Friday, May 29, 2009

New Tim Buckley Music Coming In August




Ironically, on the anniversary of his son's death (Jeff Buckley died on on May 29th, 1997) and nearly 25 years after his death, fans of folk legend Tim Buckley (who died of a heroin overdose in 1975 at the age of 28) will finally get to hear "Live at the Folklore Center, NYC - March 6th, 1967." The music is set to be released on August 25th on NYC’s Tompkins Square label. Buckley’s performance at the Folklore Center was a gig that was attended by only 35 people and was thankfully recorded by folk impresario Izzy Young — will be presented in its original running order.

The set featured tracks off Buckley’s 1966 self-titled debut and his 1967 follow-up "Goodbye and Hello." The live recording also contains six Buckley compositions that have never before been released on any studio or live album: “Just Please Leave Me,” “What Do You Do (He Never Saw You),” “Carnival Song,” “Cripples Cry,” “Country Boy” and “I Can’t Leave You Loving Me.”

The track list for Live at the Folklore Center, NYC - March 6th, 1967:

1. “Song for Jainie”
2. “I Never Asked to Be Your Mountain”
3. “Wings”
4. “Phantasmagoria in Two”
5. “Just Please Leave Me”
6. “Dolphins”
7. “I Can’t See You”
8. “Troubadour”
9. “Aren’t You The Girl”
10. “What Do You Do (He Never Saw You)”
11. “No Man Can Find The War”
12. “Carnival Song”
13. “Cripples Cry”
14. “If the Rain Comes”
15. “Country Boy”
16. “I Can’t Leave You Loving Me”

Classic Rock Videos

Rush- Spirit Of The Radio

13th Floor Elevators to Be Chronicled in 10-CD Set




The 13th Floor Elevators came out of Texas in the mid-60's and the world of rock was never to be the same. The group, fronted by Roky Erickson, challenged the listener with mixes of songs running from folk-rock to what is considered an early version of acid rock. Peter Buck of R.E.M. once commented that "They kind of sounded like Buddy Holly but on acid!"

The band only released three studio albums, but the folks at International Artists (the label that originally released the albums in the 60's) have tracked down hours of outtakes, unreleased tracks and live recordings to produce the 10-CD set Sign of the 3 Eyed Men. The company has been taking pre-orders at their website for the set, limited to 4,000 copies, and will be shipping within the next couple of weeks.

The CDs contain the band's three studio albums including rare mono versions, two "lost" albums of unreleased material and previously unreleased live recordings. Along with the ten CDs, the set also includes a 72-page hardcover book written by Paul Drummond with group information, rare photos and a full discography. Also included is reproduction memorabilia including photo prints, reproduction posters, stickers and handbills.

SOURCE: http://winkscollectibles.blogspot.com

'Rain' Songs- part three

By Robert Benson

Let’s continue with part three of our four part series about ‘rain’ songs:

“Here Comes The Rain Again” was a Top Ten Billboard hit (#4 in 1984) for the British pop duo Eurythmics. The song hit #8 in the UK and became their fifth consecutive Top Ten single in that country.

In The Dave Stewart Songbook , Dave Stewart has revealed that the lyrics for the song came after an argument between himself and Lewis; the basic melody had already been established:

“Annie was sitting in my room, and I was playing some little riff on the keyboard sitting on the window ledge, and I was playing these little melancholy A minor-ish chords with the B note in it. I kept on playing this riff, and Annie was looking out the window at the slate grey sky above the New York skyline and just sang spontaneously, 'Here Comes The Rain Again.' And that was all we needed.”

The song was adeptly recorded in an old church that was converted into a studio - except that the studio wasn't finished yet, however, they brought in the orchestra anyway. About 30 string players had to improvise by playing in corridors and even the toilet. The song was mixed blending the orchestra on top of electronic sounds created by a sequencer and drum machine.

The actual running time for the single depended on which release that you were playing, it is about five minutes long but was edited for the LP “Touch,” (it was cut down to four and one half minutes). The song was edited again for its single and video release, but many US radio stations decided to play the full-length version. The five minute version did not appear on any Eurythmics LP until the US edition of “Greatest Hits” in 1991.

A classic AM radio staple in the early 1970s, Albert Hammond’s It Never Rains In Sothern California,” peaked at #5 on the Billboard charts in 1972. The song was written by Hammond and lyricist Mike Hazelwood, as he explains:

"It never rains... was written in London, before we (Albert and Michael) came to Los Angeles, and we knew we were coming, and I've been telling Mike the story of me in Spain when I started and how I was asking for money outside of the train stations because I had no money to eat and I didn't want to tell my parents. My cousin was on honeymoon then, and he came out of the train station and saw me, and I didn't even know it was him... I just asked him for some money, too. And he said "you should be ashamed, I'm gonna tell your father," and I said "please, don't tell him, he'll go crazy and and stop me doing this!" And then he took me back into the hotel, I had a bath, he gave me some clean clothes and some money. I moved on, but he did tell my father, you know. All these things like "will you tell the folks back home I nearly made it" and all that stuff came from that era of my life when I was struggling, trying to make it, trying to get from Morocco to Spain, from Spain to England, from England to America... That struggle you go through, that's It Never Rains In Southern California, the story of my life."

