Thursday, April 16, 2009

Mr. Music

I am continuing our new feature: Ask "Mr. Music." Now in its 23rd year of syndication (1986-2008), Jerry Osborne's weekly Q&A feature will be a regular post every Wednesday from now on. Be sure to stop by Jerry's site (www.jerryosborne.com) for more Mr. Music archives, record price guides, anything Elvis, buy & sell collectibles, record appraisals and much more. I thank Jerry for allowing the reprints.


FOR THE WEEK OF APRIL 6, 2009


DEAR JERRY: As you may know, one of the tracks on Ray LaMontagne's “Trouble” LP is titled “Hannah.”

Only recently did I notice that “Hannah” is a palindrome.

Now I'm wondering if you know of any other palindrome song titles that exist, especially any that actually became Pop hits.
—Mel Henderson, West Allis, Wisc.


DEAR MEL: Impressive challenge you've provided. Now let's look at the results of this investigation.

But before we look at the results, let's remind everyone that a palindrome is a word, phrase, number, or any other sequence of units that are read the same forward or backward, character for character without regard for punctuation.

I have found and personally verified 20 palindrome song titles, all listed below in alphabetical order by title followed by the artist's name and year of issue.

Though only one artist is named here, some of these tunes exist by more than one person or group:

“Aha Aha” (Serk, She-Raw, Bass Sultan Hengzt, Panik45, Godsilla) 2009
“Bob” (Weird Al Yankovic) 2003
“Flee to Me, Remote Elf” (Badger King) 2003
“Hannah” (Ray LaMontagne) 2004
“If I Had a Hi-Fi” (William Bottin) 2004
“Level” (Shootyz Groove) 1994
“Madam, I'm Adam” (Dan Crow) 2000
“Malayalam” (Rudresh Mahanthappa) 2004
“No Lemon No Melon” (William Bottin) 2004
“Party Trap” (William Bottin) (2004)
“Pull Up” (Mr. Vegas) 2004
“Racecar” (Addictions) 2007
“Radar” (Morphine) 1995
“Rats Live on No Evil Star” (Ookla the Mok) 2009
“Rotator” (Stickleback) 2007
“Rotor” (Phasers) 2003
“SOS” (Abba) 1976 (Both title and artist are palindromes)
“Solos” (Yuri) 2008
“Somos” (Julio Iglesias) 1992
“UFO Tofu” (Bela Fleck and the Flecktones) 1996
“Xanax” (Not Breathing) 1997

Most intriguing is that all but six are from the 2000s.

There must be others, and if you have one to add to the list please send the info. It will remain a work in progress.

Other palindromic observations:

William Bottin is the only performer with more than one title, and he provides three. All are instrumentals taken from the same album, “I Love Me, Vol. 1” (Tudor B000CA8302).

Other instrumentals on the list: “Malayalam” (Rudresh Mahanthappa), Jazz from India; “UFO Tofu” (Bela Fleck and the Flecktones), traditional Bluegrass; and “Xanax” (Not Breathing), a New Age track.

A dreary vocal of “Xanax” exists, by a group named Elephant Parade (2008). “Rotator” (Stickleback) is mostly instrumental, but includes a few scattered vocal interludes. Oh yes, a Stickleback is a fish.

The lyrics of “Bob” (Weird Al Yankovic) and “Madam, I'm Adam” (Dan Crow) are made up of other palindromes.

“Flee to Me, Remote Elf” (Badger King) and “Solos” (Yuri) are the only ones by female singers.

“Solos” (Yuri) and “Somos” (Julio Iglesias) are both sung in Spanish, with “Solos” being my favorite of these palindrome titles.

While none of these specific tracks, most of which are album cuts, reached anything close to Pop hit status, Ray LaMontagne's “Trouble” album is approaching 500,000 units sold. Ray is a singer-songwriter, who accompanies himself on acoustic guitar and evokes flattering comparisons to guys like Van Morrison and Stephen Stills.


DEAR JERRY: Around the same time as “Indian Reservation” became a huge hit there was another song I liked very much, the latter being one no one else but me seems to know.

Other than the approximate time of release, the only other clue I have is a girl's name: Eydie. She is mentioned in a sad way (i.e., “you're so right for me, Eydie, but I'm all wrong for you”).

Can you identify this record with so little info?
—Gigi Lister, New Orleans


DEAR GIGI: You've provided just enough, but you're not the only one on the trail of Eydie … or is it Evie?

Wayne A. Lela, of Woodridge, Ill., thinks it might be:

“A song about a woman named Evie received some air play in the early '70s. I remember only the melody, but no one I ask knows the title or and artist.

Do you?”

Evie and Eydie sound very much alike, but Wayne is correct. The lady's name, as well as the title, is indeed “Evie.” It is a May 1971 45 rpm release by Johnny Mathis (Columbia 45371).

“Evie” is backed with “Think About Things,” though neither side charted nationally.

That very month, Paul Revere and the Raiders' “Indian Reservation (The Lament of the Cherokee Reservation Indians)” entered the Top 40 en route to No. 1.


IZ ZAT SO? While researching palindromes in preparation for this week's column, I came across 10 that could easily be picked as song titles — especially since instrumentals can have any moniker:

“Dammit, I'm Mad”; “Dennis and Edna Sinned”; “No Stetson”; “Oh No, Don Ho” “Sex at Noon Taxes”; “So Many Dynamos”; “Solo Gigolos”; “Too Hot to Hoot”; “Top Spot”; and “We Few.”

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Call today with the code "CVR" to receive your discount!

Sales of vinyl growing

SOURCE: http://bigpondnews.com


Despite economic gloom sales of vinyl records have almost doubled in the United States.

And record companies are not just selling old records to devoted fans, vinyl appears to be as popular with the younger generation as with the old rockers.

'People are realising that vinyl is the collectors' format,' says Chris Carmino, manager of the huge Amoeba records in Hollywood, which many say is the biggest music store in the world.

'CDs are becoming just vessels of information, something to throw into your computer for the purpose of getting that music into your iPod.'

Amoeba has just extended its vinyl selection, eating away at the nearby CD's floorspace.

'There are two types of music fan,' Chris explains, 'the casual fan that is satisfied with having music on their hard drive, and the collectors. And for them vinyl is the ultimate format.'

Overall though comparative sales still put CDs millions of units ahead of vinyl.

In the United Kingdom sales of records last year stayed the same, although there has been a rush over recent years for limited edition vinyl singles.

But it's the changing demographic that is interesting to analysts.

The top-selling LP in the US was Radiohead's In Rainbows.

In the UK it was Bon Iver's For Emma, Forever Ago.

Both albums that have had appeal to both the young and old.

Record companies see small benefits re-releasing older albums on vinyl. They may not sell many, but they do retail for about A$ 40.00 or more.

Just West of London is the Vinyl Factory, a pressing plant thriving on the revived interest.

They also run a busy record shop called Phonica in the heart of the West End.

Tough times have seen a quarter of small music shops close down last year but the owners here say diversity is the key to survival.

'There's never been the same collectablilty about CDs,' says creative director Sean Bidder, who predicts the end may be nigh for the poor little compact disc.

'It will come down to digital music, easy access very cheap, plus something you can collect, and that will be vinyl.

'The boom we've noticed here has been within the vinyl album market, the limited edition release of new albums like Morrissey, The Pet Shop Boys and Damon Albarn and the old classic releases that have been repackaged. That's a growing change in the market place really.'

Phonica has t-shirts stating proudly 'Vinyl Kills The MP3 Industry'.

