George Harrison was reportedly the inspiration for "The Rain Song" when he commented to Led Zeppelin drummer John Bonham that the group never wrote any ballads. So as a tribute to Harrison the opening two notes are recognizably borrowed from his ballad "Something.”

During Led Zeppelin concerts from late 1972 until 1975, the band played the song immediately following "The Song Remains the Same," and by doing so they presented the songs in the same order as they appeared on the album. However, there was another reason for this; the group organized the set list in this manner because Page used a Gibson EDS-1275 double-necked guitar for both songs: the top, 12-string portion for "The Song Remains the Same" and then switching to the bottom, 6-string portion for "The Rain Song".

"The Rain Song" has appeared in two films: Almost Famous, directed by Cameron Crowe (who, as a teen reporter for Rolling Stone magazine, covered Led Zeppelin), and Led Zeppelin's own 1976 concert film, The Song Remains the Same (and accompanying soundtrack), as part of lead singer Robert Plant's fantasy sequence.

A hit for the band Blind Melon in 1993, their signature single “No Rain” topped off at #20 on the Billboard chart for 23 weeks in 1993 and hit #1 on both the Modern Rock Tracks and Mainstream Rock Tracks charts. "No Rain" was originally released in 1992, but was later re-released the following year and the cut subsequently helped propel Blind Melon to a multi-platinum level.

Led by singer Shannon Hoon (who died in 1995), the song was a hit not only because of the great music but is also well-known for its accompanying music video, which featured the "Bee Girl" character. The music video, directed by Samuel Bayer, received heavy airplay on MTV at the time of its release; helping to fuel sales.

It is a song that Blind Melon bass player Brad Smith had written about a former girlfriend. In the November, 1993 issue of Details magazine, he explained: "She had a hard time with depression. I was telling myself that I was writing it about her: how f--ked up she could be, but how intelligent she was and why she was so unhappy and how much she needed me to be happy. And I realized I was writing it about myself at the same time. I needed her just as much. She would sleep even when it was sunny outside and she'd complain that there wouldn't be any rain, because that would give her an excuse to stay in."

VH1 ranked the "No Rain" video 83rd on its "100 Greatest Videos of All Time" list and the cut is also #99 on the video channel's "100 Greatest One-Hit Wonders" list.

Look for part three of popular ‘rain’ songs in music history coming soon!

Blind Melon - No Rain (Live Acoustic)

Music News & Notes

Warbringer Debut New “Severed Reality” Video, Releases Album

The much anticipated new WARBRINGER album, Waking Into Nightmares, is set for a May 19th release, and the group recently completed a new video for the track, “Severed Reality,” which was shot by the acclaimed David Brodsky (Black Dahlia Murder, GWAR). This is a frenetic, performance based clip that perfectly captures the band’s live, unrelenting stage show. This video can now be viewed exclusively at the link below.

John Kevill (vocals) further comments: “The video for ‘Severed Reality’ got done in the middle of a tour, and it was done mostly live at the venue we were playing at that night in Milwaukee. We did a couple shots on the stage before anyone showed up, and then just shot the whole show for the video. As it turns out the show was fucking insane, we couldn't even fit all the stage divers in the video! David Brodsky went to put the whole thing together and it came out great, I think it is the strongest video we have had so far.”

Waking Into Nightmares is set to be released in just under a month and have now launched a pre-order for the album online at the new CM Distro. There are packages available for both the CD and LP versions of the album and each contain an exclusive T-Shirt and a bonus disc featuring rough mixes from the record.

WARBRINGER - Severed Reality (OFFICIAL VIDEO)


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Megadeath LP Coming Soon

Megadeth front-man, Dave Mustaine, has issued a statement to TheLIVELine.com that the recording of Megadeth's forth coming album is done.

Recorded in Megadeth's studio coined "Vic's Garage," the still untitled album will be the twelfth studio release for the band.

Mustaine indicated that he's more excited about this album than any of his releases since the 1980's.

==========================

And even more coverage of the controversial album cover art from the Manic Street Preachers

Asda defends album cover ban

by James McCarthy, South Wales Echo

ASDA has become the latest supermarket to defend its decision to ban the cover of the Manic Street Preachers’ new album from their shelves.

