A long time ago (1985), my buddy called me up and said he had set us up for a gig, a one-time, set up/roadie for the legendary rock band KISS. Now, I was thrilled, I love a great rock and roll show and quickly accepted the offer.
So off we went, it was Sunday, Easter Sunday in fact, and the reason we were hired is because the road crew had the day off. We get there at 10:00 a.m. and were put right to work. Six semi-trucks full of equipment, including the large KISS sign, dressing room furniture, monitors, speakers, and various musical equipment-it was a daunting task even for this motley crew. But, we had plenty of help and the set up was finished by 3:00 p.m. for the eight o'clock show. We had the choice of sticking around and watching the show or leaving and coming back to tear down.
We decided to stay (who wouldn't with backstage passes?) and when we went in to eat dinner (they had the food catered in), that is where I met Paul Stanley. He came and sat right next to me (my buddy was across the table) and we had a wonderful conversation; he was a very engaging and personable guy. I did not get to meet Gene Simmons or the rest of the band, but we were told to leave the band alone, and being a veteran roadie, I could understand and comply by these rules; they have enough to worry about.
So the show went on, very loud and the crowd loved them. A band called King Kobra was the opening act (Carmen Appice was on the drums). KISS played all their great songs and really rocked the little civic center (it was in Hammond, Indiana). We tore down and got done by about 5 a.m. and were then paid. What a truly wonderful experience and I really thought that these guys were very classy.
So, why bring this up? I read a fantastic article about what Gene Simmons thinks of the music industry today and I thought I would share it with you. He is certainly well-informed and I can really agree with his views. You can find the story here:
http://ca.today.reuters.com/news/newsArticle.aspx?type=entertainmentNews&storyID=2007-11-14T183959Z_01_N14187018_RTRIDST_0_ENTERTAINMENT-KISS-COL.XML
Thursday, December 13, 2007
Wednesday, December 12, 2007
Vinyl Records Top 5 eBay Sales
Week Ending 12/01/2007
Top 5:
1) 45rpm - The Fix "Vengeance"/"In This Town" - $3,350.00 Bids: 26
2) 45rpm -Elton John "I've Been Loving You" EP PORTUGAL - $2,551.00 Bids: 12
3) LP - Tryad "If Only You Believe In Lovin" - $2,499.00
4) LP - Vogue Private Issue Alleluia - $2,445.00
5) 45rpm - The Chentelles "Be My Queen" / "Time" - $2,045.00 Bids: 14
Top 5:
1) 45rpm - The Fix "Vengeance"/"In This Town" - $3,350.00 Bids: 26
2) 45rpm -Elton John "I've Been Loving You" EP PORTUGAL - $2,551.00 Bids: 12
3) LP - Tryad "If Only You Believe In Lovin" - $2,499.00
4) LP - Vogue Private Issue Alleluia - $2,445.00
5) 45rpm - The Chentelles "Be My Queen" / "Time" - $2,045.00 Bids: 14
Monday, December 10, 2007
Stephen M.H. Braitman
I had the pleasure of speaking with and interviewing Stephen M. H. Braitman, a vinyl record appraiser and music historian. Here is the article I wrote about our conversation:
Stephen M.H. Braitman
Putting a value on your vinyl collection
by Robert Benson
The value of vinyl records is very subjective and certainly up for debate. There are many elements that go into ascertaining just how much a specific record or a whole collection may be worth. Do you use fair market value, replacement value or record price guide value? As I found out, it all depends on the circumstances, and the best way to achieve these objectives is to have your collection professionally appraised. I had the opportunity to speak with professional appraiser and music historian Stephen M. H. Braitman about the elements that go into putting a value on a record collection.
But, first, let me introduce Stephen. He has been involved with records and music since the late 60's, writing and editing several entertainment and music publications. He also has been a dealer, buying and selling records, posters and related memorabilia throughout the years. His widely acknowledged expertise in the marketplace for music and memorabilia makes his appraisal services very important for estate planning, charitable contributions, expert testimony and for insurance and coverage claims. His many credentials include: passing the American Society of Appraisers (ASA) Principles of Practice and Code of Ethics exam in 2004, completing courses on such subjects as the Uniform Standards for Professional Appraisal Practice (USPAP) Personal Property Valuation, Methodology-Research and Analysis as well as the legal and commercial environment of appraisal. He is also a music analyst with Gracenote, the digital music management company.
So what does all this mean? Stephen M.H. Braitman is a qualified, certified appraiser. Why is this unique service so important? As I discussed the details of his occupation with Mr. Braitman, let’s explore some of the details that go into a record collection appraisal and how a record collection should be appraised.
“This is a new service, a new genre so to speak,” he said. “The service is being offered for those people who may have large or small collections and have really no idea their worth. Unfortunately, there are no legal requirements to qualify as an appraiser except in the real estate market, but the IRS and the Appraisal Foundation have led the way with the adoption of nationally recognized standards that reputable appraisers in all fields use. The IRS, for example, uses the concept of fair market value, meaning the agreed-upon price paid by a willing, knowledgeable buyer to a willing, knowledgeable seller. One of the reasons I entered this profession is, not only because of my love for music and music memorabilia, but because I felt that the industry needs certified appraisers to provide critical assistance in defining the values of collections for insurance purposes, estate planning, tax donation claims, personal disputes and investments. Part of the job is also being called upon as an expert witness to attest and back up the values set upon a collection. That’s where I enter the picture.”
When asked what exactly goes into an appraisal, Stephen explained:
“There are many variables that have to be recognized when placing a value on a collection. It also depends on the purpose of the appraisal. For instance, the IRS uses fair market value in determining the value of donated material. But, replacement value in insurance cases different; it’s higher because you’ll be paying a higher cost to recover certain collectibles, let’s say, that may have been lost in a fire. So, the intent of the appraisal must be taken into consideration as well.”
“We research what are comparable items in the current marketplace. There are several aspects to research that include recent and relevant sales, trend analysis, professional consensus, retail stores, auction prices as well as record guide prices. The record price guides are a nice starting point, but they may not reflect true value because of the variables just mentioned.”
“Our first order of business in an appraisal is generally to examine the physical items, if possible, and note the condition, edition or other key points of recognition. Then we conduct extensive research to ascertain the current marketability of the items. Our service concludes with a certified document that details the estimated retail value and the current wholesale value, depending on the type of appraisal. We also include a statement of the overall quality level of the item or collection, including condition, pressing edition or the cultural or historical desirability. This document exceeds the appraisal requirements of the IRS and the insurance companies.”
We discussed one of the most confusing and subjective elements regarding vinyl records: grading the vinyl. I asked Stephen what method he uses.
“It is actually a combination of many methods, including the Goldmine Standards that have been set up in their many publications, the ‘Good Rockin’ Tonight’-formula, and my own formula. I like to take it a step further and use a 100-point scale, and deduct points for every flaw, not only on the record, but the picture sleeve (if it is a 45rpm), LP jacket and cover. I would like to see a uniform standard set up sometime in the near future, something that everybody in the industry could agree on,” said Stephen.
There are also a couple of ways to have your memorabilia or record collection documented and appraised, as Stephen details:
“We actually offer two distinct services, the professional appraisal and a quick evaluation of your memorabilia or record collection. This entails you sending us a list of your items from which we provide a detailed document with a range of market values based on comparables. You’ll be able to tell whether you have something worth $1.00, $10, $100, or more. This process is quicker and less expensive that the formal appraisal and is most useful in estimating what a sale to a dealer might bring,” explained Stephen.
“Our service includes, not only the appraisal of records and record collections, but posters, flyers, handbills, programs, CDs, promotional items, tour books and other music collectibles. (I don't handle musical instruments, which is a very different kind of specialty). It is important to have your items or collections appraised to gauge the potential replacement value, assist in estate planning goals, tax elements and other factors. I have much more information on my Website, http://www.MusicAppraisals.com.”
