Monday, June 21, 2010

Vinyl Comeback Special


When I first started www.discoveringelvis.wordpress.com I wanted to do a website for younger fans. More or less my generation, the one before, and the one coming after. Basically the age group of 16-45 was my target audience.

Though I have always been an avid fan of the vinyl format for listening to music, I assumed this age bracket would be accustomed to CD and MP3 listening. Therefore, I focused on the CD releases from the mid 1980s to the present.

Nothing happened.

I got bombarded with email regarding the (unexpectedly) controversial articles regarding the fact that Elvis is physically dead and not alive, but nothing about the music articles.

To be totally honest, I was really out of touch with the current format market. I loathe, hate, and despise the MP3. That’s just me. And I spent most my time in stores that exclusively sold used vinyl.

In casual browsing and expanding my searches to find many of the older deleted Elvis CD’s , it opened up my eyes as I began noticing new vinyl in many of these stores, as well as unexpectedly large sections of used vinyl. I also became very surprised to see stores like Target selling record players. I knew old vinyl collecting had never died, but became curious as to how big the format’s resurgence actually was?

And then I saw the Nielsen Sound Scan report for 2009. Vinyl is up 33% !

Just prior to this, I had decided that I lacked any passion in reviewing old Elvis CD’s, and made the decision to change my review articles.

This change resulted in me reviewing an album on the format it was originally released on. Therefore, if an album came out on vinyl first, I would review the original vinyl and visa verse.

At this stage, suddenly things changed for the site. The focus began to shift from the “Alive” topic and instead seem to attract the readers I wanted. This is likely due to tagging and internet search engines, but that meant people were searching for articles on Elvis vinyl. My reader subscription head count also tripled. From a couple dozen to several. Emails began to flood in with questions regarding vinyl. And they were coming from teenagers and young adults. This was more than encouraging and exciting to me.

I also noticed that the amount of Elvis vinyl on eBay had actually doubled in only six months. In the Spring of 2009 the average amount of Elvis vinyl on eBay was 7-8000 records. As of Winter 2010 it was up too 14,000. A small percentage of this could be attributed to the economy, but to double it would certainly require more. There has to be a demand to meet that kind of supply.

Artists who are unpopular in collecting circles but were initially high sellers in their heyday such as Barbara Streisand, Mantovani, Ray Conniff, and others had rather minimal amounts of vinyl for sale on eBay. Why? After time has passed, people simply give up on trying to sell something that won’t. In Elvis Presley’s case, I have calculated almost 65% of the vinyl listed on eBay has a bid, or multiple bids. This means the merchandise is actually moving.

The good news, is this surge in popularity among new vinyl collectors who simply want to buy the album to listen too ( as opposed for a show piece) are not paying the old inflated prices that Elvis vinyl was often listed at. As a result, crooked dealers are dropping their ridiculous opening bids for items they are now in fierce competition to sell.

So what is it with vinyl? Why vinyl?

In these times of major technological advances, we’ve lost a part of ourselves. With MP3 downloads and Kindle books, it begins to leave a human being with a laptop and not much else. Maybe staring at those empty shelves and listening to the joy of music on a small device smaller than their hands has left people feeling a bit empty.

Or is it the warmth, quality, and beauty of the vinyl record? Let’s face it. New vinyl costs a bit more than a CD, but what are you getting? With a Compact Disc you get a few pieces of plastic, and a booklet that is printed on recycled magazine paper. You’re still shelling out 20$. Then you download it, or leave it in your car and it gets trashed. It’s worthless. You eventually gather them all up and take them somewhere to sell, and what do you hear?

“We’re not really buying CD’s that much these days”.

One assumes it is because everybody is downloading. But on your disappointing exit from the store, you notice a large section of vinyl. And I’ve witnessed first hand, this section can get a little competitive and fierce. This behavior is displayed by people who only a couple years ago didn’t even know what these were.

That’s right. People are buying records again. New, used, and whatever they can get their hands on.

I went to two local music stores which sell new and used CD’s and vinyl. I asked to speak to the manager and found that Vinyl is selling 4-1 against the CD.

4-1.

That’s fairly serious. So serious in fact, they also said they are paying dollars for records and cents for CD’s.

This scenario was just the opposite only a few years ago. Also, to have both stores state

4-1 with no hesitation was an interesting co-incidence.

Both stores also indicated, when they can increase their inventory, their vinyl sections will be their main focus and point of attention. Both stores co-incidentally told me the following are their intended areas of sales targets.

[1] Vinyl Records

[2] DVD

[3] T-shirts, Magazines, Posters

[4] Vinyl supplies & equipment.

In April, FTD (Follow That Dream) the Elvis Presley officially licensed fan club label offered a 12” double vinyl edition of “Jailhouse Rock”. An album that outside of South Africa had never been issued on long play format with it’s original U.S. cover. This FTD release had sold out in less than a month. Though neither FTD or EPE would respond to my inquiry’s as to how many copies sold, the success of previous FTD vinyl indicated a large number of these had been made.



The “Blue Hawaii” FTD vinyl edition has also proved to be a big seller, as it is almost sold out as well. No word on how “The Jungle Room Sessions” or “Standing Room Only” have done in sales, but both are still available.

Sony/BMG released a vinyl version of Presley’s debut album last year “Elvis Presley” on Sony Legacy Vinyl and is widely available outside of indie record chains. However, no other vinyl releases have been announced or seen. Though corporations like Sony/BMG are sadly out of touch with the fan base, it is likely word will spread about the success of the FTD vinyl and hopefully see a full re-issue campaign underway at some point. We all know EPE and Sony/BMG loves to sell us the same thing multiple times, but this would likely fall into the hands of first time buyers. A promotional campaign may be a good move for the corporate giant.

An incredible European label called “Speakers Corner” have begun re-releasing select albums from Presley’s catalog on superb high quality vinyl editions as well. Comparing these to the Sony/BMG re-release of “Elvis Presley” is like rotten fruit to fresh fruit. The Speakers Corner releases go above and beyond the call of high quality, and surpass that level! They are with no doubt, the best re-releases seen since the 1960s.

As people, industry insiders, and analysts endlessly debate the vinyl phenomenon, all a person has to do in Elvis world is simply listen to the old records. It quickly becomes clear that years of tampering , compression, and overly digitizing the Presley catalog had made it lose much of it’s original luster and kick. Something that first time vinyl buyers will immediately notice on the Speakers Corner re-releases, and the the pre-1980s re-issues.

A full article on Speakers Corner will be forthcoming next month, until then check out their website at http://www.speakerscorner.de/

On a final note, when you see articles in local papers etc. about used record stores closing after so many years, it should be noted that this is due to bad management, location, and over-pricing. Owners of these stores tend to play the ‘pity’ card that vinyl is dead. Research has shown the exact opposite.

Feel free to email me at any length with any questions.
Elvis collectors are seriously advised to pick up a copy of  “Presleyana” by Jerry Osborne at www.jerryosborne.com/elvis.htm
 
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Special thanks to Steven B. Roberts over at www.discoveringelvis.wordpress.com for this great article and exclusive permission to rerpint the material.

Steven B. Roberts – Website Writer & Publisher



Steven B. Roberts is available for T.V. , Radio, Films, Consulting, and questions. I am available to do reviews of your Elvis products. Email for details.  discoveringelvis@hotmail.com  

Top 5 eBay Vinyl Record Sales - Week Ending 06/19/2010

78 RPM records topping the eBay Top 5 list for the second week!! And we'll play Kid Brown's "Bo-lita" on this week's VRT


1. 78 - Kid Brown and his Blue Band "Bo-lita" / "Saturday Night Hymn" Black Patti - $4,483.00

2. LP - The Beatles "Please Please Me" Parlophone UK Gold Black label 1st Stereo - $4,108.76

3. LP - The Rolling Stones promotional album Decca UK Pressing - $3,199.47

4. 78 - Big Memphis Marainey "Baby, No, No!" / "Call Me Anything, But Call Me" Sun 184 - $3,056.00

5. LP - Music Emporium self titled Sentinel - $3,050.00



More on this week's top 5 on Vinyl Record Talk, Tuesday 8:00PM Eastern / 5:00PM Pacific on Radio Dentata.

http://shows.radiodentata.com/shows/accidental-nostalgia/

Music News & Notes

CONAN O'BRIEN - Live At Third Man (12" Vinyl)

Price: PRE ORDER ONLY
Catalogue Number: TMR046

This is the live LP of a truly amazing and one of a kind evening at Third Man Records on June 10, 2010. Conan and The Legally Prohibited Band blazed through an amazing set of rock and roll tunes and hilarity. Features 7 Nation Army and Jack White joining in on Eddie Cochran’s "20 Flight Rock."