It's obviously an exaggeration, but even amongst artists we've interviewed recently, you can sense a love of the good old black spinning disc.

'Music sounds better on vinyl, Pet Shop Boy Chris Lowe told me. 'It's just a fact isn't it? And also it's the process of getting it out, putting it on.'

'I actually really love the physical copy, I love the artwork,' said Annie Lennox. 'Although I listen to CDs in my car - I like to listen when I'm travelling.'

'I predicted it! laughed Roger Daltrey when we told him that vinyl is back.

'They're idiots, those record company people - they swapped those wonderful records for those silly little pieces of plastic!'

Next Saturday is National Record Shop Day - a new creation, intended to encourage sales of physical music, both vinyl and CD in stores across the UK.

But somehow, just like the records themselves, the argument about how you listen to yours is bound to go round and round and round and round.

SOURCE: http://bigpondnews.com

Record Store Day News You Can Use

Still very busy with my relocation but have found a few moments tyo tell you about some great news features on the net. The Prefix Guide is very complete and the others are stories of why this is such an important day for music and of course, vinyl records. Enjoy:

Prefix's Guide to Record Store Day 2009
Read their informative guide here:
prefixmag.com


Record Store Day celebrates an addiction to vinyl
Austin is full of smart, adventurous record stores

My name is Joe, and I am a record store addict. (Hi, Joe!) I love record stores the way some people love baseball stadiums or certain bars.

Saturday is Record Store Day, so it seems like a good time to get that confession out of the way.

Read the rest here:
austin360.com


Store to celebrate Record Store Day

Move over CDs, outta the way iPods.

Big and heavy, with vivid artwork and reader-friendly lyrics: vinyl records are back.
Read the article here:
local story


The return of vinyl

The compact disc is out. It’s ugly, fragile and its music comes wrapped, sealed in a plastic prison, where its shiny, reflective neon coating waits to blind your eyes. The CD is a symbol of the ‘90s. Read the article here:
return-vinyl


Record Store Day marks second annual celebration

There's something to be said for convenient music. You can click "Buy" on your laptop in the confines of your white-walled bedroom to download your favorite song of the minute. Or browse for albums in your local big box store in the midst of vacuums and blenders. But come on, forget about all of that. Read the article here:
marquettetribune.org


For the record, vinyl is alive and kickin'Thursday, April 16, 2009

Long live the record store.

And to honor the sellers of those large, black discs, there's Record Store Day.
huntsvilletimes


Record Store Day celebrates 'cool places to go'

They're out there and if you want to be cool you'll go find one on Record Store Day, April 18.

Record Store Day is a celebration of the independent record stores that still exist in this digital download age when more people are going to their computers to get songs off the Internet or going to big box chain retailers to buy a compact disc.
article

Wednesday, April 15, 2009

Classic Rock Videos

Crosby, Stills & Nash - Wasted On The Way

Top 5 eBay Vinyl Record Sales

Week Ending 04/11/2009


1. LP - Captain Marryat self titled Private Press - $3,946.80 - Start: $1.45 - Bids: 11

2. 45 - Bruce Springsteen "Point Blank" / "Ramrod" CBS Dutch Pressing - $3,100.00 - Start: $100.00 - Bids: 9

3. 45 - Elvis Presley "That's All Right" / "Blue Moon Of Kentucky" Sun 209 - $2,500.00 - Start: $2,499.00 - Bids: BIN

4. LP - Led Zeppelin I Atlantic UK First Press Turquoise Lettering - $1,655.00 - Start: $4.35 - Bids: 12

5. 45 - Queen "Now I'm Here" / "Lilly Of The Valley" EMI Portugal - $1,623.26 - Start: $145.00 - Bids: 11

Here's the list few days late but it was a treacherous Easter.

Above all the gods on this week's list, the #1 goes to the Captain Marryat LP, a recent discovery of the lost Prog records of the early seventies. This LP bids up past $3.9k, closing somewahat less than it's high points last year, however all of the sales were originally transacted in British Pounds and have been converted using monthly charts. Given the Pounds recent fall, the price graph may not accurately compare sale values.

Next, an unissued 45 from Bruce Springsteen's River LP out of Holland sells for exactly $3.1k. In the #3 spot an original Sun 45 from Elvis gets taken on a Buy-It-Now for $2.5k.

A UK first press of Led Zeppelin's first LP closes for a little more than halfway over $1.6k and gets the #4 spot. And last, a Portuguese 45 from Queen sells for a little over $1.6k

As always, thanks to Norm at http://ccdiscoveries.blogspot.com for this great data!

Welcome Back!!


After a successful and tiring move, collectingvinylrecords blog is back in action! Stop by daily for your dose of fresh features and vinyl record content!

As we all know, the 2nd annual Record Store Day is coming up fast, this Saturday in fact. This is the one day that all of the independently owned record stores come together with artists to celebrate the art of music. Special vinyl and CD releases and various promotional products are made exclusively for this day. Be sure to visit your local record stores and take part in the festivities and special offers for the day! Obviously, I cannot list every store and every special, but I have a few here that you can look at: For the latest updates visit recordstoreday.com


More than 25 Chicagoland record stores to celebrate Record Store Day
Chicagoland-record-stores-to-celebrate-Record-Store-Day


Vertigo Music celebrates National Record Store Day
vertigo_music_celebrates


Viva vinyl! Record Store Day and resurgence of LP give industry a boost
post-gazette.com


Record Store Day in Toronto: 24 Hours of Musical Madness
Record-Store-Day-in-Toronto


Bringing the vinyl back: Record Store Day is this Saturday
stltoday.com

Sunday, April 12, 2009

This Week In Music History April 12- April 18

Sunday April 12

Pat Travers- (1954)

Vince Gill (1957)

Al Jarreau (1940)

Will Sergeant - Echo & The Bunnymen (1958)

Guy Berryman – Coldplay (1978)

Art Alexakis - Everclear (1962)

Amy Ray - Indigo Girls (1964)

Sean Welch - The Beautiful South (1965)

Brendon Urie - Panic at the Disco (1987)

Montserrat Caballe - Opera singer (1933)

Herbie Hancock - Jazz/fusion musician, composer (1940)

John Kay – Steppenwolf (1944)

David Cassidy - The Partridge Family (1950)

In 1975, legendary singer Josephine Baker died in France several days after a massive stroke at age 68.

Boxcar Willie died at age 67 in 1999. The country singer's real name was Lecil Travis Martin and his hobo character was known around the world.

The late Tiny Tim ("Tiptoe Thru The Tulips") was born in 1930.

The late Billy Vaughn ("Sail Along Silvery Moon") was born in 1919.

"Dead Man's Curve" almost comes true for Jan Berry of Jan & Dean as he crashed his car on that stretch of Sunset Boulevard in Hollywood in 1966.

Bill Haley recorded 'Rock Around The Clock' at Pythian Temple studios in New York City in 1954. Considered by many to be the song that put rock and roll on the map around the world. The song was used over the opening titles for the film 'Blackboard Jungle', and went on to be a world-wide #1 and the biggest selling pop single with sales over 25 million. Written by Max C. Freedman and James E. Myers, 'Rock Around The Clock' was first recorded by Italian-American band Sonny Dae and His Knights.

Big Joe Turner's "Shake, Rattle And Roll" was released in 1954.

"Louie Louie Day" was held in Olympia, Washington in 1984 as an unsuccessful attempt is made to make it the official state song.

In 1963, Bob Dylan performed his first major solo concert at Town Hall in New York City. A Billboard reviewer says Dylan is the "stuff of which legends are made…His talent will be around for a long, long time."