As we wrapped up our interview, we talked about our love for not only music, but the historical audio format of, vinyl records. I asked Stephen about one of his most memorable record collection appraisals.
“I did an appraisal for a gentleman in Texas and he had a wonderful and superb record collection. But, when he put on an old 78rpm of Robert Johnson and played it on his professional sound equipment, and as the music filled the room, you could have swore that Mr. Robert Johnson himself was playing for you right then and there. It was a wonderful and enlightening experience, and one I will never forget,” recalled Stephen.
So, not only does Stephen M.H. Braitman offer valuable and unique record appraisal services, he also gets to archive, appraise and handle important parts of audio history, and gets to hear them as well. And that is a reward that you can not put a value on.
Stephen’s contact information:
Website: http://www.MusicAppraisals.com
Blog: http://www.NeedleScreech.com
Email: braitman@mindspring.com
Monthly Column: "The Picture Sleeve Archive" in Goldmine Magazine
Phone: 925-679-3044
Author Robert Benson writes about rock/pop music, vinyl record collecting and operates http://www.collectingvinylrecords.com, where you can pick up a copy of his ebook called
"The Fascinating Hobby of Vinyl Record Collecting."
Stephen M.H. Braitman
Putting a value on your vinyl collection
by Robert Benson
The value of vinyl records is very subjective and certainly up for debate. There are many elements that go into ascertaining just how much a specific record or a whole collection may be worth. Do you use fair market value, replacement value or record price guide value? As I found out, it all depends on the circumstances, and the best way to achieve these objectives is to have your collection professionally appraised. I had the opportunity to speak with professional appraiser and music historian Stephen M. H. Braitman about the elements that go into putting a value on a record collection.
But, first, let me introduce Stephen. He has been involved with records and music since the late 60's, writing and editing several entertainment and music publications. He also has been a dealer, buying and selling records, posters and related memorabilia throughout the years. His widely acknowledged expertise in the marketplace for music and memorabilia makes his appraisal services very important for estate planning, charitable contributions, expert testimony and for insurance and coverage claims. His many credentials include: passing the American Society of Appraisers (ASA) Principles of Practice and Code of Ethics exam in 2004, completing courses on such subjects as the Uniform Standards for Professional Appraisal Practice (USPAP) Personal Property Valuation, Methodology-Research and Analysis as well as the legal and commercial environment of appraisal. He is also a music analyst with Gracenote, the digital music management company.
So what does all this mean? Stephen M.H. Braitman is a qualified, certified appraiser. Why is this unique service so important? As I discussed the details of his occupation with Mr. Braitman, let’s explore some of the details that go into a record collection appraisal and how a record collection should be appraised.
“This is a new service, a new genre so to speak,” he said. “The service is being offered for those people who may have large or small collections and have really no idea their worth. Unfortunately, there are no legal requirements to qualify as an appraiser except in the real estate market, but the IRS and the Appraisal Foundation have led the way with the adoption of nationally recognized standards that reputable appraisers in all fields use. The IRS, for example, uses the concept of fair market value, meaning the agreed-upon price paid by a willing, knowledgeable buyer to a willing, knowledgeable seller. One of the reasons I entered this profession is, not only because of my love for music and music memorabilia, but because I felt that the industry needs certified appraisers to provide critical assistance in defining the values of collections for insurance purposes, estate planning, tax donation claims, personal disputes and investments. Part of the job is also being called upon as an expert witness to attest and back up the values set upon a collection. That’s where I enter the picture.”
When asked what exactly goes into an appraisal, Stephen explained:
“There are many variables that have to be recognized when placing a value on a collection. It also depends on the purpose of the appraisal. For instance, the IRS uses fair market value in determining the value of donated material. But, replacement value in insurance cases different; it’s higher because you’ll be paying a higher cost to recover certain collectibles, let’s say, that may have been lost in a fire. So, the intent of the appraisal must be taken into consideration as well.”
“We research what are comparable items in the current marketplace. There are several aspects to research that include recent and relevant sales, trend analysis, professional consensus, retail stores, auction prices as well as record guide prices. The record price guides are a nice starting point, but they may not reflect true value because of the variables just mentioned.”
“Our first order of business in an appraisal is generally to examine the physical items, if possible, and note the condition, edition or other key points of recognition. Then we conduct extensive research to ascertain the current marketability of the items. Our service concludes with a certified document that details the estimated retail value and the current wholesale value, depending on the type of appraisal. We also include a statement of the overall quality level of the item or collection, including condition, pressing edition or the cultural or historical desirability. This document exceeds the appraisal requirements of the IRS and the insurance companies.”
We discussed one of the most confusing and subjective elements regarding vinyl records: grading the vinyl. I asked Stephen what method he uses.
“It is actually a combination of many methods, including the Goldmine Standards that have been set up in their many publications, the ‘Good Rockin’ Tonight’-formula, and my own formula. I like to take it a step further and use a 100-point scale, and deduct points for every flaw, not only on the record, but the picture sleeve (if it is a 45rpm), LP jacket and cover. I would like to see a uniform standard set up sometime in the near future, something that everybody in the industry could agree on,” said Stephen.
There are also a couple of ways to have your memorabilia or record collection documented and appraised, as Stephen details:
“We actually offer two distinct services, the professional appraisal and a quick evaluation of your memorabilia or record collection. This entails you sending us a list of your items from which we provide a detailed document with a range of market values based on comparables. You’ll be able to tell whether you have something worth $1.00, $10, $100, or more. This process is quicker and less expensive that the formal appraisal and is most useful in estimating what a sale to a dealer might bring,” explained Stephen.
“Our service includes, not only the appraisal of records and record collections, but posters, flyers, handbills, programs, CDs, promotional items, tour books and other music collectibles. (I don't handle musical instruments, which is a very different kind of specialty). It is important to have your items or collections appraised to gauge the potential replacement value, assist in estate planning goals, tax elements and other factors. I have much more information on my Website, http://www.MusicAppraisals.com.”
As we wrapped up our interview, we talked about our love for not only music, but the historical audio format of, vinyl records. I asked Stephen about one of his most memorable record collection appraisals.
“I did an appraisal for a gentleman in Texas and he had a wonderful and superb record collection. But, when he put on an old 78rpm of Robert Johnson and played it on his professional sound equipment, and as the music filled the room, you could have swore that Mr. Robert Johnson himself was playing for you right then and there. It was a wonderful and enlightening experience, and one I will never forget,” recalled Stephen.
So, not only does Stephen M.H. Braitman offer valuable and unique record appraisal services, he also gets to archive, appraise and handle important parts of audio history, and gets to hear them as well. And that is a reward that you can not put a value on.
Stephen’s contact information:
Website: http://www.MusicAppraisals.com
Blog: http://www.NeedleScreech.com
Email: braitman@mindspring.com
Monthly Column: "The Picture Sleeve Archive" in Goldmine Magazine
Phone: 925-679-3044
Author Robert Benson writes about rock/pop music, vinyl record collecting and operates http://www.collectingvinylrecords.com, where you can pick up a copy of his ebook called
"The Fascinating Hobby of Vinyl Record Collecting."
Saturday, December 8, 2007
Rick Devin Grammy Award Nominee
A beautiful event has happened for one of the artists featured at the Internet Radio Station www.ilike2rock.net and one of the artists I did a bio/review for. I actually have communicated with Mr. Devin and found him, not only sincere, but approachable as well. Three Cheers for Rick Devin-making superb music is paying dividends for this rock and roll veteran!
Rick Devin Grammy Award Nominee
LOS ANGELES, CA - 12/06/2007 -
Score one for long distance ties: Rick Devin's seventh album, 'Old School - Hits of the 60s & 70s,' was an Entry in three categories for the 2008 Grammy Award's Ballot.
