Let's continue our look at controversial, weird, the worst and the best album cover art as compiled by the crack staff at Gigwise.com:
Controversial
33. The Black Crowes: ‘Amorica’ Oh, no..is that really pubic hair? Never mind that we all have it, it just can't been seen on an album cover- have they no shame?
Amorica is the third album by The Black Crowes. It was released in late 1994 on American Recordings and re-issued in the USA and UK in 1998, with two added bonus tracks. The album cover's depiction of pubic hair, from a 1976 United States Bicentennial issue of Hustler magazine, caused controversy. The record company ended up putting out an alternative cover that blacked out the offending image.
-------------------------------------------------------------------------------------
Weird
33. Little Feat: 'Down On The Farm' Wow, what a great looking duck, probably be better roasted, although the tiger in the background may have the same idea.
Down on the Farm is the seventh studio album by the American rock band Little Feat, released in 1979. It was also their last original work for nine years. The band announced their break-up in June 1979 during the making of the album, and a fortnight later the band's founder and guiding light Lowell George died from a heart attack brought on by years of overindulgence. Feat would reform in 1988.
The cover shows one of Neon Park's several duck-girls - an allusion to "The Finishing Touch" by painter Gil Elvgren. Neon Park was an American artist and illustrator, best known for the images that have strongly defined covers for nearly every Little Feat album. He is also known for the infamous cover of Weasels Ripped My Flesh for Frank Zappa, as well as covers and graphics for David Bowie, Dr. John, and the Beach Boys. Illustrations for Playboy, National Lampoon, Glass Eye, and Dreamworks are also among his claims to fame.
-------------------------------------------------------------------------------------
Worst
33. Michael Jackson – ‘Bad’ Bad is what I think about the Manchild, but millions adored him and still do. With the industry expecting another major hit, Jackson's first album in five years, Bad (1987), was highly anticipated. Bad had lower sales than the previous blockbuster Thriller, but was still a significant commercial success. In the US, it spawned seven hit singles, five of which ("I Just Can't Stop Loving You", "Bad", "The Way You Make Me Feel", "Man in the Mirror" and "Dirty Diana") went to number one on the Billboard Hot 100 charts, more than any other album. The album sold over 25 million copies worldwide, and shipped eight million units in the US.
I'll let Michael explain a bit about himself:
"Why not just tell people I'm an alien from Mars. Tell them I eat live chickens and do a voodoo dance at midnight. They'll believe anything you say, because you're a reporter. But if I, Michael Jackson, were to say, "I'm an alien from Mars and I eat live chickens and do a voodoo dance at midnight", people would say, "Oh, man, that Michael Jackson is nuts. He's cracked up. You can't believe a damn word that comes out of his mouth".
—Michael Jackson
Thanks Michael, that explains it all.
-------------------------------------------------------------------------------------
Best
33. Pink Floyd: ‘The Division Bell’ Nice artwork, but not on my list of top 50. The Division Bell is the final studio album by Pink Floyd, released in 1994 (30 March in the United Kingdom and 5 April in the United States), and the second album without original bassist Roger Waters. It was recorded at a number of studios, including guitarist/vocalist David Gilmour's houseboat studio called The Astoria. It went to #1 in the UK and debuted at the top of the U.S. Billboard 200 album charts in April 1994, spending four weeks as the top album in the country. By contrast, Pink Floyd's previous album, A Momentary Lapse of Reason, had peaked at #3. The Division Bell was certified Gold, Platinum, and Double Platinum in the U.S. in June 1994 and Triple Platinum in January 1999. Its release was accompanied by an extremely successful tour documented in the P•U•L•S•E album released the following year.
The cover artwork, by long-time Pink Floyd collaborator Storm Thorgerson, shows two metal head sculptures sculpted by John Robertson, each over three metres tall and weighing 1500 kilograms. They were placed in a field in Cambridgeshire and photographed under all weather and lighting conditions over a two-week period, sometimes with visual effects such as lights between them. Ely Cathedral is visible in the background, as are lights (actually car headlights on poles), shown through the sculptures' mouths. Rumours circulated at the time of the photography that they were in excess of 20 metres high; this was not true. The sculptures are now in the Rock and Roll Hall of Fame in Cleveland, Ohio.
The cover photograph is slightly different on each format, and between the United States Columbia and British EMI releases. The Braille writing on the EMI CD jewel case spells Pink Floyd.
Additional album artwork. Two additional 7.5 metres tall stone head sculptures were made by Aden Hynes and photographed in the same manner; although they do not appear in the CD artwork, they appeared on the cassette cover, and can be seen in the tour brochure and elsewhere.
The artwork inside the lyric booklet revolves around a similar theme, except the heads are made up of various other objects, such as newspapers ("A Great Day for Freedom"), coloured glass ("Poles Apart"), and boxing gloves ("Lost for Words"). Pages two and three portray a picture from La Silla observatory.
Friday, September 26, 2008
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment