Thursday, July 2, 2009

Bird & Animal Names - part nineteen

As we continue our article series about “bird” and “animal” band names and individuals in rock and roll history, let’s again focus on the dog’ names.

One of the most peculiar sounding band names of the 1960s psychedelic era was the Texas group called Bubble Puppy. The band was formed in 1966 in San Antonio, Texas by Rod prince and Roy Cox on the concept of dual lead guitars that would dominate the music. After a few line up changes, the final crew was a settled with Prince and Todd Potter on lead guitars, Cox on the bass and David Fore on the drums. The band signed a recording contract with the Houston-based International Artists record label and the group’s live debut was as the opening act for the Who.

The band’s odd name is supposedly taken from a fictitious children’s game in Aldous Huxley’s Brave New World. The acid-flavored group charted one song, the rousing psychedelic cut called “Hot Smoke & Sassafras,” (#14 on the Billboard Top 40 charts in 1969) which is reported to be a misheard line borrowed from an episode of the popular television series The Beverly Hillbillies. The band also released their only full-length album “A Gathering Of Promises” in 1969 (worth $100-200 to record collectors according to record price guides).

However, the group has internal conflicts with their record label and they dissolved their relationship in 1970. The band signed with Nick St. Nicholas of Steppenwolf as their manager and moved to Los Angeles. Their name was changed to Demian (after Herman Hesse's 1919 novel, at the suggestion of their manager's wife); this was to avoid contractual difficulties with their previous record company but also because the former name appeared to link them with bubblegum music. The group released one self-titled album in 1971 on the ABC-Dunhill record label. The album flopped leading to financial difficulties and ultimately the demise of the band.


Born in Long Beach, California in 1971, Snoop Doggy Dogg (his mother nicknamed him Snoopy due to his love of the comic strip Peanuts) is one of the most successful rap artists in history. In and out of prison after high school and a member of a local Crips gang, he was convicted of cocaine trafficking and also was arrested on charges of being an accomplice to murder. These charges, his lifestyle and the violence that his lyrics implied certainly strengthened the release of his debut album“Doggystyle.”

The album “Doggystyle” entered the charts at the number one position, partly fueled by Snoop’s relationship and collaboration with fellow rapper/producer Dr. Dre (they had rapped together for the film “Deep Cover”) and the high anticipation of the work (it is the first debut album ever to enter the charts at number one). But Snoop was no stranger to the rap crowd, having played a significant role in Dr. Dre’s album “The Chronic” (Death Row Records 1992). The album (Doggystyle) also bore a resemblance to Dre’s release, but proved to be popular despite the similarities, both musically and production wise. Songs like the single “Who Am I (What’s My Name),” use nearly the same samples and bass lines as “Dre Day” and the single “Gin And Juice” helped keep the album at the top of the charts with its dynamic mix of “gangsta rap,” violent lyrics and west coast g-funk.

However, Snoop Dogg’s arrest on murder charges help fuel the popularity of the “gangsta rap” boon and its consequent lifestyle. That is up for debate, but it sure did not hurt his cause, with the rapper exploiting his impending trial by releasing a short film (directed by Dr. Dre) based on the “Doggystyle” song “Murder Was The Case.” The soundtrack debuted at the number one position in 1994. In February of 1996, Snoop Dogg was cleared of all charges and began working on his sophomore release.

The album “Doggfather” took three years to produce and during that time the lifestyle of “gangsta” life was a whirlwind of controversy, from the violent lyrics, disrespect of women, to the lifestyle itself, with many notable rap industry deaths (including Snoop’s friend Tupac Shakur) and the indictment of Death Row Records cofounder Suge Knight (racketeering charges). Dr. Dre also left in 1996 due to a contract dispute. But this release was not as successful as the debut, the album “Doggfather” was very successful in its own write. Working with the same g-funk territory, colossal rhythmic funk and soul as well as Snoop Dogg’s continuing improvement in his rapping and rhyming, the album exemplified Snoop’s maturation as one of rap music’s finest artists.

Snoop Dogg left Death Row records, dropped the “Doggy” from his name and moved over to Master P’s No Limit Imprint label. His next two releases “Da Game Is To Be Sold, Not To Be Told” (number one pop record and R & B record in 1998) and “No Limit Top Dogg (number two pop and number one R & B record in 1999) showed Snoop’s maturation and skill as a music maker and producer. Snopp Dogg had continued success with his subsequent releases, 2000's “Tha Last Meal” and the albums “Paid the Cost to be da Bo$$” “R & G (Rhythm & Gangsta)”- The Masterpiece and 2006's “Tha Blue Carpet Treatment” proved that Snoop Dogg belongs with the elite in the rap industry.

In late 2007 he recruited two hip-hop veterans — New Jack Swing legend Teddy Riley and West Coast hero DJ Quik - and formed the production team QDT Muzic. The team oversaw Snoop's 2008 album Ego Trippin' which included the single "Sensual Seduction". He has formed his own production company, produced an x-rated film and despite a myriad of legal issues, stays very active in the rap and film industries.


Bubble Puppy Tidbits:

The members of Bubble Puppy continued to be active in the music industry after the band's demise. Potter and Prince played with the band Sirius through the late 1970s, and Fore drummed with the Texas punk rock band, D-Day, co-writing their cult hit, "Too Young to Date.”

In 1984, the original Bubble Puppy lineup reunited for performances and recordings, released as the LP, “Wheels Go Round.”

Roy Cox founded The Blues Knights and issued a CD "Before I Go" in 1999. He also formed the NYC Outlaws in September 2007.


Snoop Dogg Tidbits:

In July 2007, Snoop Dogg also made history by becoming the first artist to release a track as a ringtone prior to its release as a single, "It's the D.O.G."

In February of 2009, Snoop Dogg announced a first-of-its kind global deal that will bring the entertainers’ personality to television in a new variety talk show, “Dogg After Dark,” and his music to fans with a new album release and into the best-selling music video game Rock Band®.