Chances are you won't see Rick Devin on television on Grammy Night. Sure, he'll be there with his wife, Veracruz, but they probably won't be sitting with Paul McCartney, Bon Jovi, Maroon 5 or Amy Winehouse. In fact, those were just a few of Devin's competitors who were just announced as The Final Nominees by The Recording Academy.
Devin, a longtime Colorado resident who also lives in Rio de Janeiro, Brazil, was selected by The National Academy of Recording Arts & Sciences to be on the 50th annual Grammy Award Voting Ballot in three categories: Best Pop Vocal Album (one of 264 entries), Best Instrumental Arrangement Accompanying Vocalist (206 entries) and Best Recording Package.
"I went through the process, but the chance that I would make it to the top five Nominees (that you see on TV) was very slim," Devin said. Laughingly, he added, "McCartney or Bon Jovi, now that's pretty tough to beat."
Yet, even to be an Entry on the Grammy Awards Ballot is not an easy task. The Recording Academy has a multi-level process whereby the steps include: Invitation, Consideration, Selection, Entry and then the top 5 Entries, as voted by NARAS Voting Members - are considered The Grammy Award Nominees.
The top five entrants of all categories were officially announced today in Los Angeles. Those are the acts viewers will see on television when the 2008 Grammy Awards airs on Feb. 10 and a total of 110 awards will be given out. Even though he is not a finalist, Devin said that he will attend The Awards Ceremony to lend support to his fellow music contemporaries.
An interesting part about Devin's "Old School" album is that two of the band members - Chet McCracken (former drummer of "The Doobie Brothers") and Chris Pinnick (former guitarist of "Chicago") both of Los Angeles - didn't record with the rest of the band, physically, during the entire process.
Devin would record the songs with the assistance of vocalists, Maria Fernanda Ricart and Manoel Pires, using a state of the art recording studio in Rio de Janeiro, Brazil. Then he would, "send a disc in the mail to the guys in L. A., who would add live drums, percussion and some solo guitar parts," Devin said. And that's how they made music for 10 months, after which Mixing, Engineering and Mastering were done back in Rio de Janeiro, with multi-award winning Mastering Engineer, Ricardo Garcia.
"Chemistry means a lot, and when I met Chet and Chris, they were the caliber of musicians, that I wanted to work with on this," Devin said. "They're both on a very professional level, and basically where I'm at in trying to produce a top quality product. And you sort of try to stay in with your network of friends."
Intercontinental, multi-studio recording projects are nothing new, yet they are much easier with today's modern recording studios and internet technologies. "It's sort of interesting just how many Recording Artists are doing this now," Devin said, "and we're living proof that it can all be done at a level to create interest - not just by our fans, but by the Recording Academy's Grammy Awards as well. In the end, whether we were an Entry, or a Final Nominee, either way, it's an honor to be a part of the process."
You can read more, listen and download Rick's "Old School" CD at: rickdevin.com
Rick Devin Grammy Award Nominee
LOS ANGELES, CA - 12/06/2007 -
Score one for long distance ties: Rick Devin's seventh album, 'Old School - Hits of the 60s & 70s,' was an Entry in three categories for the 2008 Grammy Award's Ballot.
Chances are you won't see Rick Devin on television on Grammy Night. Sure, he'll be there with his wife, Veracruz, but they probably won't be sitting with Paul McCartney, Bon Jovi, Maroon 5 or Amy Winehouse. In fact, those were just a few of Devin's competitors who were just announced as The Final Nominees by The Recording Academy.
Devin, a longtime Colorado resident who also lives in Rio de Janeiro, Brazil, was selected by The National Academy of Recording Arts & Sciences to be on the 50th annual Grammy Award Voting Ballot in three categories: Best Pop Vocal Album (one of 264 entries), Best Instrumental Arrangement Accompanying Vocalist (206 entries) and Best Recording Package.
"I went through the process, but the chance that I would make it to the top five Nominees (that you see on TV) was very slim," Devin said. Laughingly, he added, "McCartney or Bon Jovi, now that's pretty tough to beat."
Yet, even to be an Entry on the Grammy Awards Ballot is not an easy task. The Recording Academy has a multi-level process whereby the steps include: Invitation, Consideration, Selection, Entry and then the top 5 Entries, as voted by NARAS Voting Members - are considered The Grammy Award Nominees.
The top five entrants of all categories were officially announced today in Los Angeles. Those are the acts viewers will see on television when the 2008 Grammy Awards airs on Feb. 10 and a total of 110 awards will be given out. Even though he is not a finalist, Devin said that he will attend The Awards Ceremony to lend support to his fellow music contemporaries.
An interesting part about Devin's "Old School" album is that two of the band members - Chet McCracken (former drummer of "The Doobie Brothers") and Chris Pinnick (former guitarist of "Chicago") both of Los Angeles - didn't record with the rest of the band, physically, during the entire process.
Devin would record the songs with the assistance of vocalists, Maria Fernanda Ricart and Manoel Pires, using a state of the art recording studio in Rio de Janeiro, Brazil. Then he would, "send a disc in the mail to the guys in L. A., who would add live drums, percussion and some solo guitar parts," Devin said. And that's how they made music for 10 months, after which Mixing, Engineering and Mastering were done back in Rio de Janeiro, with multi-award winning Mastering Engineer, Ricardo Garcia.
"Chemistry means a lot, and when I met Chet and Chris, they were the caliber of musicians, that I wanted to work with on this," Devin said. "They're both on a very professional level, and basically where I'm at in trying to produce a top quality product. And you sort of try to stay in with your network of friends."
Intercontinental, multi-studio recording projects are nothing new, yet they are much easier with today's modern recording studios and internet technologies. "It's sort of interesting just how many Recording Artists are doing this now," Devin said, "and we're living proof that it can all be done at a level to create interest - not just by our fans, but by the Recording Academy's Grammy Awards as well. In the end, whether we were an Entry, or a Final Nominee, either way, it's an honor to be a part of the process."
You can read more, listen and download Rick's "Old School" CD at: rickdevin.com
Friday, December 7, 2007
Lisle Engle-Rock Veteran's Dream Come True
As I continue reviewing bands and artists for the Internet Radio Station www.ilike2rock.net, I had the pleasure of listening to an artist who has truly paid his dues and he has certainly captured the musical magic with his CD release "California Miles." Stop by and give it a whirl, I know you will like what you hear.
Lisle Engle has done it all in his music career. From fronting a cover band through high school to playing in a Boston-based band called The Promise and eventually moving west to conquer the big city of Los Angles. But mired and bogged down by managers, agents, A & R men and quite frankly corporate greed, the powers that be didn’t understand the musical vision that the band had. Subsequently, The Promise folded, but was reborn as a heavy-rock band formally called Head.
The band Head was supposed to be the break that Lisle and his band mates had worked so hard to achieve. But, again, the music wasn’t what mattered and was unappreciated and soon their “deal” was gone.
But, Lisle’s dream and conquest of creating compelling music still thrives and is thrust to the forefront with the veteran rocker’s collection of songs from the past ten years, a CD entitled “California Miles.”
Playing with some of L.A.’s finest session players, including Dorian Cheah on the violin, Giuseppe Patane on bass, Steve Holmes on drums and even a guest appearance by former band mate Pete Sjostedt (lead guitar on the cut “Open Wide”), these expert musicians capture Lisle’s raw emotions in song and spirit. The country-folk acoustics are inventively blended with lush violin work and are perfectly augmented by Lisle’s powerful and expressive vocals.