The retail giant, along with Tesco, Sainsbury’s and Morrisons, have been criticised for hiding the sleeve of the Blackwood band’s Journal for Plague Lovers behind a plain cover on the grounds it was “inappropriate”.

It features a painting by artist Jenny Saville of a girl with a large birthmark on the left side of her face.

Cardiff and Vale Coalition for the Disabled and Wales Liberal Democrat health spokesman, Peter Black, expressed concern the four retail giants had banned the image of a disfigured child.

But an Asda spokeswoman said: “It’s not really about that. If you first look at that picture it looks like a child that has been beaten up. Jenny Saville, her art, it’s deliberately designed to shock.”

“It’s a very shocking image and it may upset some of our customers.

“It’s not saying that we’re not (going) to look at people with facial disfigurements.

“People are not coming to Asda to look at art. They are coming to shop.”

SOURCE: http://www.walesonline.co.uk

================================

Ian Hunter Signs To New West Records

Legendary Mott the Hoople front man and renowned solo artist, Ian Hunter, has signed to New West Records. Man Overboard, due July 21.

With Mott the Hoople, Hunter quickly established himself as an incredibly inventive songwriter with his gritty and thought provoking songs which paved the way for the original wave of punk rock.

The 1972 David Bowie produced breakthrough album All The Young Dudes catapulted the band into the British Top 10 and the American Top 40. Additionally, the band was the first act to ever sell out a week of Broadway concerts in New York City. Ian Hunter's autobiography, Diary Of A Rock and Roll Star, waswritten during the band's 1972 US Tour and published in 1974. The original Mott The Hoople lineup of Hunter, Mick Ralphs, Verden Allen, Dale Griffin, and Overend Watts have announced five 40th anniversary reunion shows at the HMV Hammersmith Apollo in London on October 1-6.

As a solo artist, Mr. Hunter has been responsible for instantly recognizable classics as "Once Bitten, Twice Shy," "Cleveland Rocks" (which went on to be the theme song for ABC's hit series The Drew Carey Show), and many, many more. Hunter and Mott the Hoople have been cited as inspirations for numerous artists including The Clash, Kiss, R.E.M., Oasis, Jeff Tweedy of Wilco, Motley Crue, Blur and Primal Scream among others. Hunter's influence on modern rock and roll music has been immeasurable, with over 150 different cover versions of his songs.

Man Overboard is Ian Hunter's 13th solo album since his eponymous debut in 1975. Recorded in late 2008 in Pawling, NY. It was produced by Andy York (veteran guitarist for John Mellencamp) and Ian Hunter and features a backing band of superstar talent comprised of Steve Holley on drums and percussion (Wings, Joe Cocker), Paul Page on bass (Dion), Jack Petruzzelli on electric guitar (Rufus Wainwright, Joan Osbourne), James Mastro on electric guitar (Patti Smith, John Cale), Andy Burton on piano and organ (The Db's) and Producer Andy York on guitar and backing vocals. Many of the band members are returning from the Shrunken Heads sessions. Regarding Man Overboard, Ian Hunter stated, "When we did Shrunken Heads, I felt like we had a good thing going so I wanted to revisit the experience before anything changed, and that's what we did."

==========================

Blur Compiles New Greatest Hits Collection

Now that they’ve got some serious headlining slots lined up—major festivals like T in the Park, Glastonbury and Oxegen—Blur have prepared a two-disc primer to their back catalogue. Dubbed Midlife: A Beginner’s Guide to Blur and due out June 15 in the UK, it features 25 tracks from throughout the band’s career, including some selections from their last LP, Think Tank.

==========================

Iggy Pop & the Stooges

Iggy Pop talked to The Australian about plans to reunite the Stooges' Raw Power lineup without the recently passed Ron Asheton.

“There is always Iggy and the Stooges, the second growth of the band. I had a meeting in LA last week with James (Williamson). It was the first time we had seen each other in 30 years. So we talked about doing something together. Raw Power would be the repertoire.”

==========================

Wolfmother News

Wolfmother are currently in the studio West Hollywood, Los Angeles working on their second album. They've been at it recording the album, entitled "Cosmic Egg," with renowned English producer Alan Moulder for a shade over six weeks now, according to the blog at Modular People.