In 2004, Snoop appeared on the Showtime series The L Word as the character "Slim Daddy", a combination of Slim Shady and Puff Daddy.

Snoop Dogg also played the drug dealer-turned-informant character of Huggy Bear, in the 2004 remake film of the 1970s TV-series of the same name, Starsky & Hutch.

He has appeared as himself in an episode of the Showtime series "Weeds," and made an appearance on the hit TV shows Entourage and Monk, for which he recorded a version of the theme, in July 2007.

In December 2007, his reality show Snoop Dogg's Father Hood premiered on the E! Channel. Snoop Dogg joined the NBA's Entertainment League.

Snoop was filmed for a brief cameo appearance in the television movie “It's a Very Merry Muppet Christmas Movie” (2002), but his performance was omitted from the final cut of the movie.

Snoop founded his own production company, Snoopadelic Films, in 2005. Their debut film was “Boss'n Up,” a film inspired by R&G starring Lil Jon and Trina.

Copyright Robert Benson 2009

Music News & Notes


Arctic Monkeys Unveil Flesh-Flashing Artwork

Arctic Monkeys have unveiled the controversial artwork to their upcoming new single 'Crying Lightning'.

Released as an iTunes download next Monday, July 6, and physically on August 17, the single cover features semi-naked (nipples and all), ultra-flexible girls balanced on a drum.

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Brooks & Dunn Releasing Hits

Brooks & Dunn, the most awarded duo in country music, are set to release their third greatest-hits compilation late this summer.

GAC reports that the career-spanning '#1s ... and then some' will be released on September 8 and will feature a whopping 30 tracks, 23 of which have topped the country charts. The duo's first four singles, taken from their debut album 'Neon Moon' are featured on the new collection as well. All four of those singles reached No. 1 on the country chart.

In addition to previous hits, the album will also feature two new tracks, 'Indian Summer' and 'Honky Tonk Stomp.'

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New Nitty Gritty Dirt Band Album

The Nitty Gritty Dirt Band will release their first new album in five years on September 22 via NGDB Records. Speed of Life features the core band of Jeff Hanna, Jimmie Fadden, Bob Carpenter and John McEuen.

The Nitty Gritty Dirt Band were Americana long before anyone knew what roots music was. They formed in 1965 in southern California when the duo of Hanna and Bruce Kunkel hooked up with Les Thompson, Fadden and Jackson Browne at McCabe's Guitar Shop in Los Angeles. They played folk and jug-band music in the area for a few months until Browne left and McEuen joined the group.

In early-1967, the group signed with Liberty Records and released their self-titled debut. The single Buy For Me the Rain reached number 45 nationally and the album charted in the lower regions of the top 200.

Their followup albums, Richochet and Rare Junk did not do well and personel changes led to their demise in mid-1969. McKuen, Fadden, Hanna., Thompson and Jim Ibbotson reformed the group less than a year later and put out what would become their breakthrough album, Uncle Charlie and His Song Teddy. The lead-off song, Mr. Bojangles, sped up the charts to number 9, becoming their biggest pop hit.

Jackson Breaking Music Sales Records


Since Michael Jackon's untimely death, his music is setting all-time sales records, whether it be a physical format or a download. Check out these stats:

Three of his collections - “Number Ones,” “Essential Michael Jackson” and “Thriller” - are the three top-selling albums in the US, according to figures released yesterday by Nielsen SoundScan, which tracks record sales. For the week ending Sunday, Jackson sold a combined 415,000 albums. It’s an impressive number considering he sold only 10,000 records the week before. All three outsold what will be the number one album on the regular album chart, the Black Eyed Peas' The E.N.D. It sold only 88,000 copies. This is the first time a catalog album has outsold the top album on the regular Top 200.

Jackson’s “Number Ones” set - which is a half-decade old - sold 108,000 copies. At Amazon.com, Jackson holds the top 10 spots for CD sales - with indie rock kings Wilco’s new “Wilco (the Album)” coming in at a lowly 11th. On eBay, copies of “Thriller” on vinyl run from $10 to $999.99

Since Jackson’s death, 2.3 million tracks have been downloaded in the US, dominating both iTunes and Amazon mp3 sales. The downloads were enough to break records on Billboard’s digital album chart, where Jackson currently holds six of the Top 10 slots with 167,000 downloads of “Thriller,” 165,000 of “Man in the Mirror” and 158,000 of “Billie Jean.” No artist before had ever sold over 1 million.

Unbelievable, but this shows his music is legendary and stands the test of time as older fans relive their past and new fans get a taste of the "King of Pop" for the first time.

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Jackson left an ‘endless’ supply of music that could be released for years

Michael Jackson had a mountain of unreleased recordings in the vault when he died — music that is almost certain to be packaged and repackaged for his fans in the years to come.

The material includes unused tracks from studio sessions of some of Jackson’s best albums, as well as more recently recorded songs made with Senegalese R&B singer and producer Akon and Black Eyed Peas frontman will.i.am.

“There are dozens and dozens of songs that did not end up on his albums,” said Tommy Mottola, who from 1998 to 2003 was chairman and CEO of Sony Music, which owns the distribution rights to Jackson’s music. “People will be hearing a lot of that unreleased material for the first time ever. There’s just some genius and brilliance in there.”

The details of who owns Jackson’s unreleased music and concert footage are not entirely clear. Sony Music declined to comment. A person involved with the label who requested anonymity said no new projects or compilations are being planned yet.

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Top Selling Albums of All Time

•Michael Jackson - Thriller - 100 –109 million

•AC/DC - Back in Black - 45 million

•Pink Floyd - The Dark Side of the Moon - 45 million

•Meat Loaf - Bat out of Hell - 43 million

•Eagles - Their Greatest Hits (1971–1975) - 42 million

•Various artists - Dirty Dancing - 42 million

•Whitney Houston / Various artists - The Bodyguard - 42 million

•Andrew Lloyd Webber - The Phantom of the Opera - 40 million

•Backstreet Boys - Millennium - 40 million

•Bee Gees / Various artists - Saturday Night Fever - 40 million

•Fleetwood Mac - Rumours - 40 million

•Shania Twain - Come on Over - 39 million

•Led Zeppelin - Led Zeppelin IV - 37 million

•Alanis Morissette - Jagged Little Pill - 33 million

•The Beatles - Sgt. Pepper's Lonely Hearts Club Band - 32 million

•CĂ©line Dion - Falling into You - 32 million

•Mariah Carey - Music Box - 32 million

•Michael Jackson - Dangerous - 32 million

•The Beatles - 1 - 31 million

•Celine Dion - Let's Talk About Love - 31 million

Wednesday, July 1, 2009

Classic Rock Videos

Michael Jackson - BEN

Mr. Music

I am continuing our new feature: Ask "Mr. Music." Now in its 23rd year of syndication (1986-2008), Jerry Osborne's weekly Q&A feature will be a regular post every Wednesday from now on. Be sure to stop by Jerry's site (www.jerryosborne.com) for more Mr. Music archives, record price guides, anything Elvis, buy & sell collectibles, record appraisals and much more. I thank Jerry for allowing the reprints.


FOR THE WEEK OF JUNE 22, 2009


DEAR JERRY:
I first became aware of Paul Horn when I spotted a copy of “Inside the Taj Mahal” at a thrift store. It was badly worn so I didn't buy it, but it did look interesting.

Paul apparently plays the flute, along with other instruments, mostly in a jazz style.

Were those recordings really made “inside” the Taj Mahal, or just nearby?

If so, wouldn't a mausoleum, especially this one, be an unlikely place for recording music?

Tell me more about this, if you can.
—Robin Maldron, Wauwatosu, Wisc.



DEAR ROBIN: I can, and I will. But even better is what Paul himself has to say about these topics.

Fortunately, among hundreds of interviews conducted over the years for my various publications, one is with Paul Horn.

In a 1989 sit-down chat with one of our freelance writers, Robert L. Miller, Mr. Horn offers these comments about playing various instruments:

“For many, many years I just played them all. In the early years I played the sax, alto mostly, and clarinet.

“I didn't play the flute until I was 19, and in my second year of college (1949).

“Later, when I was with the Chico Hamilton Quintet (1956-1958), it was alto and tenor sax, alto flute, piccolo, clarinet, and some piano. When I did studio work in L.A., for 15 years after I left Chico Hamilton, I played all my instruments.

“A time came when I just didn't feel like playing the clarinet, and others, anymore — just the flute.”

That the flute instead of a horn would be Horn's instrument of choice, and him having it handy when he first visited India, resulted in the “Inside the Taj Mahal” album.

This landmark collection, followed by several others in Paul Horn's “Inside” series, gave birth to what is now known as New Age, or World music.

About those three months in India in 1967, Paul recalls:

“I went on my own spiritual pilgrimage and a big change in my life happened when I went to India. I was with the Maharishi Mahesh Yogi and I started practicing TM [transcendental meditation], which I still do.”

During his three months there, Paul arranged to do some sessions in New Delhi. There he recorded enough tracks to fill two concept albums: (1967) “Paul Horn in Kashmir - Cosmic Consciousness” and (1968) “Paul Horn in India - Ragas for Flute, Venna and Violin.”

After a brief return to North America, Paul decided to produce a documentary on TM and Maharishi Mahesh Yogi, which took him back to India.

Like millions of other visitors, he toured the Taj Mahal, never realizing how his being inside the Taj Mahal would lead to “Inside the Taj Mahal,” an LP that forever redirected the course of music.

Somewhere along the way the TM documentary was scrapped, but this journey to India would not be fruitless, thanks to a professional quality tape recorder found amongst the film crew's sound equipment.

Late one night, after all the Taj Mahal tourists left the grounds, Horn and his flute, along with John Archer (audio engineer) and his tape recorder, met with one of the tomb's guards. The three men then sneaked back into the domed white mausoleum.

The Indian guard is the one providing the authentic Hindu chants heard on the album, but he is also the one who first brought the unique acoustics of the massive dome to Paul's attention.

Released in 1969, with the one-word title “Inside” (Epic BXN-26466), the album sold over 750,000 copies, securing for Paul the moniker, Father of New Age Music.

Several more “Inside” recordings followed, as Paul kept discovering exotic and inspiring themes and locations for he and his flute: “Inside the Powers of Nature” (Epic KE-31600); “Inside the Great Pyramid” (Mushroom 5507); “[Inside] China” (Kuckuck 080); “Inside the Magic of Findhorn [Scotland]” (GFR 2003); “Inside Russia” (a.k.a., “Inside the Cathedral”) (GFR 2008); “Inside the Taj Mahal II” (Kuckuck 11085); “Inside Monument Valley” (Canyon label); “Inside the Potala [Lhasa, Tibet]” (Inside label); and “Inside Canyon de Chelly [Chinle, Arizona]” (Inside label).

“I never searched out the Taj Mahal, it just happened,” says Paul. “Then someone suggested the Great Pyramid. When I was in Russia on tour, I just happened across this acoustically nice church, so that became another one.

In China is a place called Temple of Heaven, and I just happened to be there.”

For Paul Horn, it was so often a matter of being in the right place at the right time.

That plus always being willing to work “inside.”


Copyright 2009 Osbourne Enterprises- Reprinted By Permission

This Date In Music History- July 1

Birthdays:

Deborah Harry – Blondie (1945)

John Ford – Strawbs (1948)

Dan Aykroyd - Blues Brothers (1952)

Phil Solem – Rembrandts (“I’ll Be There For You” theme from Friends)(1956)

Roddy Bottum - Faith No More (1963)

Missy Elliott (1971)

Fred Schneider – B-52’s (1954)




They Are Missed:

Steppenwolf bassist Rushton Moreve (co-wrote "Magic Carpet Ride" with John Kay) died in a motorcycle accident at age 32 in 1981.