Other notable cuts like “Gonna Be Sure” and “Inside 4 U” (which incidentally has reached the number one position on Independent Internet Radio) only embellish Lisle’s talents as a master song writer and guitarist. Combining influences such as Peter Gabriel, Pink Floyd and U2, Lisle has formulated an emotional and musical connection with his listeners, and when you do that, it is all about the music, a trait that any musician strives to achieve. The CD “California Miles” is a winner and, so is Lisle Engle.
http://www.ilike2rock.net/bands/e/lisle_engle.html
Lisle Engle has done it all in his music career. From fronting a cover band through high school to playing in a Boston-based band called The Promise and eventually moving west to conquer the big city of Los Angles. But mired and bogged down by managers, agents, A & R men and quite frankly corporate greed, the powers that be didn’t understand the musical vision that the band had. Subsequently, The Promise folded, but was reborn as a heavy-rock band formally called Head.
The band Head was supposed to be the break that Lisle and his band mates had worked so hard to achieve. But, again, the music wasn’t what mattered and was unappreciated and soon their “deal” was gone.
But, Lisle’s dream and conquest of creating compelling music still thrives and is thrust to the forefront with the veteran rocker’s collection of songs from the past ten years, a CD entitled “California Miles.”
Playing with some of L.A.’s finest session players, including Dorian Cheah on the violin, Giuseppe Patane on bass, Steve Holmes on drums and even a guest appearance by former band mate Pete Sjostedt (lead guitar on the cut “Open Wide”), these expert musicians capture Lisle’s raw emotions in song and spirit. The country-folk acoustics are inventively blended with lush violin work and are perfectly augmented by Lisle’s powerful and expressive vocals.
Other notable cuts like “Gonna Be Sure” and “Inside 4 U” (which incidentally has reached the number one position on Independent Internet Radio) only embellish Lisle’s talents as a master song writer and guitarist. Combining influences such as Peter Gabriel, Pink Floyd and U2, Lisle has formulated an emotional and musical connection with his listeners, and when you do that, it is all about the music, a trait that any musician strives to achieve. The CD “California Miles” is a winner and, so is Lisle Engle.
http://www.ilike2rock.net/bands/e/lisle_engle.html
Thursday, December 6, 2007
Nick Lowe's 'Jesus' Resurrected
As a huge Nick Lowe fan, I just have to pass this along!
reprinted from http://prod1.cmj.com/
2007-12-06
Story by: Eric Davidson
Nick Lowe's 'Jesus' Resurrected
Nick Lowe's brilliant 1978 debut, Jesus Of Cool, is finally getting the reissue treatment, coming out February 19 on Yep Roc. Jesus took the rootsy pub rock of Lowe's mid-'70s band Brinsley Schwarz, and added the zing of the new wave scene Lowe helped foster—he produced the Damned's debut single, widely considered the first British punk record, and many other records/demos of the era, notably Elvis Costello And The Attractions' early classics. Of course, all American labels noticed was the possibility of the title offending someone's mom in Missouri, so Lowe was forced to change the name of the record to the equally apt Pure Pop For Now People, which also contained a slightly altered track listing. So for this reissue, Yep Roc has restored the original sequence, added 10 rare bonus tracks (including the original version of Lowe's only U.S. top 40 hit, "Cruel To Be Kind"), more detailed liner notes (since a who's who of '70s Brit new wave scene musicians played on the record) and a new essay from British rock writer Will Burch. They're even offering the set in a double-vinyl version, a deserving deluxe treatment for a record that's been out of print for more than 20 years and was never officially available online.
Tracklist For Jesus Of Cool:
01. Music for Money
02. I Love the Sound of Breaking Glass
03. Little Hitler
04. Shake and Pop
05. Tonight
06. So It Goes
07. No Reason
08. 36 Inches High
09. Marie Provost
10. Nutted by Reality
11. Heart of the City (Live)
12. Shake That Rat*
13. I Love My Label*
14. They Called It Rock*
15. Born a Woman*
16. Endless Sleep*
17. Halfway to Paradise*
18. Rollers Show*
19. Cruel To Be Kind (Original Version)*
20. Heart of the City*
* bonus track
www.nicklowe.net
www.yeproc.com
reprinted from http://prod1.cmj.com/
2007-12-06
Story by: Eric Davidson
Nick Lowe's 'Jesus' Resurrected
Nick Lowe's brilliant 1978 debut, Jesus Of Cool, is finally getting the reissue treatment, coming out February 19 on Yep Roc. Jesus took the rootsy pub rock of Lowe's mid-'70s band Brinsley Schwarz, and added the zing of the new wave scene Lowe helped foster—he produced the Damned's debut single, widely considered the first British punk record, and many other records/demos of the era, notably Elvis Costello And The Attractions' early classics. Of course, all American labels noticed was the possibility of the title offending someone's mom in Missouri, so Lowe was forced to change the name of the record to the equally apt Pure Pop For Now People, which also contained a slightly altered track listing. So for this reissue, Yep Roc has restored the original sequence, added 10 rare bonus tracks (including the original version of Lowe's only U.S. top 40 hit, "Cruel To Be Kind"), more detailed liner notes (since a who's who of '70s Brit new wave scene musicians played on the record) and a new essay from British rock writer Will Burch. They're even offering the set in a double-vinyl version, a deserving deluxe treatment for a record that's been out of print for more than 20 years and was never officially available online.
Tracklist For Jesus Of Cool:
01. Music for Money
02. I Love the Sound of Breaking Glass
03. Little Hitler
04. Shake and Pop
05. Tonight
06. So It Goes
07. No Reason
08. 36 Inches High
09. Marie Provost
10. Nutted by Reality
11. Heart of the City (Live)
12. Shake That Rat*
13. I Love My Label*
14. They Called It Rock*
15. Born a Woman*
16. Endless Sleep*
17. Halfway to Paradise*
18. Rollers Show*
19. Cruel To Be Kind (Original Version)*
20. Heart of the City*
* bonus track
www.nicklowe.net
www.yeproc.com
2008 Hotel Congress Record Festival
If you are in the neighborhood, be sure to stop by!
2008 Hotel Congress Record Festival
- FREE to the public! January 12, 2008
9:00 am to 3:00 pm
It’s an entire festival of records and music stuff — Congress is partnering up with some of the best dealers and merchants to create a total paradise to the music geek, whether your passion is records, vintage gear, musical instruments or collectible goods. This special day will feature tons of rare/new/used/collectible vinyl, vintage turntables/speakers/receivers, music-related merch and more. We’ll have guest DJs throwing down their gems all day and free vinyl raffles and gift card drawings to spread the love. This event is FREE!
…featuring independent dealers and merchants including:
Zia Records
Bookman’s
Toxic Ranch
Twist & Shout
Stereo Hospital
Jad Jams
Revolver Records
Tickets: FREE
2008 Hotel Congress Record Festival
- FREE to the public! January 12, 2008
9:00 am to 3:00 pm
It’s an entire festival of records and music stuff — Congress is partnering up with some of the best dealers and merchants to create a total paradise to the music geek, whether your passion is records, vintage gear, musical instruments or collectible goods. This special day will feature tons of rare/new/used/collectible vinyl, vintage turntables/speakers/receivers, music-related merch and more. We’ll have guest DJs throwing down their gems all day and free vinyl raffles and gift card drawings to spread the love. This event is FREE!
…featuring independent dealers and merchants including:
Zia Records
Bookman’s
Toxic Ranch
Twist & Shout
Stereo Hospital
Jad Jams
Revolver Records
Tickets: FREE
Tuesday, December 4, 2007
Vinyl Collective Sales
Tue 4 Dec 2007
Top 30 records sold in November 2007
Vinyl Collective sells collectible vinyl at reasonable prices!