***This item is available for pre order and is expected to be ready for shipping by mid to end of July, any items purchased with this item will be held and shipped together***

http://store.thirdmanrecords.com/conanliveatthirdman.aspx







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BALFOR "BARBARIC BLOOD " COVER ART REVEALED

Ukrainian black metallers BALFOR are proud to unveil the cover art and track listing of their upcoming Pulverised debut Barbaric Blood. Designed by Martin Saavedra at Uruguay's Spina Studio (Aborted, Daath, Divinity etc.), the cover is at once dark, brooding and apocalyptic.

Barbaric Blood was recorded at Blacklight Studio, Ukraine in August 2009 and mixed and mastered by Shaddar.

Comments BALFOR frontman/guitarist Thorgeir of the cover: "It's always a long journey making an album. First it has to be written and rehearsed. Then it has to be recorded and mastered, and that's where most people think it ends. But it doesn't quite end there. An important factor that everyone forgets about is the artwork, and yet this is often what people notice first. So we are particularly pleased that the artwork for Barbaric Blood has been so well executed by Martin of Spina Studio. He has captured both the concept behind the album, and the band itself."






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Weekend Nachos Release Limited Edition 12" EP, Announce Tour Dates

Weekend Nachos see the release of their brand new "Bleed" EP, available now on 12" vinyl. "Bleed" features two new tracks, "Bleed" and "Observer," and has been pressed on black vinyl with a limited number on white that will be available directly from the band during their upcoming shows. Weekend Nachos has posted the "Bleed" title track online now on their MySpace page.

Weekend Nachos will be hosting a Bleed record release show on July 18th in Chicago, IL followed by a run of California dates with Low Threat Profile. The band is also currently booking a full European tour for the fall. A listing of confirmed tour dates and cities can be found below with updates being posted at the band's MySpace page.

"Bleed" follows-up the band's "Unforgivable" full-length that was released last September. "Unforgivable" was released on CD as well as digitally.

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Selfmadegod Records To Re-Issue Dead Infection Debut In LP Format

Poland's Selfmadegod Records has announced the reissue of the debut album from country-mates Dead Infection. The cult goregrind outfit's first full-length, "Surgical Disembowelment," was originally released on CD and LP in 1993 by now-defunct German label Morbid Records.

The vinyl re-release of "Surgical Disembowelment" contains the same ten tracks as the original version of the album, which was recorded in 1993 at PR Studio in Olsztyn, Poland. This re-issue of the album is strictly limited to 500 gatefold copies, with 100 on red vinyl and 100 on green. A final release date in early July will be confirmed shortly, but a pre-order package is available now at Selfmadegod's website.

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Suicidal Angels' Official Release To Reign Hell On North America

Greek old-school thrash assassins Suicidal Angels' new full-length "Sanctify The Darkness" will see North American release on Sonic Unyon Metal in mere weeks. Already released across Europe on Nuclear Blast in November of 2009, the album will see official release in North America on June 22nd, 2010, and will mark Suicidal Angels' first official North American release, versus being imported from Europe on previous releases.

The North American version of Sanctify The Darkness will include two bonus music videos for album tracks "Apokathilosis" and "Beyond The Laws of Church."

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This Date In Music History - June 21

Birthdays:

Ray Davies - Kinks (1944)

Miguel Vicens - Los Bravos First Spanish rock band to have a UK & US hit single. (1944)

Chris Britton - Troggs (1945)



Joey Molland - Badfinger (1948)

Greg Munford - Strawberry Alarm Clock (1949)

Joey Kramer - Aerosmith (1950)

Nils Lofgren, guitar, piano, vocals. He joined Neil Young's band at age 17, playing piano on the album After the Gold Rush. From 1971 to 1974 recorded four albums with his own band, Grin. Joined Bruce Springsteen's E Street Band in 1984. Also member of Ringo Starr's All-Starr Band. (1953)

Mark Brzezicki - Big Country (1957)

Sonia Clarke (Sonique) - singer, DJ (1968)

Pat Sansone - Wilco (1969)

Justin Cary - Sixpence None the Richer (1975)

Lee Gaze - Lostprophets (1975)

Michael Einziger - Incubus (1976)

Brandon Flowers - Killers (1981)


They Are Missed:

Angus MacLise, Velvet Underground's first drummer, died of tuberculosis in 1979 (age 34). He had quit the band in 1965.

German orchestra leader and songwriter Bert Kaempfert died in 1980 (age 56). Both Frank Sinatra ("Strangers In The Night") and Elvis Presley ("Wooden Heart") covered his songs. Kaempfert released over 50 albums. In 1961, he hired The Beatles to back Tony Sheridan on recording sessions for Polydor, (these were the Beatles' first commercial recordings).

John Lee Hooker, blues singer and guitarist died in his sleep in 2001 (age 83). Had hits will "Boom Boom," "Dimples" and "I'm In The Mood." His songs have been covered by many artists including Cream, AC/DC, ZZ Top, Led Zeppelin, Jimi Hendrix, Van Morrison, The Yardbirds, The Doors and The White Stripes. He also appeared and sang in the 1980 movie The Blues Brothers.



Born on this day in 1936, O.C. Smith, singer, (1968 #1 single 'Little Green Apples"). He died on November 23, 2001.


History:

In 1948, Columbia Records began the first mass production of the 33 1/3 RPM LP.

In 1952, Fats Domino's "Goin' Home" became his first #1 hit.

Johnny Cash's first single, "Cry Cry Cry," was released in 1955.

In 1955, Elvis Presley played two shows in Beaumont, Texas, with bassist Bill Black and guitarist Scotty Moore.

Bobby Vee recorded "Take Good Care Of My Baby" in 1961.



The Beatles opened for Bruce Channel in concert near Liverpool in 1962 and Bruce's harmonica player, Delbert McLinton, gave John Lennon tips that served John well later on the single "Love Me Do."

Jimmy Page made his live debut with The Yardbirds at the Marquee Club, London in 1966.

After a North American tour in 1966, the Rolling Stones sued 14 hotels over a booking ban in New York, claiming that the ban was violating civil rights laws.

Working at Abbey Road studios in London in 1966, the Beatles recorded from start to finish, a new John Lennon song "She Said She Said." The song was reportedly based on a bizarre conversation that Lennon had with Peter Fonda while John and George Harrison were tripping on LSD.

In 1972, Led Zeppelin appeared at Denver Coliseum, Denver on their North American tour.

The last Bread concert was held, in Salt Lake City in 1973.

1975, Elton John, The Beach Boys, Joe Walsh, Rufus and The Eagles all appeared in front of 120,000 fans at Wembley Stadium, London in 1975. Tickets cost $5.95.

“Take Me In Your Arms (Rock Me)” peaked at #11 in 1975. The Doobie Brothers hit is a cover of a Holland/Dozier/Holland song originally recorded by Kim Weston.

James Taylor's "How Sweet It Is" was released in 1975.



Captain and Tennille started a four week run at #1 on the US singles chart in 1975 with the Neil Sedaka song "Love Will Keep Us Together."

Guitarist Ritchie Blackmore quit Deep Purple in 1975 to form his own group Rainbow.

Sex Pistol Johnny Rotten was attacked in a brawl outside the live music venue Dingwalls in Camden, London in 1977.

In 1980, police arrested The Stranglers after a concert at Nice University for allegedly starting a riot.

