Monday, January 23, 2012

Vinyl Record News & Music Notes

Vinyl records make the world go around again

AFP - In the brave new world of MP3 players, compact discs are dying, cassettes are Stone Age, and old-fashioned vinyl records... they're back!

It might seem that nothing short of a wind-up gramophone could be more out of place today than the nostalgia-laden, crackly-sounding 33 and 45 RPM disc.

Yet in his Brooklyn, New York, factory, 40-year-old Thomas Bernich churns them out by the tens of thousands, feeding a vinyl revival that has record decks -- and cash tills -- spinning.

"It's my baby," Bernich said in his spartan office at Brooklynphono. "It's growing."

The small plant in a blue collar neighborhood hums with the sound of machines and spaghetti-like rows of pipes delivering ground-up vinyl to presses where the material reemerges as shiny albums etched with near-invisible, music-filled spirals.

Bernich started on a shoestring 10 years ago. Now he has four full-time employees and two part-time, manufacturing a quarter of a million discs a year, with plans to double capacity.

Read the rest at france24.com

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this from our friends at sundazed.com

SUNDAZED AND EXPERIENCE HENDRIX RECAPTURE THE JIMI HENDRIX VINYL EXPERIENCE!

ROCK’S GREATEST GUITAR LEGEND’S VINTAGE RECORDINGS RETURN TO THEIR VINYL ROOTS WITH HISTORIC 7” SINGLE SERIES

In an historic alliance, the renowned reissue label Sundazed Music has partnered with Experience Hendrix, L.L.C. to release a series of new 7" picture-sleeve vinyl singles featuring unique and hard-to-find vintage performances by Jimi Hendrix.

The ongoing series launches in April with an initial release that combines a pair of historically significant recordings from two different Hendrix 1967 BBC sessions. One is a raucous reading of Bob Dylan's "Can You Please Crawl Out Your Window?”. Hendrix recorded his version on October 17 for BBC Radio's Rhythm and Blues show. Dylan’s original version, one of history’s most notable and enduring musical enigmas, wasn’t released on a legitimate album for more than 10 years after its first issue. This Jimi Hendrix Experience version was a highlight of the BBC Sessions double album issued by Experience Hendrix/Sony Legacy in October 2010.

“Can You Please Crawl Out Your Window?” is paired with a fascinating, newly discovered take of the Hendrix original "Burning Of The Midnight Lamp," as performed on August 24,1967 on BBC Television's Top of the Pops, just a week after the song's original studio version had been released as a single in Britain on Track Records. In keeping with strict Musician Union regulations, Jimi was to sing live atop the song's instrumental backing track. The Top Of The Pops presenter announced the Experience, but then ‘The House That Jack Built’ by the Alan Price Set began to play. A few seconds in, Jimi, ever polite, offered an apology, “I'm sorry man but I don't know the words...” As panic no doubt ensued within the studio's control room, the program's flustered presenter apologized and implored Jimi to try it once again.

Both sides feature the classic original Jimi Hendrix Experience lineup of Hendrix on guitar and vocals, Noel Redding on bass and Mitch Mitchell on drums, and capture the band just as it was beginning to emerge as a major force on both sides of the Atlantic.

As with every release in the series, it will feature a color picture sleeve incorporating rare vintage Hendrix photos that capture the legendary artist's distinctive persona and pioneering spirit.

Janie Hendrix, President and CEO of Experience Hendrix L.L.C. commented: "When the Jimi Hendrix Experience first burst into the world’s collective consciousness, it was through vinyl 45 rpm singles.  Our vinyl single release program with Sundazed honors that brilliant history and, even expands on it in a very real way. It is traditional yet innovative, as Jimi certainly was."

Bob Irwin, President and CEO of Sundazed Music, Inc. commented: "We are thrilled and highly honored to be partnering with Experience Hendrix on this wonderful series. I’m positively elated that my most favorite musician of all time will now be a part of Sundazed."

In a recording career that spanned only three and a half years prior to his tragic death in 1970 at the age of 27, Jimi Hendrix revolutionized the role of the electric guitar, and radically altered the face of contemporary music. He became rock's first guitar superstar, with an effortless charisma that matched his visionary talent and intense performing style. His overwhelming influence continues to live on in virtually every electric guitarist who has followed him, yet none have ever equaled Hendrix's talent and imagination.



Chocolate Watch Band Vinyl Release

No Way Out LP

LP | $18.98
LP 5306

No Way Out, the thrilling debut album by the Chocolate Watch Band, immediately finds that cosmic sweet-spot of perfect garage-rock traction: where the rubber meets the road and the train keeps a-rollin.'

Nobody ever did Mick Jagger any better (even Mick, himself) than the Watch Band's frighteningly superb frontman Dave Aguilar. "Are You Gonna Be There (At The Love-In)" and "Let's Talk About Girls" are on everyone's list of Top 20 garage rock anthems of all time. And that's just the tip of the vermillion iceberg for this essential longplayer. "Come On," an early Stones single, gets the perfect Watch Band overhaul, "Hot Dusty Roads" ventures down back alleys that Buffalo Springfield never dreamed about and "No Way Out" dances rings around the outskirts of your nearest Human Be-In.

A San Jose, Calif. band whose reputation has grown exponentially over the decades, the Chocolate Watch Band are now revered as one of the Seven Wonders of the World of garage rock. Spotlighting the classic lineup—the inflammatory vocals of Dave Aguilar and the roof-rattling guitars of Mark Loomis and Sean Tolby, fronting the rock-solid bass of Bill Flores and the letter-perfect drums of Gary Andrijasevich—the Watch Band's first two albums have it all. Stones swagger snake-hips its way through cosmic significance with just a dusting of eye-opening psychedelic legerdemain to make your neck snap backwards in pure joy.

Also available on CD

TRACK LIST:
1. Let’s Talk About Girls
2. Midnight Hour
3. Come On
4. Dark Side of the Mushroom
5. Hot Dusty Road
6. Are You Gonna Be There (At the Love-In)
7. Gone and Passes By
8. No Way Out
9. Expo 2000
10. Gossamer Wings

Buy It HERE

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EXUMER: 'Fire & Damnation' Cover Artwork Unveiled; Trailer Available

A trailer for "Fire & Damnation", the first album in 24 years from German thrash metal veterans EXUMER, can be seen below. Due in April via Metal Blade Records, the 10-track CD, which was recorded with renowned producer Waldemar Sorychta (GRIP INC., THERION, SODOM, MOONSPELL), "combines a punishing production with aggressive songwriting," according to a press release. "EXUMER manages to capture the intensity and feel of the 1980s thrash metal gems and yet sound up to date on their latest output."

Read more at our friends at Blabbermouth













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David Lynch Releases Collectors Edition of 'Crazy Clown Time'

Lynch has teamed up with the legendary Vaughan Oliver to release a Super Deluxe Collectors Edition of “Crazy Clown Time”, which is limited to 1000 copies worldwide and released today. Housed in a red “leatherette” book with silver spine, this lavish package includes the album on CD, two heavyweight vinyl LP’s and a 24 page art and lyrics book, cased in a rigid black Suedelle slipcase. In Oliver’s own words:

“The design of the Super Deluxe was inspired by the original photograph of the hand with red die that David sent for use on the front cover. Red, black and silvery grey in colour it also has a low culture feel about it which I developed in a tactile way with special materials. I was aiming for a sexy, kitsch quality with the black suede slipcase and red foil-blocked type. The book that slides out enhances this concept with a red leatherette finish and silver clothed spine whilst adding an “art book” touch with the “tipped in” image of the red die set into a debossed square centred on the book cover. The overall effect exhudes, sex, sleaze and “roulette wheel” ambience. Central to the content is a lavish 12”x12” booklet which allows David’s “forensic” photographs to dominate over a very simple, reserved approach to the lyrics layout”.

TRACKLIST:
1. Pinky’s Dream
2. Good Day Today
3. So Glad
4. Noah’s Ark
5. Football Game
6. I Know
7. Strange and Unproductive Thinking
8. The Night Bell With Lightning
9. Stone’s Gone Up
10. These Are My Friends
11. Speed Roadster
12. Movin’ On
13. She Rise Up

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OVERKILL: New Album Title, Cover Artwork Unveiled

New Jersey thrash metal veterans OVERKILL will release their new album, "The Electric Age", in North America on March 27 via eOne Music. The CD will be made available in Europe on March 30 through Nuclear Blast Records.

"The Electric Age" was recorded and mixed at Gain Studios in New Jersey, owned and operated by OVERKILL bassist D.D. Verni.