Although Hammond was never able to duplicate the magic of this song as a solo artist (he did chart one other Top Forty hit for himself, 1974’s “I’m A Train) he was able to become quite an accomplished songwriter, writing nine Top Ten pop hits. Among his hits were: “Nothing’s Gonna Stop Us Now (#1 in 1974 performed by Starship), “The Air That I Breathe” (#6 in 1974 performed by the Hollies) and “To All The Girls I Loved Before,” written with Hal David and a #5 hit in 1984 for Julio Iglesais and Willie Nelson. Hammond was inducted into the Songwriters Hall of Fame in 2008.

I Wish It Would Rain” was a 1967 hit single recorded by the legendary Motown group the Temptations. In a very sad tale of irony, the lyrics were written by Motown staff writer Roger Penzabene, who had just learned that his wife was cheating on him and in his sorrow and pain, penned the lyrics; wishing it would rain - to hide the tears falling down his face because "a man ain't supposed to cry." His tortured feelings were brought to life by David Ruffin and the accompanying mourning vocals of his bandmates Eddie Kendricks, Melvin Franklin, Paul Williams, and Otis Williams.

Penzabene also wrote the follow-up hit “I Could Never Love Another (After Loving You)” (#13 in May of 1968), expressing his pain that he felt in the lyrics of both songs. Sadly, the distraught songwriter committed suicide on New Year’s Eve in 1967; just a week after the song was released.

We had looked at Creedence Clearwater Revival’s ‘rain’ song ”Have You Ever Seen The Rain” in part one, but now let’s explore another CCR ‘rain’ song called “Who’ll Stop The Rain” (from 1970 album Cosmo's Factory).

The cut is actually the B-side to the single "Travelin' Band," which was of the many CCR singles to stall at #2 on the Billboard charts. (Surprisingly, Creedence Clearwater Revival never had a #1 hit in the US.). Additionally, the line, "I went down Virginia, seekin' shelter from the storm" gave Bob Dylan the idea for the title of his 1975 song "Shelter From The Storm." The song was also used in the 1978 motion picture of the same name starring Nick Nolte as a Vietnam veteran. However, the movie was going to be called “Dog Soldiers,” but when the producers got the rights to use this song, they changed the title to “Who'll Stop The Rain.”

In 2007 during a concert, Fogerty said the following about the song:

“ Well this next song has a bit of a fable surrounding it. A lot of folks seem to think I sang this song at Woodstock way back when. No. I was at Woodstock 1969… I think. It was a nice event. I’m a California kid. I went up there and saw a whole bunch of really nice young people. Hairy. Colorful. It started to rain, and got really muddy, and then (yelling) half a million people took their clothes off!!! (Normal voice again) Boomer generation making its presence known I guess. Anyway then I went home and wrote this song.”

Here are the words to the second verse:

Heard the singers playin', How we cheered for more.
The crowd had rushed together, Tryin' to keep warm.
Still the rain kept pourin', Fallin' on my ears.
And I wonder, Still I wonder Who'll stop the rain.


In part four of our series, we will wrap up our series about ‘rain’ songs.

Music News & Notes

Ozzy Wants Part Ownership Of Black Sabbath Name

Lawyers representing Ozzy Osbourne have filed a lawsuit with the U.S. Patent and Trademark Office against the heavy metal icon’s Black Sabbath bandmate, Tony Iommi, claiming the man responsible for some of the genre’s most memorable riffs illegally assumed sole ownership of the Black Sabbath name.

According to the New York Post, Osbourne’s suit seeks a 50 percent stake in the “Black Sabbath” trademark. Furthermore, the filing claims Osbourne is entitled to a portion of the profits Iommi has generated through use of the band name, and suggests it was Osbourne’s “signature lead vocals” that helped propel the band’s “extraordinary success.” The suit also points out that Sabbath’s popularity took a nosedive during Ozzy’s absence during 1980 and 1996, when former Rainbow vocalist Ronnie James Dio took over behind the mike stand.


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Cheap Trick New Music

Cheap Trick is stepping outside of the label world to release its next studio album, "The Latest," itself.

The veteran rock group will start taking pre-orders for the 13-track set, which it recorded during the past year mostly in Los Angeles with producer Julian Raymond, on Friday via its official web site, www.cheaptrick.com, and at Amazon.com. Those who pre-order will receive "The Latest" on June 23, the day Cheap Trick starts it summer tour with Def Leppard and Poison in Camden, N.J. Amazon will have exclusive rights for one month, and the album will also be available in limited LP and 8-track editions.