In 1990, the International Astronomical Union announces that four asteroids discovered in ’83 and ’84 have been named Lennon, McCartney, Harrison and Starr. They are asteroids 4147 – 4150 respectively. I did not know that…..

Life magazine does a story on The Doors in 1968 but, like so many others, it focuses on Jim Morrison. They push the singer’s myth right over the top with the quote “he appears in public and on his records to be moody, temperamental, enchanted in the mind and extremely stoned on something.”
Simon & Garfunkel's "The Boxer" was released in 1969.

USA for Africa's "We Are The World" album was released in 1985.

In 2000, Metallica filed suit against Napster, the University of Southern California, Yale University and Indiana University for copyright infringement, unlawful use of digital audio interface device and violations of the Racketeering Influenced & Corrupt Organizations Act (RICO).


Monday April 13

Lester Chambers - The Chambers Brothers (1940)

Bill Conti - Composer (1942)

Aaron Lewis- Staind (1972)

Brian Pendleton - The Pretty Things (1944)

Jack Casady - Jefferson Airplane, Hot Tuna (1944)

Lowell George - Little Feat (1945)

Hillel Slovak - Red Hot Chili Peppers (1962)

Al Green (1946)

Peabo Bryson (1951)

Max Weinberg - E Street Band (1951)

Jimmy Destri – Blondie (1954)

Folk singer Burl Ives died at age 85 in 1995. He was the face of folk music in the late 1950s. As an actor he played Big Daddy in the 1958 movie Cat on a Hot Tin Roof and narrated the Christmas TV special Rudolph the Red-Nosed Reindeer.

In 2005, rock 'n' roll pianist Johnnie Johnson died (age 80) in St. Louis. A member of Chuck Berry's band, Johnson co-composed many of Berry's seminal hits and was the inspiration for the anthem "Johnny B. Goode."

In 1967, the Rolling Stones played in Warsaw, Germany - their first gig behind the Iron Curtain. When people without tickets crashed the venue, police dispersed them with tear gas.

The Beatles were named Best New Artist at the Grammy Awards in 1965. There’s a surprise…..

Elton John went to #1 on the US singles chart in 1974 with 'Bennie And The Jets', his second US #1 (#37 in the UK).

Paul McCartney's 'Band On The Run', went to #1 on the US album charts in 1974. McCartney's third US #1, which went on to sell over 6 million copies world-wide

Rage Against The Machine appeared on NBC's Saturday Night Live in 1996. Their two-song performance was cut to one song when the band attempted to hang inverted American flags from their amplifiers.

In 1997, the Notorious B.I.G. was at #1 on the US album charts with 'Life After Death.'

In 1971, the Rolling Stones released "Brown Sugar" the first record on their own label, Rolling Stones Records.

The Broadway musical "Grease" closed after 3,883 performances in 1980.

The single "We Are the World" hit #1 in the U.S. in 1985.

Bobby Goldsboro started a five week run at #1 on the US singles chart in 1968 with 'Honey', it made #2 on the UK chart and also #2 when re- issued in 1975.

"The Grand Ole Opry" debuted on television in 1985.


Tuesday April 14

DaBrat (1974)

John Bell - Widespread Panic (1962)

Ritchie Blackmore - Deep Purple (1945)

Loretta Lynn (1935)

Buddy Knox (1933)

Martyn Le Noble - Porno For Pyros (1965)

Win Butler - Arcade Fire (1980)

Larry Ferguson - Hot Chocolate (1948) (1975 US #3 single 'You Sexy Thing')

Dennis Bryon, Amen Corner (1949)

Tony Burrows, singer, Edison Lighthouse (1942) (1970 UK #1 single 'Love Grows Where My Rosemary Goes'). Holds the record for having four records in the British Top Ten at once, all under different names. Edison Lighthouse ‘Love Grows (Where My Rosemary Goes), White Plains, ‘My Baby Loves Lovin', The Pipkins ‘Gimme Dat Ding,’ and the Brotherhood of Man's ‘United We Stand,’ all of which were hits in both the US and UK.

The Pretenders bass player Pete Farndon died from a drug overdose in 1983. He was sacked from the group on June 14th 1982, (two days before Pretenders guitarist James Honeyman-Scott was found dead of heart failure).
Farndon was in the midst of forming a new band with former Clash drummer Topper Headon when he died.

Thurston Harris ("Little Bitty Pretty One") died of a heart attack in 1990.
Don Ho ("Tiny Bubbles") died of heart failure in 2007.

Madonna scored her seventh US #1 single in 1990 with “Vogue,” also a UK #1 hit.

Kurt Cobain was cremated at the Bleitz Funeral Home, Seattle in 1994. The death certificate listed Cobain's occupation as Poet/Musician and his type of business as Punk Rock.

The Bee Gees released their first English single in 1967, "New York Mining Disaster 1941.” It was released with a promotional slogan announcing 'The most significant talent since The Beatles'. The record became a Top 20 hit in the UK and US.

Fats Domino's "Ain't That A Shame" was released in 1955.

In 1980, a New Jersey state assemblyman introduced a resolution to make Bruce Springsteen's "Born to Run" the official state song.

Tom Petty released his first solo album "Full Moon Fever" in 1989.

The Beatles were introduced to the Rolling Stones for the first time backstage in Richmond, England in 1963. George Harrison says he's particularly impressed by the unsigned band's performance.

Led Zeppelin started a two-week run at #1 on the US album chart in 1973 with 'Houses Of The Holy', also a #1 in the UK. The young girl featured on the cover of the album climbing naked up Giants Causeway in Northern Ireland was Samantha Gates, who was 6 years old at the time of the photo shoot. Iconic cover or kiddie porn?

In 1967, Country Joe & the Fish performed at San Francisco's Golden Gate Park on the eve on a Vietnam War protest march. The next day 100,000 people would march to Kezar Stadium to hear Vietnam vet David Duncan speak.

In 1969, the recording of 'The Ballad Of John and Yoko' took place, with just two Beatles, Paul McCartney and John Lennon. Paul played bass, drums and piano with John on guitars and lead vocals.

The final "Where The Action Is" aired on ABC-TV in 1967.

The Beatles recorded "Paperback Writer" in 1966.


Wednesday April 15

Linda Perry- 4 Non Blondes (1965)

Samantha Fox (1966)

Graeme Clark - Wet Wet Wet (1966)

Ed O'Brien – Radiohead (1968)

Pete Shelley – Buzzcocks (1955)

Allan Clarke – Hollies (1942)

Roy Clark ("Yesteday, When I Was Young") turns 76.

Dave Edmunds (1944)

Bessie Smith - Blues singer (1894)

In 2001, punk pioneer Joey Ramone (Jeffrey Ross Hyman) singer of The Ramones died after losing a long battle with lymphatic cancer (age 49).
John Fred ("Judy In Disguise") died in 2005 after being hospitalized with kidney problems.

Nancy Sinatra and Frank Sinatra started a four week run at #1 on the US singles chart in 1967 with 'Somethin' Stupid'. They became the only father and daughter act ever to score a #1 single.

Roberta Flack started a six week run at #1 on the US singles chart in 1972 with the Ewan MacColl song 'The First Time Ever I Saw Your Face'.

The Buffalo Springfield performed for the first time in 1966, opening for the Byrds in San Bernardino, California.

Buddy Holly's Fender Stratocaster guitar was stolen at a St. Louis, Missouri concert in 1958.

Aretha Franklin recorded "Think" in 1968.