1 HEAVENS “Patent Pending” LP (hand #’d out of 100 copies)
2 BOMB THE MUSIC INDUSTRY! “Get Warmer” LP clear vinyl w/ white splatter
3 THE PLAYING FAVORITES “I Remember When I Was Pretty” LP pink/blue color in color
4 MINUS THE BEAR “Planet of Ice” dbl LP solid white vinyl
5 Bomb the Music Industry! / O Pioneers split LP 10″ Mystery colored vinyl
6 MINUS THE BEAR “Highly Refined Pirates” LP White with Blue and Black vinyl
7 SAVES THE DAY “Under the Boards” LP Color 1
8 SAVES THE DAY “Under the Boards” LP Color 2
8 Tim Barry “Rivanna Junction” LP grey/black half and half vinyl Avail
10 American Steel - Rogue’s March LP
11 BEN WEASEL “These Ones Are Bitter” LP clear light blue vinyl
12 EVERY TIME I DIE “The Big Dirty” LP leapord print vinyl
13 MINUS THE BEAR “Highly Refined Pirates” LP Gold with White and Blue vinyl
14 NORMA JEAN 4 x LP Vinyl Box Set colored vinyl set A limited to 400
14 DRAG THE RIVER “You Can’t Live This Way” LP Grey Vinyl
14 Portugal the Man Waiter: You Vultures LP clear w/ gold
17 Converge “Petitioning Forever” dbl LP Red/Orange/White/Turquoise Swirl
17 American Steel - Jagged Thoughts LP
17 12′’ Record Jacket Sleeve. Fits over album jacket.
20 Chris Wollard/Mike Hale split 7″ pink hot water music
21 MINUS THE BEAR “Planet of Ice” dbl LP clear w/ gold splatter
21 Tim Barry “Laurel St Demos” LP orange/red swirl vinyl
21 Casket Lottery “Possibilities & Maybes” 2xLP Clear vinyl
24 Bomb the Music Industry! “To Leave or Die in Long Island” 12″ blue/pink split
25 Converge “Petitioning Forever” dbl LP Red/Orange/White/Turquoise Split vinyl
25 DRAG THE RIVER “Esta Loco” LP Black Vinyl
27 THE PLAYING FAVORITES “I Remember When I Was Pretty” LP blue w/ white speckles
27 THE PLAYING FAVORITES “I Remember When I Was Pretty” LP pink/blue half and half
27 Chris Wollard/Mike Hale split 7″ clear hot water music
30 MINUS THE BEAR “Interpretaciones Del Oso” LP mystery colored vinyl
30 Limbeck “Hi, Everything’s..”LP white vinyl
30 Bomb the Music Industry! “To Leave or Die in Long Island” 12″ black/pink split
30 BLACK CROSS “Severance Pays” LP Pink Vinyl
30 Vinyl Collective Vinyl Bin T-shirt Brown Shirt Large
Top 30 records sold in November 2007
Vinyl Collective sells collectible vinyl at reasonable prices!
1 HEAVENS “Patent Pending” LP (hand #’d out of 100 copies)
2 BOMB THE MUSIC INDUSTRY! “Get Warmer” LP clear vinyl w/ white splatter
3 THE PLAYING FAVORITES “I Remember When I Was Pretty” LP pink/blue color in color
4 MINUS THE BEAR “Planet of Ice” dbl LP solid white vinyl
5 Bomb the Music Industry! / O Pioneers split LP 10″ Mystery colored vinyl
6 MINUS THE BEAR “Highly Refined Pirates” LP White with Blue and Black vinyl
7 SAVES THE DAY “Under the Boards” LP Color 1
8 SAVES THE DAY “Under the Boards” LP Color 2
8 Tim Barry “Rivanna Junction” LP grey/black half and half vinyl Avail
10 American Steel - Rogue’s March LP
11 BEN WEASEL “These Ones Are Bitter” LP clear light blue vinyl
12 EVERY TIME I DIE “The Big Dirty” LP leapord print vinyl
13 MINUS THE BEAR “Highly Refined Pirates” LP Gold with White and Blue vinyl
14 NORMA JEAN 4 x LP Vinyl Box Set colored vinyl set A limited to 400
14 DRAG THE RIVER “You Can’t Live This Way” LP Grey Vinyl
14 Portugal the Man Waiter: You Vultures LP clear w/ gold
17 Converge “Petitioning Forever” dbl LP Red/Orange/White/Turquoise Swirl
17 American Steel - Jagged Thoughts LP
17 12′’ Record Jacket Sleeve. Fits over album jacket.
20 Chris Wollard/Mike Hale split 7″ pink hot water music
21 MINUS THE BEAR “Planet of Ice” dbl LP clear w/ gold splatter
21 Tim Barry “Laurel St Demos” LP orange/red swirl vinyl
21 Casket Lottery “Possibilities & Maybes” 2xLP Clear vinyl
24 Bomb the Music Industry! “To Leave or Die in Long Island” 12″ blue/pink split
25 Converge “Petitioning Forever” dbl LP Red/Orange/White/Turquoise Split vinyl
25 DRAG THE RIVER “Esta Loco” LP Black Vinyl
27 THE PLAYING FAVORITES “I Remember When I Was Pretty” LP blue w/ white speckles
27 THE PLAYING FAVORITES “I Remember When I Was Pretty” LP pink/blue half and half
27 Chris Wollard/Mike Hale split 7″ clear hot water music
30 MINUS THE BEAR “Interpretaciones Del Oso” LP mystery colored vinyl
30 Limbeck “Hi, Everything’s..”LP white vinyl
30 Bomb the Music Industry! “To Leave or Die in Long Island” 12″ black/pink split
30 BLACK CROSS “Severance Pays” LP Pink Vinyl
30 Vinyl Collective Vinyl Bin T-shirt Brown Shirt Large
Monday, November 26, 2007
Vinyl Preservation Society of Idaho
I want to bring your attention to a new site and organization dedicated to the vinyl record. I hope you take the time and visit the site (although it seems to be a work in progress) and learn what the organization can do for our wonderful audio format.
http://vpsidaho.org/
The Vinyl Preservation Society of Idaho was founded on the following principles and respectfully asks its members to adopt them and embrace them as their own.
The 10 Commandments
1) Honor the importance of music as an art form
2) Listen actively and with intention
3) Respect others and their musical choices
4) Maintain an open mind and a curious ear
5) Choose vinyl whenever there’s a musical choice to be made
6) Preserve our vinyl heritage by caring for and about vinyl records
7) Recognize your ownership of the Society by actively influencing its direction
and development
8) Evangelize the vinyl life and your role as an Ambassador for the Society at
every opportunity
9) Share your vinyl history, knowledge and passion
10) Support your local independent record merchants
I am extremely interested and anything that anyone can do to support this historical audio format gets my thumbs up! I will be learning more about the society and hopefully have more information very soon!
http://vpsidaho.org/
http://vpsidaho.org/
The Vinyl Preservation Society of Idaho was founded on the following principles and respectfully asks its members to adopt them and embrace them as their own.