Legendary DJ Wolfman Jack died of a heart attack at age 57 at his home in Belvidere, North Carolina in 1995.

In 2008, Whitesnake guitarist Mel Galley died at the age of 60 from cancer of the oesophagus.

In 2005, Four Tops singer Renaldo "Obie" Benson died aged 69 in a Detroit hospital from lung cancer. The Four Tops sold over 50 million records. Benson co-wrote “What's Going On,” a #2 hit for Marvin Gaye.

Jamaican reggae singer Dennis Brown died in 1999 (age 42). During his career, he recorded more than 75 albums. Bob Marley cited Brown as his favorite singer, naming him “The Crown Prince of Reggae."

Born today in 1939, Delaney Bramlett, Delaney & Bonnie. Worked with Eric Clapton during the early 70's. Died on Dec 27, 2008.

Bobby Day (July 1, 1928 - July 15, 1990) 1958 hit “Rockin Robin”

Born on this day in 1915, Willie Dixon, blues singer, guitarist. Credited with writing more than 500 songs by the end of his life. Wrote classic songs: “Hoochie Coochie Man,” “I Can't Quit You Baby,” “Little Red Rooster.” Major influence on The Rolling Stones and Led Zeppelin. Dixon died on January 29, 1992.


History:

From a front page Billboard article in 1957, "Good music may be making a comeback on the bestseller charts..but rock & roll discs continue to dominate the pop market.”

In 1963, the Beatles recorded their single “She Loves You” and “I'll Get You,” completing the two songs in less than four hours. Went on to become The Beatles' first million-selling single.

In 1966, Ahmet Ertegun signed the English group Cream. Atlantic Records would become a major force in British rock, releasing albums by such artists as the Bee Gees, Mott the Hoople, Yes, Genesis, Derek and the Dominos, Emerson, Lake and Palmer and Led Zeppelin.

The Association scored their second and last US #1 single in 1967 with “Windy.”

The Beatles started a 15 week run at #1 on the US album chart in 1967 with “Sgt Pepper's Lonely Hearts Club Band,” the group's 10th US #1 album.

In 1969, John Lennon and his son Julian, along with Yoko Ono and her daughter Kyoko, were injured in car crash in Scotland. John receives 17 stitches for facial injury, Yoko receives 14 stitches, and the children suffer from shock. Lennon later had the car crushed into a cube and exhibited it on his lawn at Tittenhurst Park.

Sam Phillips sold Sun Records in 1969. The Memphis label released the first recordings of Elvis, Johnny Cash, Ike Turner, Roy Orbison, Carl Perkins, Jerry Lee Lewis and others.

The Doors released their album The Soft Parade in 1969.

In 1970, the Casey Kasem hosted "American Top-Forty" AM radio show debuts in Boston, Philly, Detroit, St. Louis, San Bernardino, San Antonio, San Diego, San Francisco, Minneapolis, Honolulu and Albany.

Neil Diamond went to #1 on the US singles chart in 1972 with “Song Sung Blue,” his second US #1.

In 1975, the Captain & Tennille got their first gold record with "Love Will Keep Us Together,” an album that will eventually sell 2 1/2 million copies and win a Grammy for Record of the Year.

Lifelong Buddy Holly fan Paul McCartney purchased rights to the entire Holly song catalog in 1976.

A New Jersey based quintet calling themselves Bon Jovi signed to Phonogram's Mercury Records in 1983.

The Grateful Dead's "In The Dark" LP was released in 1987.

Radiohead released their third album, OK Computer in 1997.

In 2007, Elton John, Rod Stewart and former Supertramp singer-keyboardist Roger Hodgson were among the artists who performed at a Princess Diana memorial concert at London's Wembley Stadium. Elton was a friend and Diana was reportedly a Supertramp fan. Aerosmith's guitarist, Joe Perry, performs with '60s pop star Tom Jones. Concert for Diana was organized by Princes William and Harry to mark the 10th anniversary of their mother's death on what would have been her 46th birthday.

In 2008, Beck's eighth album "Modern Guilt," co-produced by Gnarls Barkley's Danger Mouse, was released via TouchTunes digital jukeboxes (in bars and clubs) a week before the CD was out.

New Heavy Metal Cover Art


The Crimson Armada
Guardians





The Crimson Armada are a new heavy metal band from Columbus, Ohio, that formed in early 2007. They have set out to disprove the stereotypes of metal being blasphemous and evil by producing spiritual and uplifting lyrics through the medium of heavy music. They signed a deal with Metal Blade Records in late 2008 and recorded 'Guardians' in November in a studio in Indiana.











Job for a Cowboy
Ruination


Job for a Cowboy are a five-piece death metal outfit from Glendale, Arizona, and have been rocking since late 2003 when they were in their mid-teens. The band released their debut EP 'Doom' in 2005 before they scored a record deal with Metal Blade Records, and from there they released their first full-length, 'Genesis' in 2007. After they release 'Ruination' in July 7th, 2009, Job for a Cowboy will be joining Slayer and Marilyn Manson for the annual Rockstar™ Mayhem Festival.











Arkaea
Years in the Darkness


Arkaea was formed in 2008 by guitarist Christian Olde Wolbers and drummer Raymond Herrera of Fear Factory, who began a new, refreshing musical launch with recording a few demos together. Soon following the demo recording, the band became complete with the joining of friends Jon Howard on vocals and Pat Kavanagh on bass, both members of Canadian metal outfit Threat Signal. 'Years in the Darkness' is their debut album that will be released with E1 Music (formerly Koch Records) on July 14th, 2009.