Dave Frey of Red Light Management tells Billboard.com that via Amazon and other database information, anyone who's purchased Cheap Trick music, merchandise or concert tickets in the recent past will be notified about the album. Those buying tickets for the tour will also be able to purchase "The Latest" at a slight discount.

The group is also planning to release some sort of document from its various live performances of the Beatles' "Sgt. Pepper's Lonely Hearts Club Band" but is not ready to announce it yet.

Ten things to help keep your records sounding great

By Jeff Dorgay
Publisher, TONE Audio Magazine


Now that you’ve been hanging out here at SoundStageDirect.com and buying lots of records, we’d like to help you take good care of them, so they will still sound great years from now.

When my Grandfather used to bounce me on his knee, he used to always say “take care of your tools and they will take care of you!” What does this have to do with records? Cleanliness is the key. Many people get really grumpy about vinyl and they complain about noise; clicks, pops, etc. But I’ll let you in on a big secret, if you keep your records really clean, they will be very quiet and in many cases be just as quiet as CD’s!

But it’s going to take some work. The best thing about CD’s is that they require precious little if any maintenance to sound great and you don’t have to worry about a stylus breaking or wearing out and there is no setup involved with a CD player. Just drop that little shiny disc in and go. Keeping LP’s sounding great is a ritual; it’s up to you if you want to participate!

Contrary to popular belief, even new records can benefit from a good cleaning, so we’ll start simple and work our way up:

1- The basic Discwasher system. This will only set you back about $19.99 and will keep the heavy chunks off of your records. It consists of a foam pad with some fluid that is applied to said pad. You brush the record while it spins and some of the surface dirt and dust will come up off the record.

2- Carbon fiber brush. This is a dry brush that works similarly to the Discwasher brush, but without the fluid. Used in conjunction with a can of compressed air, it too can keep the surface nasties off of your records but you will need to go further if you want your records to be super quiet.

3- Stylus cleaning system. We could write a book here, but there are a number of great stylus cleaning systems that won’t break the bank. Remember, any of them that use a brush, always go from the back of the cartridge to the front, NEVER the other way around or you will break the stylus right off! This is one of the most overlooked aspects of record care and the dirtier your stylus gets, the more it gets ground into the LP. Where did you think all that gunk on the record ends up anyway?

4- Vacuum cleaning machine. If you really want to get serious about keeping your records sounding pristine, you need one of the vacuum cleaning systems from Nitty Gritty, VPI, Clearaudio or other manufacturers. These allow you to spread a cleaning fluid on the record (another whole article in itself), scrub it in a bit and then vacuum it off the record, taking the dirt along with it. This is by far the best way to get the most dirt off of your records, and if you ever buy any used LP’s an invaluable tool.

5- Record cleaning fluid. This will go along with your cleaning machine and there are quite a few different formulas out there. Rather than argue the merits of the many excellent cleaners, I’ll just give you my favorite: Vinyl Zyme, which you can get from Todd the Vinyl Junkie . VZ comes in regular or extra strength versions and if you are buying mostly new or very clean used records, will be all you ever need. The extra strength is great for used records that look pretty scummy and have a lot of fingerprints. It’s easy to use too. Just spray it on with the applicator bottle, lightly scrub in and let it sit for a minute or two to let the enzymes do their job. Then, fire up the record cleaner and suck all the crud out of your grooves!! If you have really dirty records, spray on a little extra VZ and let it soak before the vacuum operation.

6- Record sleeves. This one’s easy. Once you have those LP’s nice and clean, now’s the time to slip them into a nice, clean, archival sleeve. These will protect your records much better than the paper or cardboard sleeve it came with.

7- Outer sleeves. These don’t really affect how your records will sound, but they do keep the jackets looking nice and crisp like the day you brought them home and it completes the ritual that is vinyl collecting. A small price to pay to keep everything looking good.

8- Here’s a few mini-tips that don’t require spending any money, just a little bit of common sense. Never store your records any way other than vertical. Leaving them on an angle will eventually lead to warps that could make your LP’s unplayable. Again, order and cleanliness is your friend and the key to great sound from your vinyl. Put those records back in those sleeves after you went to the trouble to clean them and keep your hands as clean as possible when handling your records. Wash your hands after eating snacks and before touching records!

9- Get your turntable tuned up. If you don’t know how to do it yourself, get a friend or your dealer to give your table a checkup. Make sure your cartridge is correctly adjusted and that your stylus is not worn. If you have a belt drive turntable that’s more than a couple of years old, get a new belt. Now might even be a good time to trade up to a better cartridge or even a better turntable!