It’s The Who’s 25th anniversary trek. The Kids Are Alright Tour: 1964 -1989 begins at the Glen Falls Civic Center in New York in 1989.

In 1994, George Michael lost his lawsuit against Sony Records. Michael claimed that his 15-year contract with Sony was unfair because the company could refuse to release albums it thought wouldn't be commercially successful. Michael vowed he would never record for Sony again. He re-signed with the company in 2003.

Master P was at #1 on the US album chart in 1998 with ‘MP Da Last Don.’

In 1999, Pantera rode a float in the Dallas Stars Stanley Cup victory parade in downtown Dallas. Pantera is responsible for the Stars' theme song.

In 2000, 39 year-old Karen McNeil who claimed she was the wife of Axl Rose and that she communicated with him telepathically was jailed for one year for stalking the singer.

In 2005, American Idol runner-up Bo Bice releases his debut single, "Inside Your Heaven." This normally wouldn’t be worth mentioning except that the B-side has a cover of the Ides Of March hit “Vehicle” with Bon Jovi guitarist Richie Sambora. Bice got a lot of milage out of the 1970 hit during the Idol competition. Desmond Child, a longtime Bon Jovi collaborator, produced both songs.

Disturbed were at No.1 on the US album chart in 2008 with ‘Indestructible’ the bands third consecutive US #1.

In 2009, Aerosmith drummer Joey Kramer invites 20 wounded soldiers to attend the band's performance in Bristow, VA, to help him celebrate his 59th birthday. "I can't think of a better gift to receive on my birthday than to have the privilege of sharing a night of our music with these brave and heroic warriors," says Kramer. The troops are Iraq/Afghanistan veterans and patients from the National Naval Medical Center in Bethesda, MD.

Also in 2009, the Video of the Year honor for "Gotta Be Somebody" is one of three trophies Nickelback receives at Canada's 2009 MuchMusic Video Awards in Toronto. The also nab the MuchLOUD Rock Video of the Year and Post Production of the Year (wow!) awards. "Our greatest reward in making music has always been the fans wanting us to make more," says Nickelback in a statement. The band closes out show with "Burn It To The Ground."

Saturday, June 19, 2010

Michael Fremer Album Review

ALBUM REVIEW:
Duke Ellington and Johnny Hodges (reissue)
Side by Side


Verve/Speakers Corner MGVS-6109 180g LP


Produced by: Norman Granz
Engineered by: N/A
Mixed by: N/A
Mastered by: maarten de Boer at UMG Berliner














Review by: Michael Fremer
2010-05-01


These loose, swinging 50+ year old sessions recorded in the summer of 1958 and winter of 1959 and sounding incredibly life-like tonally, offer Duke Ellington and Billy Strayhorn on piano fronting small combos of legendary horn players, some not normally associated with Ellington, Joe Jones on drums and a few added musicians to spice up the mix.

By the end of the ‘50s big band music had pretty much had its day—at least as far as mainstream popularity went— so perhaps Ellington and producer Norman Granz figured these small combo sessions would add some modernity, though Ellington had recorded small group sessions back in the 1930s and 1940s.

Given the excitement sweeping modern jazz at the time, no matter how you arranged these predictable swing-based tunes ( predictable even then and way more so now) , there was no way to breathe new life into the proceedings. Perhaps Duke saw the handwriting on the wall, naming the set’s final tune “You Need to Rock.”

This music was starting to sound dated even in 1959. Reading Nat Hentoff’s valiant liner notes, you find one of the great annotators searching for something, anything exciting to say about these sessions (he even lets on near the end that writing notes is “…not always an unalloyed delight…”). Hentoff essentially gives up and instead goes for a useful (particularly now) play-by-play type rundown that spotlights the great musicianship and the small gestures that make this set more than worthwhile listening despite the well-worn grooves.

Hearing beyond the predictable changes and familiar riffs is essential to get to the core of what truly is worthwhile here, which is an opportunity to hear guys like Hodges, trumpeter Harry “Sweets” Edison, Ben Webster, Roy Eldridge and others, (plus of course Ellington and Billy Strayhorn) get a chance to stretch out in ways not possible in a big band context.

Though the musical set ups often bordered on trite even then, many rewarding musical moments are contained therein nonetheless. Given the players, how could it be otherwise? Just listen to the solos by Ben Webster, Roy Eldridge and Lawrence Brown (trombone) on “Let’s Fall in Love” and you’ll know that while the musical style may have been passed its prime, they players still had the goods.

Modern jazz at the time had gotten cerebral. This was about feeling good.

The early stereo recording is spatially odd, putting most of the action hard left/hard right, with just the drums for the most part stretched out in a non-box like space bathed in some reverb. So forget about seeing a realistic soundstage and concentrate on the warm, natural timbres of the instruments themselves and the musical pleasures will flow.

A comparison between this and Classic Records’ long out of print edition mastered by Bernie Grundman demonstrated that the two versions are similar but this one sounds somewhat less spacious and immediate. I’d say it was cut from a copy of the master, while Classic’s was cut from the master. No matter though, this one sounds very good and can actually be purchased.

So yes, this is music from a time long gone, but given the craziness of the world today, musically and otherwise, this offers a swinging, respite packed with great solo work from an assemblage of jazz giants. The music may not be in style today but it’s not out of style either and never will be.


Thanks to Michael over at http://www.musicangle.com  for the exclusive rights to reprint this material.


Copyright © 2008 MusicAngle.com & Michael Fremer - All rights reserved Reprinted by Permission

This Date In Music History - June 19

Birthdays:

Tommy Devito - Four Seasons (1936)

Elaine McFarlane - Spanky And Our Gang (1942)

Robin Box - White Plains (1944)

Ann Wilson - Heart (1951)

Larry Dunn - Earth, Wind & Fire (1953)

Mark Debarge - Debarge (1959)

Paula Abdul (1963)

Simon Wright - AC/DC, joined in 1983. Joined Dio in 1989 (1963)

Brian Vander Ark - Verve Pipe (1964)

Brian Welch - Korn (1970)


They Are Missed:

Born on this day in 1948, Nick Drake UK singer, songwriter. Drake committed suicide on November 25th 1974 (age 26).

Bobby Helms ("My Special Angel") died of emphysema in 1997.



Original Molly Hatchet guitarist Duane Roland dies at age 53 of natural causes at his residence in St. Augustine, FLin 2006. Roland was part of the Southern-rock group's three-guitar attack from ‘76 until ‘90. "We are terribly shocked and saddened by the loss of Duane,” reads the band’s online post. "He was and always will be part of the Molly Hatchet family."

Born on this day in 1939, Al Wilson, US singer. Died on April 21, 2008.


History:

Buddy Holly cuts his first tracks without the Crickets. 1958

Pat Boone went to #1 on the US singles chart in 1961 with the immortal crooner "Moody River."

Bobby Darin recorded "Things" and "You Must Have Been A Beautiful Baby" in 1961.

Nat "King" Cole recorded the classic cut "Ramblin' Rose" in 1962.

In 1964, touring Australia for the first and only time, The Beatles played a second night at Sydney Stadium in Sydney.

The Who, Manfred Mann, Long John Baldry, The Birds, Solomon Burke, Zoot Money and Marianne Faithfull all appeared at Uxbridge Blues Festival, England in 1965.

The Four Tops went to #1 on the US singles chart in 1965 with "I Can't Help Myself." Lead singer Levi Stubbs had not been satisfied with the recording session and was promised that he could do it again the following day, but no other session ever took place. The track that became a hit was just the second take of the song.

During an interview with Life Magazine in 1967, Paul McCartney admitted that he had taken the drug LSD. Far out man....

Carole King started a five week run at #1 on the US singles chart in 1971 with "It's Too Late / I Feel The Earth Move." Both songs were from her 'Tapestry' album.

The Jackson Five played two shows at the Apollo, Glasgow, Scotland in 1974.

Blue Oyster Cult released the album, "Agents of Fortune" in 1976. The LP contains the darkly majestic “Don’t Fear The Reaper.”