The 10 Commandments
1) Honor the importance of music as an art form
2) Listen actively and with intention
3) Respect others and their musical choices
4) Maintain an open mind and a curious ear
5) Choose vinyl whenever there’s a musical choice to be made
6) Preserve our vinyl heritage by caring for and about vinyl records
7) Recognize your ownership of the Society by actively influencing its direction
and development
8) Evangelize the vinyl life and your role as an Ambassador for the Society at
every opportunity
9) Share your vinyl history, knowledge and passion
10) Support your local independent record merchants
I am extremely interested and anything that anyone can do to support this historical audio format gets my thumbs up! I will be learning more about the society and hopefully have more information very soon!
http://vpsidaho.org/
Sunday, November 25, 2007
eBay Vinyl Record Sales
I would like to thank the gentleman who operates http://ccdiscoveries.blogspot.com/ for this weekly update with regard to vinyl record sales on the auction giant eBay
Vinyl Records Top 5 eBay Sales Week Ending 11/24/2007
Top 5 List:
1. 12" - Madonna "Erotica" Picture Disc - $5,250.00 Start: $5,250.00 Bids: 1
2. 45 - Beatles VS Four Seasons Picture Sleeve $5,100.00 Start: $9.99 Bids: 33
3. 45 - The Savoys "Can It Be" / "Now She's Left Me" - $3,827.77 Start: $3,827.77 Bids: 4
4. 45 - The Honeys "Surfin Down The Swanee River" / "Shoot The Curl" - $3,605.88 Start: $0.99 Bids: 20
5. 45 - Gene Toones "What More Do You Want" / "How It Feels" - $2,598.00 Start: $99.99 Bids: 26
Additionally, here are the eBay sales for the following weeks in mid October and early/mid November:
Vinyl Records Top 5 eBay Sales - 5 Week Update List
Week Ending 10/20
1. 45 RPM - Soul Incorporated "My Proposal" - $3,750.00
2. 45 RPM - Professionals "That's Why I Love You" - $3,261.99
3. 45 RPM - Carbon Copies "Just Don't Love You" - $3,254.04
4. LP - Hank Mobley - $2,826.00
5. LP - Lee Morgan "Indeed" $2,375.00
Week Ending 10/27
1. LP - Mozart Sonatas Vox Box Set - $8,000.00
2. LP - Boyd Bennett - $3,374.00
3. 45 - The Chosen Few - $3,057.77
4. LP - Bach Sonatas, Jacques Dumond Box Set - $3,050.00
5. LP - Pink Floyd blue vinyl - $3,000.00
Week Ending 11/03
1. LP - Bach Cello Suites, Andre Levy Box Set - $20,000.00
2. 45 - Joy Division "An Ideal For Living" - $2,247.22
3. LP - Beatles "Abbey Road" Rare UK Issue - $2,225.00
4. LP - Tina Brooks "True Blue" - $1,925.00
5. LP - Metallica "And Justice For All" Japan - $1,752.00
Week Ending 11/10
1. LP - Axehammer "Windrider" - $9,099.00
2. LP - Bach Sonatas, Jacques Dumond Box Set - $5,223.00
3. 45 - George Harrison "Love Comes To Everyone" Picture
Sleeve - $3,999.00
4. 45 - (Northern Soul) - $3,550.00
5. LP - Bach Sonatas, Devy Erlih Box Set - $3,468.00
Week Ending 11/17
1. LP - Frank Ballard "Rhythm Blues Party" - $2,995.00
2. 45 - Bob & Sheri - $2,927.98
3. 12" - U2 "Pride" Clear Vinyl Australia - $2,750.00
4. 45 - Negative Approach test press - $2,410.00
5. LP - Bach Suite Violin Cello, Annlies Schmidt Box Set -
$2,225.00
Vinyl Records Top 5 eBay Sales Week Ending 11/24/2007
Top 5 List:
1. 12" - Madonna "Erotica" Picture Disc - $5,250.00 Start: $5,250.00 Bids: 1
2. 45 - Beatles VS Four Seasons Picture Sleeve $5,100.00 Start: $9.99 Bids: 33
3. 45 - The Savoys "Can It Be" / "Now She's Left Me" - $3,827.77 Start: $3,827.77 Bids: 4
4. 45 - The Honeys "Surfin Down The Swanee River" / "Shoot The Curl" - $3,605.88 Start: $0.99 Bids: 20
5. 45 - Gene Toones "What More Do You Want" / "How It Feels" - $2,598.00 Start: $99.99 Bids: 26
Additionally, here are the eBay sales for the following weeks in mid October and early/mid November:
Vinyl Records Top 5 eBay Sales - 5 Week Update List
Week Ending 10/20
1. 45 RPM - Soul Incorporated "My Proposal" - $3,750.00
2. 45 RPM - Professionals "That's Why I Love You" - $3,261.99
3. 45 RPM - Carbon Copies "Just Don't Love You" - $3,254.04
4. LP - Hank Mobley - $2,826.00
5. LP - Lee Morgan "Indeed" $2,375.00
Week Ending 10/27
1. LP - Mozart Sonatas Vox Box Set - $8,000.00
2. LP - Boyd Bennett - $3,374.00
3. 45 - The Chosen Few - $3,057.77
4. LP - Bach Sonatas, Jacques Dumond Box Set - $3,050.00
5. LP - Pink Floyd blue vinyl - $3,000.00
Week Ending 11/03
1. LP - Bach Cello Suites, Andre Levy Box Set - $20,000.00
2. 45 - Joy Division "An Ideal For Living" - $2,247.22
3. LP - Beatles "Abbey Road" Rare UK Issue - $2,225.00
4. LP - Tina Brooks "True Blue" - $1,925.00
5. LP - Metallica "And Justice For All" Japan - $1,752.00
Week Ending 11/10
1. LP - Axehammer "Windrider" - $9,099.00
2. LP - Bach Sonatas, Jacques Dumond Box Set - $5,223.00
3. 45 - George Harrison "Love Comes To Everyone" Picture
Sleeve - $3,999.00
4. 45 - (Northern Soul) - $3,550.00
5. LP - Bach Sonatas, Devy Erlih Box Set - $3,468.00
Week Ending 11/17
1. LP - Frank Ballard "Rhythm Blues Party" - $2,995.00
2. 45 - Bob & Sheri - $2,927.98
3. 12" - U2 "Pride" Clear Vinyl Australia - $2,750.00
4. 45 - Negative Approach test press - $2,410.00
5. LP - Bach Suite Violin Cello, Annlies Schmidt Box Set -
$2,225.00
Saturday, November 24, 2007
Behind the scenes with Mr. Completely
I had a great time speaking with Jamie Robertson of the Canadian rock outfit, Mr. Completely. He is down to earth and very personable and here is the article I wrote about our conversation. If you get a chance, and you like the classic rock sound, you must check out the band's debut release entitiled "Twice on Sundays."
Behind the scenes with Mr. Completely
Canadian Rockers Share Their Thoughts
Hailing from the blue-collar town of Campbell River, British Columbia, Canada, is a working man’s rock and roll outfit called Mr. Completely. Their critically acclaimed self-released debut CD entitled “Twice on Sundays” has been well received by audiences who love the group’s blend of classic rock, blues rock and emotional pop.
In an interview with Jamie Robertson, the energetic lead singer, we detail many of the elements that make Mr. Completely the dynamic rock and roll band that they have become.
“Our band was originally called “Month of Sundays,” but there was already a band that called themselves “A Month of Sundays,” so out of respect for those musicians, we decided a new name was in order,” explained Jamie. “So we asked our fans to vote on several alternative band names including “Sideline Poets,” “Ten Beer Pretty” and “Stingray,” among others. The online votes were tabulated and the name Mr. Completely was born.”
But what are the origins of the name and why that name? Jamie explained:
“We have added integral pieces to the band, in the form of personnel (in fact Jamie is the only original member of Month of Sundays) including guitarist extraordinaire Richard Spencer, “Hot Rod” Campbell on the drums and our anchorman George Milutinovic on bass guitar. So we completed our line up. So the name depicts the image that we are a complete band, we are family and have been together for some time now. In fact, the special bond we share even extends to our families, we are lifetime friends and even if the band were to fold, we would still hang out.”
“Our song writing is also a group effort. I may bring in a main idea or concept and we all have our distinct area of expertise and we incorporate all of our ideas to form the finished product. We get together once a week to practice, but our collaborative efforts go way beyond that. So our music and our CD reflect this union of the minds.”
When asked what specific band members do outside of the group, Jamie replied:
“We are all hard-working family men. I worked on the B.C. ferry for many years and I have left that employment to concentrate on our family sawmill business. Richard and Rod are both expert carpenters and George works in a pulp mill.”
Another question that was asked is about the specific order of the songs on their debut CD.