In 1971, the Beatles won an Oscar for Best Film Music (Original Song Score) for the Paul McCartney-penned "Let It Be."

Also in 1971, Rolling Stone announced that the Illinois Crime Commission had compiled a list of "drug-oriented rock records." The list included Jefferson Airplane's "White Rabbit" and Procol Harum's "A Whiter Shade of Pale." No “Snoopy vs.the Red Baron?”

Topping the singles charts in 1971 were Tony Orlando & Dawn with the shamelessly sentimental "Tie a Yellow Ribbon Round the Ole Oak Tree." And we still do that……

Jerry Garcia's ashes were scattered near San Francisco's Golden Gate Bridge in 1996. A portion of the remains of the Grateful Dead guitarist had already been deposited into the Ganges in India.


Thursday April 16

Dan Rieser - Marcy Playground (1966)

Jimmy Osmond -The Osmonds (the youngest Osmond 1963)

David Pirner - Soul Asylum (1964)

Bill Spooner - The Tubes (1949)

Herbie Mann - jazz flautist (1930)

Born on this day in 1929, US singer Roy Hamilton, had the 1955 US No.6 single 'Unchained Melody.' Died of a stroke on 29th July 1969.

The late Henry Mancini ("Moon River") was born in 1924.

Born on this day in 1939 , Dusty Springfield, UK singer who had her first UK hit single in 1963 with ‘I Only Want To Be With You’, which reached #4, a 1966 UK #1 & US #4 single with 'You Don’t Have To Say You Love Me’ plus over 15 other UK Top 40 singles. She died on March 3rd 1999.

Skip Spence, an original member of Jefferson Airplane and founding member of Moby Grape, died of lung cancer in a San Francisco hospital in 1999 (age 52). He had battled schizophrenia and alcoholism.

Born on this day in 1971, Selena Quintanilla-Pérez, best known as Selena, Mexican American singer "the queen of Tejano music.” Her album Selena Live! won a Grammy Award for Best Mexican-American Album at the 36th Grammy Awards. Yolanda Saldívar the president of her fan club, murdered her on March 31, 1995. Warner Brothers made a film based on her life starring Jennifer Lopez in 1997.

Buddy Holly released his first single, "Blue Days, Black Nights" in 1956.

The Rolling Stones first album was released in the UK in 1964, it went to #1 two weeks later and stayed on the chart for 40 weeks, with 11 weeks at #1.

Paul McCartney headlined a concert at the Hollywood Bowl in 1993 to celebrate 'Earth Day' along with Ringo Starr, Don Henley and Steve Miller.
McCartney had last performed there as a member of the Beatles in 1965.

Desmond Dekker and the Aces were at #1 on the UK singles chart in 1969 with 'The Israelites', making Dekker the first Jamaican artist to have an UK #1 single.

The Electric Light Orchestra played their first live show in England in 1972.

Paul McCartney appeared in the TV special James Paul McCartney with his wife, Linda, and his band Wings in 1973.

In 1977, Fleetwood Mac released "Dreams," which becames their first chart-topping single.

The first U.S. Hollies concert was at New York's Paramount Theatre in 1965.

The first U.S. Queen concert was at Regis College in Denver, Colorado in 1974.
Dean Martin recorded "Everybody Loves Somebody" in 1964.


Friday April 17

Victoria Beckham - Posh Spice (1974)

Michael Sembello - guitarist, singer (1954)

Billy Fury was born in Liverpool, England in 1941. Molded by his manager as a British Elvis, Fury, with his suggestive stage presence and raw delivery, was an immeasurable influence on groups like the Beatles and the Rolling Stones.

Liz Phair - Singer, songwriter (1967)

Born on this day in 1967, Matt Chamberlain one of the world's most widely-heard session drummers. Worked with, Edie Brickell & New Bohemians, Pearl Jam, Tori Amos, Morrissey, Fiona Apple, Christina Aguilera, Dido, David Bowie, Elton John, Peter Gabriel, The Wallflowers, Natalie Merchant, Robbie Williams, Kanye West, Garbage, John Mayer and William Shatner.

Pete Shelley (McNeish) - The Buzzcocks (1955)

Don Kirshner - Music publisher, created The Monkees (1934) He was responsible for giving Neil Diamond, Neil Sedaka, and Carole King early writing jobs.

James Keenan - Tool (1964)

In 1983, Felix Pappalardi died at age 41 after being shot by his wife in their New York apartment. The producer worked on records by Cream, Hot Tuna, Mountain, and the Red Hot Chili Peppers.

Earl King the New Orleans Blues guitarist died in 2003 (age 69). King wrote the classic song Come On, (Let The Good Times Roll), covered by Jimi Hendrix.

Linda McCartney died after a long battle against cancer in 1998. Married Paul McCartney in 1969 when she was working as a photographer. As well as a being a member of Wings, she became an animal rights campaigner and launched her own brand of vegetarian food.

Reggae drummer and percussion player Carlton Barrett of The Wailers was shot dead outside his house in Kingston, Jamaica in 1987. Joined Bob Marley and The Wailers in 1970, wrote the Marley song ‘War.’ Barrett was the originator of the one-drop rhythm, a percussive drumming style.

While on tour in the UK in 1960, 21-year-old US singer Eddie Cochran was killed when the taxi he was traveling in crashed into a lamppost on Rowden Hill, Chippenham, Wiltshire, (where a plaque now commemorates the event). Songwriter Sharon Sheeley and singer Gene Vincent survived the crash, Cochran's current hit at the time was 'Three Steps to Heaven'.

In 1974, Vinnie Taylor guitarist with the rock 'n roll revival band Sha Na Na was found dead in a Holiday Inn hotel room in Charlottesville, Virginia from a drug overdose. Sha Na Na played at the Woodstock Festival, their 90-second appearance in the Woodstock film brought the group national attention.

Bob Dylan's debut album 'The Freewheelin' Bob Dylan' was at #1 on the UK chart in 1965.

In 1971, all four Beatles had solo singles in the UK charts, Paul McCartney with 'Another Day', John Lennon, 'Power To The People', George Harrison, 'My Sweet Lord' and Ringo Starr, 'It Don't Come Easy.'

Appearing at the OK Hotel in Seattle in 1991, Nirvana played ‘Smell’s Like Teen Spirit’ live for the first time.

Them made their first concert appearance in 1964. Leading the band Them, an 18-year-old Van Morrison rocks the Maritime Hotel, in Belfast, Northern Ireland. It is the group's debut performance.

The Beach Boys' "Help Me Rhonda" was released in 1965.

Iron Maiden's "The Number of the Beast" was #1 on the British albums chart in 1982.

Paul McCartney released his first post-Beatles solo album, McCartne in 1970.

The versatile musician played every instrument of the wonderous lo-fi recording.

A British fan who claims he caught the flu off of Beatle Paul McCartney attempted to auction off the germ on eBay in 2003. Brilliant…..

In 2004, Kurt Cobain's right-handed 1960's Mosrite Gospel Mark IV guitar sold at an auction for $117,500. At the same sale, the piano on which Elton John wrote "Your Song" sold for $164,500.

In 2002, music weekly The NME published a list of the 50 most influential icons. At No.10, Public Enemy, 9, U2, 8, The Jam, 7, Radiohead, 6, Oasis, 5, The Sex Pistols, 4, David Bowie, 3, The Stone Roses, 2, The Beatles and No.1 The Smiths. No Rolling Stones or Dylan?

In Washington's FBI lab reported it cannot determine the lyrics to "Louie Louie.” We still don’t know the words….

Ricky Nelson recorded "Poor Little Fool" in 1958.

Pink Floyd's album 'The Dark Side of the Moon' went gold in the US in 1973.

The LP went on to stay in the charts for more than ten years and became the longest charting rock record of all time.


Saturday April 18

Greg Eklund - Everclear (1970)

Mark 'Bez' Berry - Happy Mondays (1964)

Mark Tremonti – Creed (1974)

Glen D.Hardin - The Crickets (1939)

Mike Vickers - Manfred Mann (1942)

Hayley Mills ("Let's Get Together") is 63

Les Pattinson - Echo and the Bunnymen (1958)

Mike Vickers 1941 - Musician (Manfred Mann)

Bernard Edwards bass guitarist and producer from Chic, died of pneumonia in a Tokyo Hotel room while touring Japan in 1996. He also worked with ABC, Power Station, Sister Sledge, Sheila and B. Devotion, Diana Ross, Johnny Mathis, Debbie Harry, Air Supply, and Rod Stewart.

Alexander "Skip" Spence - Moby Grape, Jefferson Airplane (1946) Died April 16, 1999.

Clarence "Gatemouth" Brown was born in Vinton, Louisiana in 1924. The musician got his name from a high school teacher who said he had a "voice like a gate." He's since become a legend in Texas music.

Gene Autry recorded "Back in the Saddle Again" in 1939.

Alice Cooper's first TV special, "Welcome To My Nightmare: The Making Of A Record Album" aired in 1975.

In 1981, Yes announced its break-up after 13 years.

Michael Jackson went into surgery in Los Angeles in 1984. Doctors performed scalp surgery to repair damage done after Jackson's hair caught fire during the filming of a Pepsi commercial on January 27.

In 1985, Liberace grossed more than $2,000,000 for his engagement at New York City's Radio City Music Hall. He broke his own record of $1.6 million.

Also in 1985, Wham! became the first Western act to release a pop album, "Make It Big," in China.

The album "Twice Shy" was released by Great White in 1989.

In 1964, the Beatles appeared on the UK TV comedy program The Morecambe and Wise Show, playing ‘This Boy’, ‘All My Loving’, and ‘I Want to Hold Your Hand’ and also participate in comedy sketches with Eric Morecambe and Ernie Wise. The Beatles also held the UK and US No.1 position on this day with 'Can't Buy Me Love'.

The Neil Young movie, "Journey Through The Past" debuts at the Dallas Film Festival in 1973.

"American Bandstand" aired a taped telephone interview with the Beatles in 1964.

In 1973, Declan Costello played his first concert since leaving the band Rusty at the Barmy Arms pub in Twickenham, England. The computer programmer-turned-musician, born with the last name McManus, later changes his first name to Elvis.

John Lennon released "Stand by Me" in 1975.

Holland/Dozier/Holland, responsible for a mind-boggling string of Motown hits like "You Keep Me Hangin' On" and "Back In My Arms Again," were inducted into the Songwriters' Hall of Fame in 1988.

Aretha Franklin and George Michael started a two week run at #1 on the US singles chart in 1987with 'I Knew You Were Waiting' (also a No.1 in the UK).
Def Leppard started a five-week run at #1 on the US album chartin 1992 with 'Adrenalize.'

Annie Lennox went to #1 on the UK album chart in 1992 with her debut solo release 'Diva.'

Saturday, April 11, 2009

Classic Rock Videos

Just A Song Before I Go - Crosby, Stills & Nash

Album Cover Stories


As always, I want to thank Michael Goldstein over at www.RockPoPGallery.com for the exclusive reprint rights to his marvelous album cover art stories:

Cover Story Interview - Foo Fighters - Echoes, Silence, Patience & Grace, with design/artwork by Don Clark
Cover Story for February 20, 2009



Subject: Echoes, Silence, Patience & Grace, by the Foo Fighters – a 2007 release on RCA records, with cover artwork and design produced by Don Clark.


2008 was another terrific year for the Foo Fighters. At the beginning of their year+-long world tour organized on the heels of their successful previous release - the half-acoustic/half-electric 2-disc package titled In Your Honor, they released their sixth studio record, titled Echoes, Silence, Patience & Grace in September 2007. This album spawned another trio of chart-topping hits - "The Pretender", "Long Road to Ruin" and "Let It Die".

Fans and critics responded quite positively, with the album quickly going gold in the U.S. and many international markets, their tour drawing huge crowds - including 85,000 screaming fans in the U.K.’s Wembley Stadium (which included guest appearances by Led Zep’s Jimmy Page and John Paul Jones) - and then winning the 2008 Grammy™ for Best Rock Album. The single "The Pretender" won for Best Hard Rock Performance (adding these awards to their long list of honors, including Best Rock Album Grammys for There Is Nothing Left to Lose and One by One). All six of their studio albums have been nominated for Grammy awards. The album also won a 2008 BRIT Award in the U.K. for Best International Album.

2008 also marked the 10th anniversary of the band’s current line-up of Dave Grohl (lead vocals, guitar & drums), Nate Mendel (bass), Chris Shiflett (guitar) and the hard-working Taylor Hawkins on drums. After nearly a year on the road, bandleader Dave G. announced that the band would be taking a long break from recording and touring, with no new material (other than a “greatest hits” package) due to hit the shelves in the foreseeable future. And so, although there might not be much new news about the Foos, I thought that it might be nice to learn a bit more about the impressive portfolio of images created to help package and promote this recording. To do that, I reached out to Don Clark, partner is Seattle’s Invisible Creature, who was responsible for the designs the band selected. I met Don and his brother and partner-in-design, Ryan, at a Recording Academy tech summit in Seattle this past November and asked for the interview at that point, and they were very kind to say “yes” and provide me with the details you’ll soon read in today’s Cover Story.

Finding themselves in a creative situation quite different than many of the ones detailed in previous Cover Story interviews, our intrepid designers found themselves working with both the band’s support and the freedom to come up with “iconic but simple” designs that would, ultimately, become as well-known as the record was popular. The details of how it all came about now follow….

In the words of the artist, Don Clark (interviewed November 2008) –

We’d never worked with the Foo Fighters or their management before, but they apparently liked our work and contacted us via email in June 2007. I quickly called back and the rest is history, so they say. For the most part, prior to this project we had worked mostly with independent labels and artists, with a few major label releases under our belt (Editor’s note – they’d done cover, complete CD packaging and other promo graphics for such bands as Funeral for a Friend, Spiritualized and Atreyu). We hadn't really touched a release of this magnitude before, so it was a new experience for us, and one that we were determined to knock out of the park.

The band hired us to come up with concepts for their upcoming album Echoes, Silence, Patience & Grace. Three days after they awarded us the project, they actually flew us down to LA to hear the album and talk about ideas. It was a great meeting and we promised to pitch ideas shortly after. The Foo's are in a unique position to where they own the rights to all of their music, art, etc., so they have the final say in everything they produce. The label people (RCA) weren't actually brought into the process until everything was finished, which was definitely not something we were used to but, apparently, RCA was! The art director there was very kind and we had nothing but a great working relationship with them, management and band.

At the meeting, the one big thing that the band brought up was that they wanted the album cover to be classic, iconic and simple, which was music to our ears. We are always pushing bands in that direction, so it was great to actually hear it FROM a band this time. They felt that the cover their last album (In Your Honor) was a bit too busy, so they wanted to strip it down a bit. It was more of a "Hey, do your thing and we'll choose something". I have to tell you that the Foo Fighters were exactly how you'd picture them - completely cool, down to earth and the nicest dudes. To be honest, they are just punk rock guys that happen to be in a huge band. They didn't disappoint at all. At one point during our meeting, Dave got up and actually made us popcorn. We wondered if that usually happened – it made us feel great, that’s for sure!