In 1977, six men wielding knives and iron bars outside Shepherd's Bush underground station beat up Paul Cook from The Sex Pistols. Cook required 15 stitches to a head wound.

In 1980, singer Donna Summer became the first act to be signed by David Geffen to his new Geffen record label.

Asia’s self-titled debut album topped the LP charts in 1982.

Guns N' Roses made their UK live debut at a sold out Marquee Club in London in 1987.

In 1988 - Over 3,000 East Germans gathered at the Berlin Wall to hear Michael Jackson. Jackson was performing a concert on the other side of the wall in West Berlin.

In 2000, Eminem was to be immortalised in animation, with a new cartoon series, which would be hosted on a new web site. 26 weekly 'webisodes' would be broadcast on the site, featuring Eminem providing all the voices.

Red Hot Chili Peppers play the first of three shows at London`s Hyde Park in 2004. The concerts earn more than $17 million with tracks recorded for the group`s first official concert album, the double-disc "Live in Hyde Park."

The White Stripes release their sixth album, "Icky Thump" in 2007. Frontman Jack White says his decision to record the album on vintage reel-to-reel equipment was a stylistic choice. "In the technological age, everyone wants to find out what the newest toy is," says White. "That attitude doesn’t really coincide with what sounds the best."

In 2007, lawyers for Britney Spears demanded a Florida radio station remove "offensive" advertisements, which featured her with a shaved head. The WFLZ billboards included the slogans "Total nut jobs", "Shock Therapy" and "Certifiable", which ran across pictures of a bald Spears. Law firm Lavely and Singer demanded the "immediate removal" of the banners in a letter to the station. Spears was photographed shaving her own head in a Californian hair salon earlier this year.

The iTunes Music Store reached 5 billion songs sold in 2008.

Friday, June 18, 2010

The Vinyl And CD Release On One Disc From Jeff Mills






For a recent limited edition release, electronic/techno musician Jeff Mills has created a hybrid disc with a vinyl pressing on one side and a cd mix on the other. The Occurrence project merges analog and digital together in one format. The release is part of his ‘Sleeper Wakes’ series which Mills has undertaken to explore new sounds and unique ways to present them. For a performance earlier this year in Japan, Mills had a circular stage specially constructed with all the DJ equipment recessed into the floor. The impression was of just Mills on the stage with no sound equipment visible what so ever.



SOURCE:    http://www.psfk.com

Music News & Notes

R.E.M. Releasing 25th Anniversary Edition of 'Fables of the Reconstruction'

R.E.M. have already celebrated the 30th anniversary of their first live performance in April, but now they will be commemorating yet another milestone. The Athens, Ga., rockers will release a 25th anniversary edition of their third studio album, 'Fables of the Reconstruction.'

The expanded double-disc package will feature the digitally remastered original record and 14 unreleased demo recordings that were cut before the album's studio sessions. A new set of liner notes by guitarist Peter Buck will also be included.

The remastered original album will also be available on vinyl. 'Fables of the Reconstruction' will drop on July 13.

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WEEKEND NACHOS Release Limited Edition 12” EP; Announce Tour Dates

Weekend Nachos see the release of their brand new 'Bleed' E.P., available now on 12” vinyl. 'Bleed' features two new tracks, “Bleed” and “Observer”, and has been pressed on black vinyl with a limited number on white that will be available directly from the band during their upcoming shows.

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Paul McCartney 'Could Believe It' When Barack Obama Sang Beatles Song To His Wife

In a visit to the White House earlier this month, Sir Paul McCartney has stated that President Barack Obama sang along when he performed. The former Beatle sang the band's hit "Michelle" in honor of the president's wife during a small gig in the East Room.

Speaking about his rendition, Sir Paul said he was surprised when Obama began singing the song's lyrics to his wife.

"I start singing Michelle, and he (Barack Obama) starts singing it to her,” he told BBC Newsbeat. "It's great, I couldn't believe it, he's singing the French bits, he's leaning over to his kids and going, 'This is about mum!'"

Obama presented Sir Paul with the Gershwin Prize for Popular Song, which is awarded by the Library of Congress. The previous recipients were Wonder and Paul Simon.

Sir Paul is celebrating his 68th birthday today (June 18).




Thursday, June 17, 2010

Top Selling Vinyl Records Sales at eBay - April 2010

Here is the month in review of the top selling ebay vinyl record sales, on a weekly basis, for April of 2010. First and foremost, a special thank you to Norm and Jane at http://ccdiscoveries.blogspot.com/  and Vinyl Record Talk for putting together this interesting data.

The honor of our top seller for the month of April 2010 belongs to Queen with a 'red' vinyl copy of the LP "The Works," which sold for an even $9,000. Next up is a 45 rpm record by 45 - Margaret Little "Love Finds A Way" / "I Need Some Loving" Genebro which came in at $7,099.00.

A "Sgt Pepper" Mono UK Pressing Complete by the Beatles comes in third at - $6,122.80. In forth place is an LP by various artists called "Black-Out: New Sounds Of '70" (Century), which sold for a surprising $5,801.00.





Week Ending 04/03/2010

1. LP - Queen "The Works" Red Vinyl Columbia - $9,000.00

2. LP - various artists "Black-Out: New Sounds Of '70" Century - $5,801.00

3. 45 - Phil Gray & His Go Boys "Bluest Boy In Town" / "Pepper Hot Baby" Rhythm Records 101 - $3,750.00

4. 45 - The Beatles "Strawberry Fields" / "Penny Lane" Acetate rough mix - $3,148.30

5. LP - Horace Parlan, George Tucker, Al Harewood "Us Three" Blue Note 4037 Mono - $2,669.00



Week Ending 04/10/2010

1. 45 - Margaret Little "Love Finds A Way" / "I Need Some Loving" Genebro - $7,099.00

2. LP - Apple "An Apple A Day" Page One - $4,062.29

3. 45 - Queen "Bohemian Rhapsody" / "I'm In Love With My Car" EMI 2375 Blue Vinyl - $3,400.00

4. 10" - Geroges Enesco "Beethoven Sonate a Kreutzer" Columbia FC 1058 Mono - $3,260.00

5. 78 - Fury Lewis "Mistreatin' Mamma" / "Fury's Blues" Victor - $3,183.33



Week Ending 04/17/2010

1. LP - John Heartsman And Circles "Music Of My Heart" Private - $4,200.00

2. LP - Puleo (self titled) Private Press - $2,500.00

3. 45 - Elvis Presley (self titled) EP SDP-23 - $2,485.00

4. 45 - Bill Swing "Messed Up" / "Intoxicated Blues" Burton - $2,035.00

5. LP - Beethoven / Mozart Di Torino "Quartetto Viotti Del Circolo Delgi" Cetra - $2,025.00

5. LP - Beethoven / Mozart Di Torino "Quartetto Viotti Del Circolo Delgi" Cetra - $2,025.00



Week Ending 04/24/2010

1. LP - De Vito Bach Mozart "Violin Concerto" HMV UK Pressing - $4,173.00

2. LP - Frank Frost "Hey Boss Man" Phillips - $3,500.00

3. 12" - Senait "Rock Me" Private Press - $3,050.00

4. LP - Pink Floyd "The Piper At The Gates Of Dawn" Odeon Japan Red Vinyl - $3,000.00

5. 45 - Nirvana "Love Buzz" 243/1000 Sub Pop - $2,399.99



Week Ending 05/01/2010

1. LP - The Beatles "Sgt Pepper" Mono UK Pressing Complete - $6,122.80

2. 45 - Benny Cliff "Shake 'em Up Rock" / "The Breaking Point" Drift - $2,827.77

3. 45 - U2 "All I Want Is You" / "Unchained Melody" # K805 Australian Purple Vinyl - $2,680.00

4. LP - David Wiffen "At The Bunkhouse Coffeehouse" Canada - $2,606.00

5. LP - Rolling Stones MFSL Box Set SEALED - $2,500.00



More on this month's top sellers on Vinyl Record Talk, Tuesday 8:00PM Eastern / 4:00PM Pacific on Radio Dentata. http://shows.radiodentata.com/shows/accidental-nostalgia /

