by Storm Thorgerson & Audrey Powell
You have definitely seen the album art of Hipgnosis, the now-revered British design group that created the art for most of your favorite classic records of the 1970s. Houses Of The Holy, Dark Side Of The Moon — both theirs.
Much has been published about the work of Hipgnosis’ co-founders Storm Thorgerson and Aubrey Powell, whose photography backgrounds fueled their work. However, For The Love of Vinyl documents over 60 of their projects in detail — offering insight into the environment in which these works were produced. These histories are often as interesting as the album art.
The founders write in the introduction:
Most the work in [For The Love of Vinyl] was executed in Denmark Street, where we had a makeshift studio and a smelly but serviceable darkroom. The great virtues of Denmark Street were its central location, its cheapness, and its funky setting amongst guitar shops and rehearsal rooms in a maze of back alleys.
Contributor Adrian Shaughnessy writes:
Aubrey Powell recalls the moment Johnny Rotten — the king of artful-dodger pop — and his manager (Malcom McLaren) turned up on Denmark Street. “The music that inched out of their thick studio door clashed horribly with the delicate harmonies of Crosby, Stills & Nash emanating from ours. Daily, I sensed a malignant attitude in McLaren’s mission — we were out, they were in.”
McLaren’s Sex Pistols helped usher in a new sound, putting many of Hipgnosis’ clients out of work. In 1982, the graphic design agency closed.
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Artwork from Wish You Were Here by Pink Floyd.
To the record company’s surprise, in 1975, Hipgnosis wrapped Wish You Were Here, Pink Floyd’s follow-up to the wildly successful Dark Side of the Moon, in opaque black plastic.
Below, Powell discusses For The Love of Vinyl.
I have the book and it is full of great artwork and the stories behind the scenes and is a great addition to your bookself or coffe table. Buy your copy of this fantastic look at the history of album cover art:
SOURCE: http://www.alarmpress.com
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