Finances weren't an issue at all and there wasn't a ton of direction - which was fine. We began the project with new logos for the band and ended up doing around 10 logos total. They selected the last design I presented, which was one that I’d based off a typeface that I found in a vintage type book. We actually had enough time to create everything needed, but there was a point in the beginning where we needed a cover quick so, in a 48 hour span, I quickly generated comps for 5-6 new covers. During this effort, I was fiddling through our arsenal of images (which are made up of stock and objects we've had shot) and I started with an image of this torpedo. I was looking for something to ironically complete the image - but tell a different, non-violent story – when I happened upon a shot of an old vintage amplifier tube. I grabbed it, placed it under the torpedo, and it just clicked. Ryan was actually walking by my desk at the moment and quietly said "Dude, that's the one".

Like I mentioned before, they just wanted it to be classic and simple. They really let us run wild with our own ideas. The project was pretty stress-free in terms of creating a specific thing they saw in their head. We had shown them a few ideas that they just weren't feeling. I was also a bit worried they might not get it - or maybe just be uninterested in general, but after putting together this image, I had one of those feelings where my gut was saying "They have to choose this one! (I later decided that I wanted the theme of the package to be the juxtaposition of simple objects that reflected the album’s tone of life and mortality)"








To my delight and amazement, management ended up loving both the image and the logo, so they passed the package on to Dave and the band.

They loved it as well, and here we are.

About the artist, Don Clark –




A partner in the four-time Grammy™-nominated design duo of Don and Ryan Clark (who, as co-founders of Asterik Studio, have been responsible for hundreds of CD packages and limited silk-screened posters), the brothers have poured all of the creative passion and heart that two heavily tattooed, God-fearing mama's boys can muster into this new venture -- a lumbering giant set to pounce upon the art world.

With a hunger for everything from Miles Davis to the Misfits, Storm Thorgerson to Jim Flora, polished photo illustration to cartoon monsters, the Clarks’ unique point of view and self-taught skill set has invigorated projects for a diverse client list, from Nickelodeon and Nordstrom to Anthrax and Pedro the Lion. All of it remains inspired by their late grandfather, Al Paulsen, an illustrator for NASA.

Avid collectors of toys, art and music and accomplished musicians in the band Demon Hunter (whose latest album debuted at #1 on the Billboard "Heatseekers" chart and who have been named one of ten "Artists to Watch" by AOL Music), the Clarks’ wide range of experience allows them to relate directly to what their clients want to accomplish, from elaborate special packaging to jaw-dropping surrealistic imagery and other outside-the-box ideas and concepts. Invisible Creature is the next step in a succession of artistic accomplishments that have inspired a cult-following the world over and accolades from a number of respected and renowned design publications, to say nothing of the obvious impact the duo's aesthetic has had on a sub-culture celebrated by countless merchandise companies, retail mall stores and music magazines. As much as they have inspired others, Don and Ryan continue to inspire each other, as well.

Ryan's work as art-director for the Tooth & Nail family of labels and Don's contributions to countless independent and major label packages benefit from the feedback they give one another, bouncing ideas left and right and putting forth work that displays each of their instincts and gifted intuition. Invisible Creature began in 2006 planting a proud flag on the design landscape, built upon the 5-year strong reputation of the prior studio and the well-known talents of its respected founders.

As their web site bio states – “Lurking in the depths of imagination. Rising from concept to physical realization. Invisible Creature emerges, precise and delicate as it is ferocious and tenacious, as the design studio for the millennium.” Certainly, a design team worth keeping close watch on…

To see more of Don’s work with Invisible Creature in Seattle, please visit his web site at

http://www.invisiblecreature.com

To learn more about this (and other) Foo Fighters releases, please visit their official website at http://www.foofighters.com/

To see the complete selection of album cover art available for sale at RockPoP Gallery, visit our site at http://www.rockpopgallery.com


All images featured in this Cover Story are Copyright 2007, Don Clark/Invisible Creature - All rights reserved. Except as noted, all other text Copyright 2009 - Mike Goldstein & RockPoP Gallery (www.rockpopgallery.com) - All rights reserved.

Friday, April 10, 2009

Classic Rock Videos

Crosby Stills Nash and Young - Suite Judy Blue Eyes

Michael Fremer Review

I am very proud to continue our new feature (look for this every Friday), music reviews that are written by the senior contributing editor of Stereophile magazine- Michael Fremer. It has been a pleasure to speak with Michael and learn more about audio sound and equipment. In fact, his new DVD, "It's A Vinyl World, After All" has hit the shelves and is selling out very quickly. This is a must have for anybody who loves vinyl, it is a true masterpiece.


Additionally, make sure to stop by his site, www.musicangle.com and bookmark it for further exploration. I certainly want to thank Michael for the exclusive rights to reprint his fantastic material.




ALBUM REVIEW:
Death Cab For Cutie (recent release)
Narrow Stairs


Barsuk Bark 75 180g LP + Bonus 7" single

Produced by: Chris Walla
Engineered by: Chris Walla and Will Markwell
Mixed by: Chris Walla ( "Long Division" mixed by Alex Newport)
Mastered by: Roger Seibel, SAE Mastering









Review by: Michael Fremer
2009-04-01


The gift of uniqueness can easily become the curse of familiarity, easy identification and in the worst case, self-parody.

The latter hasn’t happened to Benjamin Gibbard, Death Cab’s earnest creative center but on the group’s latest album, he’s safely sticking to the ruts of his signature phrasing, melodic constructions and even subject matter.

Familiarity can breed contempt but not this time, with the band countering with toughened guitar textures and edgier rhythmic drive.

Still, Gibbard’s wrenching earnest preoccupation with passing time and death continue diary-like and that’s probably how the band’s fans want it. Though the subject matter has remained relatively steady, Gibbard’s perspective has broadened and matured, while his lyrics have become more economical and a imbued with a jigsaw puzzle-like connectivity.

He sings about seeking and not finding the meaning in death, he pleas for recognition from an object of his desire, loss of innocence and optimism and one, You Can Do Better Than Me,” that accurately reads the minds of a great many long-married men. How a relative youngster like Gibbard pulled this one from the ether escapes me!

The song’s protagonist has begun to think the couple remains together out of fear of dying alone. He’s morphed through the years into many different people. He’s always out looking and falling in love but ultimately he realizes it’s a fools mission and that no one would appreciate him as much as his wife does, even though he doesn’t think he’s worthy, and besides, the song’s narcissistic kicker goes, (I won’t leave because) “You can do better than me, but I can’t do better than you.”

The last tune, “The Ice Is Getting Thinner,” about an inevitable break-up, is typical Gibbard: his poetry is close to the surface but sufficiently fleet to escape the conventional.

The LP cut by Roger Seibel at SAE is well-pressed, dead-quiet 180 gram vinyl and has the look and feel of either RTI or perhaps even Pallas. My understanding is that Roger no longer cuts AAA so this was sourced from digital, but that was obvious from the numerous studios used for the recording and mixing.

It’s a decent sounding rock recording, sufficiently edgy to communicate the band’s harder edged stance, but also sufficiently well-organized and carefully plotted to be pleasingly coherent.

Die cut packaging, a heavy, full color inner sleeve with lyrics printed large enough to actually read and a 45 single containing demo versions of two tunes (not available elsewhere) make the vinyl version worthwhile.