10- Be on the level. This is the easiest, yet most often overlooked aspect of turntable setup and anyone can handle this one! Get an inexpensive bubble level and make sure your turntable is level on more than one axis. More than likely your turntable has adjustable leveling feet on the bottom, and it probably won’t take much to get fully level. Even if you have a table worth thousands of dollars, this tweak will give you better sound, guaranteed! It should only take 5-10 minutes.

So, there you have it. Follow these instructions and with a little care and effort, your record collection will still sound good 20 years from now. Enjoy!!

Thursday, May 28, 2009

Classic Rock Videos

Rush - Closer To The Heart

Michael Fremer Review

I am very proud to continue our new feature (look for this every Friday), music reviews that are written by the senior contributing editor of Stereophile magazine- Michael Fremer. It has been a pleasure to speak with Michael and learn more about audio sound and equipment. In fact, his new DVD, "It's A Vinyl World, After All" has hit the shelves and is selling out very quickly. This is a must have for anybody who loves vinyl, it is a true masterpiece.


Additionally, make sure to stop by his site, www.musicangle.com and bookmark it for further exploration. I certainly want to thank Michael for the exclusive rights to reprint his fantastic material.




ALBUM REVIEW:
Miles Davis (reissue)
'Round About Midnight

Columbia/Speakers Corner CL 949 180g mono LP

Produced by: George Avakian
Engineered by: Frank Laico
Mixed by: Frank Laico
Mastered by: Maarten de Boer at UMG Berliner









Review by: Michael Fremer


Miles Davis’s major label debut, recorded with his quintet in the fall of 1955 and late summer of 1956 while he was still under Prestige contract and released early in 1957, was not particularly well-received at the time, though it has grown considerably in stature since then.

Davis, John Coltrane, Red Garland, Paul Chambers and “Philly Joe” Jones has been together as a group for over a year at this time, working both in the studio and in live performance. Miles had played the title track at Newport in 1955, rebounding from what the liner notes call a “health” problem, but which was an addiction to heroin that he kicked in 1953 or 1954.

The version of the gorgeous, bluesy Monk tune that opens and highlights the album both reprises the pensive, post-Bop sound of the earlier Birth of the Cool and was a harbinger of Miles to come. The opening bars, with Coltrane’s warm tenor wrapped around Davis’s jagged muted trumpet set a sublime tone for the tune and the album.

Though the 30th street studio recording is mono, great depth is produced, with Davis up front and the others cleanly layered behind. The second tune, Charlie Parker’s “Ah-Leu-Cha” is more standard uptempo hard-bop and the side closes with a stately version of the cool Cole Porter standard “All of You” that would be equally at home in a supper club as a jazz joint.

Side two opens with a pleasing, smoothly flowing but hardly memorable take on the standard “Bye, Bye Blackbird,” with Coltrane hinting at future harmonic and rhythmic strategies in his long, productive solo. Whatever Rudy Van Gelder’s legend, capturing a clean piano sound wasn’t among his strong suits, especially early on in his long career, so here, Red Garland’s piano, recorded by Frank Laico attains a welcome, woody clarity lacking on most of the Prestige Van Gelder sessions.

Compare Garland’s coherent, non-boxy sound on the suave, jumpy cover of Tadd Dameron’s “Tadd’s Delight” to any of the Prestige recordings.

The album ends with a swinging, unusual rendering of a Swedish folk song “Dear Old Stockholm,” featuring a nimble, driving Paul Chambers bass solo that’s also well recorded, particularly given the year, though otherwise there are hints of overload on a few peaks. Coltrane takes a long squiggly solo and Miles takes the melody back with an uncharacteristically complex muted trumpet solo and conclusion.

The reissue does an excellent job of capturing the original’s warm aura, particularly getting right the spacious echo behind Philly Joe’s brush work on “Bye Bye Blackbird.” The reissue is actually cleaner and more extended than the original and represents more of a clarification of it rather than a revision. Coltrane’s sax doesn’t quite have the body found on the original but you can’t have everything. And you can bet the reissue is quieter than most originals you might find. A nicely done AAA reissue.

SOURCE: http://www.musicangle.com Reprinted By Permission

Pick up Michael's DVD's Here:

This Date In Music History-May 28

Birthdays:

Gladys Knight (1944)

John Fogerty - Creedence Clearwater Revival (1945)

Larry Gatlin (1948)

Natalie Imbruglia (1968)

Australian singer Kylie Minogue (1968)

Roland Gift - Fine Young Cannibals (1962)

Billy Vera (1944)

Rockabilly star Sonny Burgess (1929)


They Are Missed:

In 1910, T-Bone Walker was born in Linden, Texas (died March 15, 1975). T-Bone was one of the first to plug in his guitar and turn the blues electric. Influenced Albert Collins, BB King, Buddy Guy, Freddy King among others.

Born in 1917- Papa John Creech – violinist with Jefferson Airplane and Hot Tuna. Died in 1994 (age 76).

Derek Frigo guitarist from 80’s glam band Enuff Z' Nuff, died of a drug overdose in 2004 (age 36).

Born on this day in 1949, Wendy O. Williams – singer with The Plasmatics, died from self-inflicted gunshot wounds on April 6th 1998.

Vaughn Deleath, a jazz crooner generally acknowledged as the first woman to sing on the radio, died in 1943.

Desert Island Discs radio presenter Roy Plomley died in 1985. He devised the BBC Radio series Desert Island Discs in 1941, and went on to present 1,791 editions of the show, which became one of the longest running radio shows in the UK.


History:

In 1958, Buddy Holly's draft notice arrived - but he was refused induction because of his 20/800 eyesight and a stomach ulcer.

Cathy’s Clown (Everly Brothers) began a five week run at #1 in 1960.

Marianne Faithful recorded her hit debut "As Tears Go By" in 1964. The song was written by Mick Jagger and Keith Richards (Rolling Stones) but the real story was who’s on the record. Jimmy Page played guitar and John Paul Jones was on bass. That would be one-half of the future Led Zeppelin.

The National Academy of Recording Arts and Sciences (NARAS) was established in 1957. The NARAS is known for organizing the Grammy Awards.

Whitney Houston released her epic album "Whitney" in 1987.

In 1976, the Allman Brothers Band broke up in disgust for the first time after Gregg Allman testified against a road manager accused of drug trafficking.

The Police launched a North American reunion tour in 2007 to celebrate their 30th anniversary. The trek began in Vancouver, B.C.

Bruce Springsteen and former manager Mike Appel settled their differences in 1977. Their legal wrangling kept Springsteen out of the studio for nearly a year. "Darkness On The Edge Of Town” was Springsteen’s next effort.

Heart uncorked one of their best songs and one of the all-time great rockers, “Barracuda” in 1977.

Produced by Phil Spector (as his crowing achievement), Ike & Tina Turner’s epic “River Deep Mountain High” was released in 1966. The song stiffed in the U.S. (though it entered the Top 5 in England) causing Spector to briefly retire from the music business.

Herb Alpert And The Tijuana Brass went to #1 on the US album chart in 1966 with “What Now My Love,” setting a new record with four albums in the US Top Ten. The other three were: “South of the Border,” “Going Places” and “Whipped Cream and Other Delights.”

Hootie & the Blowfish started a four-week run at #1 on the US album charts in 1995 with “Cracked Rear View.” The album went on to sell over 15 million copies.

In 1955, Billboard reports that, based on the success of its various versions, "The Ballad of Davy Crockett" is the most popular song in the U.S. According to the magazine, if sales of all the versions were added up - including interpretations by Fess Parker, Bill Hayes, Tennessee Ernie Ford, and the Voices of Walter Schumann - they would top 18 million copies.

Music News & Notes

Incubus Greatest Hits Collection Release - 'Monuments And Melodies'

Incubus' "Monuments and Melodies" started out as "a contractual obligation," according to guitarist Michael Einziger, who tells Billboard.com that he and his bandmates "weren't really excited at first" about putting together a best-of collection. But they eventually changed their tune.

"It was almost like we were trying to come up with an excuse to go on tour for the summer," Einziger explains, "and we started really thinking about the idea of putting out a greatest hits album and having that as the excuse to accompany the tour we were planning. And then as we started planning it, it became really obvious that greatest hits records are really important to the legacy of any band. I was introduced to most of the groups I grew up listening to -- artists like Jimi Hendrix and Bob Marley and the Doors -- through their greatest hits records.

Monuments and Melodies" includes one disc of hits from Incubus' six studio albums as well as two new songs, "Black Heart Inertia" and "Midnight Swim," recorded in Los Angeles during Einziger's last winter break from Harvard University, where he's been "just taking courses for personal enjoyment." The second disc features rarities, including a newly recorded cover of Prince's "Let's Go Crazy." The set is also available on four vinyl LPs, and copies of the album come with a unique code that will allow buyers to access a new section of exclusive music, photos and other material at a special section called The Vault on the enjoyincubus.com web site.

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Turbo Fruits celebrate vinyl release

The former members of Be Your Own Pet haven’t done much laying low since the Nashville punk success story called it quits last year.

Singer Jemina Pearl and drummer John Eatherly, now based in New York, have been finishing a new record up north; founding drummer Jamin Orrall and brother Jake continue to record and tour as Jeff the Brotherhood; and guitarist Jonas Stein’s side project-turned-main project Turbo Fruits has a new vinyl offering, courtesy of respected blues/blues-rock label Fat Possum.

The Turbo Fruits celebrate the release of that new Fat Possum 7-inch vinyl release (“Mama’s Mad Cos I Fried My Brain” backed with “Lotta Lotta Ladies,” which take Be Your Own Pet’s punk grit and add some bluesy swerve and an appealing ’50s-pop sensibility)

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Destroyer Takes on "Bay of Pigs" on New Release

Dan Bejar's songwriting outfit drops its Bay of Pigs release Aug. 18 from Merge Records. The two-song cut's been tipped as an EP by the label, mostly because of its long running time: Both tunes clock in at more than 20 minutes of music, combined. The EP/single is only being released on vinyl, so sorry modern music fans.