"Back Round," the first piece from the new record to be revealed, was showcased at the MTV Australia Awards in March, and has been available from wolfmother.com for free ever since, encouraging fans to donate money to the Red Cross Bushfire appeal in lieu of payment for the new track. "Back Round" will be available from iTunes worldwide on June 2nd. It has also now been revealed that the Australian four piece will hit the road on what's set to be the biggest tour in Australia of 2010, that is the return of AC/DC. In February and March of next year Wolfmother will be on the road with the legends as part of the Black Ice World Tour.

==========================

CCR Reissues

Fantasy Records continues its massive Creedence Clearwater Revival reissue program with the May 26, 2009, release of Creedence Covers the Classics, a compilation of the band's best cover tracks, plus a fully remastered version of The Concert, the band's 1970 live album. Last year, marking Creedence's 40th anniversary, Fantasy re-released the Rock ‘n' Roll Hall of Fame-inducted band's first six studio albums including rare never-before-released bonus tracks.

Creedence Clearwater Revival had developed a vast arsenal of covers during a lengthy apprenticeship in the local Bay Area music scene (as Tommy Fogerty & the Blue Velvets and later as the Golliwogs) by the time they emerged on the national stage in 1968. As fans of the 1950s "Golden Age of Rock ‘n' Roll," CCR hardly missed an opportunity to salute their musical heroes while making the songs their own. The Creedence Covers the Classics collection brings together for the first time these classic cover recordings.

Included are renditions of Dale Hawkins' "Susie Q" (CCR's very first hit single), Little Richard's "Good Golly Miss Molly," Marvin Gaye's "I Heard It Through the Grapevine," Ricky Nelson's "Hello Mary Lou," Leadbelly's "The Midnight Special" and "Cotton Fields," Roy Orbison's "Ooby Dooby," Ray Charles' "The Night Time Is the Right Time," Wilson Pickett's "Ninety-Nine and a Half," Bo Diddley's "Before You Accuse Me," Arthur "Big Boy" Crudup's "My Baby Left Me" (made a hit by Elvis Presley) and Screamin' Jay Hawkins' "I Put a Spell On You."

Wednesday, May 20, 2009

Classic Rock Videos

Bad Company "Can't Get Enough" Live 1974

Mr. Music

I am continuing our new feature: Ask "Mr. Music." Now in its 23rd year of syndication (1986-2008), Jerry Osborne's weekly Q&A feature will be a regular post every Wednesday from now on. Be sure to stop by Jerry's site (www.jerryosborne.com) for more Mr. Music archives, record price guides, anything Elvis, buy & sell collectibles, record appraisals and much more. I thank Jerry for allowing the reprints.

FOR THE WEEK OF MAY 11, 2009

DEAR JERRY: In a collection of '60s and '70s records I bought is a Capitol single (#5112) of “I Want to Hold Your Hand” and “I Saw Her Standing There,” by the Beatles.

What intrigues me is how new this record looks. It seems a 45-year-old record would show its age with signs of wear.

The label is typical of Capitol's mid-'60s releases, yellow with a curling orange wave breaking.

Is this an original or just one of their many reissues?
—Milt Spencer, West Allis, Wisc.


DEAR MILT: There are indeed many reissues; however, most do not fit the description your provide.

Between Capitol and Apple alone we've seen at least 20 different variations of “I Want to Hold Your Hand,” but only two of those reissues have that yellow and orange label, and are numbered 5112. Both are special anniversary issues intended to replicate the originals.

So let's see which you have.

All variations have the music publishing company name on the right side, directly above the time (2:24).

If that name is Walter Hoffer [Music], George Pincus & Sons Music, or Gil Music Corp., you have a '64 original.

Should it read Duchess Music Corporation, and have black text printed around most of the outside border of the label, it is a 20th Anniversary (1964-1984) edition.

In 1994, Capitol issued a 30th Anniversary (1964-1994) edition, also published by Duchess Music Corporation. This one, however, has only a few words at the bottom, underneath “The Beatles,” all in WHITE print.

I think you can take it from here.


DEAR JERRY: Your column inspired me to dig out my old 45s, most of which I bought as a teen in the 1950s and early '60s.

