We are all the way to the #2 position on the Gigwise.com list of the most controversial, weirdest, best and worst album covers (as put together by their staff):
Controversial
2. Scorpions: ‘Virgin Killer’ – The image of a naked prepubescent girl on later editions of ‘Virgin Killer’ was replaced with a cover featuring a picture of the band due to the controversy it caused.
The original cover art for the album depicted a naked prepubescent girl. The image was designed by Steffan Böhle, who was then the product manager for RCA Records. Francis Buchholz was the bassist for the band and, in an interview conducted in early 2007, recollects that the model depicted on the cover was either the daughter or the niece of "the guy who did the cover design." The photograph was taken by Michael von Gimbut. The band's rhythm guitarist Rudolf Schenker offers the following description of the circumstances behind the album cover.
“ We didn't actually have the idea. It was the record company. The record company guys were like, 'Even if we have to go to jail, there's no question that we'll release that.' On the song 'Virgin Killer', time is the virgin killer. But then, when we had to do the interviews about it, we said 'Look, listen to the lyrics and then you'll know what we're talking about. We're using this only to get attention. That's what we do.' Even the girl, when we met her fifteen years later, had no problem with the cover. Growing up in Europe, sexuality, of course not with children, was very normal. The lyrics really say it all. Time is the virgin killer. A kid comes into the world very naive, they lose that naiveness and then go into this life losing all of this getting into trouble. That was the basic idea about all of it.”
In a separate interview, Schenker also notes that he thought the cover art was a "great thing" and that he had "pushed the band to really stay behind it" as he felt that people would "think differently" when they looked at the lyrics and realized that the cover art was only being used as "a symbol of the lyrics." The band's former lead guitarist Uli Jon Roth notes that the cover art of the "old Scorpion albums" were "usually done by other people." He has since expressed regret over the original album cover.
“ Looking at that picture today makes me cringe. It was done in the worst possible taste. Back then I was too immature to see that. Shame on me — I should have done everything in my power to stop it. The record company came up with the idea, I think. The lyrics incidentally were a take-off on KISS, whom we had just supported on a tour. I was fooling around and played the riff of the song in the rehearsal room and spontaneously improvised 'cause he's a virgin killer!' trying to do a more or less way-off-the-mark Paul Stanley impersonation. Klaus immediately said 'that's great! You should do something with it.' Then I had the unenviable task of constructing a meaningful set of lyrics around the title, which I actually managed to do to some degree. But the song has a totally different meaning from what people would assume at first. Virgin Killer is none other than the demon of our time, the less compassionate side of the societies we live in today — brutally trampling upon the heart and soul of innocence.”
The cover generated controversy and was replaced in some countries with an alternate cover art depicting the band members. It would not be the last time that the band attracted controversy with their album covers. Their next album Taken by Force originally featured cover art that depicted "children playing with guns at a military cemetery in France and some people found that offensive." Their 1979 album Lovedrive featured a "bizarre artwork" that depicts "a woman on the back seat of a car with bubblegum over her breast." Both covers were replaced by an alternate design.Vocalist Klaus Meine explains that the band's penchant for controversial cover art stems from a desire "to go over the edge" and not "to offend some people or make the headlines [as] that would be stupid."
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Weird
2. Xiu Xiu: 'A Promise' - Here is what Gigwise had to say about this choice cover: "A baby doll. A naked man. A bed. Three items that should go never together but, worryingly, all feature on the cover to Xiu Xiu's 'A Promise'. Whatever possessed this band to have this cover we'll never know – it is one of the most disturbing things we've ever seen. Even for a band that is famous for writing lyrics about such topics as AIDS, suicide and other morose subjects, this cover takes some beating in the weirdness ranking."
Thank god for the orange box, that is the only good element to the cover.
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Worst
2. The Coup – ‘Party Music’: Again, Gigwise has a cover that is repeated (#7 controversial) , I would think with all the creative album cover art that is out there, they could have done a bit more work and found a better cover for their list and put it in this spot- very disappointing to me.
Here is there reasoning: "Released in June 2001, just before the terrorist attacks of 9/11, The Coup touched a raw nerve with their album cover depicting The Twin Towers being bombed. Okay they may not have forseen the true events three months later – but despite this, there’s little doubting it’s in very poor taste."
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Best
2. Uriah Heep: ‘Very Eavy Very Umble’ - The album cover that single-handedly taught young children in the early seventies not to rifle through their Dad's record collection. So scary, they issued an alternative cover in the United States. I am not sure which one of these covers made the Gigwise list, but they both are scarry, aren't they?
Very 'eavy... Very 'umble is the debut album of British hard rock band Uriah Heep. It was released in the United States as Uriah Heep with alternate sleeve artwork, and with "Bird of Prey" in place of "Lucy Blues."
The album was generally panned by the mainstream critical press upon its release, although it has since been acknowledged as an early classic of the heavy metal genre. The most famous criticism came from Rolling Stone magazine reviewer Melissa Mills, who began her review, "If this group makes it I'll have to commit suicide. From the first note you know you don't want to hear any more."
The original vinyl release was a gatefold-sleeve, featuring David Byron on the front sleeve, almost unrecognisable beneath the cobwebs.
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