Bay of Pigs' track listing is:

Bay of Pigs
Ravers

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Rapper Jay-Z close to a deal with Sony

Rapper Jay-Z is close to signing a deal that will bring his future recordings to Sony, sources told Billboard.

The deal, which will link Jay-Z's Roc Nation releases with Sony's Epic Records for distribution, "is 95% complete," according to people familiar with the negotiations. A formal announcement is expected in the coming weeks.

Just last week, Jay-Z confirmed his departure from longtime label home Def Jam, where he was once president and CEO. His split from the Universal Music Group-owned label reportedly cost him $5 million, but left him in control of his future master recordings. Jay-Z's eleven solo records (including the live "Unplugged" album) and collaborations with Linkin Park and R. Kelly have sold more than 29 million units according to Nielsen SoundScan.

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Rodgers To Write New Material

Now that his stint with Queen has ended, Paul Rodgers is just waiting for the end of his current Bad Company gig to spend the rest of the year relaxing and writing new material for a solo project.

"Frankly, I have a fantastic happy home and I overlook the lake. And I actually want to spend some more time creating the music. Y'know, one of my dreams was always to have a piano -- a room with a piano overlooking the ocean or a lake. Well, I have that and I'd like to spend some time on it if I may, please. So that's what I plan to do this year."

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Beyonce Helping Her Fans

Good news in the concert arean as Beyoncé is said to be offering fans a bargain-basement price on some tickets to her summer tour: $20. One thousand 20-buck tickets will go on sale tomorrow, May 29th, to all North American shows on her “I Am … Tour” except for her Vegas gig at the Encore. Well done!

Wednesday, May 27, 2009

Classic Rock Videos

Rush - Limelight

New Vinyl Releases

Acid Mothers Temple: Glorify Astrological Martyrdom (vinyl)
Anathallo: Canopy Glow (vinyl)
Andrew Dost: Columbus (vinyl)
Bardo Pond: Gazing at Shilla (vinyl)
Bloodkin: Baby, They Told Us We Would Rise Again (vinyl)
Brian Jonestown Massacre: Smoking Acid EP (vinyl)
Busta Rhymes: Back on My B.S. (vinyl)
Carolina Chocolate Drops: Dona Got A Ramblin' Mind (vinyl reissue)
Elizabeth & the Catapult: Taller Children (vinyl)
Eminem: Relapse (vinyl)
Flipper: Public Flipper Limited (vinyl reissue)
Flower-Corsano Duo: The Four Aims (vinyl)
A Hawk and a Hacksaw: Deliverance (vinyl)
Heartless Bastards: The Mountain (vinyl)
Juan Maclean: One Day EP (vinyl)
Lindstrom & Prins Thomas: Lindstrom & Prins Thomas II (vinyl)
Manic Street Preachers: Journal for Plague Lovers (vinyl)
MF Doom: Born Like This (vinyl)
Naomi Shelton & The Gospel Queens: What Have You Done, My Brother? (vinyl)
Phoenix: Wolfgang Amadeus Phoenix (vinyl)
Public Image Ltd.: The Flowers of Romance (vinyl reissue)
Public Image Limited: Second Edition (vinyl reissue)
Sir Richard Bishop: The Freak of Araby (vinyl)
Various Artists: Not Given Lightly: A Tribute to Giant Golden Book of New Zealand's Alternative Music Scene (vinyl)
Vincent Minor: Born in the Wrong Era EP

Music News & Notes

McCartney & Dylan Together?

According to England's Daily Express, a duet between Paul McCartney and Bob Dylan is may come to pass. The pair are planning to go into the studio sometime over the summer.

A source said, "Paul has a home in California not too far from Bob's so the idea is for the two to meet when Paul is in California over the summer. They'll obviously want to work in privacy and it's felt one of their homes will be the best bet.

“Getting these two together for any length of time is difficult schedule-wise but they both want this to work out. The music that comes out of this will be fascinating to hear."

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Suzi Quatro is planning on recording a new album with Mike Champan

Chapman recently said:

"I always got on well with Suzi Quatro and had a long and successful friendship and collaboration with her. Suzi was the first real female rock and roll player...

We're about to start on a new project and I've said to her, 'Let's go back to basics - let's make a kick-ass record that has the same attitude that we had in 1971-2'."

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For Those Who Like Their Rock!

Australians proved that they love their beloved AC/DC by purchasing 500,000 tickets forthe band's concerts that are scheduled for February and March of 2010. That translates to about one out of every 40 people in the country now holding a ticket for the shows.