One in my collection has me curious, and I'm hoping you'll shed some light on things.

I have several by Brenda Lee, all credited just that way. However, one shows the singer as “Little Brenda Lee (9 Years Old).” The song is her version of Hank Williams' “Jambayala.”

Did she then turn 10 or 11 and dump the “Little”?

I know Little Stevie Wonder and Little Anthony both dropped the “Little” when they got a bit bigger. What's the deal with Little Brenda?

Is this her first recording?
—Alice Holt, Glendale, Ariz.


DEAR ALICE: Yes, “Jambayala,” backed with “Bigelow 6-200” (Decca 30050), is indeed Brenda's first record.

Her debut single came out in September 1956, two months after Decca signed the pre-teen to what turned out to be a 30-year collaboration — itself a rarity in this business.

Brenda's second single couples two charming Christmas tunes: “I'm Gonna Lasso Santa Claus” and “Christy Christmas.”

None of those first four songs charted, but her first release in '57, “One Step at a Time,” became a hit in both the pop and country fields. With the release of “One Step at a Time,” Brenda Lee was no longer “Little.”

About that “Little” thing: even though these two 1956 Decca singles both credit her as “Little Brenda Lee (9 Years Old),” they were not being honest.

What virtually no one knew at the time is that Brenda turned 12 on December 11, 1956.

Next came, “Dynamite,” which gave Brenda her final chart hit until nearly the end of the decade. Just 10 days before 1960 arrived, “Sweet Nothin's” debuted.

Little Miss Dynamite, as the 4' 9" wunderkind was affectionately known, went on to chart 46 hits in the 1960s making her that decade's top female singles artist.

IZ ZAT SO? For singles sales in the 1960s, Brenda Lee topped all females, but her dominance did not extend to albums.

In that category, she ranked behind (in order) Nancy Wilson; Barbra Streisand; and Connie Francis.

Not surprising, since only once in long play history has the same woman worn both the singles and albums crown for a decade.

That would be '90s superstar Mariah Carey.

Copyright 2009 Osbourne Enterprises- Reprinted By Permission

*************************************************************

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Music News & Notes

More New Releases

Dale Ann Bradley has just released a new album, "Don't Turn Your Back," on Compass Records on Tuesday (May 19). The album is an eclectic mix of new songs, as well as solid remakes of Fleetwood Mac's "Over My Head," Patty Loveless' "Last Thing on My Mind" and Tom Petty's "I Won't Back Down." Bradley is the International Bluegrass Music Association's (IBMA) reigning female vocalist of the year.

Other new independent releases include singer-songwriter Ashley Cleveland's "God Don't Never Change" (Koch), Gregory Alan Isakov's "This Empty Northern Hemisphere" (self-released), Red Stick Ramblers' "My Suitcase Is Always Packed" (Sugar Hill), Russell Moore & IIIrd Tyme Out's self-titled album (Rural Rhythm), Chris Pandolfi's "Looking Glass" (Sugar Hill), Angie Stevens' "Queen of This Mess" (Boss Koala) and the Tractors' "Trade Union" (Koch). Additionally, Sony Music Entertainment has digitally released Ashley Monroe's 2006 album, "Satisfied," a Columbia Records project that was sidelined during Sony's corporate merger with BMG.

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Concord Issuing Ray Charles' Modern Sounds In Country and Western Music Volumes 1 & 2



Back in 1962, the legendary Ray Charles electrified the musical world with his soulful take on many popular country and western music of the day with his LP "Modern Sounds In Country and Western Music." The album would became his first #1 hit on the Pop Albums chart, staying there for an amazing 14 weeks, and included four charting singles ("Born to Lose," "Careless Love," "I Can't Stop Loving You" and "You Don't Know Me"). In response to the overwhelming success of this record, later that same year, Charles released Volume 2, which produced three more hits ("You Are My Sunshine," "Take These Chains From My Heart" and "Your Cheating Heart").

Concord Records has released the following press release and talks about the making of these classic albums:

“Since joining ABC’s roster in late 1959 after permanently altering the rhythm & blues landscape that sired soul, Charles had been contemplating an LP of country chestnuts for years,” Dahl writes. “So to him it wasn’t a radical concept. What was earth shattering was the way he redefined each song. When Ray unleashed the roaring horn section from his recently formed big band, those country evergreens swung like never before.”