This Date In Music History - June 17

Birthdays:

Dickie Doo - Dickie Doo and The Don'ts (1939)

Norman Kuhlke - Swinging Blue Jeans (1942)

Chris Spedding - session guitarist. Worked with Donovan, David Essex, Lulu, Dusty Springfield, Jack Bruce, Eno, Bryan Ferry, The Wombles, The Sharks and Solo (1944)

Barry Manilow - Has scored over 25 US Top 40 singles - selling over 75 million records worldwide. Had the 2006 US #1 album ‘The Greatest Songs of the Fifties.’ Ironically, he did not write his #1 hit "I Write The Songs," which was written by Bruce Johnston. (1946)

Greg Rolie - Santana (1947)

Philip Chevron - Pogues (1957)

Jello Biafra - Dead Kennedys (1958)

Michael Monroe - Hanoi Rocks (1962)

Kevin Thornton - Color Me Bad (1969)


They Are Missed:

In 1954, guitarist Danny Cedrone died following a freak accident; 10 days after he had recorded the lead guitar break on "Rock Around The Clock" with Bill Haley and His Comets. Session player Cedrone was paid $21 for his work on the session, as at that time Haley chose not to hire a full-time guitarist for his group. He died of a broken neck after falling down a staircase.

Born on this day in 1930, Cliff Gallup, guitarist, Gene Vincent and His Blue Caps, (1956 US #7 single 'Be-Bop-A-Lula'). Gallup died of a heart attack on October 9, 1988.

Born today in 1947, Glenn Buxton - Alice Cooper Band. He died October 19th 1997.

Born on this day in 1947, Paul Young, singer, Sad Cafe, Mike and the Mechanics. Died on July 15, 2000.

In 2005, throat cancer claims the life of Soul Asylum bassist Karl Mueller at age 41. One of the group's founding members, Mueller passes away in his hometown, Minneapolis.


History:

In 1955, after a month of booking gigs in larger venues in Dallas and Houston, Colonel Tom Parker arranged a meeting with Elvis Presley's manager, Bob Neal, resulting in an agreement that saw the Colonel handle Presley's gigs and career strategy from that point on.

The Elvis Presley/Ann-Margret film, 'Viva Las Vegas' opened in the US in 1964.

Jay & the Americans recorded "Come A Little Bit Closer" in 1964.



In 1965, working at Abbey Road studios in London, the Beatles completed work on the new Paul McCartney song "Yesterday" with the overdubbing of an additional vocal track by McCartney and a string quartet. They also recorded "Act Naturally" for Ringo's vocal contribution on the ‘Help!’ album and the song "Wait," in four takes. "Wait" will not be included on ‘Help!’, it was included on the following LP, ‘Rubber Soul’.

The Kinks and the Moody Blues made their US concert debut at the Academy of Music in New York City in 1965.

In 1967, Moby Grape released 5 singles simultaneously on CBS Records.

The Hollies' "Carrie Ann" was released in 1967.



In 1969 - Charles Mingus came out of a two-year, self-imposed retirement to make a concert appearance at the Village Vanguard in New York City.

Carole King went to #1 on the US album chart in 1971 with ‘Tapestry’ for the first of 15 consecutive weeks. The album contained "It's Too Late," "I Feel the Earth Move," "Will You Love Me Tomorrow?" and "You've Got a Friend."

Paul McCartney released "Mary Had a Little Lamb" in 1972.

Don McLean earned his first UK #1 single in 1972 with "Vincent." The song was written about the 19th century artist Vincent Van Gogh. The song is played daily at the Van Gogh Museum in Amsterdam.

The Rolling Stones album 'Exile On Main Street' started a four-week run at the top of the US charts in 1972 (also #1 in the UK).

Dolly Parton recorded "I Will Always Love You" in RCA's Studio "B" in Nashville. Written for her one-time partner and mentor, Porter Wagoner (the two were splitting professionally at the time).



Steve Winwood released his first solo album, "Steve Winwood" in 1977.

In 1978, Andy Gibb became the first solo artist in the history of the US charts to have his first three releases reach #1, when "Shadow Dancing" hit the top of the chart. Spending seven weeks at #1, it became the best selling single in the US in 1978.

Led Zeppelin began their last tour in 1980.

In 1987, Florida real estate agent Vittoria Holman sued Motley Crue and their concert promoter for hearing loss allegedly incurred at a concert in December 1985. Holman and her daughter had front row seats less than 10 feet (3 meters) from the speakers. The case was settled out of court with the band's insurance company paying Holman over $30,000.

New Kids On The Block went to #1 on the US singles chart in 1989 with "l'll Be Loving You Forever," the group's first US #1 hit.

Rod Stewart set an attendance record for Wembley Stadium in 1995 with a concert crowd of over 90,000.

A teenage girl was crushed to death during a gig by Hole at the Hultsfred Festival, Sweden in 1999.

In 2006, the Who (or is it actually Roger Daltrey, Pete Townshend and backing musicians) return to the scene of one of their most famous gigs, England's Leeds University ("Live At Leeds"), to launch their ‘06 tour. A commemorative plaque marking the ‘70 concert is unveiled.

Judas Priest unleashes "Nostradamus" in 2008. The limited edition deluxe double CD is housed in a 48-page hardbound book package with an insert containing an exclusive code for one free general admission ticket to see Judas Priest on the Metal Masters Tour. The 23-track CD features instrumental interludes and incorporates orchestration and a choir.

Wolf Parade’s "At Mount Zoomer" was released in 2008.

Wednesday, June 16, 2010

Ask Mr. Music by Jerry Osborne

FOR THE WEEK OF JUNE 14, 2010


DEAR JERRY: Born in 1950, and being a Paula, you can imagine I was shocked the first time I heard Paul & Paula's “Hey Paula.” Before then, I never once heard my name in a song, much less the title.

Even Steve Lawrence's “Girls, Girls, Girls,” which you wrote about last year, does not include Paula r— and this tune mentions over 100 names of girls!

Against all odds, at the same time as “Hey Paula,” Dickey Lee came along with “Don't Wanna Think About Paula.”

Naturally I bought both of these right away. But there is another Paul & Paula song, titled “Dear Paula,” but I can't seem to find it anywhere.

Though not in the title, Paul & Paula also referred to each other by name in “Young Lovers,” their second hit.
Before “Hey Paula,” did any boy-girl duo have a No. 1 pop/rock hit? I can't thank of a one.
—Paula Blake, Gettysburg, Pa.


DEAR PAULA: Actually, we'll deal with “Dear Paula” later. Let's start with “Hey Paula.”

You can't think of one because there isn't one, at least not in your lifetime. Paul & Paula became the first male-female vocal duo since the 1940s with a No. 1 pop hit!

Right after their success, many others followed, including: Nino Tempo & April Stevens (“Deep Purple”); Dale & Grace (“I'm Leaving It Up to You”); Sonny & Cher (“I Got You Babe”); Nancy & Frank Sinatra (“Somethin' Stupid”), etc. Still, “Hey Paula” outsold all the others and became the No. 1 male-female duo hit of the entire '60s decade.

Excluded as per your question are same gender vocal duos (Everly Brothers); instrumental duos (Santo & Johnny); and duos with only one singer (Les Paul & Mary Ford).

Now for some material for an “Overnight Sensation” scrapbook for all Paulas:

For four weeks in 1963 (March 10 through April 6) “Hey Paula,” “Don't Wanna Think About Paula,” and “Young Lovers” were all on the nation's charts. Your name was on the air everywhere!

The only other girl's names in hit titles at that time were: “Alice in Wonderland” (Neil Sedaka); “Amy” (Paul Petersen); “Linda” (Jan & Dean); “What Will My Mary Say” (Johnny Mathis); “Ruby Baby” (Dion); and “Sandy” (Dion). Yet none of these reached the heights of “Hey Paula.”

Two different songs on the chart with the same girl's name in the titles is not common, nor is it unheard of.

For example, in late February as “Hey Paula” sat at No. 1, Jan & Dean (“Linda”) and Dickie Lee (“I Saw Linda Yesterday”) both charted with separate serenades to Linda.

What is very atypical is seeing the same artist, in this case Dicky Lee, with consecutive releases of hit songs (“I Saw Linda Yesterday” and “Don't Wanna Think About Paula”), each of which is one of two simultaneous hits (one by Lee, the other by someone else) containing the same girl's name r— first Linda and then Paula.

Everybody got that?

“Dear Paula,” issued in 1965 (Philips 40296), is an unusual and fascinating recording. With the original “Hey Paula” playing in the background, Paul first reads his letter written to Paula, then she reads her reply to Paul.

In this story, they haven't seen each other in quite some time and both reminisce fondly about their real-life experiences and adventures in 1963 and '64.

Let's take a peek at their mail:

PAUL: “Remember on the Dick Clark show [1963], when we began to pantomime our record [“Hey Paula”] it started to skip and everyone started laughing? Dick said that was the first time he'd ever seen anything happen like that.”

PAULA: “It seems like yesterday when we made our records and started our travels all over the world. Do you remember on Bandstand when they gave us the Gold Records [1963], and they dropped one? I thought it was the end of the world.”

“Dear Paula,” along with all of their essential tunes, can be had on the easily available 31-track CD, “Greatest Hits” (Underground 103324).


IZ ZAT SO? Several weeks before “Hey Paula” hit the charts, the same song came out by the same pair, but using their real first names: Jill (Jackson) & Ray (Hildebrand).

Copies of the Jill & Ray original (Le Cam 979) now bring $70 to $100, compared to about $10 for the smash hit crediting Paul & Paula (Philips 40084).

Jerry Osborne answers as many questions as possible through this column. Write Jerry at: Box 255, Port Townsend, WA 98368  E-mail: jpo@olympus.net


Visit his Web site: www.jerryosborne.com 
All values quoted in this column are for near-mint condition.
Copyright 2010 Osborne Enterprises- Reprinted By Permission







Music News & Notes

Amebix to release new EP, working on new album

Legendary metal/crust punk godfathers Amebix have risen from the dead, and a three-song EP entitled Redux will be released by Profane Existence Records on June 28th, 2010. The EP will feature live and rerecorded versions of several of the band’s best-loved classics, including “Winter,” “Chain Reaction,” and the immortal battle cry, “Arise.” Redux will be available on CD, 12? LP and digitally. The vinyl edition will include a free download card, which will feature a live version of “Progress?” as a bonus track.

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UNEARTHLY TRANCE: New Album Artwork Unveiled
New York's UNEARTHLY TRANCE will release its fifth studio album, aptly titled "V", on September 28 in North America and October 4 internationally. The follow-up to "Electrocution" was recorded in at SIR studios in the band's hometown with engineering help from Sanford Parker and Rich Tapper. The record was mastered by Collin Jordan at the Boiler Room and mixed by the band's own Jay Newman. The CD artwork was designed by Glyn Scrawled and can be viewed below. Songtitles set to appear on the album include "Unveiled", "Solar Eye", "Sleeping While They Feast" and "Into A Chasm".

UNEARTHLY TRANCE recently released a split LP with THE ENDLESS BLOCKADE via Chrome Peeler and Humanless Records.






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Avenged Sevenfold Unveil 'Nightmare' CD Details
Following the huge success of their first single "Nightmare" – which hit the #1 Rock Song spot on iTunes in its debut week and racked up nearly two million hits on YouTube – Avenged Sevenfold have rolled out some new info on the album of the same name, including ultra-sick cover art, the complete track listing and the specs on a pretty cool deluxe edition.

Nightmare is slated tobe released on July 27th in standard CD and download versions, as well as the short-run “Book of Nightmares” limited edition which comes with alternate cover art, a black-bound book containing lyric sheets, liner notes and artwork topped off with a silver-plated crest, plus a poster-sized “Death Bat Anatomy” embossed lithograph.










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Listen to Lynyrd Skynyrd's "Gimme Three Steps" Live From Freedom Hall!





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Heaven & Hell Announce Ronnie James Dio Tribute Show

Heaven & Hell, the group made up of Black Sabbath alumni from the 80's, will reassemble for a one-time concert in tribute to their late lead singer Ronnie James Dio. The performance will be on July 24 at the High Voltage Festival, a date that had originally scheduled for the group and canceled two-weeks before Dio's passing.

Making up the group for the show will be Heaven and Hell members Tony Iommi on guitar, Geezer Butler on bass and Vinny Appice on drums. Taking Dio's vocal spot will be Glenn Hughes (Deep Purple, Black Sabbath, Black Country Communion) and Jorn Lande (Norwegian band Masterplan).

Tony Iommi said "Ronnie's passing has left a huge hole, we hadn't anywhere near finished what we set out to do as a band together. He was so looking forward to the European tour and we hope this appearance will go some way to fulfilling that."

Geezer Butler added, "It's going to be a very emotional occasion. Ronnie loved his fans like no-one else I know - and they loved him. It will be a privilege doing a gig in honour of his memory, and to help towards his charity. Above all, I hope it encourages people to have regular check-ups for this disease. Early detection is vital, and greatly improves the chance of a cure. I know everyone has heard that a million times before, but seeing one of your best friends die because we all think we're immune from this disease, really brings it home. Do it for yourself, your family, your friends. Ronnie would be proud of you."

Proceeds from the show will go to the Ronnie James Dio Stand Up and Shout cancer program.

Rediscovering Ukrainian Album Cover Art - Permanent Collection Exhibit, Ukrainian National Museum

“Rediscovering Ukrainian Album Cover Art” Permanent Collection Exhibit opens Fri July 9, 2010 7:00 pm. Exhibit thru July 30. Ukrainian National Museum, 2249 W Superior St, Chgo. Thurs-Sun, 11 am to 4 pm. 312-421-8020 Adults $5.00 (312) 421-8020

Ukrainian Album Cover Art Exhibit
FOR IMMEDIATE RELEASE

PRLog (Press Release) – Jun 15, 2010 – “Rediscovering Ukrainian Album Cover Art” an exhibit from the permanent collection of the Ukrainian National Museum opens Friday, July 9, 2010 7:00 pm. Over 110 album covers will be exhibited through July 30th.

Album cover art, as artistic expression, is nearing extinction. The album cover was a true 'marriage' of two very distinct and different media -- art and music. LP covers were an outlet for experimentation, art, fun, social comment and the power of the visual image to entice you to listen to the music contained therein. As technology advanced, music became available on cassette, CD, and now as a download. The exhibit celebrates the artists who, in most cases, anonymously contributed their art.

The album covers selected in our Album Cover Art exhibit also reflect the artistic expression of both musician and cover artist as well as the impact of two cultures. Influences of the American culture on the immigrant’s life experience are evident in many of the later album covers from the 50’s thru the 90’s.

Well over 100 album covers were selected from the 1200 albums that comprise the permanent collection of the Ukrainian National Museum. Along with the album covers, archived treasures, never before displayed, will be available for viewing during this exhibit. LP’s will also be for sale.

The Ukrainian National Museum is located in the heart of the Ukrainian Village, at 2249 West Superior Street in Chicago. Hours: Thursday through Sunday, 11:00 am to 4:00 pm. Admission: Adults $5.00, Children under 12 - Free. Free Parking is available beside the Museum. For driving instructions, visit the Museum's website at www.ukrainiannationalmuseum.org. For additional information, please feel free to call (312) 421-8020 or e-mail Admin@UkrainianNationalMuseum.org

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The Ukrainian National Museum boasts a library, permanent collections and extensive archives and an exhibit hall. The Museum collects, preserves, exhibits and serves as a resource for research, the artifacts and records of the Ukrainian Immigration.

Tuesday, June 15, 2010

UnCovered Interview - by Michael Goldstein


UnCovered Interview - Over-Nite Sensation by Dave McMacken

UnCovered Interview - Over-Nite Sensation - a painting by artist Dave McMacken


Subject - the making of the cover of the Frank Zappa album titled Over-Nite Sensation, released in 1973 on DiscReet Records.