Read more at Blabbermouth














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this from our friends at vinylcollective.com

Top 10 Albums – January 23, 2012

Here are the Top 10 Albums sold at Shop Radio Cast for the week of January 17 – January 23, 2012:

1. V/A – Fat Music For Fat People LP
2. Blink 182 – Neighborhoods LP (Blue/White)
3. The Black Keys – The Moan / Have Love Will Travel 7″
4. The Horrible Crowes – Elsie LP
5. The Methadones – Not Economically Viable LP
6. Fun. – Aim and Ignite 2XLP
7. Fun. – Some Nights LP
8. Brand New – Your Favorite Weapon LP
9. Silverstein – Short Songs For Short People 10″
10. Hit The Lights – Invicta LP

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Neil Young Bashes Music Quality

Neil Young has lashed out at the sound quality of 21st century recorded music, recently revealing that listening to it makes him "angry."

He told MTV News: "I'm finding that I have a little bit of trouble with the quality of the sound of music today. I don't like it. It just makes me angry. Not the quality of the music, but we're in the 21st century and we have the worst sound that we've ever had. It's worse than a 78 [rpm record]. Where are our geniuses? What happened?"

Young went on to say that he believed people had changed their listening habits to cope with the worsening quality of recorded music, adding: "I like to point that out to artists. That's why people listen to music differently today. It's all about the bottom and the beat driving everything, and that's because in the resolution of the music, there's nothing else you can really hear. The warmth and the depth at the high end is gone."

Young made sure to say that though he hated the way modern music was recorded, he did not hate the new bands who made it, and talked up Mumford and Sons and My Morning Jacket as two of his favorite new bands. He said: "Mumford and Sons and My Morning Jacket are great bands. I love them both and I know them well. I feel good about saying that."

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and in music history for today janaury 23rd:

In 1943, Duke Ellington & His Orchestra played for a black-tie audience at New York City's Carnegie Hall for the first time. A recording of the concert was released on CD in 1977 as "The Carnegie Hall Concerts: January 1943," highlighted by Ellington's monumental suite "Black, Brown and Beige," in the only full-length version ever recorded by his orchestra.

Born on this day in 1950, Danny Federici, organ and keyboard player for Bruce Springsteen's E Street Band. Died of cancer on April 17th 2008 at the age of 58. Federici had worked with Springsteen for over 40 years, including early bands Steel Mill and Child.

In 1956, rock 'n' roll fans in Cleveland, Ohio who were under 18 were banned from dancing in public unless accompanied by an adult after Ohio Police started enforcing a law dating back to 1931.

Also in 1956, James Brown and the Famous Flames sign a recording contract with King Records. As a signing bonus, they receive $200. Their first effort, "Please, Please, Please", would become a million
seller later in the year, but their next nine releases failed to live up to the success of their debut.

In 1957, the movie 'Don't Knock the Rock' premiers.

In 1959, Buddy Holly kicked off the twenty-four date Winter Dance Party at the Million Dollar Ballroom in Milwaukee, backed by Tommy Allsup on guitar, Waylon Jennings on bass and Carl Bunch on drums.

In 1962, at Columbia Records' East 30th Street studios in New York City, Tony Bennett recorded his signature song, "I Left My Heart In San Francisco." CBS released it as the b-side of "Once Upon A Time." The A-side received no attention, and DJs began flipping the record over and playing "San Francisco." It became a hit on the pop singles chart in 1962 and spent close to a year on various other charts, achieving gold record status. It then won the top prize of Grammy Award for Record of the Year, as well as for Best Male Solo Vocal Performance. In 2001 it was ranked 23rd on an RIAA/NEA list of the most historically significant Songs of the 20th Century.

CVR Blog 45rpm Singles Spotlight:

In 1964, the Temptations released "The Way You Do the Things You Do."  Falsetto Eddie Kendricks sings lead on the record, composed by Robinson and Rogers while on the road with The Miracles as part of the Motortown Revue tour. Its plethora of pick-up lines ("You got a smile so bright/you know you coulda been a candle/I'm holding you so tight/You know you coulda been a handle") began as a light-hearted joke between Robinson and Rogers to pass time on the long bus rides. Realizing they had something they could work with, the Miracles kept the lyrics in mind and prepared the song for the Temptations, who by this time had only one single that had ever made it onto a Billboard chart (1962's "Dream Come True" made it to #22 on the R&B singles chart) and six flopped singles. This version of the song actually appears on two of their early 60's albums; 1964's Meet The Temptations, and 1965's The Temptations Sing Smokey.

The recording was done on January 8, 1964, a mere two weeks after founding Temptation Elbridge Bryant had been fired, and Jimmy Ruffin's younger brother David Ruffin had taken Bryant's place. While Ruffin would sing lead on stage he would remain a background singer on the singles for most of 1964, but after Smokey Robinson heard him sing lead during the Temptations' Motortown Revue performance, Ruffin was assigned to sing lead on what would become the Temptations' first number-one hit, "My Girl".

The Temptations learned about the success of "The Way You Do the Things You Do" after returning home to Detroit, Michigan and hearing nonchalantly from a Motown executive that "oh, you guys got a hit."

After reading the number 76 ("with a bullet") listing in Billboard magazine, Temptations members Otis Williams and David Ruffin immediately began crying with joy. During this period the group's baritone Paul Williams was still considered the main lead singer; but due to the success of this single, Kendricks would be given the lead on the next two following singles.



In 1965, North America finally caught on to Petula Clark when her hit "Downtown" made her the first British female to have a number one hit on this side of the Atlantic in the Rock era. She would go on to rack up many more smashes, including "I Know a Place", "My Love", "I Couldn't Live Without Your Love", "This is My Song" and "Don't Sleep in the Subway". Clark had already been very successful in the UK, chalking up hits since 1954.

In 1969, in Memphis, between 4:00 and 7:00 a.m., Elvis Presley recorded eight takes of "Suspicious Minds," with future Grateful Dead vocalist Donna Jean Godchaux singing backup. Producer Felton Jarvis decided on a premature fade-out and fade back in near the end of the track to reflect the way Elvis performed the song in his live Las Vegas stage act. It became Presley's 17th and last #1 single in the US.  Rolling Stone later ranked it #91 on their list of the 500 Greatest Songs of All Time

In 1969, at the Apple Studios in London, the Beatles, with Billy Preston playing a Fender Rhodes electric piano, recorded ten takes of "Get Back." None were used for the released single. On January 27 they recorded 14 more takes of the song, eventually selecting Take 11 which was then spliced together with the best take of the coda ending recorded on January 28. A footnote: The stereo single version of "Get Back" was the first Beatles recording to feature Ringo Starr's drum kit in true stereo.

In 1971, Steel Mill played their final show when they appeared at the Upstage Club, Asbury Park, New Jersey. Singer Bruce Springsteen formed new bands during the rest of the year known under such names as the Bruce Springsteen Jam, Dr. Zoom and the Sonic Boom, and finally the Bruce Springsteen Band.

In 1971, George Harrison became the first solo Beatle to have a #1 when "My Sweet Lord" went to the top of the UK single charts. The song from his 'All Things Must Pass' album stayed at #1 for five weeks. The track returned to the top of the UK charts in 2002, following his death.

In 1971, as a follow-up to their US number 3 hit "Candida", Tony Orlando and Dawn topped the charts with "Knock Three Times". It was the trio's second straight million seller, but it would take two more years and a series of minor chart makers before they would return to the top with "Tie A Yellow Ribbon Round The Ole Oak Tree".

In 1973, after reading a note that says 'an accord has been reached for peace in Vietnam', Neil Young announces to a Madison Square Garden crowd, "Peace has come."

In 1975, Supertramp kick off a 13 date British tour to promote their third album "Crime Of The Century". The LP will spawn the single "Dreamer", which will reach #13 in the UK and #15 in the US.

In 1977, during her concert in Tampa, singer Patti Smith danced off the stage and fell 15 feet into a concrete orchestra pit, breaking several neck vertebrae.

In 1977, Carole King's landmark LP, 'Tapestry' became the longest-running album of all time on the Billboard chart, as it reached its 302nd week on the list.

In 1978, Chicago's guitarist, 32 year old Terry Kath, accidentally shot and killed himself while playing with a gun at a party, telling others around him that the gun was unloaded. His spot in the band would be filled by Donny Dacus, who previously played guitar with Stephen Stills.

Also in 1978, singer Vic Ames of the Ames Brothers vocal group died in an auto accident at the age of 51.

In 1986, Buddy Holly was posthumously inducted into the Rock and Roll Hall of Fame at it's inaugural ceremony. Other first inductees included Elvis Presley, Chuck Berry, James Brown, Sam Cooke, Jerry Lee Lewis, The Everly Brothers, Little Richard and Fats Domino.

In 1988, Michael Jackson went to #1 on the US singles chart with "The Way You Make Me Feel."

In 1988, Tiffany started a two-week run at #1 on the US album chart with 'Tiffany.'

Also in 1988, Nirvana recorded a 10-song demo with Seattle producer Jack Endino. Sub Pop records boss Jonathan Poneman hears the tape and offers to put out a Nirvana single.