In preparation for the album, Charles asked Feller to bring him the biggest country and western hits from the preceding 20 years. According to Ward, “Completely confused and wondering what possible use Ray could make of such material, Sid began collecting songs. The more he thought about Ray’s idea, the more excited Sid became. And by the time the sessions rolled around, he was nearly the most enthusiastic person on the studio.”

Initially skeptical at first themselves, ABC Records gave Charles artistic freedom and was pleased when Modern Sounds in Country & Western Music became the label’s first million-selling album. A lot of this was due to the success of its first single, I Can’t Stop Loving You. Never intended to be a single, the Don Gibson-penned track was buried deep in the album sequence. Yet when actor Tab Hunter covered the song, Feller quickly edited Charles’ rendition to single length and got it into the marketplace in enough time to bury the Hunter version. It topped the pop and R&B hit parades and won a Grammy for Best R&B Recording. You Don’t Know Me also proved a massive R&B and pop seller.

A few months later, Ray and his team convened at Capitol Studios in New York to plan Volume 2, Ray mining another dozen country standards. Within the month, the album was at retail and proceeded to reach #2 on the pop album chart. Hank Williams’ Take These Chains From My Heart, which kicked off the “ballad side” of Volume 2, became another huge Charles hit in mid-1963.

Having made countless new country converts by giving these 24 songs a soul-steeped urban dimension, Charles continued to dip into the country and western songbook. He covered Johnny Cash’s hit Busted to Grammy-winning acclaim in 1963, and his remakes of Buck Owens’ Cryin’ Time and Together Again hit during the mid-‘60s. “Then again,” Dahl writes, “Ray’s unique vocal interpretations inevitably made any song from any genre entirely his own.”



=============================

In an earlier post, I had shown the new album cover art for this release- why it is causing quite a stir is anyone's guess, here is the album ocver again and the response for the band:

MANIC STREET PREACHERS - MANICS BLAST CENSORS OVER COVER ART ROW


MANIC STREET PREACHERS frontman JAMES DEAN BRADFIELD is baffled by the decision to censor the band's new album cover - insisting critics have misunderstood the artwork.

A number of stores in the band's native U.K. are issuing Journal For Plague Lovers in plain cases, because the original cover - a painting by artist Jenny Saville - shows a face that appears to be splattered in blood.

But Bradfield is annoyed, insisting the image isn't blood, and accusing stores of looking for controversy.

He tells the BBC, "We just thought it was a beautiful painting. We were all in total agreement. It is her brushwork. If you're familiar with her work, there's a lot of ochres and browns and reds and browns and perhaps people are looking for us to be more provocative than we are being.

"You can have lovely shiny buttocks and guns everywhere in the supermarket on covers of magazines and CDs, but you show a piece of art and people just freak out".

It's not the first time the Manics have teamed with Saville - they used one of earlier paintings of an overweight woman in just underwear on the cover of their 1994 album, The Holy Bible.

Buy Manic Street Preachers Music Here

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New 'Brimful' Of Cornershop Music

Here's something that doesn't happen very often, a new record from one of the UK's most cherished bands, Cornershop.

They will be releasing the 1st single from their forthcoming album on Tuesday 26 May. The new single is titled 'The Roll Off Characteristics (Of History In The Making)' and will be released on Cornershop's own Ample Play Records imprint. The Devil has a twitchy house remix of the single available for download for a limited period.



Vinyl copies of the single are to be distributed through Cargo to local shops, however, both vinyl and digital copies are also available for sale directly and securely at the Cornershop On-Line Shop from the group themselves, at www.cornershop.com .

Cornershop Music

===========================

Ash to release 26 new songs in 12 months + “Return of White Rabbit”

With 18 Top 40 UK hits, Ash are one of the most successful ‘singles bands’ of recent times, consistently bothering charts and airwaves with their distinctive, lovable and inventive pop.

In 2007 Ash released the album ‘Twilight Of The Innocents’, bequeathed another brace of hit singles “You Can’t Have It All” and “Polaris,” before promptly announcing they would no longer release albums. Heralding a new approach to record releases, the ultimate singles band will now deliver the ultimate singles collection - a year-long series of fortnightly single releases, with limited edition collectors vinyl.