I credit my brother Bob for introducing me to Frank Zappa. While I was engrossed in my Black Sabbath, Mahavishnu Orchestra and Santana albums, Bob was happy to memorize every word of his George Carlin and Frank Zappa records, and since we had to share the stereo (located on top of my mother's player piano), I listened (and learned) while Bob would play Over-Nite Sensation almost endlessly.

I'd always been attracted to bands whose lyrics included doses of comedy and nod-nod wink-wink innuendo (beginning with The Kinks and, later on, The Sex Pistols), but this Zappa album was the first one where I just could not believe that I was hearing what I was hearing (and, at the same time, praying that my Mom was not listening as well). He goofed on TV programmers, Montana ranchers and sex, but these parodies were laid on top of really impressive musical beds - the Mothers band augmented by virtuosos including George Duke on keyboards and Jon-Luc Ponty on violin - and so the total package resonated with me in ways unlike anything I'd heard before.

The record proved to be much more popular to the mainstream AOR audience (than the 16 records he'd released since his 1966 debut titled Freak Out!) and, therefore, became FZ's first gold-selling LP. Of course, this popularity confused those self-appointed protectors of pure Zappa-ness (who branded the record as being too commercial - I mean, he'd go on to perform "I'm The Slime" on SNL, for goodness sakes! - Click here to view ), while others who'd always appreciated his clever word-play thought he'd abandoned the Intelligentsia to gleefully muck about in some of the slime he was singing about. Whatever. I just thought that he was having fun (while telling you exactly what he was thinking/fantasizing about) which is, after all, the reason most of us joined bands in the first place.

Another thing about Zappa was clearly illustrated by the artwork he commissioned for this record - he appreciated the opportunity to use the record's packaging to give fans even more to talk about along with his music and lyrics. I touched on his portfolio of cover art a couple of years back during my interview with Jerry Schatzberg about the hilarious Sgt. Peppers parody he helped produce for We're Only In It For The Money and have long been a fan of Cal Schenkel's body of work but, just as the composer's music would continue to take new and exciting turns, so would his cover art.

To continue this tradition of album art excellence, they (Zappa and Schenkel) would turn to the illustrator that had helped them with the promo artwork for the soundtrack album for 200 Motels, artist Dave McMacken. Dave had recently set out on his own after a somewhat messy break-up with his former studio-mates, so this opportunity couldn't have come at a better time, and Dave was up for something new and exciting in his career. As you'd expect, the job - and the resulting image - pushed cover art - and the illustrator - to new extremes, so if you'd like to learn the story behind "the making of" Over-Nite Sensation, "don't touch that dial"!

In the words of the artist, Dave McMacken (interviewed late March/early April, 2010) -

After getting out of the Art Center College of Design in LA in 1967, I joined up with Craig Butler, Art Snyder and Patti Mitsui to form a design studio called "The Institute For Better Vision". We specialized in rock music and film projects and did a number of projects together including Sweetheart of the Rodeo and Dr. Byrds & Mr. Hyde for The Byrds, Pickin' Up The Pieces for Poco and, finally, all of the promo graphics - including the record cover, billboards, movie poster and whatever - for Frank Zappa. At this point in time, Bizarre Records was becoming Discreet Records and Cal Schenkel was Frank's in-house artist. Frank and Cal were putting the wraps on 200 Motels and were looking for an artist to help them, so we heard about it and met up at Murakami Wolf Swenson Films in Hollywood - just off Sunset Boulevard - and showed Cal my work.

They decided to try me and asked me to do a comp of a section of the cover that would feature Frank in a "pulp-style look", looming over the populace and "bingo", 200 Motels (editor's note - this comp would later be reworked to be used as the cover of the Zappa EP for Rhino titled Rare Meat, see image, below). Cal was a very calm character, a great artist for Frank, and I was honored to work with him, FZ and Murakami Wolf Swenson Films. Cal and I bumped into each other all of the time while he was doing animations and I was doing backgrounds. Zappa always amazed me - he was very disciplined, stern and could be abrupt - but his talent dropped my jaw. One time, he and Gail invited me to dinner and he took me to his basement studio and showed me his quadraphonic sound system and all his guitars, drums and pianos. Gail kind of scared the crap out of me and I had to bail to go feed my dogs. 200 Motels turned out that that was my last work with "The Institute", because right after the movie project was done, we dissolved the company then and there during an argument that included throwing furniture and each of us calling the others all kinds of cool names.



Fast forward a couple of years and Frank calls and asks if I want to paint another cover for him. I nearly fell off my chair. He wanted to get started immediately and so that night I listened to a truly bizarre take of the scene that Zappa imagined. In fantastic detail, he proceeded to tell me the story of Over-Nite Sensation and that the cover painting was to be done in a formal, realistic "Dutch Master" style, with the objects in the painting to be portrayed as visual elements from the story.

The painting captures a moment in the life of a band roadie on tour, with "Over-Nite Sensation" being a reference to the horniness of bands on the road. The space we're looking at is in a true perspective, but they're in a mirror and the object on the viewer's side are in reverse. Our focal object is a grapefruit, the symbol of a sexual object, and the grapefruit's been penetrated, with "cum" oozing out of it. The fire extinguisher symbolizes the completion of the act of intercourse, and even the frame is a sexual fantasy, starting off in gold and going to rot. All of the other items - the Holiday Inn, the food, maps and oozing TV - represent the doldrums of being on the road.

I took tight notes during this session - I wasn't given a written assignment or description - and worked on this painting for 2 months, meeting many times with Frank to discuss the work in progress. I started with a pencil and it evolved as we went along, with Frank adding more as "more was always better"- it is really cool when the musical act is also the Art Director and owns the production company! During the process, we had one meeting with Chris Whorf at Warner Brothers just to include the record company at some stage during the development and I showed him the pencil sketch I'd done. He loved it and picked it up and was going to leave with it to use it as the final art. In hind-sight, it might not have been such a bad idea, but there was no way that I was going to miss out on the fun I was having, so I retrieved the sketch and went off to Illustrationland to continue my work. I did the final painting using casein paints, which were a cool mixture of oils and acrylics and had the lovely aroma of vanilla. They later discontinued these paints and I new paint exclusively in acrylics - they're way less fussy.

In the end, I had all the time I needed, and that helped this job become one of my favorite experiences ever. Since we all knew each other, this post-200 Motels life was easy. Cal and I became good friends, with both of us living close-by in LA. I loved the rock scene and even though Frank was all business, all the time - in the art and in the music - I'd show up at Frank's studio in Glendale and offer him a beer - which he never accepted - and I'd get to work, hanging around listening to The Mothers rehearse. Frank would show George Duke how to lay down some music and then jump over to Aynsley Dunbar's drum kit to do the same - prodding and pushing them to produce what he wanted - really fun stuff but, at times, it was a bit much for me. My black lab "Shakespeare" was a buffer for my shyness, since she loved all of the attention, but sometimes I just wanted to finish my work and go home...

When I was done with the project and my clients were happy, I looked back on the time I'd spent with everyone associated with Frank Zappa and realized that the experience would have a colossal effect on my work going forward. It indeed has lasted all of my life - I worked for Frank Zappa - there's no need to say anything more.

About the artist, Dave McMacken -
Dave left Newport, OR in the Fall of 1963 and rode the Greyhound to Los Angeles to attend the Art Center College of Design, graduating in 1967. He started his career in advertising as a junior art director at Sinay/Lipson in Hollywood, during which time his college draft-deferment status came to an end and, with the prospect of Vietnam looming in every young man's lives, he applied for C.O. status and the draft board in Newport granted his request, sending him to work as a psychiatric tech at LA County Hospital for two years. Afterwards, he met up with his college buddies and started "The Institute For Better Vision".

After The Institute split up, Dave took on a number of freelance assignments for clients such as Peter Whorf (ABC Jazz), Chris Whorf at Bizarre (Frank Zappa, Bootsy Collins), Nancy Donald and Tony Lane at Columbia (Weather Report, Flo & Eddie) and Roland Young at A&M Records (Tom Scott, Louis Armstrong, The Tubes, Peggy Lee, The Carpenters, Horizon Jazz, etc.). It was also at A&M that he met his wife, Judy, who worked as a creative secretary for the Art department there.

