Thursday, September 18, 2008

Album Cover Art

Let's continue our album cover art series-the top 50 controversial, weirdest, worst and best album covers, brought to us by the crack staff at http://www.gigwise.com

Controversial


41. The Rolling Stones: ‘Beggars Banquet’ Beggars Banquet is an LP released in 1968 by The Rolling Stones. It marked a return to the band's R&B roots, generally viewed as simpler and more primal than the conspicuous psychedelics of Their Satanic Majesties Request. The album is featured in the book "1001 Albums You Must Hear Before You Die". The controversary was the picture of the toilet and the gaffiti laced walls. The cover was rejected by both Decca and London Records due to its inappropriate imagery. In a show of defiance, Jagger and the band withheld the album for several months before finally relenting and allowing a replacement to be printed. Hey, I have been in that bathroom!

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Weirdest


41. Debbie Harry: 'Koo Koo' -Koo Koo is the title of the debut solo album by Debbie Harry, released in August 1981 while Harry was still a member of the group Blondie. Produced by Nile Rodgers and Bernard Edwards of the 70's disco group Chic, it reached #6 in the UK and stayed in the charts for seven weeks, being certified "Silver" by the BPI. The album reached #28 in the US. For the promotion of Koo Koo there were plans by Harry's record company, Chrysalis Records, to display large posters of the album cover created by Swiss artist H.R. Giger in various stations of the London Underground, but officials deemed the image of Harry's face with metal skewers going through her head too disturbing. In Japan the "Backfired" single was issued with an entirely different picture sleeve, showing a glamorous and most importantly non-provocative Debbie Harry looking more like her established Blondie persona.

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Worst


41. Ice T (Iceberg) Tracy Lauren Marrow (born February 16, 1958 in Newark, New Jersey) better known by his stage name, Ice-T, is a rapper, actor, and author. He is credited with helping create gangsta rap in the late 1980s. A compelling 'nude' album cover also helped fuel sales and its share of controversary as well. Ice-T threw listeners quite a curve ball with his riveting third album, The Iceberg/Freedom of Speech...Just Watch What You Say -- arguably the closest hip-hop has come to George Orwell's -1984. Instead of focusing heavily on gangsta rap, Ice-T made First Amendment issues the CD's dominant theme. Setting the album's tone is the opener, "Shut Up, Be Happy," which finds guest Jello Biafra (former leader of punk band Dead Kennedys) envisioning an Orwellian America in which the government controls and dominates every aspect of its citizens' lives. Though there are a few examples of first-rate gangsta rap here -- including "The Hunted Child" and the chilling "Peel Their Caps Back" -- Ice's main concern this time is censorship and what he views as a widespread attack on free speech in the U.S. As angry and lyrically intense as most of The Iceberg is, Ice enjoys fun for its own sake on "My Word Is Bond" and "The Girl Tried to Kill Me" -- an insanely funny rap-rock account of an encounter with a dominatrix. ~ Alex Henderson, All Music Guide

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Best


41. Pixies: ‘Surfer Rosa’ Surfer Rosa is the first full-length album by the American alternative rock band Pixies, released in March 1988 on the British independent record label 4AD. The album's unusual and offbeat subject matter includes references to mutilation and voyeurism; this is augmented by experimental recording, low-fidelity production and a unique drum sound that owes much to sound engineer Steve Albini. Surfer Rosa contains many of the themes present in the Pixies' earlier output, including Spanish lyrics and references to Puerto Rico. Surfer Rosa's cover features a photograph of a topless "friend of a friend" of the band, posing as a flamenco dancer, pitched against a wall which displays a crucifix and a torn poster. Simon Larbalestier, who contributed pictures to all of the Pixies albums, decided to build the set because "we couldn't find the atmosphere we wanted naturally." According to Larbalestier, Francis came up with the idea for the cover as he wrote songs in his father's "topless Spanish bar"; Larbalestier added the crucifix and torn poster, and they "sort of loaded that with all the Catholicism." Commenting on the cover in 2005, Francis said, "I just hope people find it tasteful." The cover booklet expands on the theme, and features photographs of the flamenco dancer in several other poses; there are no song lyrics or written content, apart from album credits, in the booklet.

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