For the past year they have been holed up in their New York HQ, Atomic Heart Studios, writing and recording a series of songs that will form what Ash is calling the A-Z series.

Starting in October, every two weeks for the next twelve months, Ash will release one single on limited 7” vinyl and digital download…starting with ‘A’ and ending at ‘Z’, all 26 songs will be released on Ash’s own Atomic Heart Records and will be available through shops and by subscription through the band’s website.

Ash kick off this series with a bonus track (not one of the forthcoming 26 songs) — the Mark Hamilton penned song “Return of White Rabbit.”

Fans can currently download this song free of charge on the Ash website, www.ash-official.com and 1000 limited edition 7” singles will be made available through mail order and selected independent record shops starting June 8, 2009.

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Zao Releasing Early Album "Where Blood And Fire Bring Rest" On Vinyl

Zao has issued the following announcement about releasing an early studio album on vinyl:

"Yup. Broken Circles Records is putting out a 1000 copy pressing of Where Blood And Fire Bring Rest on vinyl. First time it's seen a vinyl release. Ever.

"While WE don't really have a hand in this one, we've given our blessing and are sitting on the sidelines watching how it goes down to see if there's enough demand to put OTHER stuff out. I mean, think about it. A certain ANALOG recorded album getting the vinyl treatment it deserves? double picture-disc set of Funeral of God?? the possibilities are endless.

"In the meantime, here's the breakdown of the pressing.

"Dark Clear Red Vinyl (400 copies)

"Opaque Yellow Vinyl (300 copies)

"Brown Marble Vinyl (200 copies)

"Black VInyl (100 Copies) Sold Out!

Hurry- the release is selling out fast- check here to see if they have it!

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L.A. GUNS: ''86 Demo Sessions' To Be Released On Limited-Edition Vinyl


Cleopatra Records will release L.A. GUNS' "'86 Demo Sessions" on limited-edition, hand-numbered vinyl on June 2. The LP, which contains recordings that were made prior to the release of the band's major label debut album in 1988, features the following track listing:









01. Soho
02. Nothing To Lose
03. Bitch is Back
04. Down In the City
05. Electric Gypsy
06. Instrumental
07. Guilty
08. Hollywood Tease
09. Sex Action
10. Midnight Alibi
11. One More Reason
12. One Way Ticket
13. Shoot For Thrills

L.A. GUNS has recently been touring in two competing lineups: one fronted by guitarist Tracii Guns, and another led by his Eighties bandmates, singer Phil Lewis and drummer Steve Riley. "Tracii's L.A. GUNS is bogus," Riley recently told Rolling Stone magazine. "People want to hear the songs sung by the original lead singer." Guns countered, "Those guys are a couple of dirty motherfuckers. I hired them for my band — if you get hired as a manager at McDonald's, you don't take over the McDonald's."

Guns told Rolling Stone that he was going to court, and he hoped to get the name back. "I just want to put it to bed and start a new band," he said. "This has proved beyond 'Spinal Tap' ridiculous. The next chapter would be us trying to book a convenience store and battling over the $300 they'd pay us."

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Handwritten Poem By Teenage Bob Dylan Up For Auction

A two-page poem written by “Bobby Zimmerman,” or Bob Dylan as the Rock & Roll Hall of Fame calls him, has been unearthed and is now up for auction at Christie’s. Handwritten by a teenage Dylan in the mid-1950s, “Little Buddy” was penned for The Herzl Herald, the official newspaper of Northwestern Wisconsin’s Herzl Camp, where young Zimmerman was a camper. The handwritten poem is currently on the block until June 23rd, with an estimated price in the $10,000-$15,000 range.

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Echo & the Bunnymen Space Bound

Recently, Echo & the Bunnymen were contacted by NASA astronaut Timothy Korpa about taking the group's music with him on his next space mission. Specifically, what he wants to take is the group's 1984 album "Ocean Rain," which he states as his favorite from their catalog.