The sales set a new record for amount in one day with, at one point, 3,400 tickets being sold a minute. Additional shows had to be added in Sydney and Melbourne after the first dates sold out in ten minutes. Perth sold out in seven. For the love of rock and roll!

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Back To The 80's Hair Bands!


After rocking clubs from Los Angeles to New York City for more than a decade, Twisted Sister made its bones in 1984 with the quintet’s second Atlantic Records release, a Top 20 album that stormed the charts with a string of hit singles and genre-bending videos. Rhino proudly wears a Twisted Sister pin on its uniform, celebrating the album’s multi-platinum success with a 25th Anniversary Edition that includes a bonus disc of unreleased outtakes and early demos from the original sessions, as well as a new track recorded especially for this collection by the 1984 lineup: Dee Snider, Jay Jay French, Eddie Ojeda, Mark Mendoza, and A.J. Pero. STAY HUNGRY 25th Anniversary Edition will be available June 30 from Rhino Records at all retail outlets, including www.rhino.com, for a suggested list price of $19.98 (CD), $12.99 (digital).

A limited edition pink vinyl package with the original “Stay Hungry” album art and bonus poster will also be released this summer at the suggested retail price of $24.98.

The band is currently at work on a new album and a Broadway musical based on Twisted Christmas. Twisted Sister will headline the annual Rocklahoma music festival July 9-12 in Pryor, Oklahoma. Rock of Ages, Broadway’s latest musical hit with five Tony® nominations, features Twisted Sister prominently in its story line and with the band’s aforementioned iconic anthems, “I Wanna Rock” and “We’re Not Gonna Take It.”

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Brooke Hogan’s Album Cover Art


Hogan has revealed her new album cover for her release 'The Redemption' and it is creating quite a buzz, some love it and some can't stand it. You be the judge....

Mr. Music

I am continuing our new feature: Ask "Mr. Music." Now in its 23rd year of syndication (1986-2008), Jerry Osborne's weekly Q&A feature will be a regular post every Wednesday from now on. Be sure to stop by Jerry's site (www.jerryosborne.com) for more Mr. Music archives, record price guides, anything Elvis, buy & sell collectibles, record appraisals and much more. I thank Jerry for allowing the reprints.


FOR THE WEEK OF MAY 18, 2009


DEAR JERRY: While in New York earlier this year we took in the most recent revival of “Grease.” Heading this cast was Max Crumm as Danny and Laura Osnes as Sandy.

While online researching the history of “Grease,” I found a Ral Donner biography with this interesting comment: “A classmate of Donner's [at Chicago's William Howard Taft High School] was Jim Casey, who wrote the original stage play for “Grease.”

Is this true? I have seen no mention of this anywhere else, not even in New York at the time of the show.

Can you tell this greaser more about Ral and a possible connection to Jim?
—Norman Parker, Carlisle, Pa.


DEAR NORMAN: There is more to this story than we have room for today, but here is the short version, as told to me by Donner.

About 30 years ago I produced an album featuring, among other acts, Ral Donner. For awhile in 1978 we were even business partners. At least one of our musical discussions centered on his days at Taft High, located in the Chicago community of Norwood Park where Ral was born.

There is one mistake in the comment you quote. Jim Casey is a combination of both “Grease” co-creators: Jim Jacobs and Warren Casey. This duo created the book as well as all of the music used in the stage show.

“Grease” is set circa-1957, when Jacobs and Donner attended Taft. A decade later, he and New Yorker Warren Casey collaborated on a book and play based on Jim's high school memories. In 1971, “Grease” premiered in Chicago, then opened February 14, 1972 in Manhattan at the Eden Theatre.

Names used in the show vary from the real Tafties, but Ral, and his pal Michael Fee, revealed to me that each character and place in “Grease” is inspired by a real person or Norwood Park area location.

As for Ral Donner, he is depicted in “Grease” as Johnny Casino, played on Broadway for over 12 years by Alan Paul.

On April 6, 1984, Ral lost a four-year battle with lung cancer. At just 41, he died in his beloved Chicagoland.

DEAR JERRY: In 1955, Tennessee Ernie Ford hit No. 1 in the UK with “Give Me Your Word,” yet none of my reference books indicate this song made any of the U.S. charts. How unusual was it then for an American to have a No. 1 hit in the UK that failed to make any U.S. charts?
—Dennis Laudal, Grand Forks, N.D.


DEAR DENNIS: Ford's '50s feat is not common, but he is not unique in this regard.

To expand the parameters a bit, here is a chronological listing of ALL No. 1 UK hits for that decade that never appeared on any of the nationwide U.S. charts:

1953: “Broken Wings” (Stargazers); “(How Much Is) That Doggie in the Window” (Lita Roza); “Look at That Girl” (Guy Mitchell); “Answer Me” (David Whitfield); “Answer Me” (Frankie Laine).