Arsonists Get All the Girls
Portals


Santa Cruz, California, based deathcore/experimental metal band Arsonists Get All the Girls began in 2005 as a joke project between friends. As it began to get serious, they proceeded to release a debut album called 'Hits from the Bow' in 2006 with Process Records, and then they signed a deal with Century Media and released 'The Game of Life' in 2007. After the tragic death of bassist Patrick Mason in fall 2007 from alcohol poisoning, 'Portals' is the first album that the band will record and release since the loss. 'Portals' will also be a debut for new vocalist Jared Monnette, who replaced Cameron Reed as he left to focus on Christianity. The band is currently touring the United States.











DevilDriver
Pray for Villains


After leaving LA-based metal band Coal Chamber due to creative differences, vocalist Dez Fafara formed DevilDriver in 2002 and released three albums with Roadrunner. Though it had a slow start, DevilDriver eventually achieved explosive success and have been a part of major tours such as Ozzfest, Hellfest, and Download 2007 and 2009and also headline their own tours. 'Pray for Villains' will be their fourth release and is due to be out in stores July 14th, 2009. They are currently touring in Europe and will begin the second annual Thrash & Burn Tour on July 24th with co-headliners Emmure.

Music News & Notes

Galaxie 500 Reissue All Three Studio Albums On Vinyl

Just in time for the haze of summer, Galaxie 500 are re-releasing their three brilliantly dreamy studio records on vinyl. Today, On Fire and This Is Our Music have all been remastered for these reissues, and each vinyl copy comes with a high-quality digital download of the album, complete with bonus tracks and videos. You can order these classic records directly from the band, and each will run you about $25, or you can pick up all three for $70. And, for the super fans, if you throw in $80, you get all three records and a cool shirt. Not a bad deal at all, considering the downloads and extras included. So quit getting frustrated by bidding wars on eBay, and go the Galaxie 500 online store, fierybreeze.com to pick these up directly from Dean Wareham and company. All vinyl orders placed will ship on July 6.

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Rare Lennon Footage

A federal judge has ruled that Yoko Ono is the copyright holder of rare footage of John Lennon and his family in London c.1970. The judge refused to reinstate a lawsuit brought by World Wide Video LLC in March of 2008 that alleged Ono had interfered with a planned film they were making by blocking the use of the film.

The original footage was shot by Anthony Cox, Ono's husband at the time and contained over 10-hours of film of Lennon and his family at their English estate. World Wide Video was going to use it in their film 3 Days in the Life.

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Sir Paul, Dylan A No Go

Paul McCartney told the Daily Telegraph that he has no plans for a collaboration with Bob Dylan. "That's a newspaper thing. He just said some very complimentary things about me in some interviews and I love him.

"I think he's a great poet and writer so I've always admired him. I don't rule it out and I admire him. But we're not the kind of people who would ring each other up."

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ANGBAND: New Album Title, Cover Art Revealed


Iranian power metallers ANGBAND have set "Visions of the Seeker" as the title of their sophomore album, tentatively due in September/October through Pure Steel Records.

Commented guitarist Mahyar Dean: "I'm sure the album will surprise lots of metal fans. It's our second album and there's always something special about the second albums. On the other hand, now people know under what circumstances we're playing metal — it's six feet under the underground!"

ANGBAND released its debut album, "Rising from Apadana", in August 2008.

The band is believed to be the first Iranian metal act to release its work intenationally through a European label.

For more information, visit www.angbandmetal.com.

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Vinyl Collective Top 10 Sales of the past Week

1 BROADWAY CALLS “Good Views, Bad News” LP opaque green vinyl VC exclusive color 102 copies
2 LUCERO “Nobody’s Darlings” LP 180 gram vinyl 50 copies
3 BROADWAY CALLS/ RIOT BEFORE split 7? no idea purple/grey vinyl 35 copies
4 PORTUGAL THE MAN The Satanic Satanist” LP yellow w/ orange swirl vinyl 34 copies
5 IN THE RED/ANCHOR DOWN/BASTARDS OF YOUNG/DRUNKEN BOAT split 7? r cherry cover 21 copies
6 CHUCK RAGAN/ LOVED ONES split 7? blue vinyl 19 copies
7 NONE MORE BLACK “This is Satire” LP black vinyl 18 copies
8 SHOOK ONES “The Unquotable A.M.H.” LP 13 copies
9 TIGERS JAW “Spirit Desire” 7? purple vinyl 12 copies
10 JON SNODGRASS/ CORY BRANAN split LP moon colored vinyl 10 copies

http://www.vinylcollective.com

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R.E.M. Live Digital EP to Be Released July 7


R.E.M. will be releasing a four-song EP titled Reckoning Songs From The Olympia on July 7 through all of the major digital services.

The songs were recorded during the July 2007 "working rehearsals" at Dublin's Olympia Theatre. The band used the live shows to test out material for their Accelerate album.

All four songs on the EP were originally released on their album Reckoning. The album is meant as a preview of R.E.M. Live at the Olympia which will be released this fall.

The track list:

•Harborcourt
•Letter Never Sent
•Second Guessing
•Pretty Persuasion

Garage Rock Radio Records Releases Albums for Fans of 1960s Rock Music

Garage Rock Radio Records has recently released music on iTunes, Amazon.com and other online music stores which will appeal to fans of 1960s bands like the Beatles, Rolling Stones, the Who, the Doors, the Monkees, Iron Butterfly and similar Rock groups. 1960s style Garage, Pop, Punk and Psychedelic music, with its pounding drums, fuzz guitars, swirling organs and gritty vocals and harmonies are alive and well in the new millennium. Listen to these good time tunes and relive the golden age of Rock.

Charlotte, NC (PRWEB) June 30, 2009 -- Garage Rock Radio Records (www.GarageRockRadioRecords.com) announces the release of albums by its first three signed bands; this music will appeal to fans of 1960s Rock, Pop and Psychedelic music. The music is available to buy and download at iTunes, Amazon.com and other online stores. Buyers can download individual tracks or purchase and download an entire album at a discount.