Group member Ian McCulloch said in a statement:

"Now it's official. We are the coolest band in the universe. As a kid I dreamt of being an astronaut, and now in a way it feels like I'm fulfilling that dream. I cannot wait to hear from Tim what it is like to listen to The Killing Moon in the actual glow of the moon."

***Buy The LP Here***

==============================

Green Day #1 LP

Despite their unorthodox release date that saw Green Day's "21st Century Breakdown" in stores on Friday instead of the conventional Tuesday, Green Day’s newest rock opera has bolted to the top of the charts. The album sold more than 214,000 copies in its short week, giving the band their second consecutive #1 debut after 2004’s American Idiot.

**Buy 21st Century Breakdown Here**

This Date In Music History-May 20

Birthdays:

Busta Rhymes (1972)

Patti Russo, American singer/songwriter/actress (1964) Best known as the female lead vocalist with Meat Loaf.

Brian Nash - Frankie Goes To Hollywood (1963)

Nick Heyward - Haircut 100 (1961)

Steve George - Mr Mister (1955)

Jimmy Henderson - Black Oak Arkansas (1954)

Warren Cann – Ultravox (1952)

Sue Cowsill – Cowsills (1960)

Jill Jackson - Paul and Paula (1942)

Joe Cocker was born in Sheffield, England in 1944.

Born on this day in 1946, Cherilyn Sarkasian, better known as Cher.

1958 Jane Weidlin - Go-Gos (1958)


They Are Missed:

Rudy Lewis of The Drifters died in 1964 (age 28) under mysterious circumstances the night before the group was set to record “Under the Boardwalk.” Former Drifters backup singer Johnny Moore was brought back to perform lead vocals for the recording session.

Born on this day in 1947 Steve Currie, T Rex (died on 28th April 28, 1981).

The late Teddy Randazzo ("The Way Of A Clown" and writer of seven of Little Anthony's hits) was born in 1930.


History:

In 1960, Johnny & the Moondogs changed their name to the Silver Beetles for their first tour of Scotland, backing pop singer Johnny Gentle. The Silver Beetles were made up of John Lennon, Paul Ramon, Carl Harrison, and Stuart de Stael. The last three are actually pseudonyms for Paul McCartney, George Harrison, and Stuart Sutcliffe.

Legendary DJ Alan Freed was indicted for allegedly receiving payola from six record companies in 1960. He would later get a $300 fine.

In 1988, Priscilla Presley held a press conference to deny that Elvis was still alive. He did leave the building (earth) after all….

The #1 R&B single in America today in 1967 was Aretha Franklin's "Respect."
In 1998, Bob Dylan was among those attending a funeral mass for Frank Sinatra in Beverly Hills, California. In a statement, Dylan said, "Right from the beginning, he was there with the truth of things in his voice. His music had an influence on me, whether I knew it or not. He was one of the very few singers who sang without a mask. It's a sad day." Other mourners in attendance included: Tony Bennett, Faye Dunaway, Tony Curtis, Liza Minnelli, Kirk Douglas, Angie Dickinson, Sophia Loren, Bob Newhart, Mia Farrow and Jack Nicholson.

Tool were at #1 on the US album chart in 2006 with “10,000 Days” their second #1 album.

Paula Abdul started a two week run at #1 on the US singles chart in 1989 with “Forever Your Girl,” her second US #1 (a #24 hit in the UK).

Paul McCartney went to #1 on the US singles chart in 1978 with the cut “With A Little Luck,” his sixth solo US #1.

The Beatles, armed with a bunch of new songs after their visit to India, met at George Harrison's home in Esher, Surrey in 1968. They taped 23 new songs on George's 4-track recorder, many of which would end up on The Beatles' next two albums, (the White Album) and Abbey Road. The demos included: “Cry Baby Cry,” “Revolution,” “While My Guitar Gently Weeps,” “Blackbird” and “Child of Nature” (a Lennon song that became “Jealous Guy”).

Bill Haley and the Comets' "Rock Around the Clock" was released in 1954. It was not successful until it was re-released in 1955 on the soundtrack to "Blackboard Jungle."

Jimi Hendrix signed his first American record contract with Reprise Records in 1967.

"Let It Be," the film by The Beatles, premiered worldwide in 1970.

George Harrison visited the Maharishi Mahesh Yogi for the first time in 1967.