In 1989, James Brown was sentenced in Georgia to six years in jail in connection with a police chase through two states last September 24th. He would be granted parole three years later.

In 1990, Allen Collins guitarist from Lynyrd Skynyrd died of pneumonia after being ill for several months. Collins who was one of the founding members also co-wrote most of the band's songs (including Free Bird), with late front man Ronnie Van Zant. He survived a plane crash in 1977 that killed two other band members. Collins was behind the wheel in a car accident in 1986 that killed his girlfriend and left him paralyzed from the waist down. He later pleaded no contest to vehicular manslaughter as well as driving under the influence of alcohol.

In 1991, John Sebastian, owner and general manager of KLSK FM in Albuquerque, New Mexico, played Led Zeppelins 'Stairway To Heaven' for twenty-four solid hours to inaugurate a format change to Classic Rock. Police showed up with guns drawn: once after a listener reported that the DJ had apparently suffered a heart attack, and later because of suspicion that, this being eight days into the Gulf War, the radio station had been taken hostage by terrorists dispatched by Zeppelin freak Saddam Hussein.

In 1995, William Horton of the Philadelphia vocal group, The Silhouettes, died at the age of 65. The group topped the Billboard chart in 1958 with "Get A Job".

In 1996, White Zombie was not allowed to play a Johnson City, TN show after the city council rejected the show saying they were devil worshipers.

In 1997, 63 year old Richard Berry, who wrote The Kingsmen's "Louie Louie", died from an aneurysm while sleeping at his home in South Central Los Angeles.

In 1998, Johnny Funches, who wrote and sang lead on The Dells' 1956 million seller, "Oh What A Night", passed away at the age of 62.

In 2000, Santana started a three week run at #1 on the US album chart with 'Supernatural', the album spent a total of nine weeks at #1 during this year.

In 2001, an English coroner criticised the rap singer Eminem's lyrics as depressing during an inquest into the death of a schoolboy who threw himself in front of a train. The 17-year old boy had printed out the lyrics to Eminem's track 'Rock Bottom' before his death.

In 2005, one of the biggest charity concerts since Live Aid raised $2 million for victims of the tsunami disaster in Asia. The concert held at The Millennium Stadium, Cardiff featured Eric Clapton, Manic Street Preachers, Keane, Charlotte Church, Snow Patrol, Embrace, Feeder, Craig David and Liberty X, who appeared before 60,000 fans at the sold-out concert.

In 2002, EMI announced that it would pay Mariah Carey $28 million to end their association which was planned to last for several albums estimated at $100 million.

In 2011, former Beatles drummer Richard Starkey filed an application with the United States Patent and Trademark Office to register the name "Ringo".

birthdays today include (among others): Nick Harmer (Death Cab for Cutie) (37), Anita Pointer (Pointer Sisters) (64), Bill Cunningham (Box Tops) (62) and Robin Zander (Cheap Trick) (60)

Saturday, January 21, 2012

Michael Fremer Album Review


Sky Full of Holes
(new release)

Fountains of Wayne

Yep roc Yep 2247 180g LP

Produced by: Chris Collingwood and Adam Schlesinger

Engineered by: Geoff Sanoff

Mixed by: John Holbrook

Mastered by: George Marino at Sterling Sound

Vinyl Cut by: A. Nonymous

MUSIC


SOUND





Store Gone, Fountains Still Spew
by Michael Fremer
December 01, 2011

Named for a now defunct Northern New Jersey, Route 23 lawn furniture emporium (bought my chaise lounges there!), Fountains of Wayne has been making consistently tuneful and erudite observations about just plain folks since 1996 when they released their eponymous first album on Atlantic Records. The core was then and is now, the delightfully bratty-voiced Chris Collingwood and his multi-instrumental partner Adam Schlesinger.

But you probably already know that, having consumed with great pleasure the rest of the group's witty, melodic, easily digestible musical output. And if not, why not?

Having grown up a short Q44 bus ride away from Utopia Parkway, the group's second album and also having lived in "Hackensack," a song from the group's third album Welcome Interstate Managers I feel somehow oddly connected to these guys. I certainly share their sense of humor. But enough about me.

1999's Utopia Parkway concerned itself generally with teenaged angst, but more specifically, the awkward period of time between physically and mentally moving out of one's childhood home and establishing one's adulthood. Catchy couplets, hummable melodies and enthusiastic reviews didn't translate into huge sales and Atlantic dropped them.

They carried on with 2003's Welcome Interstate Managers containing another collection of irresistiblly tuneful tales mining with even greater precision the same subject matter, including the MILF anthem "Stacey's Mom," the inside the quarterback's head "All Kinds of Time" and the played against type sincerity of the Paul Simon-ish "Valley Winter Song." Another great album with zero filler.

It takes these guys a college education's worth of time to produce a new album, which brought about 2007's very fine but somewhat less memorable Traffic and Weather and now 2011's Sky Full of Holes.

This one finds the duo diving, not just dipping into the Difford/Tilbrook playbook, with a more acoustic flavor than usual, backed by guitarist Jody Porter and drummer Brian Young. The connection between Fountains and Squeeze's mid-tempo tunefulness has always been there, just more understated than here. Here it's upfront on the opening hilarity and chaos of "The Summer Place," a song about the comings and goings on an island vacation home and a women who "ran away (from home) back in '78," meaning the songwriting duo has trained its eyes on a forty-something instead of a twenty-something.

"Richie and Ruben" (rhymes with a partnership that don't know what its doin') concerns a duo, friends since the seventh grade, that doesn't do well in business, first with a restaurant and then a boutique. "Acela" breezily observes people on the Amtrak to Boston, while "Someone's Gonna Break Your Heart" is in the wistful, end of summer melodic mode Fountains does so well.

"Action Hero" looks at a middle-aged guy living a banal but stressed-out suburban family life who gets by imagining himself a leaper of tall buildings. In other words, the subjects have now made the jump from in-between adolescent time to full fledged adulthood. The side ends with a nostalgic look back at a couple's 1998 Caribbean vacation. No country mentioned, but sounds like Jamaica.

There's a wonderfully resigned "road song" that dips into "Valley Winter Song" territory written to the one who stayed home in which Collingwood self-deprecatingly sings "And I know that I'm no Steve Perry." As side two rolls along, the brattiness gives way to the sincerity of "Workingman's Hands" that could end up in a Home Depot commercial, followed by the equally sincere, Springsteen-ish "pick yourself up" song "Hate to See You LIke This." "Radio Bar" picks up the pace but the lyrical and musical mood is '70s nostalgic.

The "Firefight Waltz" gets downright soft and cuddly, while the album's closer, "Cemetery Guns," which contains the album title within its lyrics, indicates a profound seriousness signaling either the end of the road or a turn onto a new one for Fountains of Wayne. Either way, the album ends with a weighty sputter not a frothy flash. Fans won't want to miss this latest tuneful installment whatever it signals for the future.

The recording and mix are serviceable and well organized digital, probably Pro-Tools. Its quite listenable by today's standards but that's about it. While George Marino mastered the files, the label wouldn't pay Sterling's lacquer cutting rate and I have no idea who did the honors. The 180g pressing was excellent and the record was in a nice paper and rice paper sleeve within a well-presented jacket. A glossy one sheet presents the lyrics. The free MP3 download includes bonus material not on the album as well as a free Yep Roc musical sampler.


Thanks to Michael over at www.musicangle.com for the exclusive rights to reprint this material. Stop by MusicAngle.com for more reviews and features.

©2011 MusicAngle.com & Michael Fremer - - All rights reserved

Reprinted by Permission

Vinyl Record News & Music Notes

great article about some lost treasures being reissued!

Homespun vinyl

by CHRIS RIEMENSCHNEIDER , Star Tribune

Bringing rare albums to collectors worldwide, Secret Stash Records truly is a secret in its hometown - except to its faithful volunteers

On a recent Monday night, when most men were at home watching football, a dozen male music geeks crowded into an Uptown Minneapolis office for a three-hour volunteer work shift. Their mission: Hand-package 1,000 vinyl copies of a record that came out 41 years ago and was largely forgotten.

Welcome to the cult of Secret Stash Records.

A two-year-old Minneapolis label with an especially strong following in Europe, Secret Stash finds old, long-out-of-print albums that it reissues to rare-vinyl-seeking record nerds around the globe. Its releases have ranged from Peruvian funk to Ghanaian R&B to '70s porn-movie soundtracks.