Other album cover projects of note include AC/DC's Ballbreaker, Warrant's Dog Eat Dog, Freak Show for The Bullet Boys, Black Market for Weather Report, Reel Music for The Beatles, The Joker for Steve Miller, 1941 for Steven Spielberg's film of the same name, and Leftoverture for Kansas. He also did work for The Temptations, Jackyl, Bedlam and The Beachboys.

Non-music clients have included the JWT, Y&R and Arnold advertising agencies; Apple Computer, Microsoft and E/A in consumer electronics, Harper Collins and Simon & Schuster in books, and a large number of travel posters for various locales' tourist bureaus. His film work includes assignments painting backgrounds for the animated films Puff The Magic Dragon and FernGully:2.

Dave currently is working on campaigns for the California Avocado Commission and BBC Channel 4 in London. He lives in the Torrington, CT area with his wife and a large pack of dogs.
To see more of his work, please visit Dave's web site at http://www.mcmackengraphics.com/cgi-local/content.cgi

All images featured in this UnCovered story are Copyright 1971 - 2010 David B McMacken/McMacken Graphics - All rights reserved. Except as noted, all other text Copyright 2010 - Mike Goldstein & RockPoP Gallery (http://www.rockpopgallery.com/) - All rights reserved.

This Date In Music History - June 15

Birthdays:

Nigel Pickering - Spanky And Our Gang (1929)

Johnny Halliday - 'the French Elvis', major star in Europe. Jimmy Page, Peter Frampton and Foreigner's Mick Jones have played on his records (1943)

Muff Winwood - Spencer Davis Group. Became a producer and A&R man for Sony Records (1943)

Noddy Holder - Slade (1946)

Russell Hitchcock - Air Supply (1949)

Steve Walsh - Kansas (1951)



Scott Rockenfield - Queensryche (1963)

Michael Britt - Lonestar (1966)

Ice Cube (1969)

Gary Lightbody - Snow Patrol (1976)

Dryden Vera Mitchell - Alien Ant Farm (1976)

Billy Martin - Good Charlotte (1981)


They Are Missed:

In 1982, Pete Farndon, bass player with The Pretenders, was fired from the group, he went on to form a group with Topper Headon from The Clash. Farndon was found dead in his bath on April 14, 1983.

David Rose was born in 1910. He was the composer of "Little House on the Prairie" and "Bonanza." He won four Emmys and 22 Grammys in his career and was musical director for the Red Skelton show during its 21-year-run on the CBS and NBC networks. Died August 23, 1990.

Born on this day in 1941, Harry Nilsson, US singer, songwriter. The Monkees, Three Dog Night & Ronettes all covered his songs. He died on January 15, 1994.



Jazz singer Ella Fitzgerald died in Beverly Hills, California in 1996 (age 79). Already blinded by the effects of diabetes, Fitzgerald had both her legs amputated in 1993. Winner of 13 Grammy Awards, the 1956 'Ella Fitzgerald Sings the Cole Porter Songbook' was the first of eight "Songbook" sets. Appeared in the TV commercial for Memorex, where she sang a note that shattered a glass while being recorded on a Memorex cassette tape. The tape was played back and the recording also broke the glass, asking "Is it live, or is it Memorex?"

Born today in 1933, Waylon Jennings, US country singer. Played bass with Buddy Holly in 1959. Jennings died on February 13, 2002.

Keyboardist Richard Bell, one-time member of Janis Joplin's Full Tilt Boogie Band, died in Toronto in 2007 at age 62. Bell is heard on Joplin's "Pearl" album. He also recorded with Joe Walsh and Bonnie Raitt.


History:

The Platters sang "Twilight Time" on Ed Sullivan in 1958.

Jan & Dean's "Surf City" was released in 1963.

Kyu Sakamoto started a three week run at #1 on the US singles chart in 1963 with "Sukiyaki," the first-ever Japanese song to do so.

Bob Dylan recorded "Like A Rolling Stone" in 1965.



In 1966 - The Beatles album, "Yesterday & Today" was released by Capitol Records. Ticked that Capitol Records U.S. has been leaving off a track or two from previous Beatles albums and now has enough for this compilation, the group poses for the notorious “butcher block” cover with them sitting among cuts of raw meat and decapitated dolls. Public outcry gets the cover changed to a standard group photo (three Beatles standing around a upright open trunk with Paul actually sitting in it).




Guitarist Peter Green quit the John Mayall Band in 1967. Green went on to form Fleetwood Mac.

The Beatles' announced the Maharishi Mahesh Yogi as a public mistake at a press conference in New York in 1968.

In 1976, the Sex Pistols recorded their first demos in Clapham's Majestic studios followed by a gig that night at The 100 club, London.

In 1977, The Sex Pistols held a party on a boat as it sailed down The River Thames in London. The Pistols performed "Anarchy In The UK" outside The Houses Of Parliament resulting in members from the party being arrested when the boat docked later that day.

Future MTV parents Ozzy Osbourne and the former Sharon Arden got hitched in 1982. She already was his personal manager.

Dire Straits started a nine-week run at #1 on the US album chart in 1985 with 'Brothers In Arms.'

In 1986, U2 and Sting headlined a concert in New Jersey celebrating 25 years of Amnesty International.

In 1988, during Bruce Springsteen's stay in Rome during a world tour a photographer took a shot of Bruce in his underpants sharing an intimate moment with his backing singer Patti Scialfa. The picture confirmed the rumours that Bruce and Patti were having an affair.

Nirvana's debut album 'Bleach' was released in the US in 1989. The title for the album came from a poster 'Bleach Your Works' urging drug users to bleach their needles.

In 1989, Pink Floyd appeared in Canal di San Marco, Piazza San Marco, Venice, Italy on a floating stage. Over 200,000 people attended the gig causing damage to buildings and bridges.

Paula Abdul started a five week run at #1 on the US singles chart in 1991 with "Rush Rush," her 5th US #1.

Carlos Santana’s “comeback” album, “Supernatural” was released in 1999. The set features matchbox 20’s Rob Thomas on the hit “Smooth.”



Jack and Meg make their debut on "The White Stripes" in 1999.

In 2002, a rare autographed copy of The Beatles’ album 'Sgt Pepper’s Lonely Hearts Club Band' sold at auction for $57,800, more than five times the estimated price.

Metallica were at #1 on the US album chart in 2003 with ‘St Anger’, the bands fourth US #1.

The iTunes Music Store was launched in France, Germany and the UK in 2004.

Velvet Revolver’s debut album 'Contraband' sells 256,000 copies in its first week of release to nail the top spot on the Billboard 200 Album Chart in 2004.

In 2005, Coldplay went straight to #1 on US album chart with their third album 'X&Y', having already entered at number one in the UK. The last time a British artist had a simultaneous US and UK number one was in November 2000 with '1', a compilation of hits by The Beatles. The last studio album to reach number one on both sides of the Atlantic was Radiohead's 'Kid A' in October 2000. 'X&Y' went on to top over 30 global charts.

Also in 2005, Destiny's Child announced they would disband upon completion of their current world tour.

In 2007, strong winds cause amplification towers to fall canceling performances by Linkin Park, Pearl Jam, the Killers and My Chemical Romance on the second day of the Heineken Jammin' Festival in Venice, Italy. The towers crash into the crowd sending nineteen fans to the hospital. Only one person suffers a serious injury. The rest of the four-day festival was canceled.

Following a 17 year lapse without a studio album, the Steve Miller Band returns with “Bingo!” in 2010. "This is a party record, man,” says Miller. “It's about getting up and getting ready to dance. It's like the fraternity party gigs I used to play in college. I went through and picked all my favorite tunes that I really, really loved.”

Also in 2010 - Metallica rolled out a vinyl version of ‘96 album “Load.” It’s available either in a two-disc gatefold package for the 33.3 version or a four-disc box set, 180-gram, 45-rpm deluxe edition.