Title – Double Nickels on the Dime
Format – 2x Vinyl LP
Label – SST
Year – 1984
A few years ago I kept reading how groundbreaking and influential Double Nickels on the Dime was so I downloaded the album (naturally). I tried to listen to it but couldn’t really get into the music for some reason. The short, quirky, directionless songs didn’t do anything for me, with the exception of “Corona”, which anyone can immediately recognize as the Jackass theme. Recently, I picked the vinyl version up on a whim and gave it another shot. Now I finally get it. The reason I didn’t like this album on MP3 was cause I kept skipping around between tracks, looking for something that I instantly liked. Double Nickels does not work that way. The record has to be taken as a whole, with the good songs nestled among the weak and forgettable. Listening to it on vinyl makes shuffling around the tracks practically impossible, forcing you to groove on the gestalt. And that goes for any record regardless of genre, which is yet another advantage of the almighty LP.
I’ll leave you this link to Wikipedia for all the background about the band and the record because they summarize it much better than I can, and it’s not really relevant to the audio review. I will say that for a band that “jams econo”, the production on Double Nickels is uncharacteristically great. Great in the sense that there isn’t really any production to speak of, no effects or multitracking or anything, just a solid analog recording of the band doing their thing. The tracks run together with little gap between, which is totally intentional and give the impression of an extended jam session. I noticed quickly that the soundstage is kind of compressed and cramped, but it seems to open up as the album progresses. Hurley’s drums and Watt’s bass burst out of the speakers without assaulting my ears to the point of annoyance. Quieter acoustic guitar portions are well defined and natural, with humanizing string squeak and a good sense of dynamics. D. Boon’s vocals are satisfactory in the acoustic sense, but the lyrics are mostly just stoned ramblings with a few trenchant insights sprinkled in.
The album’s packaging ain’t bad, a nice gatefold sleeve with barely legible lyrics on the back and some band pics plus Raymond Pettibon artwork on the inside. Double albums always have beefy spines that look good on a shelf, so much so that i’ve encountered records that are only a single disc but put in double packaging anyway (like the Plain Records re-release of Loveless).
Double Nickels on the Dime proved that punk rock could be more than just power chords and blastbeats. Get this record for the noteworthiness but also for a true vinyl experience. Drop the needle, ingest your intoxicant of choice (optional) and take an engrossing ride that tosses you between genius and garbage. Amazon has this sucker in a warehouse just waiting to be raked with a microscopic piece of diamond, all for the low-ass price of thirteen bucks!
Music – B+
Sound – A
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