Read the rest at startribune.com

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For the Record

Dust off your turntable. Vinyl is back.

by Jennie Wood

The Nielsen Company and Billboard released their 2011 Music Industry Report in January 2012. The report included some positive news: total album sales were up for the first time since 2004. One obvious reason was the still-rising popularity of digital music. Digital album sales broke the 100 million mark for the first time, up nearly 20% from 2010. Three genres, Jazz, New Age, and Electronic, doubled their digital album sales. A second, indisputable reason for the increase in sales was Adele's blockbuster album, 21, which became the first record since Usher's Confessions in 2004 to sell more than 5 million copies in one year. A third and less obvious reason was, for the fourth consecutive year, vinyl album sales increased. In fact, more vinyl albums were purchased in 2011 than any other year since Nielsen SoundScan started keeping score.

Vinyl in a Digital Age

In 2011, vinyl album sales reached 3.9 million, up 36% from 2010. Of all those vinyl records sold, 67% were purchased at independent music stores like Chicago's Reckless Records. Having worked at Reckless since 2008, Rebecca Crawford has seen a rise in vinyl sales. When asked why she thinks vinyl sales have increased, she said, "It is primarily due to the 'digital age' of downloading music causing CDs to dramatically decrease in value. Many people will buy CDs, burn it, and then sell them back."

Crawford also said the renewed interest in vinyl was due to a younger generation discovering it for the first time.

Read more at Infoplease.com

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this from our friends at polyvinylrecords.com

Deerhoof/David Bazan Split 7"+Instant MP3 Out Now!

DeerBazan is the latest in a series of collaborative 7"s featuring guest vocalists singing self composed lyrics and vocal melodies over a Deerhoof instrumental.

Side A features David Bazan (Pedro the Lion, Headphones) on Deerhoof's "No One Asked to Dance" (from Deerhoof vs. Evil).

Side B features Bazan's re-working of the Headphones classic "Gas and Matches."

Limited edition of 2000 on clear blue vinyl.

All orders receive an INSTANT MP3 download at checkout.

Deerhoof/David Bazan DeerBazan Clear Blue 7" + Instant MP3 -- $5




Deerhoof Reveille LP+Instant MP3 Out Now!

Reveille, Deerhoof's fourth full-length, is the first to feature guitarist John Dieterich (Gorge Trio, SWAPS) -- joining Satomi Matsuzaki and Greg Saunier.

Now available for the first time on 180-gram light blue vinyl.

All orders receive an INSTANT full-album MP3 download at checkout.

Deerhoof Reveille Light Blue LP + Instant MP3 -- $14







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in an expanded music history for january 21st:

Born on this day in 1939, DJ Wolfman Jack. Master of ceremonies for the rock 'n' roll generation of the '60s on radio, and later on television during the '70s. Died of a heart attack 1/7/95.

In 1957, at Universal Recording Studios in Chicago, Chuck Berry recorded "School Day," backed by guitarist Hubert Sumlin, bassist Willie Dixon, and drummer Fred Below. The session(s) were produced by the Chess brothers – Leonard and Phil. It is one of his best known songs and is often considered a rock and roll anthem. It was first released as a single and later appeared as the lead track on Berry's first album, After School Session.



In 1957, Elvis Presley began filming his second movie, his first in color, "Loving You," co-starring Lizabeth Scott, Wendell Corey, Dolores Hart, and James Gleason.

Also in 1957, country music singer Patsy Cline was the winning contestant on "Arthur Godfrey's Talent Scouts" program on CBS-TV with her performance of "Walkin' After Midnight."

In 1959, the Kingston Trio, one of the foremost groups behind the folk music craze, receive their first Gold record for "Tom Dooley", a folk song based on the 1866 murder of a woman named Laura Foster in Wilkes County, North Carolina.

In 1964, Peter and Gordon record the Lennon / McCartney tune "A World Without Love."

It was released as their first single in February 1964, reaching number one in the UK Singles Chart in April. The song was written by Paul McCartney and attributed to Lennon–McCartney. The B-side was "If I Were You" written by Peter and Gordon. In June 1964, "A World Without Love" topped the Billboard Hot 100 in the US. It was included on the duo's debut album in the UK, and in the US on an album of the same name. It is one of two songs written by Lennon–McCartney to reach number one in the US by an artist other than the Beatles. The other is "Lucy in the Sky with Diamonds" by Elton John.

"A World Without Love" is one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll.

McCartney did not think the song was good enough for The Beatles. Prior to giving the song to Peter and Gordon, he offered it to Billy J. Kramer, who rejected it.

McCartney described John Lennon's reaction to the song: "The funny first line always used to please John. 'Please lock me away –' 'Yes, okay.' End of song." Lennon said of the song that "I think that was resurrected from the past....I think he had that whole song before the Beatles....That has the line 'Please lock me away' that we always used to crack up at."

This song was never released by the Beatles and the only known recording of the song by any member of the Beatles is the original demo of the song performed by McCartney which is now in the possession of Peter Asher.

In 1965, over 3,000 screaming fans met the Rolling Stones and Roy Orbison at Sydney Airport when they arrived for a 16 date of tour in Australia and New Zealand.

In 1966, Beatle George Harrison married his long-time girlfriend, fashion model Patti Boyd, whom he met on the set of the Beatles' first movie, A Hard Day's Night. She would leave an unfaithful Harrison in the mid-'70s and hooked up with Eric Clapton, who would write the song "Layla" about her. Those two would marry in May 1979, but split in 1988.

In 1967, Davy Jones began recording Neil Diamond's "A Little Bit Me, A Little Bit You" with studio musicians and Diamond's producer Jeff Barry. Although Jones was the only Monkee involved in the recording, it was released six weeks later as the next Monkees single and earned them their third Gold Record.

European single cover
In 1968, Jimi Hendrix recorded his version of the Bob Dylan song "All Along the Watchtower" at Olympic Studios in London. Rolling Stone Brian Jones and Dave Mason from Traffic both played on the session. The Hendrix version, released six months after Dylan's original recording, became a Top 20 single in 1968.

The Jimi Hendrix Experience began to record their cover version of Dylan's "All Along the Watchtower" on January 21, 1968, at Olympic Studios in London. According to engineer Andy Johns, Jimi Hendrix had been given a tape of Dylan’s recording by publicist Michael Goldstein, who worked for Dylan’s manager Albert Grossman. "(Hendrix) came in with these Dylan tapes and we all heard them for the first time in the studio”, recalled Johns. According to Hendrix’s regular engineer Eddie Kramer, the guitarist cut a large number of takes on the first day, shouting chord changes at Dave Mason who had appeared at the session and played guitar. Halfway through the session, bass player Noel Redding became dissatisfied with the proceedings and left. Mason then took over on bass. According to Kramer, the final bass part was played by Hendrix himself. Kramer and Chas Chandler mixed the first version of "All Along The Watchtower" on January 26, but Hendrix was quickly dissatisfied with the result and went on re-recording and overdubbing guitar parts during June, July, and August at the Record Plant studio in New York. Engineer Tony Bongiovi has described Hendrix becoming increasingly dissatisfied as the song progressed, overdubbing more and more guitar parts, moving the master tape from a four-track to a twelve-track to a sixteen-track machine. Bongiovi recalled, "Recording these new ideas meant he would have to erase something. In the weeks prior to the mixing, we had already recorded a number of overdubs, wiping track after track. [Hendrix] kept saying, ‘I think I hear it a little bit differently.’” The finished version was released on the album Electric Ladyland in September 1968. The single reached number five in the British charts, and number 20 on the Billboard chart, Hendrix's only top 20 / top 40 entry there.

Dylan has described his reaction to hearing Hendrix's version: "It overwhelmed me, really. He had such talent, he could find things inside a song and vigorously develop them. He found things that other people wouldn't think of finding in there. He probably improved upon it by the spaces he was using. I took license with the song from his version, actually, and continue to do it to this day." In the booklet accompanying his Biograph album, Dylan said: "I liked Jimi Hendrix's record of this and ever since he died I've been doing it that way... Strange how when I sing it, I always feel it's a tribute to him in some kind of way."

This version of the song appears at number 48 on Rolling Stone's 500 Greatest Songs of All Time and in 2000, British magazine Total Guitar named it top of the list of the greatest cover versions of all time. The song also had the #5 spot on Guitar World's 100 Greatest Guitar Solos.



In 1970, the Elvis Presley film 'Change of Habit' was released. It would be his last movie except for documentaries and concert films.

In 1978, the soundtrack album 'Saturday Night Fever' started a 24 week run at No.1 on the US album charts, it went on to sell over 30 million copies world wide, making it the best selling soundtrack album of all time.

In 1982, B.B. King donated his entire record collection of over 20,000 discs to Mississippi University's centre for the Study of Southern Culture.

In 1983, bassist (Ramblin' Man) Lamar Williams, of the Allman Brothers Band and Sea Level, died of lung cancer at 34.

In 1984, soul singer Jackie Wilson died aged 49. Wilson suffered a massive heart attack while playing a Dick Clark show at the Latin Casino in New Jersey on September 29, 1975, falling head-first to the stage while singing "Lonely Teardrops," and had remained in a coma until his death 8 years later.

In 1984, Yes hits number one on the Billboard Hot 100 with their only Top Ten hit, "Owner Of A Lonely Heart". It reached #28 hit in the UK.

In 1987, the Rock and Roll Hall of Fame inducts the Coasters, Eddie Cochran, Bo Diddley, Aretha Franklin, Marvin Gaye, Bill Haley, B.B. King, Clyde McPhatter, Ricky Nelson, Roy Orbison, Carl Perkins, Smokey Robinson, Muddy Waters, Hank Williams and Jackie Wilson. Bruce Springsteen inducted Roy Orbison into the Rock'n'Roll Hall of Fame.

In 1989, Bobby Brown went to #1 on the US album chart with 'Don't Be Cruel.'

In 1989, Phil Collins scored his seventh US #1 single with "Two Hearts."

In 1989, six weeks after his death Roy Orbison started a three-week run at No.1 on the UK album chart with 'The Legendary Roy Orbison' collection.

In 1989, Steve Wahrer, drummer and vocalist for the Trashmen on their 1964 hit "Surfin' Bird," died of throat cancer at the age of 47.

In 1996, Cannibal and the Headhunters lead singer Francisco Garcia died at the age of 49. The group's biggest hit was "Land Of A Thousand Dances", which reached number 30 in 1965.

In 1997, 'Colonel' Tom Parker, Elvis Presley's manager and agent died of a stroke in Las Vegas, Nevada, at the age of 87. Born Andreas van Kuijk, a Dutch immigrant who changed his name as soon as he arrived in the US, Parker never applied for a green card and feared deportation his entire life. He briefly managed country singers Eddy Arnold and Hank Snow.

Also in 1997, songwriter Jesse Levine died of kidney failure aged 58. Co-wrote, "Knock Three Times" and "Tie A Yellow Ribbon" both US & UK #1's for Dawn in the early 70's.

In 1999, blues singer/songwriter/Rock and Roll Hall of Famer Charles Brown died of congestive heart failure at age 76.

In 2002, 81 year old Peggy Lee, best known in the Rock era for her 1958 version of "Fever", passed away after suffering a heart attack at her Bel Air, California home. Lee worked with Benny Goodman, Randy Newman, Quincy Jones and was nominated for 12 Grammy Awards, winning Best Contemporary Vocal Performance for her 1969 hit "Is That All There Is?" and had charted 46 times from 1945 to 1969, ten times in the Top Ten. She had suffered a stroke in 1998 and had been battling heart disease and diabetes.



In 2010, the International Federation of the Phonographic Industry issued a statement that said global government legislation is essential to the survival of recorded music. The IFPI said that "Copyright holders cannot hope to micro-manage the behavior of every consumer" and "there is a growing threat to local artists posed by piracy."

Some of the musicians celebrating birthdays today include: Richie Havens (1941), Mac Davis (1942), Billy Ocean (1950), Chris Kilmore (Incubus) (1973) and Benjamin Moody (Evanescence) (1980)

Friday, January 20, 2012

Vinyl Record News & Music Notes


Bruce Springsteen releases new song



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looks like february is a killer month for new music releases! here a select few...

New Music Releases – February 2012

February 7

Lindsey Buckingham with Special Guest Stevie Nicks, ‘Live’ (2005) DVD
Paul McCartney, ‘Kisses on the Bottom’ (pop standards album)
Queen, ‘The Works’ (Deluxe edition)
Queen, ‘A Kind of Magic’ (Deluxe edition)
Queen, ‘The Miracle’ (Deluxe edition)
Queen, ‘Innuendo’ (Deluxe edition)
Queen, ‘Made in Heaven’ (Deluxe edition)
Van Halen, ‘A Different Kind of Truth’ (regular and deluxe editions)
Psycroptic, ‘The Inherited Repression’
Silverstein, ‘Short Songs’

February 14

Alice Cooper, ‘No More Mr. Nice Guy Live’ (2011 live album)
Todd Rundgren, ‘Todd’ (2010 live DVD)
Beneath the Massacre, ‘Incongruous’
Earth, ‘Angels of Darkness, Demons of Light II’
Goatwhore, ‘Blood for the Master’
Orange Goblin, ‘A Eulogy for the Damned’

February 21

Scorpions, ‘Get Your Sting and Blackout Live in 3D‘ (DVD)
Ten Years After, ‘Live Performance 1975′ (DVD)

February 28

Alfie Boe, ‘Alfie’ (featuring Robert Plant on ‘Song to the Siren’)
Kiss, ‘Destroyer‘ (Deluxe Edition)
Pink Floyd, ‘The Wall‘ (Experience and Immersion Editions)
UFO, ‘Seven Deadly’
Autopsy, ‘All Tomorrow’s Funerals’
Caliban, ‘I Am Nemesis’
Coldworker, ‘Doomsdayer’s Call’
Corrosion of Conformity, ‘Corrosion of Conformity’
Death, ‘Vivus!’ (Two-Disc Live Album)
Morbid Angel, ‘Illud Divinum Insanus: The Remixes’
Napalm Death, ‘Utilitarian’
Terrorizer, ‘Hordes of Zombies’

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fantastic article from down under, find the time to enjoy the records!

Records a labour of love in modern world

by: Iain Shedden

TWO weeks ago I was walking into a supermarket wearing a t-shirt with a picture of a 45rpm Motown single on the front when a lady, mid-20s approximately, came up to me and said: "Like your shirt. Is that one of those record things?"

I thought she was joking at first, but she wasn't.

It was an alarming illustration of how far we have come since the days when vinyl was an integral part of just about everyone's life.

Read the rest of this interesting article at theaustralian.com.au

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in illinois, a music store much more than the bricks and mortar....

Geneva’s Kiss the Sky serves as epicenter for local music culture

Independent shop’s future is uncertain

Geneva, IL — CDs and vinyl records lined the aisles as customers in their teens through their 60s scoured through them on a recent Wednesday at Kiss the Sky independent music store in downtown Geneva.

“I’ve been looking for this record for a long time,” said customer Erik Pertl, of Elgin, pulling out an album by rock guitarist Neal Schon.

Meanwhile, 17-year-old Kellen Maher purchased a vinyl record by the B-52s. He thinks his love of vinyl sets him apart from other teens, and he said he’s collected records long before a renewed interest began few years ago because of the indie music scene.

“I’ve had a record player my whole life,” Maher said.

This vinyl resurgence has helped keep the store in business.

The store’s owner, Steve Warrenfeltz, 59, said vinyl record sales now account for about 30 percent of his business. And that’s good for him because he said he’ll never conform to modern music media.

Customers won’t find an iPod charging station or digital downloads in his store.

Just then, three executives from the Aurora radio station The River walked in to discuss advertising with Warrenfeltz. Their suits contrasted the street clothes and rocker attire worn by many of the customers.

Something says this place is more than just a music store. This place is special. It’s a place for music lovers. It’s like a scene from the 1995 film “Empire Records.”

Read the rest at mysuburbanlife.com

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Singing legend Etta James dies at 73

By Todd Leopold, CNN

(CNN) -- Etta James, whose assertive, earthy voice lit up such hits as "The Wallflower," "Something's Got a Hold on Me" and the wedding favorite "At Last," has died, according to her longtime friend and manager, Lupe De Leon. She was 73.

She died from complications from leukemia with her husband, Artis Mills, and her sons by her side, De Leon said.  She was diagnosed with leukemia in 2010, and also suffered from dementia and hepatitis C. James died at a hospital in Riverside, California. She would have turned 74 Wednesday.

Read the rest at cnn.com

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Johnny Otis, the Godfather of Rhythm & Blues, Passes Away at 90

Johnny Otis, the man known as the Godfather of Rhythm and Blues, passed away at his home in Altadena, CA on Tuesday at the age of 90. Otis had been in poor health for some time.

Otis was born John Veliotes and grew up in a predominantly African-American neighborhood in Berkeley, CA. At the age of 18, he started playing with Count Otis Matthew's West Oakland House Rockers and, four years later, was advised to move to Los Angeles by Nat King Cole and Jimmy Witherspoon.

Read more at our friends at vintagevinylnews.com

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and in music history for january 20th:

Leadbelly (Huddie Ledbetter) was born in 1888 (died 1949)

In 1958, the management of St. Louis radio station KWK had all Rock 'n' Roll music removed from its play list. The disc jockeys gave every Rock 'n' Roll record in the station library a "farewell spin" before smashing it to pieces. The station manager, Robert T. Convey felt that Rock 'n' Roll had dominated the airwaves long enough and called the action "a simple weeding out of undesirable music."

In 1958, Rick Nelson started a two-week run at #1 on the Billboard album chart with "Ricky", which featured his hit single "Be-Bop Baby".