Garage Rock Radio Records (GRRR) is a new record label that distributes music inspired by 1960s Garage, Pop, Punk and Psychedelic bands like the Beatles, Rolling Stones, the Who, the Doors, the Monkees, Beach Boys, Jefferson Airplane, Iron Butterfly and similar Rock groups. GRRR brings 1960s style Garage, Pop, Punk and Psychedelic music, with its pounding drums, fuzz guitars, swirling organs and gritty vocals and harmonies, into the present day music scene. (What's Garage? www.garagerockradio.com/whatsgarage.htm)

Bill Kline, owner of Garage Rock Radio Records, has always been a fan of 1960s music and was thrilled to discover that thousands of small bands with regional hits were being unearthed in the 70s. "When the famous 'Nuggets' album was released, I was familiar with the Electric Prunes, Seeds, Castaways, and 13th Floor Elevators but it was great to become aware of other groups like the Leaves, Chocolate Watchband and Nazz, making powerful songs, all hoping to be the next 'Beatles'" said Kline. He then became a collector of compilation albums such as the Pebbles series, which continued to bring obscure 1960s Garage songs back from the dead.

Many fans of Garage Rock went on to start their own bands that played Garage cover songs and original tunes inspired by the original 1960s Garage bands. Among the most famous are the Chesterfield Kings, Fuzztones and McFadden's Parachute. All of these bands have genuine 1960s rock sounds, and all were getting airplay on free form radio stations like WFMU near New York City. Kline was working on a website for fans of Garage Rock - www.GarageRockRadio.com, and decided to approach the leader of McFadden's Parachute about distributing his music online. A deal was reached and 15 songs were selected from the catalogue of over a dozen CDs put out over the last several decades by McFadden's Parachute, to create the album - McFadden's Parachute, Greatest Hits, Volume 1 - now available on Garage Rock Radio Records.

Relatively new on the Garage Rock scene is Lyndsey Price, a singer with a powerful and passionate voice with a bit of punk attitude for good measure. Price has also produced songs on the GRRR label, including the "Dark, Dirty & Anonymous" album and the new single, "David and the Goliaths Theme" about the movement to get a Garage Rock exhibit in the Rock and Roll Hall of Fame.

Also on the label is Kline's own one-man band, Thee Lightning. The album, "Quests and Adventures" contains Garage Rock influenced instrumentals which are perfect for use as bumper music and background tracks for videos and commercials.

For additional information on Garage Rock Radio Records and its artists and releases, or for free downloads for you to review, contact Bill Kline or visit www.GarageRockRadioRecords.com. Albums and individual songs available to buy and download from iTunes, Amazon.com, Napster.com, Rhapsody.com and other fine online stores.

About Garage Rock Radio Records:
Garage Rock Radio Records promotes and distributes online music downloads from recording artists and bands that are inspired by 1960s Garage Rock.

Contact:
Bill Kline, owner
Garage Rock Radio Records
704-573-9214
www.GarageRockRadioRecords.com

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Tuesday, June 30, 2009

Audiophile Audition Review

I want to thank John over at http://www.audaud.com/index.php for the exclusive rights to reprint this great review!



AUDIOPHILE AUDITION focuses on recordings of interest to audiophiles and collectors, with an accent on surround sound for music, and on all hi-res disc formats. Over 100SACD, DVD Video/Audio and standard CD reviews are published during each month, and our archives go back to January 2001.


Sonneteer Sedley Phono Preamplifier

Simply the best phono preamplifier I've heard near this price so far.


Sonneteer Sedley Phono Preamplifier
SRP: $1250 standard version ($1625 with USB)


U.S. Contact:
May Audio Marketing Inc
2150 Liberty Drive Unit #7
Niagara Falls, NY 14304
716-283-4434 (voice)
716-283-6264 (fax)
http://www.sonneteer.demon.co.uk/sedley.htm


Basic Description

Phonograph preamplifier for MM (44 db gain) and MC (64 db gain) with optional built-in USB connection for recording to/playback from a computer; selectable input impedance (1k, 47, 100, 220 ohms or parallel combinations of ); selectable input capacitance (10 pF, 47pF, 100pF, 220pF or parallel combinations of); 17" W x 11" D x 2.5" H; two-year warranty; 14.5 pounds.

Associated Equipment

Marantz TT-15S1 Turntable, Musical Fidelity A5.5 Integrated Amplifier, Bowers and Wilkins 803S speakers, Audioquest cabling, Dell Studio 15 running Windows Vista 64.

Software

LP Recorder.
Audacity.
Foobar.

Setup

The Sedley is a standard-sized component and was heavier than I thought it would be. There aren't any controls on the front although there is a switch underneath (not all that convenient) to switch to playback mode from a computer. I was anxious to try this for my laptop vs. the lousy output I was using (due to lack of a decent set of analog outputs on the computer). There are a series of dip switches in the back to set the unit for MM/MC, loading, and optional warp filter. The switches are mirrored but are not reverse numbered, so you have to be careful in setting them correctly.

Since I was using an MM cartridge, I left all the resistive loading switches up (which automatically selects 47K ohms for MM). Then I selected the RIAA curve and low gain (MM). The Clearaudio Virtuoso has a suggested capacitive loading of 100 pF, so that is what I set on the Sedley. The manual suggests experimentation, so if the sound is too soft, then reduce the loading and if it is too bright, then increase it. That's it! Pretty simple as far as these components go.

Sound

My initial impressions with the Sedley were extremely positive, so I was anxious to give the phono section a full listen. I started with "Peg" from Steely Dan's Aja LP. Right away I sensed there was something special happening. While some of the preamplifiers I auditioned were (as Goldilocks would say) too hot or too cold, the Sedley was just right. It was quiet, had good sense of space, nice top end without hiss or excessive sizzle, and images were appropriately sized and didn't sound congested or obviously colored in any way. Soundstage wasn't too wide or too narrow and image location was excellent as evidenced by the track "Home At Last." This is the first preamp that I've had under review that I could honestly consider using for the long term. This is not to say it's perfect and there is nothing better, but only that it doesn't have any egregious flaws. I felt comfortable sitting and just listening (and without the feeling I was missing something or the music was being edited by the equipment).

The next critical listen was "Rise" from Herb Alpert's LP of the same title. Bass was punchy and deep but not overly full. There was a nice decay to the claps. Horn was sweet and all the ambient sounds integrate nicely into the whole mix. Tonally this preamp gets it right. I have to say that I had to be reminded I was working on a review and try to critically listen as I continually lapsed into just enjoying the music--as it should be! The other thing I noticed was that although the LP wasn't in perfect shape the imperfections became less noticeable when the music was this engrossing.

The guitar from "From The Beginning" off Emerson, Lake and Palmer's Trilogy was just awesome. I cranked the sound way up (beyond what makes sense from the standpoint of how loud a real guitar would sound) and it was invigorating like one of those embarrassing soap commercials when the woman on the airplane is moaning and shouting in the bathroom and another passenger says in a deadpan voice, "I'll have what she's having." The result was just right. I let the record run so I could hear the pounding drums in the next tune. The vocals in the background sounded way back in the soundstage making the presentation sound very three-dimensional.

I listened to record after record expecting the enthusiasm I had for the Sonneteer to wear off, but it didn't. This was the first phono preamplifier where I experienced the urge to put record upon record on and just listen to more music for the fun of it.

My audiophile friend tested the unit for a month (while I was working on another review) with a Benz MC cartridge and was extremely happy with its sound. When he had to give it back and reinstall his old phono stage, he kept commenting on how much he missed the Sedley.

USB Recording

The version of the Sedley I requested had the USB option installed. Any unit can be upgraded to USB and will work with both PC and MAC. The component came with Audacity (a freeware program) and LP Recorder (a trial version). To purchase LP Recorder (and LP Ripper which you'll want) you are looking at about $72. You can download the most recent beta and trial versions of these programs from the Internet.

I have used Audacity before and always found it to be somewhat difficult to use. The manual includes instructions (with diagrams) specifically for use with the Sedley. Once the USB cable was connected the software driver install took about 20 seconds. I tried a few tracks, but according to Foobar (my playback software) and visually looking at the waveform I could see clipping. With Thomas Dolby's "She Blinded Me With Science" from The Golden Age of Wireless there was no way to eliminate massive amounts of clipping. I read through the help file and played with the mixer level to no avail. I note that one of the suggestions is to lower the output level of the source--which, of course, there was no way to easily do. I moved on to LP Recorder.

LP Recorder is extremely easy and user-friendly. Just select the "Auto Level" function, slide the volume all the way and play a loud portion of what you are going to record (like the old days of cassette recording!) At peaks, the program will reduce the level to insure that there is no clipping. There is even a counter at the bottom that shows how many times the signal is clipped (if at all). When you are ready to record, just click and there she goes! Unlike Audacity which allows you to select an output format, you are stuck with a WAV file. If you want to compress the signal (or change to a lossless format) you need to use another program (of which there are many). Recordings I made with LP Recorder from Linda Ronstadt, Grover Washington and Chicago peaked right at or below 0 dB according to Foobar.

USB Playback

I found that it was easiest to just lift the unit up a bit to gain access to the switch underneath for USB playback. When engaged, the light on the front of the Sedley changes from blue to magenta. This is a pretty cool feature! I was able to play anything from the computer through the Sonneteer to the amp via USB. I didn't have any separate DACs with USB inputs for comparison, but the A5.5 Integrated Amp does have a direct USB input. The sound from the Sedley seemed a bit softened (focus-wise) in comparison to the direct input on the A5.5. However, most stereo pieces don't have USB inputs, so in that case it would have been perfectly acceptable. The big benefit is for recording--the playback capability is just a bonus.

I compared the tracks I recorded from LPs using the two software programs and aside from some level differences (and the clipping issues) they sounded comparable. Either would do a nice job of transferring analog to digital to the computer for burning or portable use. I didn't do A/B with the records themselves, but part of the fun of LPs is actually playing the discs.

Conclusion

I have to admit I'd never even heard of Sonneteer until I started scouring the Web for phonograph preamplifiers to review. Boy, am I glad I did. The review blurb they have on their website is from over 10 years ago, but this piece is still a contender. Usually this is the section where I summarize a product's strengths and weaknesses. With the Sedley the only complaint I have is the slight alteration of sound with USB playback. I'll be the first to admit that I haven't heard all the products that are between $1K-$2K, so there may be some other good options I don't know about. Otherwise, this is simply the best phono preamplifier I've heard near this price so far. Highly recommended!

-- Brian Bloom

Classic Rock Videos

The Jackson 5- Never Can Say Goodbye

New Music Releases- June 30, 2009



ACE HOOD - Ruthless

And Also the Trees: When the Rains Come

Animal Collective: Summertime Clothes (vinyl)

Billy Talent: Rusted from the Rain

Bjork: Voltaic (2-CD & 2-DVD edition) (CD & DVD edition)

Brad Paisley, “American Saturday Night”

Buddy Guy: Playlist: The Very Best of Buddy Guy

DAVE BRUBECK - Essential Standards

David Lynch, “A Tribute to Dave Jaurequi”

Depeche Mode: Peace

Fabolous, “Loso’s Way”

Heart: Private Audition/Passionworks (reissue)

Indigo Girls: Poseidon and the Bitter Bug (vinyl)

Janis Joplin: Janis Joplin: The Woodstock Experience

Jefferson Airplane: Flight Box (3-CD box set)

Jefferson Airplane: Jefferson Airplane: The Woodstock Experience

Jeremih, “Jeremih”

Jimmie Rodgers: Blue Yodel: The Very Best of Jimmie Rodgers (vinyl)

Johnny Winter: Johnny Winter: The Woodstock Experience

Jonathan Coulton: Best. Concert. Ever.

Juan Maclean: The Future Will Come (vinyl)

Killswitch Engage: Killswitch Engage

Leslie Mendelson: Swan Feathers

Levon Helm: Electric Dirt (vinyl)

Lila Downs: The Very Best Of

Lillian Axe: Sad Day on Planet Earth

Los Lonely Boys: Playlist: The Very Best of Los Lonely Boys

M83 - M83 (LP)

Maino, “If Tomorrow Comes”

MARK KARAN - Walk Through The Fire

Matt Duke: Acoustic Kingdom Underground EP

Meese: Broadcast

Moby: Wait For Me (vinyl)

Moxy Fruvous: Wood (reissue)

OBITUARY - Darkest Day

Pete Yorn: Back & Fourth (vinyl)

Rob Thomas: Cradlesong

Robin Guthrie: Angel Falls

Rod Stewart: A Night on the Town (reissue with bonus disc)

Rod Stewart: Atlantic Crossing (reissue with bonus disc)

Santana: Santana: The Woodstock Experience

Shad: Old Prince

SIR MIX A LOT - Playlist: The Very Best of Sir Mix-A-Lot

SLEEP OF OLDOMINION - Hesitation Wounds

Sly & The Family Stone: Playlist: The Very Best of Sly & the Family Stone

Sly & The Family Stone: Sly & The Family Stone: The Woodstock Experience

Spoon: Spoon

STATE OF MAN - In This Place

Stephen Sondheim, “Roadshow”

SUICIDE SILENCE - No Time To Bleed

Tanya Tucker: My Turn

Television Personalities: And Don't the Kids Just Love It (vinyl reissue)

Television Personalities: Mummy Your Not Watching Me (vinyl reissue)

TEMPO - Free Tempo

The Allman Brothers Band: Playlist: The Best of Allman Brothers

The Michael Schenker Group: Walk the Stage: The Official Bootleg Box Set

THE VIBRATORS - Garage Punk

The Vibrators: Garage Punk (vinyl)

THE WORLD WE KNEW - To The Wolves

TOKYO! - Tokyo!

UFO: Official Bootleg Box Set, 1975-1982 (6-CD box set)

Various artists, “Now That’s What I Call Music Vol. 31”

Various Artists: Sick Music

Various Artists: The Woodstock Experience (Limited Edition Box Set)

WILCO - Wilco

Wilco: Wilco (The Album) (2-LP vinyl with CD)

Wu-Tang Clan: Chamber Music

Wu-Tang Clan: Playlist: The Very Best of Wu-Tang Clan

Jackson’s vinyl record sells for $33,750

I took a look at eBay and in my estimation, Jackson vinyl is selling for about double what it says in the record price guides. But, here is a very rare and signed LP that obviously fetched a very high price:


MICHAEL Jackson memorabilia auctioned off the day after his death fetched $205,000, exceeding original estimates of $10,000 to $12,000.

The auction, planned before the pop star’s June 25 death, included a sheer, long-sleeve shirt worn on his 1984 “Victory” tour and a handwritten letter, according to an e- mail from Darren Julien, chief executive of West Hollywood, California-based Julien’s Auctions.

A copy of a Motown Records LP (long-playing record) produced to coincide with the Jackson 5’s September 1971 “Goin’ Back to Indiana” prime-time ABC-TV special sold for $33,750, compared with Julien’s estimate of $400 to $600. It is signed in black permanent pen by Tito, Marlon, Jackie, Michael, and Jermaine Jackson, who are all featured on the cover, the auctioneer said.

The album also includes the signature of Randy Jackson, who officially joined the band when he replaced Jermaine in the 1970s, Julien’s said.


The prices underscore the heightened interest in Jackson’s music and memorabilia following his death from a suspected cardiac arrest in Los Angeles. Albums featuring Jackson, who died at age 50, occupied the top 14 rankings for best-selling music at Amazon.com Inc., according to the Seattle-based retailer’s Web site.

“Michael was highly collectible in the first place,” Julien said in an interview.

“We actually contemplated pulling the lots after his death. We didn’t want anyone to think we were taking advantage of the situation, but a fan told us, we need to celebrate Michael’s life.”

The custom long-sleeve shirt was expected to sell for $1,000 to $1,500 and went for $52,500, Julien’s said.

It has a white spandex lining and is completely covered in small pearls on one side and a combination of pearls and Swarovski crystal on the other. It was created by designer Bill Whitten and was once part of the collection of David Gest, former husband of Liza Minnelli, according to the auction house.

The handwritten letter had a pre-sale estimate of $200 to $300 and sold for $12,500, the company said

Monday, June 29, 2009

Classic Rock Videos

As far as ongoing coverage of the Michael Jackson death, I am choosing to focus on the positive aspects of his life- the music. There are many other sites on the Internet where you can find the latest autopsy results, the fued over his children and estate and the tabloid fodder that has followed this amazing musician. That said, here is an old video, enjoy....

I WANT YOU BACK

Music News & Notes

The Flaming Lips' New Album Features Yeah Yeah Yeahs And MGMT

MGMT and Yeah Yeah Yeahs singer Karen O both appear on the new album by The Flaming Lips.

The double-LP entitled, 'Embryonic', is due to be released in the UK this September.

Frontman Wayne Coyne told Sterogum that releasing "a double record offers more room to be strange."

==========================

McCartney Appearance

Paul McCartney made a surprise appearance at Neil Young’s concert at London’s Hyde Park on June 27th, running out onstage to sing his “A Day in the Life” verse after Young launched into the epic Sgt. Pepper closer. He stuck around for the rest of the song, which Young has frequently used to end concerts in recent years, then the duo wrapped the concert with an impromptu vibraphone solo before exiting the stage.