Saturday, September 20, 2008

Album Cover Art

Continuing our album cover art series as complied by the crack staff at Gigwise.com, let's explore some more unique album cover art:

Controversial


39. Nirvana: ‘In Utero’ - This cover makes yet another list-In Utero is the third and final studio album by the American grunge band Nirvana, released on September 21, 1993 by DGC Records. The album's abrasive and aggressive sound was a departure from the polished production of the band's breakthrough second album, Nevermind (1991), due in part to the selection of recording engineer Steve Albini. The subject matters of the songs included dysfunctional family, cancer, issues of privacy, and abortion.

The art director for In Utero was Robert Fisher, who had designed all of Nirvana's releases on DGC Records. Most of the ideas for the artwork for the album and related singles came from Cobain. Fisher recalled that "[Cobain] would just give me some loose odds and ends and say 'Do something with it.'

The cover of the album is an image of a Transparent Anatomical Mannikin, with angel wings superimposed. Cobain created the collage on the back cover, referred to as "Sex and woman and In Utero and vaginas and birth and death," which includes fetuses and body parts lying in a bed of orchids and lilies. The collage had been set up on the floor of Cobain's living room and was photographed by Charles Peterson after an unexpected call from Cobain. According to Peterson, "one Sunday afternoon, Kurt calls me up, and is like 'Hey, I want you to take that picture now.' I rummaged for whatever film I had in the fridge, and went over." The album's track listing and re-illustrated symbols from Barbara G. Walker's The Woman's Dictionary of Symbols and Sacred Objects were then positioned around the edge of the collage.

Interestingly, the original title for "In Utero" was supposed to be "I Hate Myself And Want to Die," sharing its title with a song that was planned for the album. The phrase had originated in mid-1992 from one of Cobain's journal entries, and was meant as humor. It was Cobain's response whenever someone would ask him "how are you?" The tentative album title would be changed after band mate Novoselic convinced Cobain that "I Hate Myself And Want to Die" could potentially result in a lawsuit. The band considered the title "Verse Chorus Verse," a title shared with "Verse Chorus Verse" and an earlier working title of "Sappy". The final title was taken from one of Courtney Love's poems and is a Latin term meaning "in the uterus." Nice one Courtney.

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Weird


39. The Billy Cobham, George Duke Band: 'Live On Tour In Europe' - George Duke (born 12 January 1946 in San Rafael, California) is a piano and synthesizer pioneer and singer. He made a name for himself with the album The Jean-Luc Ponty Experience with the George Duke Trio. He is known for his solo work as well as for his collaborations with other musicians, particularly Frank Zappa.

Born in Panama, Cobham's family moved to New York City during his early childhood. A drummer from his youth, Cobham attended New York's High School of Music and Art, graduating in 1962.

He played in a U.S. Army Band from 1965 to 1968. Following his discharge, Cobham joined the group of pianist Horace Silver for about a year, also playing or recording with saxophonist Stanley Turrentine, organist Shirley Scott, and guitarist George Benson.

Blending these two talented musicians was brilliance, as the album is a jazz-fusion masterpiece. The cover? Well, I suppose you would have to ask the dynamic duo- if you can catch them!

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Worst


39. Kenny Loggins – ‘Keep The Fire’ Kenneth Clark "Kenny" Loggins (born January 7, 1948 in Everett, Washington) is an American singer and songwriter best known for a number of soft rock and adult contemporary hit singles beginning in the 1970s. He has also recorded as a solo artist and written hit songs for other artists. After attracting the attention of fellow singer-songwriter Jim Messina, the two began a duo career as Loggins and Messina. It lasted until 1976. In 1977 Loggins went on to produce his first solo album, Celebrate Me Home, which included the hit "I Believe In Love," originally sung by Barbra Streisand in A Star Is Born. Nightwatch, a popular album released in 1978, included the hit "Whenever I Call You Friend", a duet with Stevie Nicks of Fleetwood Mac. He followed this in 1979 with Keep the Fire.

The cover, well my guess is, he likes fire or being burned by it. Maybe it was a breakthrough in photography in the late 70's, but a nerd with Photoshop could conjure up a similar cover with ease today!

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Best


39. Snoop Dogg – ‘Doggy Style’ Cordozar Calvin Broadus, Jr. (born October 20, 1971), better known by his stage name Snoop Dogg (previously Snoop Doggy Dogg), is a Grammy Award-nominated American rapper, record producer, and actor. Snoop is best known as an MC in the West Coast hip hop scene, and for being one of producer Dr. Dre's most notable protégés.

While recording Doggystyle with Dr. Dre in August 1993, Snoop Dogg was arrested in connection with the death of Phillip Woldermarian, a member of a rival gang who was fired at and killed in a gang fight. Snoop Dogg was defended by David Kenner, with his bodyguard McKinley Lee, while Sean Abrams (accompanying member in the jeep) was defended by Johnnie Cochran. Both Snoop Dogg and McKinley Lee were acquitted; Lee was acquitted on grounds of self-defense, but Snoop Dogg remained entangled in the legal battles around the case for three years. His video "2 of Amerikaz Most Wanted" with Tupac Shakur chronicled the difficulties each rapper was dealing with as a result of their unrelated but concurrent criminal prosecutions.

The Doggystyle album was released in November 1993 on Death Row Records and became the first debut album ever to enter the charts at #1, helping to fuel the ascendance of West Coast "g-funk" rap. The singles "Who Am I (What's My Name)?" and "Gin and Juice" reached the top ten most-played songs in the United States, and the album stayed on the Billboard charts for several months. Gangsta rap became the center of arguments for censorship and labeling, with Snoop Dogg often used as an example of violent and misogynistic musicians. Doggystyle, much like The Chronic, featured a host of rappers signed to or affiliated with the Death Row label including Daz Dillinger, Kurupt, Nate Dogg and others.

Unbelievable, humorous and flat out insane (some say brilliant) album cover. Who let the dogs out?

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