Also in 1958, Capitol Records releases the original cast recording of "The Music Man", which will occupy the #1 spot on the Billboard album chart for twelve weeks and remain in the Top 200 for a total of 245 weeks.

In 1964, Capitol Records released the album 'Meet the Beatles.'

Meet The Beatles! is the second Beatles' album released in the United States, despite the "first album" claim on its cover. It was the first Capitol Records Beatles album, issued in both mono and stereo. Capitol is a sister company to Parlophone, the Beatles' British label, and both are subsidiaries of EMI.

Meet The Beatles! opens with the December 1963 Capitol single "I Want to Hold Your Hand"/"I Saw Her Standing There", and the B-side "This Boy" from the original November 1963 Parlophone single of "I Want to Hold Your Hand". It contains many of the tracks from the earlier British album With The Beatles and shares the same cover photograph. However, "You Really Got a Hold On Me", "Devil in Her Heart", "Money (That's What I Want)", "Please Mister Postman" and "Roll Over Beethoven" were omitted from Meet The Beatles! and released on the next Capitol album, The Beatles' Second Album.

The cover featured Robert Freeman's portrait that was used for the U.K. With The Beatles release with a tinted blue hue added to the original, stark black-and-white photograph.

"Meet The Beatles!" reached the number one spot on Billboard album charts starting on February 15th, 1964. It remained at number one for an impressive 11 weeks before being replaced by "The Beatles' Second Album"; the first time that an artist replaced itself at the number one album position.

In 2003, Meet The Beatles! was ranked number 59 on Rolling Stone magazine's list of the 500 greatest albums of all time.

Side One
1. "I Want To Hold Your Hand" (Lennon-McCartney)
2. "I Saw Her Standing There" (Lennon-McCartney)
3. "This Boy" (Lennon-McCartney)
4. "It Won't Be Long" (Lennon-McCartney)
5. "All I've Got to Do" (Lennon-McCartney)
6. "All My Loving" (Lennon-McCartney)

Side Two
1. "Don't Bother Me" (George Harrison)
2. "Little Child" (Lennon-McCartney)
3. "Till There Was You" (Meredith Willson)
4. "Hold Me Tight" (Lennon-McCartney)
5. "I Wanna Be Your Man" (Lennon-McCartney)
6. "Not a Second Time" (Lennon-McCartney)



1965 Dutch picture sleeve

In 1965, the Byrds recorded "Mr. Tambourine Man."

The master take of "Mr. Tambourine Man" was recorded on January 20, 1965, at Columbia Studios in Hollywood, prior to the release of Dylan's own version. The song's jangling, melodic guitar playing (performed by McGuinn on a 12-string Rickenbacker guitar) was immediately influential and has remained so to the present day. The group's complex harmony work, as featured on "Mr. Tambourine Man", became another major characteristic of their sound. Due to producer Terry Melcher's initial lack of confidence in The Byrds' musicianship, McGuinn was the only Byrd to play on "Mr. Tambourine Man" and its B-side, "I Knew I'd Want You". Rather than using band members, Melcher hired The Wrecking Crew, a collection of top L.A. session musicians, who (with McGuinn on guitar) provided the backing track over which McGuinn, Crosby, and Clark sang. By the time the sessions for their debut album began in March 1965, however, Melcher was satisfied that the band was competent enough to record its own musical backing.

The Byrds' recording of the song opens with a distinctive, Bach-inspired guitar introduction played by McGuinn and then, like Dylan's version, goes into the song's chorus. Although Dylan's version contains four verses, The Byrds only perform the song's second verse and two repeats of the chorus, followed by a variation on the song's introduction, which then fades out. The Byrds' arrangement of the song had been shortened during the band's rehearsals at World Pacific Studios in 1964, at the suggestion of Jim Dickson, in order to accommodate commercial radio stations, which were reluctant to play songs that were over two-and-a-half minutes long. Thus, while Dylan's version is five-and-a-half minutes long, The Byrds' runs just short of two-and-a-half minutes. The lead vocal on The Byrds' version of "Mr. Tambourine Man" was sung by McGuinn, who attempted to modify his singing style to fill what he perceived as a gap in the popular music scene of the day, somewhere between the vocal sound of John Lennon and Bob Dylan. The song also took on a spiritual aspect for McGuinn during the recording sessions, as he told The Byrds' biographer Johnny Rogan in 1997: "I was singing to God and I was saying that God was the Tambourine Man and I was saying to him, 'Hey, God, take me for a trip and I'll follow you.' It was a prayer of submission."





In 1965, Alan Freed, who many credit with coining the term "Rock and Roll", died at the age of 43. Freed was a Cleveland disc jockey who started promoting dances that featured the top artists of the day, including, Chuck Berry, Fats Domino and Jerry Lee Lewis. After moving to New York and appearing in some teen movies, he was caught up in the payola scandal of 1959 for accepting money for playing certain records on his radio show. Before his death, he was virtually broke and fighting charges of tax evasion. It was a sad end for one of Rock and Roll's most important pioneers.

Also in 1965, the Rolling Stones and the Kinks make their first appearance on ABC-TV's Shindig! Also appearing were the Dave Clark Five, Petula Clark, Bobby Vee, Bobby Sherman and Gerry And The Pacemakers.

In 1966, in San Francisco, promoter Bill Graham held a three-day "Trips Festival" at Longshoremen's Hall, featuring the Grateful Dead, Big Brother and the Holding Company, and Ken Kesey and the Merry Pranksters.

In 1968, John Fred's "Judy In Disguise (With Glasses"), a song title inspired by the Beatles "Lucy In The Sky With Diamonds", knocked the Fab Four's "Hello Goodbye" out of Billboard's top spot. It reached #3 in the UK.

In 1972, Pink Floyd premiered Dark Side of the Moon during a concert in Brighton, England.

In 1973, Jerry Lee Lewis was booked to play the Grand Ole Opry on the condition that he would stick to Country and Western tunes only. Jerry did just that for a while, but eventually broke into his old Rock hits from the 50's, while swearing up a storm. He proclaimed, "I am the rock and rollin', country and western, rhythm and blues singin' motherf***er."

In 1982, Ozzy Osbourne bit the head off of what he thought was a plastic bat thrown at him during a concert in Des Moines. The bat turned out to be real and Ozzy later went through a series of injections against rabies.

In 1988, the Beach Boys, the Beatles, the Drifters, Bob Dylan, Berry Gordy, Jr., Woody Guthrie, Leadbelly, Les Paul and the Supremes are inducted into the Rock and Roll Hall of Fame during ceremonies at New York's Waldorf Astoria. During the Beach Boys acceptance speech, vocalist Mike Love insulted just about everybody in the music business, including Paul McCartney, Diana Ross, Bruce Springsteen and Mick Jagger.

In 1999, Bill Albaugh, drummer for The Lemon Pipers on their 1967 US #1 single "Green Tambourine", died at the age of 53.

In 2000, bassist Ray Jones of Billy J. Kramer With The Dakotas died at the age of 60.

birthdays today include (among others): Rob Bourdon (Linkin Park) (33), Greg Kriesel (Offspring) (47), Rick Evans (Zager & Evans) (69), Slim Whitman (88), Ian Hill (Judas Priest) (61) and Paul Stanley (Kiss) (60)

Thursday, January 19, 2012

Vinyl Record News & Music Notes

in yesterday's post I made a mistake with a link, here is the correct link to see the story A Dead Format? written by Sammi Chichester from mindequalsblown.net  sorry about that folks........

very impressive article, well worth the read. not sure if everyone who buys vinyl is an audiophile, i don't consider myself one. hey, if you play your 45s on your grandmother's old suitcase-style turntable and you enjoy your music, that is what it is all about......

A Dead Format?

by Sammi Chichester

For what many may think is a dead format, the fact is that sales of vinyl records are increasing year after year. Nielsen SoundScan projects vinyl in 2011 to have a 25 percent increase in sales from the
previous year. But how much is really sold, who buys it, and why?

For perspective, Nielsen has reported about 1 million vinyl sales every year in the past decade stating in 1995. Then in 2008, sales jumped to 2 million and then another half million the following two years.

The projections show this year to have a total finishing sale of 3.6 million, including many from top-selling artists such as Radiohead, Foo Fighters and Mumford & Sons. While it is true that digital downloads account for more than half of all music sales, the June mid-year report by Nielsen showed 155 million records were sold in all formats. Rock is the most popular genre with 52 million sales and rock’s close partner genre, alternative, makes up another 27 million in sales. “About 93 of the 100 best selling vinyl albums in 2011 fall within the rock or alternative genres,” the report states.

Even if vinyl records only account for about 2 percent of the music industry’s sales, the trend cannot be ignored because of one of the final statements worth noting – “Two out of every three vinyl albums are purchased at an independent music store.”

Please read the rest at mindequalsblown.net

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BRUCE SPRINGSTEEN TO RELEASE NEW STUDIO ALBUM 'WRECKING BALL' ON MARCH 6

Bruce Springsteen's new album 'Wrecking Ball' has been set for March 6 release on Columbia Records. Marking his 17th studio album, 'Wrecking Ball' features 11 new Springsteen songs and was produced by Ron Aniello with Bruce Springsteen and executive producer Jon Landau. A special edition of 'Wrecking Ball' will also be available and include two bonus tracks and exclusive artwork and photography.

'Wrecking Ball' Song Titles:
1.We Take Care of Our Own
2.Easy Money
3.Shackled and Drawn
4.Jack of All Trades
5.Death to My Hometown
6.This Depression
7.Wrecking Ball
8.You've Got It
9.Rocky Ground
10.Land of Hope and Dreams
11.We Are Alive



Said long-time manager Jon Landau, "Bruce has dug down as deep as he can to come up with this vision of modern life. The lyrics tell a story you can't hear anywhere else and the music is his most innovative in recent years. The writing is some of the best of his career and both veteran fans and those who are new to Bruce will find much to love on 'Wrecking Ball.'"

Bruce Springsteen will make an appearance as the keynote speaker at SXSW 2012. Bruce Springsteen and the E Street Band will be touring extensively in the US and Europe in 2012. 

'Wrecking Ball' is available for pre-order now Wrecking Ball (Vinyl LP)

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something we all know, glad it is being recognized!!

Two-Thirds of All Vinyl Records Are Sold at Indie Record Stores

According to stats recently shared with Digital Music News by Nielsen Soundscan, more than two-thirds (or 67 percent) of all vinyl albums in the US were sold by indie record stores last year. And this is a booming niche: last year, vinyl sales reached 3.9 million units, the biggest mark in two decades and a 39 percent gain over 2010. That's still about one-percent of broader album sales, but a rare example of growth in the physical category.

All of which raises a major problem: vinyl is on a serious comeback, but the main driver of those sales is drying up. Last year, neighborhood fixtures like Atlanta-based Criminal Records were threatened with shutdown, and even bigger outlets like Amoeba Records are struggling to find their footing.

In 2010, indie retailers accounted for an even more impressive 71 percent of all vinyl sales in the

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Legacy Recordings Commemorates Janis Joplin's Birthday With Announcement of The Pearl Sessions

Definitive Two-Disc Edition of Janis Joplin's Farewell Album Masterpiece Debuts Newly Discovered Studio Outtakes, Banter & Rarities Including Nine Previously Unavailable Tracks

Janis Joplin - The Pearl Sessions Available Everywhere Tuesday, April 17, 2012

NEW YORK, Jan. 19, 2012 /PRNewswire/ -- On the occasion of Janis Joplin's birthday (January 19), Legacy Recordings is proud to announce the upcoming release of The Pearl Sessions, a newly-curated definitive two-disc edition of Joplin's final studio album premiering, for the first time, newly discovered studio outtakes, live performances and other sonic rarities recorded during her dynamic last chapter of accelerated tumult and creativity.

Originally released on January 11, 1971 (three months after her passing on October 4, 1970), Pearl debuted Joplin's final finished studio recordings as well as intimations of what the influential American country-soul-blues-rock singer was capable of delivering.

The only album Joplin ever recorded with the Full Tilt Boogie Band, the touring ensemble that had backed her on the Festival Express (a mythic 1970 concert tour by railroad across Canada with the Grateful Dead, the Band and others), Pearl included canonical studio recordings of songs that had been introduced to audiences on tour.

Peaking at #1 on the Billboard 200, a position it held for nine weeks, Pearl included some of Janis's most familiar and best-loved performances including her cover of Kris Kristofferson's "Me and Bobby McGee" and her off-the-cuff a cappella "Mercedes Benz."

When putting together material for a 40th anniversary edition of Pearl, researchers discovered a treasure-trove of previously uncatalogued audio tapes from the album's sessions, produced by Paul Rothschild. An industry legend, perhaps best-known for producing the first five Doors albums, Rothchild further solidified his position in music history with his work on Pearl.

The Pearl Sessions brings together, for the first time in one package, the original mono versions of the album's 45s alongside the original LP tracks as well as the revelatory newly-discovered alternate versions, outtakes and vocal takes of Pearl's classic tracks.

The Pearl Sessions includes newly discovered recordings of Janis in the studio, joking with producer Paul Rothchild and her Full Tilt Boogie bandmates as they work through what would become an essential part of Janis Joplin's core catalog.

Disc One of The Pearl Sessions includes the original album as well as the original mono singles from the album ("Cry Baby," "Get It While You Can," "Me and Bobby McGee").

Disc Two is a collection of behind-the-scenes recordings illuminating the Pearl sessions with highlights and insights revealed in candid studio dialogue, song demos and alternate takes including nine previously unissued tracks.

Janis Joplin - The Pearl Sessions

DISC ONE:
The Pearl Album - produced by Paul Rothchild
Move Over
Cry Baby
A Woman Left Lonely
Half Moon
Buried Alive In The Blues
My Baby
Me and Bobby McGee
Mercedes Benz
Trust Me
Get It While You Can

Bonus Tracks - the Mono Single Masters - produced by Paul Rothchild
Me and Bobby McGee
Half Moon
Cry Baby
Get It While You Can
Move Over
A Woman Left Lonely

DISC TWO:
The Pearl Sessions & more...
Overheard in the Studio...
Get It While You Can (take 3) - previously unissued
Overheard in the Studio...
Get It While You Can (take 5) - previously unissued
Overheard in the Studio...
Move Over (take 6) - previously unissued
Move Over (take 13) - previously unissued
Move Over (take 17) - previously unissued
Me and Bobby McGee (demo version)
Me and Bobby McGee (take 5 - alternate) - previously unissued
Cry Baby (alternate version)
A Woman Left Lonely (alternate vocal)
Overheard in the Studio...
My Baby (alternate take) - previously unissued
Overheard in the Studio...
Get It While You Can (take 3) - previously unissued
My Baby (alternate take)
Pearl (instrumental) - Full Tilt Boogie Band

Bonus Track
Tell Mama (Live) - June 28, 1970 - Toronto

The release of The Pearl Sessions marks a renewed focus on Janis Joplin and the continuing influence of her music. Columbia/Legacy Recordings recently announced the release of Live at the Carousel Ballroom 1968, a previously unavailable live concert recording of Big Brother and the Holding Company featuring Janis Joplin, recorded June 23, 1968 by legendary soundman Owsley Stanley, a/k/a "Bear," who supervised the mastering of this release before his fatal car accident on March 12, 2011, in his adopted homeland of Australia. Dedicated to Bear, the album will be released on March 13, 2012, marking the one-year anniversary of his passing.

Pre-Order Your Copy Today!

SOURCE Legacy Recordings

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this from our friends at vinylcollective.com

Two Fun. Albums on Vinyl Feb 21

Fueled by Ramen and Nettwerk Records will be issuing their Fun. releases on vinyl February 21. The Nettwerk release, “Aim and Ignite” will be pressed on a deluxe double lp, embossed metallic gatefold with an etched picture disc. Fueled by Ramen will release “Some Nights” on a 180 gram vinyl which includes the CD. Pre order is up now!

Fun. – Some Nights LP

Fun. – Aim and Ignite 2XLP






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love this cover.....

LECHEROUS NOCTURNE: 'Behold Almighty Doctrine' Artwork Unveiled

South Carolina-based extreme metal band LECHEROUS NOCTURNE has set "Behold Almighty Doctrine" as the title of its third album, due later in the year via Unique Leader Records. The CD was recorded at SoundLab Studio in Lexington, South Carolina with longtime engineer Bob Moore.

Read more at Blabbermouth
















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oh, this cover art won't turn some heads....

Soulfly Reveal Artwork for New Album

Soulfly have just unveiled the album art for their new full-length album called 'Enslaved.' It is the band's eight studio effort and is scheduled for release on March 13 on Roadrunner Records. The album was recorded at Tallcat Studios in Phoenix, Arizona and was produced by Zeuss (Shadows Fall, Hatebreed.)


















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STRAPPING YOUNG LAD Vinyl Box Set On The Way

Finnish extreme metal non-profit Blood Music has announced an incredibly long-overdue vinyl worship session of every last bit of STRAPPING YOUNG LAD's music one could ever ask for.

The monstrous limited edition 7xLP box set discography will contain all five STRAPPING YOUNG LAD full-lengths, as well as extra vinyl dedicated to the band's non-album material, plus other special gifts yet to be announced.

The genre-busting Canadian industrial/death band has never seen their seminal albums "Heavy as a Really Heavy Thing", "SYL" nor "The New Black" touch wax before. Their other two records — "City" and "Alien" — were pressed in ultra-limited numbers of 500 copies only and sold out within months of their release.