“Being an independent band, we decide the order of the cuts and we try to get the best flow, what fits where and the best way to shape the music so every song can be highlighted in its own way.”
As far as being termed an “indie” band, Jamie explained the elements that he feels make up the term:
“We certainly use different distribution methods, we like the control that we have; we wear all the hats, management, production, promotion as well as being the musicians. And we are ready to record another CD, but we definitely need some financial backing, so in respect we are totally “indie.” We don’t have the resources or record label as of yet, but would welcome the opportunity to be signed.”
“We have signed on with A & R Select out of Hollywood and hopefully they can find us some work on a movie soundtrack or television series. This saves the band a lot of “door knocking” and frees us up to concentrate on our music and families. But that does not mean that we don’t do our part to promote ourselves, on the contrary, my wife (Mrs. Completely) works very hard organizing our gigs, recording schedules, designing and maintaining our websites and My Space page and much more. We would not be where we are at without her hard work, she is very dedicated to making sure we are successful,” related Jamie.
Another important question is about the songs that they write and some of the influences and experiences of playing in a band and playing a live show.
“As soon as we are done writing a particular song and everyone is satisfied with their input, we ‘test drive’ it and play it live to gage the audience’s reaction and to see if we have created the song to the best of our ability. Then there is the thrill and personal satisfaction of performing in front of a large crowd, to get the emotional reaction to the song. We feel we are offering a service to our fans; we love to play our music as much as they enjoy hearing it. Music helps us through the hard times and can enhance the times that are already good. You can touch people’s lives with music on so many levels.”
“This may sound a bit strange, but some of our best shows are the many benefit shows that we do locally. So it isn’t all about the money. We take great pleasure in our live sets and feed off the energy of our audience. Plus, meeting new people and playing for these enthusiastic crowds inspires us. I love meeting fans and hearing from them how much they love our songs or hearing someone is using our song at their wedding for the first dance makes me feel that what I am doing is making a difference in people’s lives. We have also had the opportunity to open and share the stage with some of our favorite musicians including Nazareth, Trooper and Honeymoon Suite, which just makes the experience so much more pleasurable and gratifying.”
Jamie also detailed some of the musical influences that the band has as well as what to expect to hear when they play live:
“We will certainly play our singles off of “Twice on Sundays” including “Walk Away” and our beautiful ballad “Before Too Long.” We also do covers of some of our favorite artists, so you could hear “Have You Ever Seen The Rain” or “Green River” by CCR, our cover of “House Of The Rising Sun” as well as a few numbers by the Knack. We also have a great time playing “Ballroom Blitz” by Sweet, which is an incredible live song for the band.”
So what is in store for the band, what does the future hold for this hard-working band from north of the border?
“Besides touring Canada, we would like to tour the United States. I feel that our musical predecessors have made it easier for Canadian bands to be welcome by America and Americans have opened their arms to Canadian artists.”
So as the interview closed, it is apparent that Jamie and his band mates not only sincerely love what they do, but would like many more music lovers to experience their talents, their love for the music that they play and the joy and sheer pleasure that comes with being a complete, cohesive rock and roll band; appropriately named Mr. Completely.
Artist Information:
Jamie Robertson - lead vocals, guitar
Richard Spencer - lead guitar, vocals
Rod Campbell - drums, vocals
George Milutinovic - bass
Contact the band:
http://www.mrcompletely.ca
http://myspace.com/mrcompletely
rock@mrcompletely.ca
“Mr. Completely conquers musically because they deliberately reach for a classic sound yet end up with songs that are distinct and original and well worth praise.” - A&R Select
Tom Harrison, Music Reviewer for The Province newspaper praised Mr. Completely… "From Campbell River there is a little Blues Rock and some West Coast polish in a dozen songs and no attempt to be trendy which is to the band's credit. If you've been missing straight ahead rock, this might be your band."
Behind the scenes with Mr. Completely
Canadian Rockers Share Their Thoughts
Hailing from the blue-collar town of Campbell River, British Columbia, Canada, is a working man’s rock and roll outfit called Mr. Completely. Their critically acclaimed self-released debut CD entitled “Twice on Sundays” has been well received by audiences who love the group’s blend of classic rock, blues rock and emotional pop.
In an interview with Jamie Robertson, the energetic lead singer, we detail many of the elements that make Mr. Completely the dynamic rock and roll band that they have become.
“Our band was originally called “Month of Sundays,” but there was already a band that called themselves “A Month of Sundays,” so out of respect for those musicians, we decided a new name was in order,” explained Jamie. “So we asked our fans to vote on several alternative band names including “Sideline Poets,” “Ten Beer Pretty” and “Stingray,” among others. The online votes were tabulated and the name Mr. Completely was born.”
But what are the origins of the name and why that name? Jamie explained:
“We have added integral pieces to the band, in the form of personnel (in fact Jamie is the only original member of Month of Sundays) including guitarist extraordinaire Richard Spencer, “Hot Rod” Campbell on the drums and our anchorman George Milutinovic on bass guitar. So we completed our line up. So the name depicts the image that we are a complete band, we are family and have been together for some time now. In fact, the special bond we share even extends to our families, we are lifetime friends and even if the band were to fold, we would still hang out.”
“Our song writing is also a group effort. I may bring in a main idea or concept and we all have our distinct area of expertise and we incorporate all of our ideas to form the finished product. We get together once a week to practice, but our collaborative efforts go way beyond that. So our music and our CD reflect this union of the minds.”
When asked what specific band members do outside of the group, Jamie replied:
“We are all hard-working family men. I worked on the B.C. ferry for many years and I have left that employment to concentrate on our family sawmill business. Richard and Rod are both expert carpenters and George works in a pulp mill.”
Another question that was asked is about the specific order of the songs on their debut CD.
“Being an independent band, we decide the order of the cuts and we try to get the best flow, what fits where and the best way to shape the music so every song can be highlighted in its own way.”
As far as being termed an “indie” band, Jamie explained the elements that he feels make up the term:
“We certainly use different distribution methods, we like the control that we have; we wear all the hats, management, production, promotion as well as being the musicians. And we are ready to record another CD, but we definitely need some financial backing, so in respect we are totally “indie.” We don’t have the resources or record label as of yet, but would welcome the opportunity to be signed.”
“We have signed on with A & R Select out of Hollywood and hopefully they can find us some work on a movie soundtrack or television series. This saves the band a lot of “door knocking” and frees us up to concentrate on our music and families. But that does not mean that we don’t do our part to promote ourselves, on the contrary, my wife (Mrs. Completely) works very hard organizing our gigs, recording schedules, designing and maintaining our websites and My Space page and much more. We would not be where we are at without her hard work, she is very dedicated to making sure we are successful,” related Jamie.
Another important question is about the songs that they write and some of the influences and experiences of playing in a band and playing a live show.
“As soon as we are done writing a particular song and everyone is satisfied with their input, we ‘test drive’ it and play it live to gage the audience’s reaction and to see if we have created the song to the best of our ability. Then there is the thrill and personal satisfaction of performing in front of a large crowd, to get the emotional reaction to the song. We feel we are offering a service to our fans; we love to play our music as much as they enjoy hearing it. Music helps us through the hard times and can enhance the times that are already good. You can touch people’s lives with music on so many levels.”
“This may sound a bit strange, but some of our best shows are the many benefit shows that we do locally. So it isn’t all about the money. We take great pleasure in our live sets and feed off the energy of our audience. Plus, meeting new people and playing for these enthusiastic crowds inspires us. I love meeting fans and hearing from them how much they love our songs or hearing someone is using our song at their wedding for the first dance makes me feel that what I am doing is making a difference in people’s lives. We have also had the opportunity to open and share the stage with some of our favorite musicians including Nazareth, Trooper and Honeymoon Suite, which just makes the experience so much more pleasurable and gratifying.”