1954: “I See the Moon” (Stargazers); “Let's Have Another Party” (Winfred Atwell).

1955: “Finger of Suspicion” (Dickie Valentine); “Softly, Softly” (Ruby Murray); “Give Me Your Word” (Tennessee Ernie Ford); “Cherry Pink and Apple Blossom White” (Eddie Calvert); “Unchained Melody” (Jimmy Young); “Dreamboat” (Alma Cogan); “The Man from Laramie” (Jimmy Young); “Hernando's Hideaway” (Johnson Brothers); “Christmas Alphabet” (Dickie Valentine).

1956: “Poor People of Paris” (Winfred Atwell); “No Other Love” (Ronnie Hilton); “Singing the Blues” (Tommy Steele); “The Garden of Eden” (Frankie Vaughan); “Cumberland Gap” (Lonnie Donegan); “Puttin' on the Style-Gamblin' Man” (Lonnie Donegan).

1958: “The Story of My Life” (Michael Holiday); “Hoots Mon” (Lord Rockingham's XI).

1959: “As I Love You” (Shirley Bassey); “Side Saddle” (Russ Conway); “Roulette” (Russ Conway); “Travellin' Light” (Cliff Richard); “What Do You Want” (Adam Faith); “What Do You Want to Make Those Eyes at Me For?” (Emil Ford). Improbably though it is, the complete Adam Faith title is also the first four words of Emil Ford's hit. They were Britain's last two No. 1 hits of the 1950s.

The three Americans in this crowd are: Guy Mitchell; Frankie Laine; and Tennessee Ernie Ford.

Besides these three, several U.S. artists did extremely well with originals and/or cover versions of the following from the list above:

“(How Much Is) That Doggie in the Window” (Patti Page); “Unchained Melody” (Les Baxter; Al Hibbler; Roy Hamilton); “Hernando's Hideaway” (Archie Bleyer); “Poor People of Paris” (Les Baxter); “Singing the Blues” (Guy Mitchell; Marty Robbins); “The Garden of Eden” (Joe Valino); and “The Story of My Life” (Marty Robbins).

On the transatlantic flip side, Vera Lynn (1952: “Auf Wiederseh'n Sweetheart”) and Laurie London (1958: “He's Got the Whole World [In His Hands]”) are the only Brits to top the U.S. charts in the '50s.

IZ ZAT SO? Attending Taft High School at the same time as Ral Donner and Jim Jacobs is actress Donna Mills.

Another Taftie, about three years behind the Donner party, is Terry Kath.

Terry, co-founder, guitarist, and frequent lead singer of the group Chicago, accidentally killed himself (January 23, 1978) while playing with a gun.

Copyright 2009 Osbourne Enterprises- Reprinted By Permission

Album Cover Art

I find this to be very interesting, it may set a precedent that we, who adore album cover art, will not be happy with. See all those race car drivers with ads all over their jackets and cars? Will album covers be treated as 'billboards' for products in the future? Will the greed by the record companies taint album cover art? I can see this coming in the future, God, I hope not, but it will be very interesting to see how this unfolds:

ReverbNation: You download music for free and we’ll pay the band

by Jodie Andrefski

ReverbNation just announced their plan to have 1000 of their artists to start participating in a new Sponsored Songs program. This program will actually pay the bands $0.50 each time one of their songs is downloaded for free by a user. Yup, you get it free and the band gets paid.

Now, of course the question is where does the money to pay the band come from? You guessed it. Ads. A small branded ad will be placed within the album cover art of each download. The value to the advertiser is that it is passed along in the embedded work as the song is passed along by fans via P2P. They want you to share the song with as many people as you like.

Michael Doernberg, CEO of ReverbNation, says “Traditionally the music business has been synonymous with the record business where the lion’s share of revenue came from selling music. With reduced emphasis on music sales, the music business must develop new revenue streams that leverage the artist as a brand.” Thus, their latest idea.

The first campaign will start the middle of June and run for 90 days. ReverbNation’s Band Equity Score and the fan demographic profiles will be used to figure out which artists out of their almost 400,000 will be invited to participate. Those who are accepted will provide songs and use ReverbNation’s marketing tools to help promote the downloads.

Now, is $0.50 per download going to be enough to get over what many may consider a band “selling out?” (Statements I’ve already seen bouncing around in response to the new campaign). Will this give the RIAA a kick in the pants to realize something has to be done and things have to change with how they are now?

Granted, established bands and artists make the vast majority of their money off of concert tickets and sales at shows. And just having their music heard by whatever means, is a good thing for them. It promotes concert ticket sales. It brings in new fans. But, for the indie artist, they don’t have packed stadiums. They don’t have people following them city to city and state to state, paying $80 a ticket to see them. So, something like this just may help to get their music out there and get it known…to give them the boost they need to get them to that next level.

SOURCE: http://www.gadgetell.com