Get more information at our friends at Blabbermouth

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what a trip, love to visit.......

The Rock and Roll Hall of Fame and Museum Announces Its Newest Featured Exhibit: Grateful Dead: The Long, Strange Trip

CLEVELAND, Jan. 19, 2012 /PRNewswire/ -- The Rock and Roll Hall of Fame and Museum is proud to present a major exhibition devoted to a truly unique American rock and roll band, Grateful Dead: The Long, Strange Trip. The exhibit will open to the public on Thursday, April 12, as a part of the 2012 Rock and Roll Hall of Fame Induction Week events. The Mickey Hart Band, featuring the Grateful Dead drummer, will perform on the Rock Hall's Main Stage for an exhibit opening event on Wednesday, April 11.

"The Grateful Dead is a band that is identified with a remarkable era in American history, and, inasmuch as they embody that era, their work is timeless," says Jim Henke, vice president of Exhibits and Curatorial Affairs. "They've inspired many performers and bands, but none has exhibited their musical depth and cultural resonance. In a 30-year career, this group wrote their own rules and created a community unlike any band before or since."

Grateful Dead: The Long, Strange Trip explores the band from a non-linear point of view. Individual sections within the exhibit will be devoted to Grateful Dead as a recording group and a touring band, the fans who devotedly followed them, tapers and fellow travelers (people who were important to the band). It will include finished and working manuscripts for classic songs, handwritten notes from legendary taper Dick Latvala, artifacts from original sound designer Owsley "Bear" Stanley, and promoter Bill Graham's Father Time robe and Grateful Dead Hotline answering machine.

Art and design have always been closely associated with Grateful Dead, and this exhibit will include an unprecedented collection of original artwork that is immediately recognizable from the band's album covers and posters. It will feature numerous instruments used by the Grateful Dead over the years, including keyboards, drums, percussion, guitars and elements from the legendary Wall of Sound PA system. The Grateful Dead Archive at the University of California-Santa Cruz has loaned a significant number of items from their extraordinary collection, which will open to the public in spring 2012.

Additional highlights include:
•Five Jerry Garcia guitars, including his Travis Bean TB5
•Mickey Hart's custom-painted drum kit
•Two Bob Weir guitars, including his first Ibanez "cowboy" custom guitar
•Several original lyric manuscripts, including "Truckin'," "Box of Rain" and "Sugaree"
•Several original Grateful Dead-related artworks, including images from Workingman's Dead, Without a Net and Fillmore Auditorium poster art
•Bill Graham's "Father Time" robe

Formed in Palo Alto, California, in 1965 from a previous incarnation as a bar band called the Warlocks, the Grateful Dead were at the epicenter of the sweeping cultural event that was San Francisco in the Sixties. Their music was informed by a diverse set of influences – contemporary classical composition, bluegrass, rhythm & blues, free jazz, rock and roll and the blues. Fueled by a cultural underground of writers, poets and bohemians that stretched from Oakland and Berkeley in the East Bay to Palo Alto on the peninsula, the Grateful Dead developed an ethos that embraced true artistic pursuits over commercial concerns, improvisation over rote arrangements and mind expansion through the use of psychedelic drugs.

At the exhibit opening event on the 11th, Mickey Hart Band will perform new songs from his forthcoming album to be released this spring as well as Grateful Dead classics. Hart will be touring this spring in support of his new album which he told Rolling Stone features samples of "light waves from the cosmos, starting 13.7 billion years ago with the Big Bang."

This exhibit will be open through December 2012.

SOURCE The Rock and Roll Hall of Fame and Museum

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and in music history for today, january 19th:

The legendary Janis Joplin was born today in 1943 (died in 1970).



In 1959, the Platters reach the number one spot on the US Pop chart for the fourth time with "Smoke Gets In Your Eyes," a ballad that was written by Otto Harbach and Jerome Kern in 1933. The record will top the UK chart next month.

In 1963, the Beatles make their first ever TV appearance on the UK TV show Thank Your Lucky Stars, where they perform their current #45 hit, "Please Please Me."

In 1967, the Monkees were at #1 on the U.K. singles chart with “I’m a Believer,” the group’s only UK #1.

In 1967, at EMI's Abbey Road Studios in London, the Beatles began recording "A Day In The Life," which had the working title "In the Life of..." The basic track was refined with remixing and additional parts added at recording sessions the next day and on February 3. The track was completed with the recording of the orchestral part on February 20. The total length of time spent recording "A Day in the Life" was 34 hours. By comparison, their first album, "Please Please Me," was recorded in its entirety in just 10 hours.

The song is the final track on the group's 1967 album 'Sgt. Pepper's Lonely Hearts Club Band.' Credited to Lennon–McCartney, the song comprises distinct segments written independently by John Lennon and Paul McCartney, with orchestral additions. While Lennon’s lyrics were inspired by contemporary newspaper articles, McCartney’s were reminiscent of his youth. The decisions to link sections of the song with orchestral glissandos and to end the song with a sustained piano chord were made only after the rest of the song had been recorded.

The supposed drug reference in the line "I’d love to turn you on" resulted in the song initially being banned from broadcast by the BBC. Since its original album release, "A Day in the Life" has been released as a B-side, and also on various compilation albums. It has been covered by other artists including Sting, Bobby Darin, The Fall, Neil Young, Jeff Beck, The Bee Gees, Robyn Hitchcock, Phish and since 2008, by McCartney in his live performances. The song is frequently listed among the greatest songs ever written.



In 1971, at the Charles Manson murder trial for the murder of actress Sharon Tate and four others, several tracks from the Beatles' "White Album," including "Helter Skelter," were played as prosecutors attempted to find out if any of the songs could have influenced Manson and his followers to commit murder. At the scene of one of the gruesome murders, the words "helter skelter" were written on a mirror.

Also in 1971, during court proceedings held to dissolve The Beatles' partnership, Ringo testifies under oath that "Paul behaved like a spoiled child."

In 1974, a song called "Show and Tell" by Al Wilson overcame all odds and rose to the top spot on the Billboard Hot 100. The tune had failed to become a hit for Johnny Mathis and was relegated to the "B" side of Wilson's single, but still ended up selling over three million copies and had a chart run of sixteen weeks.

In 1974, Black Oak Arkansas appeared at Kent State University, Kent, Ohio. Support act was Bruce Springsteen. Tickets cost $4.

In 1976, American promoter Bill Sargent issues a $30 million offer to The Beatles to re-unite for one show. He proposes that the band play together for at least twenty minutes at any venue they choose on July 5th. The former members of the group wasted no time in turning him down, but Sargent would later say that he was shocked by the refusal.

In 1978, Johnny Rotten was fired from the Sex Pistols for “not being weird enough anymore.”

In 1980, Pink Floyd’s The Wall started a 15-week run at #1 on the US album chart. The group’s third US #1, it went on to sell more than 8 million copies.

In 1993, an inaugural concert was held in Landover, Maryland to honor President-elect Bill Clinton. Aretha Franklin sings "I Have A Dream" and Fleetwood Mac perform "Don't Stop", a tune that the Clinton campaign used as their theme song. Others appearing were Michael Jackson, Judy Collins, Chuck Berry, Michael Bolton and Little Richard.

In 1994, Paul McCartney inducts John Lennon into the Rock and Roll Hall of Fame, saying "The thing you must remember is, that I'm the number one John Lennon fan. I love him to this day and I always did love him."

In 1998, rock 'n' roll pioneer Carl Perkins died of stroke related causes at the age of 65. Carl wrote and recorded "Blue Suede Shoes" which went to number 2 for him in 1956, selling 2 million copies. The Elvis Presley version topped out at number 20 the same year. Alcoholism and a car accident kept Perkins from fulfilling his full potential, as he never reached the US Top 40 again.

In 2006, soul singer Wilson Pickett died in hospital near his Ashburn, Virginia, home of a heart attack at age 64. Pickett recorded the soul classics “Mustang Sally,” “Everybody Needs Somebody to Love” and “In the Midnight Hour” plus he scored 15 other US Top 40 singles.



In 2007, Canadian singer songwriter and former Mamas and the Papas singer Denny Doherty died at the age of 66. He died at his home near Toronto, Canada, after a short illness.

In 2008, singer-songwriter John Stewart, who wrote the Monkees hit “Daydream Believer,” died at age 68 after he suffered a massive stroke or brain aneurysm in San Diego. Stewart was a member of folk group The Kingston Trio and went on to record more than 45 solo albums with his biggest solo success being a U.S. top five single, “Gold,” in 1979.

birthdays today include (among others): Phil Everly (Everly Brothers) (73), Joe Butler (Lovin' Spoonful) (71), Martha Davis (Motels) (61), Dolly Parton (66), Dewey Bunell (America) (60), Ricky Wilson (Kaiser Chiefs) (34)