Jamie also detailed some of the musical influences that the band has as well as what to expect to hear when they play live:
“We will certainly play our singles off of “Twice on Sundays” including “Walk Away” and our beautiful ballad “Before Too Long.” We also do covers of some of our favorite artists, so you could hear “Have You Ever Seen The Rain” or “Green River” by CCR, our cover of “House Of The Rising Sun” as well as a few numbers by the Knack. We also have a great time playing “Ballroom Blitz” by Sweet, which is an incredible live song for the band.”
So what is in store for the band, what does the future hold for this hard-working band from north of the border?
“Besides touring Canada, we would like to tour the United States. I feel that our musical predecessors have made it easier for Canadian bands to be welcome by America and Americans have opened their arms to Canadian artists.”
So as the interview closed, it is apparent that Jamie and his band mates not only sincerely love what they do, but would like many more music lovers to experience their talents, their love for the music that they play and the joy and sheer pleasure that comes with being a complete, cohesive rock and roll band; appropriately named Mr. Completely.
Artist Information:
Jamie Robertson - lead vocals, guitar
Richard Spencer - lead guitar, vocals
Rod Campbell - drums, vocals
George Milutinovic - bass
Contact the band:
http://www.mrcompletely.ca
http://myspace.com/mrcompletely
rock@mrcompletely.ca
“Mr. Completely conquers musically because they deliberately reach for a classic sound yet end up with songs that are distinct and original and well worth praise.” - A&R Select
Tom Harrison, Music Reviewer for The Province newspaper praised Mr. Completely… "From Campbell River there is a little Blues Rock and some West Coast polish in a dozen songs and no attempt to be trendy which is to the band's credit. If you've been missing straight ahead rock, this might be your band."
Friday, November 23, 2007
Vinyl Records- A New Perspective
I hope you enjoy this article I did about a conversation with a young man from Canada. It certainly has opened my eyes, although I have referred to DJ's as helping to keep vinyl alive all these years, I never really took into account all the elements of DJing. I will be researching this topic in great detail and will have more information very soon. In the meantime, enjoy my conversation with Steve Robertson from British Columbia, Canada
Vinyl Records- A Different Perspective
As we continue to see the sales of CDs fall, it is obvious that the distribution channels of music are changing. But there is no disputing that digital downloads are the new “norm” for many people to acquire their music, be it one ninety-nine cent download or an entire album. As I ponder these changes, I still think that the vinyl record, as prehistoric as it is, is gaining popularity as well as making new fans and believers that this is the best audio format that can be heard.
As a vinyl lover, I am pretty set in my ways; no one has to convince me of the staying power and musical greatness of the vinyl record. So I was thrilled when I had a chance to interview a young man who shares the same views as I do.
I had the distinct pleasure of speaking with a nineteen-year old vinyl lover from Campbell River, British Columbia, Canada named Steve Robertson; who was gracious enough to share his thoughts and views about this old, yet treasured format. What follows is a short discussion with Steve as he shared his passion and love for vinyl records.
I asked Steve what drew him to vinyl, why does he prefer this audio format?
“Vinyl just sounds so much better; it has a unique sound that can’t be duplicated. There is a feeling of satisfaction when actually holding a physical product. And the cover art, not only from the past, but from new artists, is another reason I prefer vinyl records over any other format. I also get a sense of satisfaction in knowing that when I buy an artist’s work on vinyl, that I am supporting the musicians who release it, it just isn’t another free download,” explained Steve.
I asked Steve how long he has listened to vinyl and about what format his friends prefer.
“I have been into vinyl for several years now and vinyl is huge in British Columbia and most of my friends prefer it as well. We both like the clear sound and experience you get when playing a record. And we are interested in DJ-ing, so it fits right in. Last year I purchased a pair of Stanton turntables that have certainly helped me in my DJ-ing efforts and I plan on upgrading very soon to take it to the next level. I love the control that I have playing the music that people want to hear. The goal of a DJ is to take two different songs and blend them together in a smooth seamless way without the crowd knowing. Taking elements of one record and blending them into the other, you can then skillfully mix out the first song until it is just the new track playing. It’s like creating a new song and new music in a way. You make sure to keep up a steady stream, a continuous flow of ups and downs, it’s like telling a story, you want to keep people intrigued and interested in the music,” said Steve.
“I really think that vinyl is coming back, it sure is in our area. If my friends and I had to pick, records would be our choice and the best option to hear our music. But, they are harder to acquire, our nearest vinyl shop is an hour and a half away, so we buy most of our vinyl online.”
I asked Steve about his vinyl record collection and wanted to hear more details about his passion for D J-ing.
“To the first part of your question, I would say that I have over three hundred records, mostly classic rock like Zeppelin or Heart. But I have about seventy-five records that would fall into the electronic dance genre. That is mostly what I play when I DJ because that is what the crowd I play for wants to hear. When you’re mixing records, the control you have over the sound and the way you can manipulate the music is just like playing an instrument. You can blend and put effects on the music using your mixer or you can do some hands on scratching and add your own unique sound to it. As far as scratching goes, it’s a whole new level of DJ’ing because, in a way you are creating a sound that has never been heard before, it’s almost like live production,” explained Steve.
It was certainly refreshing to listen to Steve speak about his love for vinyl records. His enthusiasm for the format was clearly evident and especially welcome to me, a vinyl purist. And we both agreed that whatever musical genre it is that you enjoy, it certainly sounds the best emanating from a vinyl record. And that is a perspective that will help the vinyl record survive, if not thrive.
I want to personally thank Steve for his cooperation and candor in regards to our discussion about vinyl records. It is nice to hear someone from a different generation, not only passionate about the music that he listens to, but about the audio format that he chooses to listen to his music.
Feeds About Vinyl and Album Cover Art
Today I have added two new "feeds" that I think are not only relevant to the site, but I know that you will find each one full of interesting content and vinyl record news. the first one is a feed from "Wink's Collectibles" and will keep you up tpo date with the latest vinyl record news and releases from the classic rock era.
The second feed is an interesting look at vinyl record album covers and I hope you enjoy it!
These feeds are located on the left margin and are titled "Vintage Vinyl News" and "LP Cover Lover" Enjoy!
The second feed is an interesting look at vinyl record album covers and I hope you enjoy it!
These feeds are located on the left margin and are titled "Vintage Vinyl News" and "LP Cover Lover" Enjoy!
Wednesday, November 21, 2007
eBay-Finding Vinyl Treasures
I ran across a great article by John Sinkevis of The Grand Rapid Press which details the wonderful vinyl on sale on ebay, check out his story here:
http://tinyurl.com/yue8wg
http://tinyurl.com/yue8wg
Tuesday, November 20, 2007
Email Question About Vinyl Value
I have had this albums for about 25 years. I purchased it as collectors item. It hasn't been played very often at all (in fact, not the in the last 20 years) Can you tell me what it may be worth?
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'Muddy Waters at Newport 1960'
Chess CH1449 1977 Chess Records (1981 distributed in Canada by Quality Records Limited) MINT!
CONDITION 5/5
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First and foremost, the condition is the most important element of any vinyl record up for resale. If the album is in Near Mint condition, this particular album could be sold at between $250-$300, so make sure, if you are selling them on eBay, to set a higher reserve. My source for the value is the "Rockin' Records Price Guide", 2007 edition (by Jerry Osborne)
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'Muddy Waters at Newport 1960'
Chess CH1449 1977 Chess Records (1981 distributed in Canada by Quality Records Limited) MINT!
CONDITION 5/5
-------------------------------------------------------------------------------------
First and foremost, the condition is the most important element of any vinyl record up for resale. If the album is in Near Mint condition, this particular album could be sold at between $250-$300, so make sure, if you are selling them on eBay, to set a higher reserve. My source for the value is the "Rockin' Records Price Guide", 2007 edition (by Jerry Osborne)
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