SOURCE: http://www.musicangle.com Reprinted By Permission


Pick up Michael's DVD's Here:



Copyright © 2009 MusicAngle.com & Michael Fremer - All rights reserved

New Record Collecting Book

Extraordinary Records is the title of a forthcoming book on record collecting by Giorgio Moroder.

“This original collection features the most remarkable vinyl artifacts ever produced: a connoisseur's selection of records in a plethora of colors, shapes, and forms, imprinted with extraordinary effects and images.




“Produced in collaboration with Colors magazine, this book showcases over 400 of the most exceptional records owned by leading collectors Alessandro Benedetti and Peter Bastine. Featuring the recordings of Pink Floyd, Queen, the Beatles, Prince, Michael Jackson, Elvis Presley, Bon Jovi and many others, these are rare and valuable records in countless designs and colors - gold, transparent, photo-printed - in a dazzling variety of shapes: butterfly, heart, star, and even a tree-shaped disc.”

Moroder of course is the dude from Italy with the great facial hair and rakes of snyths who founded Musicland Studios, produced great disco records with Donna Summer and more, scored loads of movies, and is generally accepted as one of music’s most influential figures. The book was written with the aid of:




Contributing author Alessandro Benedetti, who “began collecting colored and unusual records in 1981, and now has 8,000 discs, including 1,200 colored vinyl discs. In 1998 his collection won recognition in The Guinness Book of Records. His dream is to open a record museum so he can share his collection with the public.”

And Peter Bastine, “born in 1952, has been a DJ, record seller, and concert organizer. From 1977 until 1998 he collected every kind of picture disc; since then, mostly historical 78rpm records. Today his collection comprises around 8,000 picture discs, and has been the subject of several European exhibitions.”

Extraordinary Records is coming soon on TASCHEN press.

Vinyl Collective Test Pressings

As previously reported, Virgil over at www.vinylcollective.com is having a spring sale. Check out these great discs!:

"Just listed the following test pressngs on our eBay account. Only 1 of each, all starting at 99 cents. All are hand-numbered and hand-written. A few have extras (like Minus the Bear Planet of Ice and Kay Kay and His Weathered Underground). Some of these test pressings are seeing their last opportunity for purchase (both D4 test pressings, the MTB planet of ice, and a few others). Good luck bidding. I hope everyone can get a test pressing they are excited about. Our auctions can be found here."

36 CRAZY FISTS “The Tide” LP TEST PRESSING #/10
A LIFE ONCE LOST “Iron Gag” LP TEST PRESSING #/10
ANDREW JACKSON JIHAD/ COBRA SKULLS “Under the Influence Vol 6″ 7″ TEST PRESSING #/10
AUSTIN LUCAS “Somebody Loves You” LP TEST PRESSING #/20
BOYS NIGHT OUT “Make Yourself Sick” LP TEST PRESSING #/10
DILLINGER FOUR “Midwestern Songs” LP TEST PRESSING #/10
DILLINGER FOUR “Versus God” LP TEST PRESSING #/10
DRAG THE RIVER “Can’t Leave These Strays” 7″ TEST PRESSING #/20
DRAG THE RIVER “Garage Rock” 7″ TEST PRESSING #/20
DRAG THE RIVER “You Can’t Live This Way” LP TEST PRESSING #/10
DRAG THE RIVER ìUnder the Influence Vol. 5_ 7_ TEST PRESSING #/10
DRAG THE RIVER/ THE DENTS “Found All The Parts” LP TEST PRESSING
EVERY TIME I DIE “Big Dirty” LP TEST PRESSING
EVERY TIME I DIE “Gutter Phenomenon” LP TEST PRESSING #/10
EVERY TIME I DIE “Hot Damn” LP TEST PRESSING #/10
EVERY TIME I DIE “Last Night In Town” LP TEST PRESSING #/10
FAKE PROBLEMS / LOOK MEXICO ìUnder the Influence Vol. 1_ 7_ TEST PRESSING #/10
FOXY SHAZAM “Introducing” LP TEST PRESSING #/10
GHOST BUFFALO “The Magician” LP TEST PRESSING #/10
HEAVY HEAVY LOW LOW “Turtle Nipple” LP TEST PRESSING #/10
JOEY CAPE “Bridge” LP TEST PRESSING #/10
JOEY CAPE / JON SNODGRASS ìWho Wants to Get Down?î 7_ TEST PRESSING #/10
JON SNODGRASS “Visitor’s Band” LP TEST PRESSING #/10
JOSH SMALL “Tall By Josh Small” dbl LP test pressing #/5
LAGRECIA “On Parallels” LP TEST PRESSING #/5
LOVE ME DESTROYER “The Things Around” LP TEST PRESSING #/5
MAYLENE & THE SONS OF DISASTER “II” LP TEST PRESSING #/10
MIKE PARK / O PIONEERS!!! split 7″ TEST PRESSING #/10
MINUS THE BEAR “Interpretaciones” LP TEST PRESSING
MINUS THE BEAR “Planet of Ice” dbl LP test pressing #/20
MUSTARD PLUG / BOMB THE MUSIC INDUSTRY ìUnder the Influence Vol. 3_ 7_ TEST PRESSING #/10
NINJA GUN “Restless Rubes” LP TEST PRESSING #/20
NORMA JEAN “Anti-Mother” LP TEST PRESSING #/10
NORMA JEAN 4 x LP Box Set TEST PRESSING #/20
POISON THE WELL “Versions” LP TEST PRESSING #/10
PORTUGAL THE MAN “Church Mouth” LP TEST PRESSING
SCOTT REYNOLDS & THE STEAMING BEAST LP test pressing
SEE YOU NEXT TUESDAY “Intervals” LP TEST PRESSING #/10
SEE YOU NEXT TUESDAY “Parasite” LP TEST PRESSING #/10
SPARTA “Threes” dbl LP TEST PRESSING #/10
STEREOTYPERIDER “Songs In The Keys Of F And U” LP TEST PRESSING #/10
TEENAGE BOTTLEROCKET / THE ERGS! ìUnder the Influence Vol. 4_ 7_ TEST PRESSING #/20
THE JEALOUS SOUND “Kill Them With Kindness” dbl LP TEST PRESSING #/20
THE PLAYING FAVORITES LP test pressing joey cape lagwagon
THE TAKERS “Curse Of A Drunk” 7″ TEST PRESSING #/10
TIM BARRY “Laurel St Demos” LP TEST PRESSING #/5
TIM BARRY “Live At Munford” 7″ TEST PRESSING #/5
TIM BARRY “Manchester” LP TEST PRESSING #/10
TIM BARRY “Rivanna Junction” LP TEST PRESSING #/10
TWO COW GARAGE “Speaking In Cursive” LP TEST PRESSING #/10
USELESS I.D. “Lost Broken Bones” LP TEST PRESSING #/10
V/A “Delicious Vinyl” LP TEST PRESSING #/20
V/A “Revival Road” LP TEST PRESSING #/10
WHISKEY & CO/ NINJA GUN ìUnder the Influence Vol. 2_ 7_ TEST PRESSING #/10

Music News & Notes

MEAT PUPPETS BACK “TOGETHER”

The Meat Puppets are back on the musical map after reuniting in 2006. The group, now a trio with brothers Cris and Curt Kirkwood joined by drummer Ted Marcus, recently inked a deal with Megaforce Records. The label will release their new album, "Sewn Together," on May 12th. The band recently made a welcome and well-received return at Austin's South By Southwest. They'll return with a record release party May 12th at The Mint in Los Angeles, before starting a tour in earnest May 27th in Louisville.

=============================

Motown Premium Audiophile Reissue:

For an exclusive three-week time frame, nine landmark Motown LPs are available to all the independent stores as reissues. Adding to the Motown luster, the top nine audiophile vinyl reissues are pressed on heavyweight 180-gram vinyl in all the original packaging. If you love Motown, even if your father and grandfather loved Motown, the following Premium Audiophile Reissue titles are worth their weight in Motown glory and gold:

Stevie Wonder - "Songs in The Key Of Life"
Jackson 5 - "ABC"
The Supremes - "I Hear A Symphony"
Rick James - "Street Songs"
The Temptations - "Cloud Nine"
Smokey Robinson - "A Quiet Storm"
Marvin Gaye & Tammi Terrell - "United"
Four Tops - "Reach Out"
Diana Ross - "Diana Ross"

=============================

Mark Your Calanders For Next Week!

Record Store Day Is Approaching! This From The Organizers...


This is the one day that all of the independently owned record stores come together with artists to celebrate the art of music. Special vinyl and CD releases and various promotional products are made exclusively for the day and hundreds of artists in the United States and in various countries across the globe make special appearances and performances. Festivities include performances, cook-outs, body painting, meet & greets with artists, parades, djs spinning records and on and on. Metallica officially kicked off Record Store Day at Rasputin Music in San Franscisco on April 19, 2008 and Record Store Day is now celebrated the third Saturday every April.

More information and locations at www.recordstoreday.com

=============================

Collector's Choice Presents Gary Lewis & The Playboys' Complete Liberty Singles

Collector's Choice Records has announced May 26 date for The Complete Liberty Singles by Gary Lewis and the Playboys. Steve Hoffman is overseeing the mastering of the original recordings and Ed Osbourne is producing and writing the liner notes, including interviews with producers Snuff Garrett and Bones Howe, drummers Hal Blaine and Jim Keltner, singer and Gary's “ghost” voice Ron Hicklin, and even Gary himself.

The original mono singles were taken from the virtually untouched 40-year-old master tapes and includes many B-sides that have never previously been released on CD. Plus, the 2-CD set includes a song that was only released as a promo, Way Way Out.

The 45-song track list for The Complete Liberty Singles is under the cut.

This Diamond Ring
Hard To Find
Tijuana Wedding
Count Me In
Little Miss Go-Go
Doin' The Flake
Save Your Heart For Me
Without A Word Of Warning
Everybody Loves A Clown
Time Stands Still
She's Just My Style
I Won't Make That Mistake Again
Sure Gonna Miss Her
I Don't Wanna Say Goodnight
Green Grass
I Can Read Between The Lines
My Heart's A Symphony
Tina (I Held You In My Arms)
(You Don't Have To) Paint Me A Picture
Looking For The Stars
Way Way Out
Down On The Sloop John B
Where Will The Words Come From
May The Best Man Win
The Loser (With A Broken Heart)
Ice Melts In The Sun
Girls In Love
Let's Be More Than Friends
Jill
New In Town
Has She Got The Nicest Eyes
Happiness
Sealed With A Kiss
Sara Jane
Main Street
C.C. Rider
Mister Memory
Every Day I Have To Cry Some
Rhythm of the Rain
Hayride
Gary's Groove
Something Is Wrong
I Saw Elvis Presley Last Night
I'm On The Right Road Now
Great Balls Of Fire

=============================

Rescue Shelter Boys?

It's almost three decades into their career and the Pet Shop Boys have been asked by animal rights group PETA to rename themselves the Rescue Shelter Boys, CNN reports.

The synthpop duo have declined the “bizarre” request, saying they were “unable to agree” to the name change but “nonetheless think (it) raises an issue worth thinking about” regarding the “cramped, filthy conditions” of pet shops.

I agree, and support PETA and what they try to do, but this goes under the 'inane'- I mean can't they focus their attention on things that will matter?

How do vinyl records and record players work?



Vinyl records fell out of use following the introduction of Compact Discs. However, they are still made in limited numbers, as are record players.

A vinyl record contains a long spiral groove on each side. The sound is encoded into this groove by “wiggling” the groove from side to side in proportion to the sound wave, starting at the outside edge of the record and working inwards.

When the record is played, a pickup transforms the lateral wiggles into an electrical signal which is amplified and played back through headphones or loudspeakers. Inexpensive pickups consist of a sapphire stylus which tracks the groove and is connected to a ceramic piezoelectric material which turns the movement into a tiny electrical voltage.

Because the contact area of the stylus tip is very small, there is massive pressure at the point of contact and a diamond stylus can be used to obtain a longer life than a sapphire stylus will provide. Even a diamond stylus is considered a consumable item which must be replaced from time to time to maintain sound quality, and to avoid damaging the records.

More expensive pickups attach a magnet to the stylus and surround it with a coil which has an electric current induced into it by the movement of the magnet. It’s also possible to reverse this arrangement and use a moving coil pickup, where the coil is attached to the stylus and the magnet is fixed.

The pickup is attached to the tone arm, which carries it along the spiral of the grooves. This arm can be connected to a mechanism which can lower it into position at the start of the record, and return it to its rest stand at the end of playback.

Records come in various sizes, and are designed to rotate at different speeds. A single holds a few minutes of music on each side, and is commonly 7 inches diameter and must be spun at 45 revolutions per minute (rpm). An LP, or “long playing album”, holds 20 or 30 minutes of music on each side, and is 12 inches diameter. An LP is played at 33 and 1/3 rpm. Most record players have a speed selector switch.

Other combinations exist, such as 12 inch 45 rpm records for disco use, and also 10 inch records. A small number of spoken voice records were produced at 16 and 2/3 rpm.

Older records (pre-1960) played at 78 r.p.m. and were made from shellac instead of vinyl. they were usually 10 inches (3 minutes per side) or 12 inches (5 minutes per side)

To avoid loud bass notes causing one groove to “cut across” the next, the bass was de-emphasized and the treble was enhanced. This equalization needed to be reversed after playback. The standard equalization curve was known as “RIAA equalization“.

Stereophonic records (containing two audio channels) were encoded by modulating each side of the groove separately, and at 45 degrees to the vertical. One side of the groove carried the left channel and the other side carried the right channel. In this way, the sum of the channels produces horizontal movement which can be reproduced on monaural (mono) equipment, while stereo equipment has a pickup with two piezoelectric strips or coils (at right angles to each other) so that each channel can be decoded and amplified separately.

Record players were available that could play a stack of up to six sides in sequence; these were known as record changers.

Records suffered from being easily scratched, which could render them unplayable. They also attracted dust into the grooves which produced “clicks” and “pops” on playback. Slight misalignment between the left and right channels in the pickup could lead to crosstalk (the signal from one channel also appearing to some extent on the other channel), and the whole process of mechanical reproduction introduced various kinds of distortion.

The record player could introduce additional artifacts, such as “wow” (variation in rotational speed due to changes in the belt drive tension), “flutter” (faster variations due to motor irregularities), and “rumble” (vibrations from the motor being transferred to the pickup). The stylus could also “jump” from one groove to another if the record player was bumped (or even if someone jumped on the floor nearby), and a damaged groove could cause the record player to “skip”, playing the same groove over and over again.

So it was not surprising that the compact disc rapidly replaced the vinyl record. A few people still collect vinyl because they like its distinctive soft distortion (”analog sound”) as opposed to the sometimes-harsh clarity of the CD, but it’s a niche market.

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